"A STRONG, CAPTIVATING NOVEL." --San Francisco Chronicle For Caroline the kitchen has always been her home, and Italian food her specialty. In fact, the minute she sets foot in Italy--and meets the appreciative Angelo, who loves her cooking like nobody's business--Caroline decides to stay. But even the magic spices of Italy can't make her marriage taste right. Angelo takes over the raising of their beautiful daughter Olivia, who, by the age of ten, hardly speaks to her mother. Caroline leaves the country and her daughter for four years, until Olivia seeks out her mother in New York. Caroline is overjoyed and hopeful--until she reacquaints herself with the difficult, demanding daughter she could never stop loving but discovers she doesn't exactly like.... "Between the risotto and the romance, Rossner treats family life with a wise and witty touch." --Us Magazine "Everything you expect from a Judith Rossner novel: story, character, language, and uniqueness--and more--a new ripeness, a maturity. It's altogether a deep and satisfying journey." --Betty Rollin

Although Alfred Hitchcock, Orson Welles, and Jean Renoir do not pontificate about "eternal verities or analytical niceties," as Irving Singer remarks in Three Philosophical Filmmakers, each expresses, through his work, his particular vision of reality. In this study of these great directors, Singer examines the ways in which meaning and technique interact within their different visions. Singer's account reveals Hitchcock, Welles, and Renoir to be not only consummate artists and inspired craftsmen but also sophisticated theorists of film and its place in human experience. They left behind numerous essays, articles, and interviews in which they discuss the nature of their own work as well as more extensive issues. Singer draws on their writings, as well as their movies, to show the pervasive importance of what they did as dedicated filmmakers. Hitchcock used his mastery of contrived devices not as mere formalism divorced from content, Singer notes, but in order to evoke emotional responses that are meaningful in themselves and that matter greatly to millions of people. Singer's discussion of Hitchcock's work analyzes, among other things, his ideas about suspense, romance, and the comic. Singer also makes a detailed comparison of the original Psycho with Gus Van Sant's recent remake. Considering the work of Welles, Singer shows how and why the theme of vanished origins—"the myth of the past"—recurs in many of his films, starting with the Rosebud motif in Citizen Kane and continuing much later in his little-known masterpiece The Immortal Story . Expanding upon Renoir's comment that his own films were "always the same film," Singer studies his entire work as a coherent though evolving search for contact and "conversation" with the audience. While recognizing the primacy of technique, Renoir used cinematic artifice in the service of that humanistic aspiration.

Art investigator Madison Dupre knew the offer was too good to be true: $20,000 for a quick trip to Dubai, the fantastic Arabian Nights city on the Persian Gulf. The call came from Sir Henri Lipton, a man who was supposed to be dead—and who she sincerely had hoped was burning in hell because he had ruined her career before his violent “demise.” He told her only one tantalizing thing about the piece of art: “Let’s just say it’s a couple thousand years old and was buried with Christ.” The fact the offer came from a man wanted on three continents for art looting was fair warning that there would be a catch. But with credit collectors and an avaricious landlord pounding at her door, Madison listened when the devil whispered magic words in her ear: $20,000– cash – upfront. There was a catch, of course. A number of them. Sir Henri was up to his neck in conspiracies and needed someone to deflect the danger onto—not to mention frame for the most audacious art theft in history. Dubai, a city that has been called Las Vegas on steroids, would just be the first stop for Madison on a quest that takes her to an ancient Mesopotamian city, the dark streets of exotic Istanbul, Venice at Carnival time, and a cathedral where the most sacred object of Christendom is stored. Along the way, she finds romance in the arms of a Russian agent who she doesn’t trust—and can’t resist.

Married (again) and divorced (again), Isadora Wing is a single parent with an adorable daughter, an irritating ex-husband, and a startling assortment of suitors: an unorthodox rabbi, a poetic disc jockey, the son of a famous sex therapist, and WASPily handsomest of all: Berkeley Sproul III. Isadora and Berkeley meet at a health club, and he's fourteen years her junior. Of course their affair is tortuous and sexy, but is it love? Or does the stud just want a free trip to Venice, compliments of a famous author? Either way, Erica Jong wrote this romance with "a mixture of eloquence and savage wit as good as anything she has ever written," said The Wall Street Journal.

