This is the story of a big-budget film production that wreaks moral havoc in the quaint New England town of Waterford, sowing a bumper crop of corruption, vanity and greed. It is when the film stars arrive that the real problems arise.

"With compassion and clarity, David Miliband shows why we should care about the refugee crisis and how we can make a difference. He takes us from war zones in the Middle East to peaceful suburbs in America to explain the crisis and show what can be done, not just by governments with the power to change policy but by citizens with the urge to change lives. His innovative and practical call to action shows that the crisis need not overwhelm us. Miliband says this is a fight to uphold the best of human nature in the face of rhetoric and policy that humor the worst. He defends the international order built by western leaders out of the ashes of World War II, but says now is the time for reform. Describing his family story and drawing revealing lessons from his life in politics, David Miliband shows that if we fail refugees, then we betray our own history, values, and interests. The message is simple: rescue refugees and we rescue ourselves"--Publisher.

"How have the Jews survived? For millennia, they have defied odds by overcoming the travails of exile, persecution, and recurring plans for their annihilation. This book charts the long journey of the Jews through history. At the same time, it points to two unlikely factors to explain the survival of the Jews: antisemitism and assimilation"--

"This incisive history upends the complacency that confines anti-Judaism to the ideological extremes in the Western tradition. With deep learning and elegance, David Nirenberg shows how foundational anti-Judaism is to the history of the West"--Amazon

The New Yorker is, of course, a bastion of superb essays, influential investigative journalism, and insightful arts criticism. But for eighty years it’s also been a hoot. Now an uproarious sampling of its funny writings can be found in this collection, by turns satirical and witty, misanthropic and menacing. From the 1920s onward—but with a special focus on the latest generation—here are the humorists who have set the pace and stirred the pot, pulled the leg and pinched the behind of America. The comic lineup includes Christopher Buckley, Ian Frazier, Veronica Geng, Garrison Keillor, Steve Martin, Susan Orlean, Simon Rich, David Sedaris, Calvin Trillin, and many others. If laughter is the best medicine, Disquiet, Please! is truly a wonder drug.

Pulitzer Prize-winning author David Remnick chronicles the new Russia that emerged from the ash heap of the Soviet Union. From the siege of Parliament to the farcically tilted elections of 1996, from the rubble of Grozny to the grandiose wealth and naked corruption of today's Moscow, Remnick chronicles a society so racked by change that its citizens must daily ask themselves who they are, where they belong, and what they believe in. Remnick composes this panorama out of dozens of finely realized individual portraits. Here is Mikhail Gorbachev, his head still swimming from his plunge from reverence to ridicule. Here is Vladimir Zhirinovsky, the half-Jewish anti-Semite who conducts politics as loony performance art. And here is Boris Yeltsin, the tottering populist who is not above stealing elections. In Resurrection , they become the players in a drama so vast and moving that it deserves comparison with the best reportage of George Orwell and Michael Herr. "This is what happens when a good writer unleashes eye and ear on a story that moves with the speed of light. Resurrection has the feel of describing vast, historical change even as it is happening."--Chicago Tribune

In this audacious work of literary restoration, Harold Bloom and David Rosenberg recover a lost masterpiece by a nameless writer known as J, author of the oldest and most powerful stories in the Bible. Religious tradition ascribes authorship of the Pentateuch the first five books of the Hebrew Bible or the Christian Old Testament - to Moses, but scholars agree that it is in fact a composite work consisting of texts by several different authors, woven together around 400 B.C.E. by a master editor known as the Redactor, or R. The oldest of these texts, running through Genesis, Exodus, and Numbers, was written by the author whom scholars call J, probably in the tenth century B.C.E. For the first time, Bloom and Rosenberg lift the J text out of the surrounding material so that it stands as the seminal classic it is. Bloom persuasively argues, on aesthetic grounds, that J is a writer of the stature of Homer, Shakespeare, and Tolstoy, and on literary and psychological grounds, that) was a woman, very likely a woman of the royal house living at King Solomon's court. His brilliant reading of J's text is accompanied by Rosenberg's wonderfully fresh translation, a resonant and vigorous break with the tired conventions of modern Bible translation. Paradoxically, on Bloom's interpretation, J is in no sense a religious writer. Rather, she is a grand and fierce ironist with an unmatched power of characterization, as revealed in her portraits of Adam, the Patriarchs, Joseph, Moses, and especially the women - Eve, Sarai, Rebecca, Tamar, Zipporah - who emerge with unforgettable force and clarity. But J's supreme literary creation is her Yahweh, an exuberant, capricious vitalist who haggles with Abram on the road to Sodom, unaccountably attempts to murder Moses, and nearly goes berserk at Sinai-a far cry from the fatherly, remote Jehovah superimposed by R and other editors, whose prous moralizing obscured J's towering originality but could not efface it.In Rosenberg's tendering, J's language leaps from the page, endlessly inventive, punning, playful, uncanny and finally sublime. Her men and women, by furns bewildered, crafty, and courageous, are made flesh, and her stories, three thousand years old, are made new. The Book of J triumphantly reclaims the Bible's first and indisputably greatest author, an immense literary imaginer, one of the most stunning writers of her own or any time. --cover flap.

