"A prophetic lost classic from interwar Germany, now translated into English for the first time, following a group of Berliners on the skids as their nation unravels. Berlin in the 1920s is the largest city in Europe, a cultural mecca, and a political mess: a hedonistic Babylon, though there's little glamour for the hundreds of thousands out of work, the war wounded, the prostitutes, and the beggars. Come evening, they too want to shed their cares at the Jolly Huntsman pub, where they gather to drink, dance, and reassert their pride. But there's always disaster lurking in the alleys and flophouses, a disaster that the twenty-two-year-old author Ulrich Alexander Boschwitz clearly saw coming for his nation. In this dark comedy of petty theft, soapbox speeches, and bar fights is the disarray of a country devouring itself. Tragically, Germany's self-destruction engulfed the author, who was killed five years after finishing this novel. When Boschwitz's The Passenger was rediscovered in 2021, it was heralded as a masterpiece that terrifyingly captured the zeitgeist of life under Nazism. Now, Berlin Shuffle-his literary debut from 1937, finally available in English, with a preface by the preeminent translator Philip Boehm-brings to life the society that would enable fascism's takeover. The triumph of one of world literature's spectacular talents, Berlin Shuffle is a dire warning, sent from a pivotal moment in history to our own time"-- Provided by publisher.

Through personal essays and poetry, short fiction and painting, book reviews, interviews, performance pieces, and hybrid creations of text and image, Bridges to Cuba/Puentes a Cuba opens a window onto the meaning of nationality, transnationalism, and homeland in our time. For more than thirty-five years U.S.-Cuban relations have been couched in terms of the Cold War, often pitting Cubans in the diaspora against Cubans who remain in their homeland. Bridges to Cuba/Puentes a Cuba celebrates the informal networks that Cubans in both countries have maintained through artistic, academic, family, and other ties. The book brings together for the first time in English Cuban voices of the second generation, both on the island and in the diaspora. The multivocal and multigenre collection includes both scholarly and creative writing and an impressive range of visual art. The participants are earnest, angry, witty, and hopeful. They are sometimes visionaries, but they are not deluded about Cuban or North American realities. Their voices offer testimony to the continuing efforts of Cubans and Cuban-Americans to look beyond the animosities and failings of their respective societies and find possibilities for personal and international reconciliation, dialogue, and renewal. "Ruth Behar, as editor of Bridges to Cuba/Puentes a Cuba, leaps across conventional intellectual boundaries in an effort to show the complexity of nationhood, exile, and revolution in the Cuban experience of the last thirty years. An important book about the possibility and impossibility of building cultural and political bridges."--Arcadio Díaz-Quiñones, Princeton University "Behar narrows the straits of Florida with a richly textured dialogue of voices in and out of Cuba. Bridges to Cuba is sure to make history."--Liz Balmaseda, Miami Herald "A vital and interesting anthology about contemporary Cuba."--Oscar Hijuelos, author of The Mambo Kings Play Songs of Love " Bridges to Cuba is the first U.S. anthology that looks at Cuban creativity from an integrated perspective, refusing to kneel before the painful and often arbitrary divisions that have split the voices of this passionate culture into forever separate bands. The results are magnificent. Read this book and get a long overdue understanding of contemporary Cuban literature and art."--Margaret Randall, author of Women in Cuba: Twenty Years Later "In order for memory to be recovered, there must be a community that remembers and tells the story. . . . Bridges to Cuba displays a wealth of insights that leave the reader with a sense of having experienced first hand the intricate web of thought and feeling that is Cuban life."--Latino Review of Books "Ruth Behar's anthology represents one of the most important and moving bridges yet published on contemporary Cuba and its condition as the island that is still absent from the Western world. Bridges to Cuba is an extraordinary example of the faith and ability of Latin American intellectuals to cross true bridges, bridges of solidarity."--Marjorie Agosín, Wellesley College Ruth Behar is author of Translated Woman: Crossing the Border with Esperanza's Story and coeditor, with Deborah Gordon, of Women Writing Culture. She has been the recipient of awards from the MacArthur and Guggenheim foundations.

The revered author of books for all ages, from Bread and Jam for Frances to Turtle Diary, gives the literary performance of a lifetime in this taut psychological thriller about a boy who tries desperately to stop failing. Things are already looking a little funny to Nick Hartley after he loses yet another fight with Harry Buncher--and gets his head bashed into a wall in the bargain. So he is less confused than he ordinarily would when he meets Moe Nagic, a homeless man with a puzzle and a secret to sell. Moe offers Nick a way to visit Trokeville, the world that exists at the edge of the picture puzzle. Nick has to go there, if he's ever going to change the way his life is going. But he soon discovers the devastating danger of the journey: His mind could leave him stranded there, with no way of returning! Written with the power and precision of a great author, The Trokeville Way is a provocative masterpiece for our time. From the Hardcover edition.

