The authors have correlated many experimental observations and theoretical discussions from the scientific literature on water. Topics covered include the water molecule and forces between water molecules; the thermodynamic properties of steam; the structures of the ices; the thermodynamic, electrical, spectroscopic, and transport properties of the ices and of liquid water; hydrogen bonding in ice and water; and models for liquid water. The main emphasis of the book is on relatingthe properties of ice and water to their structures. Some background material in physical chemistry has been included in order to ensure that the material is accessible to readers in fields such as biology, biochemistry, and geology, as well as to chemists and physicists.

Although there is an immense amount of literature on the 'Final Solution' - the Nazis' attempt to exterminate the Jews of Europe during the Second World War - many critical questions still remain unresolved. The authoritative essays in The Final Solution set out to clarify the origins of the attempted genocide of the Jews, and to provide new answers to this period of history which often seems inexplicable." "The book draws on important new evidence, much of it from archives in Eastern Europe which have only recently become accessible. Contributors are among the leading experts in the field. The essays focus on the preconditions and antecedents for the 'Final Solution' and the immediate origins of the decision to murder Europe's Jewish population. They consider, too, the impact of the German invasion of Russia in June 1941 on the evolution of a genocidal policy and the response of the peoples and governments in Germany, occupied Europe, the Free World and the Jewish communities under the Nazis and in the West." "The results of this study are often controversial. The essays challenge many accepted notions about the behaviour of the German Army, how much the Germans knew, and the response of the non-Jewish population in Occupied Europe and the West." "The Final Solution will be of great interest to students of modern European history. It will also make invaluable reading for anyone seeking to understand further this most tragic chapter of recent history.

Most people believe that they were either benefited or at least not harmed by being brought into existence. Thus, if they ever do reflect on whether they should bring others into existence---rather than having children without even thinking about whether they should---they presume that they do them no harm. Better Never to Have Been challenges these assumptions. David Benatar argues that coming into existence is always a serious harm. Although the good things in one's life make one's life go better than it otherwise would have gone, one could not have been deprived by their absence if one had not existed. Those who never exist cannot be deprived. However, by coming into existence one does suffer quite serious harms that could not have befallen one had one not come into existence. Drawing on the relevant psychological literature, the author shows that there are a number of well-documented features of human psychology that explain why people systematically overestimate the quality of their lives and why they are thus resistant to the suggestion that they were seriously harmed by being brought into existence. The author then argues for the 'anti-natal' view---that it is always wrong to have children---and he shows that combining the anti-natal view with common pro-choice views about foetal moral status yield a 'pro-death' view about abortion (at the earlier stages of gestation). Anti-natalism also implies that it would be better if humanity became extinct. Although counter-intuitive for many, that implication is defended, not least by showing that it solves many conundrums of moral theory about population.

Arthur Waley's brilliant and definitive translation of one of the foremost of all mystical books, Lao Tzu's Tao Te Ching, has become a modern classic in its own right. Unlike previous translations, it is founded not on the medieval commentaries but on a close study of all the early Chinese literature, and it provides a singular example of authoritative scholarship skillfully blended with brilliant, precise writing. In his introduction, Dr. Waley gives an extensive scholarly account of Chinese thought down to the end of the third century B.C. Here, the author presents a full picture of Chinese prehistory, early philosophy, and literature, showing the original, lofty conception of Taoism before the gradual corruption through the course of centuries, tracing this conflict of philosophies and its background of politics.

“Annabelle Gurwitch is the child prodigy of the literature on aging. The only downside of this book is that it is bound to deepen your laugh lines.”—Barbara Ehrenreich, author of Nickel and Dimed Actor and humorist Annabelle Gurwitch returns with a wickedly funny book of essays about the indignities faced by femmes d’un certain âge. Whether she is falling in lust at the Genius Bar, coping with her best friend’s assisted suicide, or navigating the extensive—and treacherously expensive—anti-aging offerings at the beauty counter, Gurwitch confronts middle age with candor, wit, and a healthy dose of self-deprecation. Scorchingly honest, surreally and riotously funny, I See You Made an Effort is the ultimate coming-of-middle-age story and according to Bill Maher, "it should be required reading for anyone between the ages of 40 and death. Scratch that—even after death, it's a must read."

