"In this pathbreaking book, New York Times bestselling author Cass Sunstein asks us to rethink freedom. He shows that freedom of choice isn't nearly enough. To be free, we must also be able to navigate life. People often need something like a GPS device to help them get where they want to go--whether the issue involves health, money, jobs, children, or relationships. In both rich and poor countries, citizens often have no idea how to get to their desired destination. That is why they are unfree. People also face serious problems of self-control, as many of them make decisions today that can make their lives worse tomorrow. And in some cases, we would be just as happy with other choices, whether a different partner, career, or place to live--which raises the difficult question of which outcome best promotes our well-being. Accessible and lively, and drawing on perspectives from the humanities, religion, and the arts, as well as social science and the law, On Freedom explores a crucial dimension of the human condition that philosophers and economists have long missed--and shows what it would take to make freedom real."--Page [2] of cover.

See only what you want to see, hear only what you want to hear, read only what you want to read. In cyberspace, we already have the ability to filter out everything but what we wish to see, hear, and read. Tomorrow, our power to filter promises to increase exponentially. With the advent of the Daily Me, you see only the sports highlights that concern your teams, read about only the issues that interest you, encounter in the op-ed pages only the opinions with which you agree. In all of the applause for this remarkable ascendance of personalized information, Cass Sunstein asks the questions, Is it good for democracy? Is it healthy for the republic? What does this mean for freedom of speech? Republic.com exposes the drawbacks of egocentric Internet use, while showing us how to approach the Internet as responsible citizens, not just concerned consumers. Democracy, Sunstein maintains, depends on shared experiences and requires citizens to be exposed to topics and ideas that they would not have chosen in advance. Newspapers and broadcasters helped create a shared culture, but as their role diminishes and the customization of our communications universe increases, society is in danger of fragmenting, shared communities in danger of dissolving. In their place will arise only louder and ever more extreme echoes of our own voices, our own opinions. In evaluating the consequences of new communications technologies for democracy and free speech, Sunstein argues the question is not whether to regulate the Net (it's already regulated), but how; proves that freedom of speech is not an absolute; and underscores the enormous potential of the Internet to promote freedom as well as its potential to promote "cybercascades" of like-minded opinions that foster and enflame hate groups. The book ends by suggesting a range of potential reforms to correct current misconceptions and to improve deliberative democracy and the health of the American republic. Chat with Cass Sunstein in a Message Forum hosted beginning April 1, 2001.

Nuclear bombs in suitcases, anthrax bacilli in ventilators, tsunamis and meteors, avian flu, scorchingly hot temperatures: nightmares that were once the plot of Hollywood movies are now frighteningly real possibilities. How can we steer a path between willful inaction and reckless overreaction? Cass Sunstein explores these and other worst-case scenarios and how we might best prevent them in this vivid, illuminating, and highly original analysis. Singling out the problems of terrorism and climate change, Sunstein explores our susceptibility to two opposite and unhelpful reactions: panic and utter neglect. He shows how private individuals and public officials might best respond to low-probability risks of disaster—emphasizing the need to know what we will lose from precautions as well as from inaction. Finally, he offers an understanding of the uses and limits of cost–benefit analysis, especially when current generations are imposing risks on future generations. Throughout, Sunstein uses climate change as a defining case, because it dramatically illustrates the underlying principles. But he also discusses terrorism, depletion of the ozone layer, genetic modification of food, hurricanes, and worst-case scenarios faced in our ordinary lives. Sunstein concludes that if we can avoid the twin dangers of overreaction and apathy, we will be able to ameliorate if not avoid future catastrophes, retaining our sanity as well as scarce resources that can be devoted to more constructive ends.

Who knows you better than your best friend? Who knows your secrets, your fears, your desires, your strange imperfect self? Edi and Ash have been best friends for over forty years. Since childhood they have seen each other through life's milestones: stealing vodka from their parents, the Madonna phase, REM concerts, unexpected wakes, marriages, infertility, children. As Ash notes,[Bokinfo]

There is a revolution coming. It will not be like revolutions of the past. It will originate with the individual and with culture, and it will change the political structure only as its final act. It will not require violence to succeed, and it cannot be successfully resisted by violence. This is the revolution of the new generation.