'INTENSE SEXUAL DESIRE IS THE GREATEST THING IN THE WORLD' A tale of art, sex, blood, junkies and whores in New York's underground, from cult literary icon Kathy Acker Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

“Jonathan Carroll is a cult waiting to be born, a novelist of rare and terrifying power.”—Pat Conroy Ricocheting between Vienna and Los Angeles, between the worlds of desires and dreams, Sleeping in Flame is a hypnotic literary novel with irresistible elements of fantasy and magic. “I envy anyone who has yet to enjoy the sexy, eerie, and addictive novels of Jonathan Carroll.”—The Washington Post Book World “Jonathan Carroll is a master of sunlit surrealism.”—Jonathan Lethem

Beyond the Pale -- winner of the Lambda Literary Award -- tells the stories of two Jewish women living through times of darkness and inhumanity in the early 20th century, capturing their undaunted love and courage in luminous and moving prose. The richly textured novel details Gutke Gurvich's odyssey from her apprenticeship as a midwife in a Russian shtetl to her work in the suffrage movement in New York. Interwoven with her tale is that Chava Meyer, who was attended by Gurvich at her birth and grew up to survive the pogrom that took the lives of her parents. Throughout the book, historical background plays a large part: Jewish faith and traditions, the practice of midwifery, the horrific conditions in prerevolutionary Russia and New York sweatshops, and the determined work of labor unionists and suffragists.

Dorothy Parker ( 1893 to 1967) was an American poet and satirist, best known for her wit, wisecracks, and eye for 20th century urban foibles. From a conflicted and unhappy childhood, Parker rose to acclaim, both for her literary output in such venues as The New Yorker and as a founding member of the Algonquin Round Table. Following the breakup of the circle, Parker traveled to Hollywood to pursue screenwriting. Her successes there, including two Academy Award nominations, were curtailed as her involvement in left wing politics led to a place on the infamous Hollywood blacklist. Parker went through three marriages (two to the same man) and survived several suicide attempts, but grew increasingly dependent on alcohol. Dismissive of her own talents, she deplored her reputation as a "wisecracker". Nevertheless, her literary output and reputation for her sharp wit have endured. She sold her first poem to Vanity Fair magazine in 1914 and, some months later, she was hired as an editorial assistant for another Condé Nast magazine, Vogue. She moved to Vanity Fair as a staff writer following two years at Vogue. In 1917, married a Wall Street stock broker, Edwin Pond Parker II but they were separated by his army service in World War I. She had ambivalent feelings about her Jewish heritage given the strong antisemitism of that era and joked that she married to escape her name. In the 1920s alone she published some 300 poems and free verses in outlets including the aforementioned Vanity Fair, Vogue, "The Conning Tower" and The New Yorker along with Life, McCall's and The New Republic. She published her first volume of poetry, Enough Rope, a collection of previously published work along with new material in 1926. The collection sold 47,000 copies]and garnered impressive reviews. The Nation described her verse as "caked with a salty humor, rough with splinters of disillusion, and tarred with a bright black authenticity."

Based on the remarkable true story of G. H. Hardy and Srinivasa Ramanujan, and populated with such luminaries such as D. H. Lawrence, Bertrand Russell, and Ludwig Wittgenstein, The Indian Clerk takes this extraordinary slice of history and transforms it into an emotional and spellbinding story about the fragility of human connection and our need to find order in the world. A literary masterpiece, it appeared on four bestseller lists, including the Los Angeles Times , and received dazzling reviews from every major publication in the country.

The second volume of Jane Yolen's fantasy anthology series contains original stories and poetry by Ursual K. Le Guin, Barbara Hambly, Carol Janes Bangs, Marvin Bell, Patricia McKillip, Delia Sherman, Susan Solomont, Richard Kearns, Diane Duane, and Barbara Can Noord, and 26 others. A diverse collection of the best in original short fantasy.