Rediscover the enchanting world of Maurice Maeterlinck's "The Blue Bird: A Fairy Play in Six Acts," a timeless classic of French drama. This meticulously prepared edition brings to life a beloved fairy tale, perfect for readers of all ages. As a cornerstone of children's literature, "The Blue Bird" explores themes of fantasy and symbolism within a compelling narrative structure. This play, a significant work in translated French drama, offers a captivating journey into a world of imagination and wonder. Its enduring appeal lies in its ability to resonate with audiences through its allegorical exploration of happiness and the human condition. A classic of European drama, "The Blue Bird" remains a cherished example of fairy tale plays, offering a rich and rewarding experience for anyone who appreciates classic storytelling. Ideal for those interested in adaptations and the enduring power of juvenile fiction. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Clifton Fadiman's classic collection of mathematical stories, essays and anecdotes is now once again available. Ranging from the poignant to the comical via the simply surreal, these selections include writing by Aldous Huxley, Martin Gardner, H.G. Wells, George Gamow, G.H. Hardy, Robert Heinlein, Arthur C. Clarke, and many others. Humorous, mysterious, and always entertaining, this collection is sure to bring a smile to the faces of mathematicians and non-mathematicians alike.

Does gender have a poetics: What difference does gender make? How does it affect writing, reading, and the functions of text in society? The Poetics of Gender is a brilliant assembly of leading feminist critics whose collective effort presents the most up-to-date research on these important issues. The range of techniques and theories represented here are applied across a broad spectrum of texts and cultural forms, extending from women's writing of the Renaissance and the fiction of George Sand to the relation between quiltmaking and nineteenth-century literary forms, the pornography of Georges Bataille, and the theories of Julia Kristeva.

In 1978, Greil Marcus asked twenty other writers on rock - including Dave Marsh, Lester Bangs, Nick Tosches, Ellen Willis, Simon Frith, and Robert Christgau - a question: what one rock and roll album would you take to a desert island? The resulting essays were collected in Stranded, twenty passionate declarations that, appropriately, affirmed the solitary and obsessive activity that rock listening had become. Here are salutes, elegies, thank-you notes, and love letters to records such as The Rolling Stones' Beggars Banquet, The Ramones' Rocket to Russia, Captain Beefheart's Trout Mask Replica, Something Else by the Kinks, and out-of-print classics by the Ronettes, Little Willie John, and Huey "Piano" Smith; the whole is supplemented with Marcus's own invaluably annotated fifty-page discography, a "Treasure Island" of rock and roll. Stranded remains a classic of rock and roll literature, and perhaps the best possible answer to the question: what one rock and roll book would you take to a desert island?

The wondrous days of Chanukah come to life through the eyes of a young child, whose family gathering grows bigger and bigger as the holiday progresses.

"Follows George Washington's journey from Virginia to New York in anticipation of his inauguration at Federal Hall in New York City on April 30, 1789"--

Text: English, German (translation)

Spend a scary holiday on Fear Street! This collector's edition, which includes all three "Silent Night" books, stars the character readers love to hate--the nasty, rude and snobby Reva Dalby. Plus, the book will include a bound-in holiday card--featuring all-new Fear Street art! Five hundred lucky readers will receive a holiday postcard personally signed by R.L. Stine! (Young Adult)

Wallace Stegner was the premier chronicler of the twentieth-century western American experience, and his novels, the Pulitzer Prize–winning Angle of Repose and the National Book Award–winning The Spectator Bird, brought the life and landscapes of the West to national and international attention. Now, in this illuminating biography, Philip L. Fradkin goes beyond Stegner’s iconic literary status to give us, as well, the influential teacher and visionary conservationist, the man for whom the preservation and integrity of place was as important as his ability to render its qualities and character in his brilliantly crafted fiction and nonfiction. From his birth in 1909 until his death in 1993, Stegner witnessed nearly a century of change in the land that he loved and fought so hard to preserve. We learn of his hardscrabble youth on the Canadian frontier and in Utah, and of his painful relationship with his father, a bootlegger and gambler. We follow his intellectual awakening as a young man and his years as a Depression-era graduate student at the University of Iowa, during its earliest days as a literary center. We watch as he finds his home, with his wife, Mary, in the foothills above Palo Alto, which provided him with a long-awaited sense of belonging and a refuge in which he would write his most treasured works. And here are his years as the legendary founder of the Stanford Creative Writing Program, where his students included Ken Kesey, Edward Abbey, Robert Stone, and Wendell Berry. But the changes wrought by developers and industrialists were too much for Stegner, and he tirelessly fought the transformation of his Garden of Eden into Silicon Valley. His writings on the importance of establishing national parks and wilderness areas—not only for the preservation of untouched landscape but also for the enrichment of the human spirit—played a key role in the passage of historic legislation and comprise some of the most beautiful words ever written about the natural world. Here, too, is the story—told in full for the first time—of the accusations of plagiarism that followed the publication of Angle of Repose, and of the shadow they have cast on his greatest work. Rich in personal and literary detail, and in the sensual description of the country that shaped his work and his life—this is the definitive account of one of the most acclaimed and admired writers, teachers, and conservationists of our time.