Have we reached a tipping point where more Americans depend on the efforts of others than on their own? Are we becoming a nation of moochers? In A Nation of Moochers , Charles J. Sykes argues that we are already very close to that point, if we have not already crossed the line: from the corporate bailouts on Wall Street, to enormous pension, healthcare, and other entitlement costs, to questionable tax exemptions for businesses and individuals, to the alarming increases in personal default and dependency, the new moocher culture cuts across lines of class, race, and private and public sectors. A Nation of Moochers explores the shift in the American character as well as the economy. Much of the anger of the current political climate stems from the realization by millions of Americans that they are being forced to pay for the greed-driven problems of other people and corporations; increasingly, those who plan and behave sensibly are being asked to bail out the profligate. Sykes' argument is not against compassion or legitimate charity, but distinguishes between definable needs and the moocher culture, in which self-reliance and personal responsibility have given way to mass grasping after entitlements, tax breaks, benefits, bailouts, and other forms of feeding at the public trough. Persuasively argued and wryly entertaining, A Nation of Moochers is a rallying cry for Americans who are tired of playing by the rules and paying for those who don't.

"This will bring us back together again. Just the way we used to be." - Walter Burns, His Girl Friday Celebrated for its humor, spontaneity, unpredictability, and quick tempo "overlapping" dialogue, His Girl Friday is a noteworthy 1940 American screwball (a subgenre of romantic) comedy film directed by Howard Hawks, starring Hollywood legends, Cary Grant and Rosalind Russell, with Ralph Bellamy and Gene Lockhart. Wanting to win back his ex-wife "Hildy" Johnson (Russell), who is also his star reporter, newspaper editor Walter Burns (Grant) tries to convince her to cover one more story together, and he gets them enmeshed in a prominent murder case. The script for His Girl Friday was written by Charles Lederer and famous writer and director Ben Hecht (uncredited), and is based on Hecht's prominent 1928 play, The Front Page, that he co-wrote with Charles MacArthur.The film, ranked in the past in the top 100 films by The American Film Institute, features numerous special techniques, including the use of rapid, often witty, overlapping lines to make conversations in the screenplay sound more real-life. In this beautifully designed book edition of the original film screenplay, the original dialogue from the film is reproduced complete with an accompanying commentary that enables the reader to understand the splendor of this Hollywood classic. Considered an overall favorite of leading Hollywood critics, and the legendary director Quentin Tarantino, His Girl Friday is also held in popular esteem - enjoying a Rotten Tomatoes approval rating of 99% based on 100 reviews, with an average rating of 9 out of 10.

Dr. Charles Silverstein has made a habit of breaking down barriers. He successfully persuaded the American Psychiatric Association to remove homosexuality as a mental illness in 1973. With Edmund White, he co-authored the landmark publication The Joy of Gay Sex in 1977. He was awarded a Gold Medal for Lifetime Achievement in the Practice of Psychology in 2011. In his stunning memoir, For the Ferryman, we share his life's joys and sorrows, professionally and personally. It's not just a tour of the political events of gay activism, it is a love story of the extraordinary twenty-year relationship the author shared with William Bory. As Reverend John J McNeil puts it: "It is a memorial to a love affair which relentlessly and courageously analyzes the neurotic wounds in both their lives that led to their loving partnership with all its ups and downs, an extraordinary faithful love that persevered to the end." A compelling read, written in a disarming style which conveys the passion, and sometime sorrow, of a life richly lived - For the Ferryman rewards the reader with an afterglow which long sits in one's heart. This second edition has been updated for a 2022 release. "Charles Silverstein has written a memoir about the great love of his life - an eccentric, androgynous genius whom Charles adored and cared for despite all his flaws and addictions. Most writers idealize their lovers, especially if they've died young, but Silverstein presents his William with all his charm and sexual allure and intellectual brilliance - and all his maddening faults. I wept at the end of this brave, honest book - and I suspect you will too." - Edmund White "From his Brooklyn childhood to his climactic gay-Scott and Zelda relationship, Silverstein's For the Ferryman is a searing, unafraid, and indelible self-portrait of a distinguished and amazing life. Not the coolly calculated look-back we might have expected but instead a roller-coaster ride of emotion recollected in anything but tranquility." - Felice Picano "Detailed, unflinching, and unrepentantly honest, this memoir is both personal in scope and universal in relevance." - Jerry Wheeler, Out in Print "Silverstein takes no liberties, hides no truths, glosses over no details and is candid in a way that could make Larry Flint blush. For The Ferryman uniquely blends the early years of the gay struggle for liberation and AIDS with the simple life of two men in love." - Joe Franco, Windy City Times