Zofloya or, THE MOOR: a romance of the fifteenth century Charlotte Dacre This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

Winner of the 2004 Prix de Flore—one of France's most distinguished literary prizes—a wildly romantic, true-life love story “History follows a trail of sputtering desire, often calling upon the delusions of lovers to generate the sparks. If it weren’t for us, the world would suffer from a dismal lack of stories," writes Bruce Benderson in this brutally candid memoir. “What astonishes and intrigues is Benderson’s way of recounting, in the sweetest possible voice, things that are considered shocking,” wrote Le Monde. What’s so shocking? It’s not just Benderson’s job translating Céline Dion’s saccharine autobiography, which he admits is driving him mad; but his unrequited love for an impoverished Romanian in “cheap club-kid platforms with dollar signs in his squinting eyes,” whom he meets while on a journalism assignment in Eastern Europe. Rather than retreat, Benderson absorbs everything he can about Romanian culture and discovers an uncanny similarity between his own obsession for the Romanian (named Romulus) and the disastrous love affair of King Carol II, the last king of Romania (1893-1953). Throughout, Benderson—“absolutely free of bitterness, nastiness, or any desire to protect himself,” wrote Le Monde—is sustained by little white codeine pills, a poetic self-awareness, a sense of humor, and an unwavering belief in the perfect romance, even as wild dogs chase him down Romanian streets.

Ferenc Molnár's "Liliom: A Legend in Seven Scenes and a Prologue" is a classic Hungarian drama exploring themes of love, loss, and redemption beyond the earthly realm. This timeless tale blends fantasy and romance, venturing into the afterlife as it contemplates the possibilities of purgatory. A cornerstone of European drama, "Liliom" has captivated audiences and inspired numerous adaptations across various artistic mediums. Molnár's poignant exploration of human nature continues to resonate, inviting reflection on the choices we make and their consequences, even after death. This meticulously prepared print edition preserves the integrity of the original work, offering a new opportunity to experience this enduring story. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

An unabridged compilation of the bestselling and award winning trilogy The Boys from Bondi, Going Home and Joshua. A rare look at the adolescent Jewish-Australian experience filled with daring and wit. The unforgettable portrayal of the conflict between Arab and Jew is told with passion, humour and unlikely optimism. The book is a tragi-comic adventure touched with romance and growing up.

Rebecca Rosenblum's Once is a fiercely original and assured debut, a collection of sixteen stories portraying the constricted and confused lives of the rootless twenty-somethings -- students, office techies, waitresses, warehouse labourers, street hustlers -- who inhabit them. These are stories grounded in the all-too-real comedy and tragedy of jobs and friendships and romances, books and buses and bodies.

Peter Dronke illuminates a unique literary tradition: the narrative that mixes prose with verse. Highlighting a wide range of texts, he defines and explores the creative ways in which mixed forms were used in Europe from antiquity through the thirteenth century. Verse with Prose distinguishes for the first time some of the most significant uses of mixed forms. Dronke looks at the way prose and verse elements function in satirical works, beginning in the third century B.C. with Menippus. He examines allegorical techniques in the mixed form, giving especially rewarding attention to Boethius' Consolation of Philosophy. His lucid analysis encompasses a feast of medieval sagas and romances, ranging from Iceland to Italy, including vernacular works by Marguerite Porete in France and Mechthild in Germany. A number of the medieval Latin texts presented have remained virtually unknown, but emerge here as narratives with unusual and at times brilliant literary qualities. To enable not only specialists but all who love literature to respond to the works discussed, they are quoted in fresh translations, as well as in the originals.

In August 1948, 545 passengers boarded an overcrowded, clapped-out vessel in Marseilles to face an uncertain future in Australia and New Zealand. they came from displaced persons camps in Germany, death camps in Poland, labour camps in Hungary, gulags in Siberia and stony Aegean islands. there were those who had been hunted by the Nazis and those who had welcomed them; those who had followed the Communists and those who had fled from them. the epic voyage lasted almost three months and was marked by conflict and controversy until it seemed as though this hellship had absorbed the traumas of its passengers. As the conditions on board deteriorated, tension and violence simmered above and below decks. But romances and seductions also flourished, and lifelong bonds were formed. Diane Armstrong set sail on the Derna with her parents when she was nine years old. Like a detective searching for clues, she has located over a hundred of the passengers. through their recollections and memorabilia, as well as archival documents, she has recreated the voyage and traced what became of their hopes and dreams. the result is the unique portrayal of a migrant ship and its passengers.