WHEN YOU'VE LOST WHAT MATTERS MOST, HOW DO YOU FIND YOUR WAY BACK HOME? Joy Fonseca is dreading her 13th birthday, dreading being reminded again about her best friend Lukas's senseless death on this day, one year ago -- and dreading the fact he may have heard what she accidentally blurted to him the night before. Or maybe she's more worried he didn't hear. Either way, she's decided: she's going to finally open the first clue to their annual birthday scavenger hunt Lukas left for her the morning he died, hoping the rest of the clues are still out there. If they are, they might lead Joy to whatever last words Lukas wrote, and toward understanding how to grab onto the future that is meant to be hers.

NY 1950 1st (stated) Knopf. Hardcover thick octavo., 611pp., Red cloth backstrip with ivory marbled boards. VG++ light toning of end papers; text clean and bright. VG+ DJ. no owner marks. A sound and attractive copy of this true Masterpiece by Nobel laureate.

In snowy upstate New York, Ari, a struggling mother of a one-year-old, and Mina, a nine-months-pregnant woman who is new to town, become comrades-in-arms.--Provided by publisher.

Memoir of a Hungarian woman who was imprisoned for several years in the German concentration camp Auschwitz. This is the true, documented chronicle of a beautiful woman who survived the nightmare horror of the worst death camp of them all. Olga Lengyel tells, frankly and without compromise, one of the most horrifying stories of all time. This book is a necessary reminder of one of the ugliest chapters in the history of human civilization. ""You have done a real service by letting the ones who are now silent and most forgotten speak.""-Albert Einstein "This book is a horrifying, but necessary, reminder of one of the ugliest chapters in the history of human civilization."-New York Herald-Tribune "It is a picture of utter hell."-Saturday Review of Literature

What does it mean to lead a moral life?In her first extended study of moral philosophy, Judith Butler offers a provocative outline for a new ethical practice-one responsive to the need for critical autonomy and grounded in a new sense of the human subject.Butler takes as her starting point one's ability to answer the questions What have I done?and What ought I to do?She shows that these question can be answered only by asking a prior question, Who is this 'I' who is under an obligation to give an account of itself and to act in certain ways?Because I find that I cannot give an account of myself without accounting for the social conditions under which I emerge, ethical reflection requires a turn to social theory.In three powerfully crafted and lucidly written chapters, Butler demonstrates how difficult it is to give an account of oneself, and how this lack of self-transparency and narratibility is crucial to an ethical understanding of the human. In brilliant dialogue with Adorno, Levinas, Foucault, and other thinkers, she eloquently argues the limits, possibilities, and dangers of contemporary ethical thought.Butler offers a critique of the moral self, arguing that the transparent, rational, and continuous ethical subject is an impossible construct that seeks to deny the specificity of what it is to be human. We can know ourselves only incompletely, and only in relation to a broader social world that has always preceded us and already shaped us in ways we cannot grasp. If inevitably we are partially opaque to ourselves, how can giving an account of ourselves define the ethical act? And doesn't an ethical system that holds us impossibly accountable for full self-knowledge and self-consistency inflict a kind of psychic violence, leading to a culture of self-beratement and cruelty? How does the turn to social theory offer us a chance to understand the specifically social character of our own unknowingness about ourselves?In this invaluable book, by recasting ethics as a project in which being ethical means becoming critical of norms under which we are asked to act, but which we can never fully choose, Butler illuminates what it means for us as fallible creaturesto create and share an ethics of vulnerability, humility, and ethical responsiveness. Judtith Butler is the Maxine Elliot Professor of Rhetoric and Comparative Literature at the University of California, Berkeley. The most recent of her books are Precarious Life: The Power of Mourning and Violence and Undoing Gender.