Deborah Eisenberg is almost unmatched in her mastery of the short story form. In this, her seventh collection, she demonstrates her virtuosic abilities in precisely distilled, unflinchingly honest studies of human connection and disconnection. From a group of friends whose luxurious Manhattan sublet becomes a front-row seat to the catastrophe of 9/11; to the Roman holiday of a schoolteacher running away from the news of her ex-husband's life-threatening illness; to the too painful love of a brother for his schizophrenic sister, Eisenberg evokes painful and tender truths, both poetic and deeply political. 'The stories are, in their masterly crosshatching of light and dark, concentrated bursts of perfection’ The Times ‘Wonderful . . . written with a ruthless, compassionate eye and a subtle humour' Guardian ‘Further confirms her reputation as one of the most imaginative and exquisitely perceptive of today’s short story writers' Scotland on Sunday 'She makes you smile as much as she haunts with stark truths . . . In the US, many people consider Eisenberg to be up there with Alice Munro, the female monarch of the short-story form. It’s time the UK considered putting her up there too’ Financial Times

Deborah Eisenberg is nearly unmatched in her mastery of the short story form. Now, in her newest collection, she demonstrates once again her virtuosic abilities in precisely distilled, perfectly shaped studies of human connection and disconnection. From a group of friends whose luck in acquiring a luxurious Manhattan sublet turns to disaster as their balcony becomes a front-row seat to the catastrophe of 9/11; to the Roman holiday of a schoolteacher running away from the news of her ex-husband's life-threatening illness, and her unlikely guide, a titled art scout in desperate revolt against his circumstances and aging; to the too painful love of a brother for his schizophrenic sister, whose tragic life embitters him to the very idea of family, Eisenberg evokes, in brooding passionate and brilliant prose, a brutally honest portrait of our lives today, showing us truths which are both poetic and deeply political. 'Like Alice Munro, virtually her only equal in the field, Deborah Eisenberg seems incapable of writing a bad short story . . . Eisenberg's writing at times approaches the beauty of a line of poetry. She manipulates her readers with a master's blend of humor and poignancy. Her stories are wondrous' San Francisco Chronicle

Raised in Japan by American expatriates, Karen Leith now lives a reclusive life in New York, known chiefly for her highly regarded novels, of which the latest has won a major American literary award. When she is found on the floor behind her desk, surrounded by blood, it looks like foul play. But the only possible suspect is Leith's future daughter-in-law, Eva, who has recently become engaged. Eva swears by her innocence, even though she was the last to hear Leith alive and the first to find her dead. Eva was waiting outside Leith's office to share the happy news and maintains that no one entered through that door, while the room's other possible exit was locked. The only one who can help her clear her name is mystery writer Ellery Queen, an acquaintance of the victim through New York's literary circles. Queen intends to unravel the locked-room mystery, but with no murder weapon and too many incriminating fingerprints, this case just might be one even he can't solve.

'Brisk, smart, witty, elliptical ... Recalls the directors of the New Wave ... Bracing and brilliant' Independent When Patrick Modiano was awarded the 2014 Nobel Prize for Literature he was praised for using the 'art of memory' to bring to life the Occupation of Paris during the Second World War. Born in 1945, Modiano's brilliant, angry writings burst onto the Parisian literary scene and caused a storm. His first, ferociously satirical novel, La Place de l'Étoile , was remarkable in seriously questioning both Nazi collaboration in France and the myths of the Gaullist era. The Night Watch tells the story of a man caught between his work for the French Gestapo and for a Resistance cell. Ring Roads recounts a son's search for his Jewish father, who disappeared ten years previously. These brilliant, almost hallucinatory, evocations of the Occupation attempt to exorcise the past by exploring the morally ambiguous worlds of collaboration and resistance.

Lew Bascom is an idea man, and he has quite an idea. To put his career on the fast track, Bascom plans to pen a film about Hollywood's longest-running theatrical feud--Blythe Stewart and her daughter Bonnie's rivalry with Jack Royale and his son Ty. The twist? Bascom wants the four actors to play themselves in the film. The film's producer insists on bringing Ellery Queen, a successful New York writer, out to Hollywood to help close the deal. Only problem is that Bascom - a notorious procrastinator - isn't interested in outside help. So beautiful gossip columnist Paula Paris offers Queen an in by explaining the specifics of the feud ranging back to when Blythe and Jack were in a hot and heavy romance, throughout their unexpected separation, and into their subsequent marriages to other people. Meanwhile, the deepening hatred of their adult children has become the latest tabloid fodder. But when Blythe Steward and Jack Royale turn up dead, Queen must go from screenwriter to mystery solver before more Hollywood superstars become Hollywood casualties.