Kayla and Mishalla, two genetically engineered enslaved non-human (GENs), fall in love with higher-status boys, discover deep secrets about the creation of GENs, and in the process find out what it means to be human. Enslaved by their genetics. Oppressed by their creators. Fighting for their humanity. On rugged planet Loka, life for best friends Kayla and Mishalla is arduous at best. They are GENs, Genetically Engineered Non-humans, and in their strict caste system, GENs are at the bottom rung of society. GENs are gestated in a tank and sent to work as slaves as soon as they reach age fifteen. When Kayla is Assigned to care for Zul Manel, the patriarch of a trueborn family, she finds secrets and surprises--not least of which is her budding friendship with Zul's handsome great-grandson. Meanwhile, the children that Mishalla is Assigned to care for are being stolen in the middle of the night, and a strange lowborn boy is hanging around nearby. After weeks of toiling in their Assignments, mystifying circumstances enable Kayla and Mishalla to reunite. Together with the boys, they hatch a plan to save the disappearing children. Yet can GENs really trust humans? Both girls must put their lives and hearts at risk to crack open a sinister conspiracy, revealing secrets no one is ready to face. The first in a trilogy, Tankborn is a page-turning sci-fi thriller that will leave readers scrambling for the sequel! Check out the other titles in this series: TANKBORN * AWAKENING * REBELLION

Maud Gonthier yearns for an escape from the cocoon of the bourgeois modesty. The splendid, caddish David Tyler appears to offer one. In this stylish, deeply knowing novel by the Booker Prize winning author of Hotel du Lac, Maud's seduction creates a chemistry of longing, sensuality, and betrayal--with a surprising climax.

THE NEW VOICES IN LITERATURE AWARD FINALIST A WILLIAM FAULKNER COMPETITION SEMI-FINALIST " a marvelous collage of history, politics, mystery and romance." Pat Averbach, Director, Chautauqua Writers Center When Taiwanese millionaire Ko-sa Ong shows up in Washington with Jade Phoenix by his side, Nick Malter, his best friend, and his lost "Angel" would all rather be in some other country. But Taiwan is no ordinary country in the 1970s. Against all odds, Ko-sa has everything he could want except a son and a nation. Jade Phoenix has nothing after her father, a senior Nationalist general, commits suicide. Nick Malter, an American reporter, peers under the veils that cloak the Chinese and their women. Love blooms in a wilderness of misunderstanding. Ko-sa and Nick share an abiding hatred of Chiang Kai-shek and the cynical American Secretary of State who would forever deny the Taiwanese their country. They risk all for each other, but both give up everything for the love of Jade Phoenix. A stroke of the pen shatters dreams of nationhood and foreign devils challenge ancient Chinese customs in this extraordinary cross-cultural adventure. Betrayal and trust forge uncontrollable urges, fierce loyalties, and love that extends beyond life itself.

From the author of The Last Testament comes the true love of Bonnie Prince Charlie, her adventures in America and her lasting legacy. In the page-turning popular genre trail-blazed by Antonia Fraser and Phillippa Gregory, The Pretender’s Lady , Alan Gold’s meticulously researched novel, accurately opens history’s pages on a peerless woman who helped change the course of history and whose legend lives on in Scotland today—Flora MacDonald. She was the most famous Scotswoman of her day, single handedly saving Bonnie Prince Charlie. This is her fictionalized life story—her relations with the Prince, her flight to America, Ben Franklin’s influence, and her return to Britain to lobby for peace But what’s hidden from history, revealed now for the first time in Gold’s dazzling new work of fiction, is the result of Flora’s and Charlie’s love: a beautiful and talented boy raised on an American farm. But only she knows his true heritage and his claim to the world’s greatest throne. And only the genius of Ben Franklin understands how to use this naïve boy to change the history of America. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