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

Notable Children's Books of 1971–1975 (ALA) Best Books of 1972 (SLJ) Outstanding Children's Books of 1972 (NYT)

The former first Lady candidly describes her life, her unhappy first marriage, her courtship and marriage with Gerald Ford, their independent children, and her battle with cancer

Captain Marvel is one of the mightiest Avengers - and Rogue is one of the most steadfast X-Men! But Rogue used to be a villain, and she and Carol once clashed in a battle that left both women changed forever! On behalf of the Brotherhood, Rogue ambushed Carol - and permanently absorbed her memories and powers! As Rogue battled the Avengers and X-Men, Carol struggled to rebuild her life... and Rogue, tormented by Carol's memories, eventually reformed. The two powerhouses have crossed paths time and again since then, both as enemies and reluctant allies. But can Captain Marvel and Rogue ever find a way to bury the hatchet - other than in each other's heads? Collecting: Avengers Annual (1967) 10; Uncanny X-Men (1981) 158, 171, 269; Ms. Marvel (2006) 9-10; X-Men Legacy (2008) 269-270; Captain Marvel (2019) 4-5; material from Marvel Super-Heroes (1990) 11

Storm, Cyclops, Nightcrawler, Kitty Pryde, Colossus and Wolverine. Children of the atom, they are humanity's only hope in the face of evil: they are the uncanny X-Men! In this volume, Cyclops gets stranded on an island with Magneto, Kitty leaves the X-Men, the team saves Illyana Rasputin and the Dark Phoenix returns!

Under A Rock, the first memoir from Blondie's Chris Stein, is a quintessentially New York story of the golden age of the East Village and the makings of international superstars, with a foreword by Debbie Harry.[Bokinfo]

ONE OF WATERSTONES BEST ENTERTAINMENT BOOKS OF 2024 'Sometimes fate deals up a wild card. There's a lot to be said for one of these wild cards and from what I've learned over the fifty or so years of our friendship, Chris is a card from the unexpected deck' - from the foreword by Debbie Harry Musician, photographer, storyteller, and longtime partner to Debbie Harry, Chris Stein defined the sound of an era, catapulting the icon band Blondie to #1 and selling over 20 million copies of Parallel Lines. In this no-holds-barred autobiography, Stein reveals himself-this time not in songwriting or photography, which he's previously been known for, but in words. From a Brooklyn boyhood, a move across the river to the gritty and fecund East Village in the late 1970s allowed Stein to tap the explosive creativity that defined the era in the city. It was a time when David Bowie and the Ramones were also making music, when Andy Warhol was still alive and promoting Jean-Michel Basquiat's work, when cool was defined not by where you came from but by what you could contribute to culture. UNDER A ROCK is a plunge into that vanished time period, and into the moments that turned the fresh sound and new look of punk and new wave into a giant artistic and commercial sensation. Stein takes us there in this revelatory, propulsive, distinctive memoir.

When Sheriff Hardy investigates the source of a brilliant light and shiny slime afflicting Riverbend, he finds that the village is becoming part of a child's coloring book streaked with greasy crayons.