Poems deal with identity, loneliness, hope, the past, divorce, paintings, identity, nature, travel, and dreams

Originally published in 1939, this book examines the critical careers of a number of English poets. Bronowski looks at the reasons why English poets took an interest in criticism and how the role of poets as critics affected English criticism at large by taking Sidney, Dryden, Shelley, Wordsworth, Coleridge, Swinburne, Housman and Yeats as his examples. This book will be of value to anyone with an in English literature and literary criticism.

Like her celebrated short fiction, Paley's poems are street-smart yet vulnerable, full of earthy observations and a refreshing bemusement; they display a wonderful ear for the rhythm of the speech of her native New York, where "talk is cheap but comes in variety." She "tells the story of the stories" told by children and grandmothers, which resonate "in the mind's ear" as "talk talk talk/the tickling tongue/of strangers." These poems are rich with the fullness of everyday life: the doings of Paley's Greenwich Village neighborhood, summers in Vermont, fulltime political activism, memories of family and friends. Paley's wonderful economy with words recalls William Carlos Williams and the objectivist poets. ISBN 0-88448-098-4: $19.95.

Poems address such topics as paintings, music, landscapes, and the terror in El Salvador

Review 6 The Affection Between Us By The Nest Of The Mother Bird Confusion Is What I Know Best Despite The Plainness Of The Day Each Of Us Fall Here I Am In A Room I Dream I Hurl A Spear I Like How Your Belly I'm A Machine Impermanence In Another Dream It Is Peculiar That You Should Love Me It's Not You I Miss It's So Reassuring To Show Myself To You Keep Time Away Knowledge The Life The Love We Had Midnight: 2 My Love For You Is A Dark Hall Neither One Now Opening Paths Orgasm The Puzzle Reality Is The Other Person The Sea Is My Place See Shapely Summer We Are Like Two Freight Cars What Would Life Be Without You? Who Am I To Be Loved Without Sexual Attraction, There Is The World The Wound Wrong Your Body Is Not Mine Your Face Before Me -- Table of Poems from Poem Finder®

PB G+.

A Strong Dose of Myself

Book by Dannie Abse

"Collected for the first time, the complete surviving works of a major African-American Beat Surrealist poet"--

Brilliant watercolors and a rhyming, rhythmical text relate the activities and emotions of a family

In this selection of poems from thirty years of a distinguished writing career, we see the growth of a poet’s mind, heart, and spirit as Ostriker struggles to love “this wounded / World that we cannot heal, that is our bride.” Whether she probes the meaning of childhood, family, marriage, and motherhood, or art, history, politics, and God; whether she is celebrating sexuality or confronting mortality, the poet includes “whatever I can grasp of human experience within my art—the good and beautiful, the evil and chaotic. I tell my students that they must write what they are afraid to write; and I attempt to do so myself.”

When a young man pays an unconscionable amount of money for a book of poetry, he suspects he may have been cheated and turns to a law clerk named Bland to play detective. A series of events lead the reader through forgery claims, black market traders, robbery, intrigue and murder.

A cycle of unrhymed sonnets dealing with public and private crises, marriage, middle age, and fatherhood, Notebook 1967–68 is considered by many readers to be one of Robert Lowell’s most innovative and searching works. Yet these freeform sonnets (which Lowell reworked in later volumes) are not included in their original form in his Collected Poems . Praised by Seamus Heaney for its “immediate, unprepossessing, blunt-edged force,” Notebook 1967–68 is a key to Lowell’s later style and a landmark in twentieth-century poetry.

Informed by Levi's sly and scientific imagination, the fictions in this collection explore a strangely familiar parallel universe in which scientific advances, gone unchecked, create a dehumanized and amoral world where machines write poetry and replicate anything—including human beings.

A Decade of Negative Thinking brings together writings on contemporary art and culture by the painter and feminist art theorist Mira Schor. Mixing theory and practice, the personal and the political, she tackles questions about the place of feminism in art and political discourse, the aesthetics and values of contemporary painting, and the influence of the market on the creation of art. Schor writes across disciplines and is committed to the fluid interrelationship between a formalist aesthetic, a literary sensibility, and a strongly political viewpoint. Her critical views are expressed with poetry and humor in the accessible language that has been her hallmark, and her perspective is informed by her dual practice as a painter and writer and by her experience as a teacher of art. In essays such as “The ism that dare not speak its name,” “Generation 2.5,” “Like a Veneer,” “Modest Painting,” “Blurring Richter,” and “Trite Tropes, Clichés, or the Persistence of Styles,” Schor considers how artists relate to and represent the past and how the art market influences their choices: whether or not to disavow a social movement, to explicitly compare their work to that of a canonical artist, or to take up an exhausted style. She places her writings in the rich transitory space between the near past and the “nextmodern.” Witty, brave, rigorous, and heartfelt, Schor’s essays are impassioned reflections on art, politics, and criticism.

Sleeping with Cats is the intimate memoir of acclaimed author and poet, Marge Piercy whose bestselling novels include Woman on the Edge of Time, Body of Glass and Braided Lives. Focusing on her emotional life, rather than her literary or political adventures, here she reveals the life behind her poems and novels, and the origins of her remarkable literary career. Piercy includes several of her memorable poems and revisits the people, the circumstances, and the actions which inspired her to write them, laying bare the origins of both her fiction and poetry. Throughout her life are her cats, steadfast companions who remain while the people in her life come and go. Always honest and thoroughly compelling, Sleeping with Cats is a fascinating account of this extraordinary and complex woman's life.

"A few years ago," Stewart O'Nan, editor of The Vietnam Reader, writes in his introduction, "when I began teaching the American literature of the Vietnam War, I tried to find an anthology my students could use.... But as I searched through libraries and catalogues, new- and used-book shops, I discovered there wasn't one." So O'Nan set out to create one himself. What began as course material has grown into a remarkable collection of writing that will appeal to a broad audience of readers interested in the Vietnam experience. O'Nan includes a little bit of everything--fiction and nonfiction from acclaimed writers such as Tim O'Brien, Louise Erdrich, Michael Herr, and David Halberstam; poetry and drama by Michael Casey and David Rabe; even songs such as Barry Sadler's "The Ballad of the Green Berets" and Credence Clearwater Revival's "Fortunate Son." There are also essays on the major Vietnam films, from The Deer Hunter to Full Metal Jacket, and a smattering of famous photographs from the war. What makes this collection extraordinary is not just the quality of the writing it contains but also the breadth of attitudes O'Nan represents. For instance, he juxtaposes an excerpt from Ron Kovic's antiwar memoir, Born of the Fourth of July with James Webb's gung-ho paean to fighting the good fight in Fields of Fire. Chapters of Tim O'Brien's hallucinatory fiction Going After Cacciato resonate with excerpts from his earlier memoir If I D ie in a Combat Zone as well the journalism of Michael Herr (Dispatches) and Philip Caputo (A Rumor of War). Creating sections such as "Early Work," "The Oral History Boom," "Memoirs," "Homecoming," and more, O'Nan seeks to convey as much of the war experience from as many different perspectives as possible. Anyone interested in history and in fine writing will find The Vietnam Reader worthy reading. --Alix Wilber