"From legendary actor and activist Sean Penn comes a scorching, darkly funny novella about Bob Honey--a modern American man, entrepreneur, and part-time assassin. He's just a guy trying to make it through each day while grappling with loneliness, alienation, violence--uncertain of his place in a culture that considers branding more important than being. Bob Honey has a hard time connecting with other people. He dreams he is sleeping with his ex-wife every night, and imagines waking up unhappy next to her every morning. Advertising, entertainment, and commerce rule his days; he's sick of being marketed to every moment, but is unable to pry himself away from the constant feed. A paragon of American entrepreneurialism, Bob sells septic tanks to Jehovah's Witnesses and arranges colorful pyrotechnic displays for foreign dictators. He's also a part-time assassin for an off-the-books program run by the CIA that targets the elderly, the infirm, and others who drain this consumption-driven society of its resources. When a nosy journalist starts asking questions, Bob can't decide if it's a chance to form some sort of new friendship or if it's the beginning of the end for him. With treason on everyone's lips, terrorism in everyone's sights, and American political life racing to ever-lower standards, Bob decides it's time to make a change. If he doesn't get killed by his mysterious controllers or exposed in the rapacious media first. Perfect for fans of books by Chuck Palahniuk and Hunter S. Thompson, Bob Honey Who Just Do Stuff is a provocative, biting, timely novella that marks the publishing debut of one of America's most acclaimed artists"--

"Totempole is Sanford Friedman's radical coming-of-age novel, featuring Stephen Wolfe, a young Jewish boy growing up in New York City and its environs during the Depression and war years. In eight discrete chapters, which trace Stephen's evolution from a two-year-old boy to a twenty-two-year-old man, Friedman describes with psychological acuity and great empathy Stephen's intellectual, moral, and sexual maturation. Taught to abhor his body for the sake of his soul, Stephen finds salvation in the eventual unification of the two, the recognition that body and soul should not be partitioned but treated as one being, one complete man"--

"Claudio Bianchi has lived alone for many years on a hillside in Southern Italy's scenic Calabria. Set in his ways and suspicious of outsiders, Claudio has always resisted change, preferring farming and writing poetry. But one chilly morning, as though from a dream, an impossible visitor appears at the farm. When Claudio comes to her aid, an act of kindness throws his world into chaos. Suddenly he must stave off inquisitive onlookers, invasive media, and even more sinister influences" -- provided by publisher.

"After discovering photography as a teenager through her high school's photo club, Lillian rejects her parents' expectations of college and marriage and moves to New York City in 1955. When a small gallery exhibits partially nude photographs of Lillian and her daughter, Samantha, Lillian is arrested, thrust into the national spotlight, and targeted with an obscenity charge. Mother and daughter's sudden notoriety changes the course of both of their lives and especially Lillian's career as she continues a lifelong quest for artistic legitimacy and recognition. Narrated by Samantha, Feast Your Eyes reads as a collection of Samantha's memories, interviews with Lillian's friends and lovers, and excerpts from Lillian's journals and letters--a collage of stories and impressions, together amounting to an astounding portrait of a mother and an artist dedicated, above all, to a vision of beauty, truth, and authenticity"--Provided by publisher.

In its third volume, this annual collection of 10 previously unpublished works takes an exclusive look at the country's most promising new writers. Selected by New York Times -bestselling author Lev Grossman, each story of extraordinary literary merit represents a showcase of talented writing through original pieces. This anthology speaks to a readership with an appreciation of short literary fiction and compelling narrative nonfiction.

Dreams and nightmares-what Ambrose Bierce called "visions of the night"-are the basis of some of the greatest weird fiction in literary history. The unruly images that torment us in sleep are usually dispelled by the coming of day-but can they be dismissed so easily? Do nightmares have some impalpable reality that can affect our daily lives, the lives of those around us, and perhaps the very fabric of the universe? Who can say that the nightmare is merely a wisp of fancy engendered by our own minds? After all, it was Edgar Allan Poe who said: "All that we see or seem is but a dream within a dream." All original nightmares by David Barker, Jason V Brock, Ramsey Campbell, Gemma Files, Richard Gavin, Caitlín R. Kiernan, Nancy Kilpatrick, John Langan, Reggie Oliver, W. H. Pugmire, Darrell Schweitzer, John Shirley, Simon Strantzas, Steve Rasnic Tem, Jonathan Thomas, Donald Tyson and Stephen Woodworth. This volume is edited by S. T. Joshi, a leading critic and anthologist of weird fiction.