From internationally bestselling author Santa Montefiore, whose books have sold more than six million copies worldwide, comes The Distant Shores , a new story in the sweeping Deverill saga, about a family torn apart and the woman who will bring them back together. Margot Hart travels to Ireland to write a biography of the famous Deverill family. She knows she must speak to the current Lord Deverill, JP, if she is to uncover the secrets of the past. A notorious recluse, JP won’t be an easy man to crack. But Margot is determined—and she is not a woman who is easily put off. What she never expected was to form a close bond with JP and be drawn into his family disputes. Shouldering the blame for running up debts that forced him to sell the family castle, JP is isolated and vulnerable. With help from his handsome son Colm, it seems as though Margot might be the only one who can restore JP’s fortunes. Will the family ever succeed in healing rifts that have been centuries in the making?

Product description Jenny Fox goes to South America to build a school in her grandfather’s country — but her summer adventure turns into much more than community service when she meets Nelson, the charismatic leader of the project. Jenny isn’t the only one with her eyes on Nelson. As she and her flirtatious rival get closer to Nelson, though, she discovers his dark side: an ugly prejudice against his country’s enemies across the border. She doesn’t want to lose him, but how can she accept his bigotry? While love and conscience clash inside her, a real war threatens to break out around her. This is a summer she’ll remember for the rest of her life. From Booklist "The teens' fiery arguments humanize the big questions, as Jenny witnesses the prejudice against the poorer and darker people who have lost their land, including the housekeeper who works for the volunteers but eats alone... Are the hostile guerrillas on the border terrorists or freedom fighters? Readers will join the discussion." -- Booklist

Eight stories of tangy satire and sweet sentimentality. Filled with human drama, unfaltering reason, and extraordinary description.

"We have long since lost our faith in the idea that human beings could achieve human happiness in some future ideal state, a state that Thomas More, writing five centuries ago, tied to a topos, a fixed place, a land, an island, a sovereign state under a wise and benevolent ruler. But while we have lost our faith in utopias of all hues, the human aspiration that made this vision so compelling has not died. Instead it is re-emerging today as a vision focused not on the future but on the past, not on a future-to-be-created but on an abandoned and undead past that we could call retrotopia. The emergence of retrotopia is interwoven with the deepening gulf between power and politics that is a defining feature of our contemporary liquid modern world ? the gulf between the ability to get things done and the capability of deciding what things need to be done, a capability once vested with the territorially sovereign state. This deepening gulf has rendered nation-states unable to deliver on their promises, giving rise to a widespread disenchantment with the idea that the future will improve the human condition and a mistrust in the ability of nation-states to make this happen. True to the utopian spirit, retrotopia derives its stimulus from the urge to rectify the failings of the present human condition - though now by resurrecting the failed and forgotten potentials of the past. Imagined aspects of the past, genuine or putative, serve as the main landmarks today in drawing the road-map to a better world. Having lost all faith in the idea of building an alternative society of the future, many turn instead to the grand ideas of the past, buried but not yet dead. Such is retrotopia, the contours of which are examined by Zygmunt Bauman in this sharp dissection of our contemporary romance with the past"--

FROM THE NUMBER ONE BESTSELLING AUTHOR Ellen Trawton is running away from it all - quite literally. She is due to get married to a man she doesn't love, her job is dragging her down and her interfering mother is getting on her nerves. So she escapes to the one place she know her mother won't follow her - to her aunt's house in rural Ireland. Once there, she uncovers a dark family secret - and a future she never knew she might have. Meanwhile, Caitlin Macausland is mourning the future she can never have. She died tragically in what the village thinks is suspicious circumstances, and now she is stuck in a limbo, unable to move on. ***PRAISE FOR SANTA MONTEFIORE*** ‘Nobody does epic romance like Santa Montefiore’ JOJO MOYES ‘An enchanting read overflowing with deliciously poignant moments’ DINAH JEFFERIES on Songs of Love and War ‘Santa Montefiore hits the spot for my like few other writers’ SARRA MANNING ‘One of our personal favourites’ THE TIMES on The Last Secret of the Deverills ‘Accomplished and poetic’ Daily Mail ‘Santa Montefiore is a marvel’ Sunday Express And between the two of them is an old lighthouse - the scene of so much tragedy. Can each woman find the peace she so desperately longs for? And can they find the way to live again?