The Superclass - politicians, military leaders, finance gurus, energy barons, media moguls and thought leaders - is the small group that currently plays the greatest role in shaping the progress of globalization and perhaps the group most changed by that phenomenon, so much so that they have more in common with one another than they do with their own countrymen. And because this group frequently operates outside all national and international regulation, they are often in conflict with the elite in their own countries. Rothkopf offers a provocative and trenchant examination of the overlapping international power clusters. He reveals who is a member of this global Superclass and who is likely to be joining it and transforming it in the years ahead. And he will explore how the aggressive pursuit of self-interest by some in this class helped to create a world in which inequity is greater than ever - something that may well threaten international stability in our lifetimes.

This study first appeared as a chapter in volume VI of the Cambridge Economic History of Europe. The author has now extended it by adding a full-scale analysis of modern industrial Europe from the First World War to the 1960s. In the introduction, he discusses the characteristics, progress, and political, economic and social implications of the Industrial Revolution in Britain, France and Germany. He raises the general question: why was Europe the first to industrialize? His section on the inter-war years covers the effect of the First World War in accelerating the dissolution of the old international economy, the reasons for monetary instability and the consequences of monetary difficulties for the economic history of Europe. In particular he discusses the causes of the economic crisis of 1929-1932, the reasons for its severity and quasi-universality and for Britain's early and sustained recovery. An important theme is the impediments posed by generalized international egoism to the efficiency and growth of the European economies. In the final chapter on the economic recovery of Western Europe after the Second World War, he examines the forces which have operated since the early 1950s to give Western Europe a period of unprecedented economic growth. He raises the vital question: is this recent boom a temporary phenomenon or the first stage in a new trend of more rapid growth, reflecting an acceleration in technological advance?

Ten years after Cluetrain's original publication, too many companies still ignore the idea that markets are really made up of people. In our rapidly changing world, this book's message is more vital than ever. Companies may be wired for business, but they still struggle with how to talk to their customers like human beings.The 10th Anniversary Edition features extensive new commentaries by industry leaders, but the core message of this modern business classic remains intact.

In the early twentieth century, affection between parents and their children was discouraged—psychologists thought it would create needy kids, and doctors thought it would spread infectious disease. It took a revolution in psychology to overturn these beliefs and prove that touch ensures emotional and intellectual health. In Love at Goon Park, Pulitzer Prize winner Deborah Blum charts this profound cultural shift by tracing the story of Harry Harlow—the man who studied neglect and its life-altering consequences on primates in his lab. The biography of both a man and an idea, Love at Goon Park ultimately invites us to examine ourselves and the way we love.

A luminescent treatise on writing, love, and loss, a witty response to George Orwell's influential essay "Why I Write" Things I Don't Want to Know is the first in Deborah Levy's essential three-part "living autobiography" on writing and womanhood. Taking George Orwell's famous essay, "Why I Write", as a jumping-off point, Deborah Levy offers her own indispensable reflections of the writing life. With wit, clarity and calm brilliance, she considers how the writer must stake claim to that contested territory as a young woman and shape it to her need. Things I Don't Want to Know is a work of dazzling insight and deep psychological succour, from one of our most vital contemporary writers.

Teaching the lessons of New York's most famous public school, Deborah Meier provides a widely acclaimed vision for the future of public education. With a new preface reflecting on the school's continuing success.

Publisher abstract: "Why does talk in families so often go in circles, leaving us tied up in knots? In this illuminating book, Deborah Tannen, the linguist and and bestselling author of You Just Don't Understand and many other books, reveals why talking to family members is so often painful and problematic even when we're all adults. Searching for signs of acceptance and belonging, we find signs of disapproval and rejection. Why do the seeds of family love so often yield a harvest of criticism and judgment? In I Only Say This Because I Love You, Tannen shows how important it is, in family talk, to learn to separate word meanings, or messages, from heart meanings, or metamessages — unstated but powerful meanings that come from the history of our relationships and the way things are said. Presenting real conversations from people's lives, Tannen reveals what is actually going on in family talk, including how family conversations must balance the longing for connection with the desire for control, as we struggle to be close without giving up our freedom. This eye-opening book explains why grown women so often feel criticized by their mothers; and why mothers feel they can't open their mouths around their grown daughters; why growing up male or female, or as an older or younger sibling, results in different experiences of family that persist throughout our lives; and much, much more. By helping us to understand and redefine family talk, Tannen provides the tools to improve relationships with family members of every age."

Examines the experiences of children during the Holocaust period: those whose lives were circumscribed due to rising antisemitism, those who hid or assumed a false identity, and those who were transported to transit camps, ghettos, and labor or extermination camps. With the exception of the latter, the children adapted to this alien world on the one hand, while they struggled to maintain a certain normality on the other. For many, the real war began in 1945 when the children had to cope as survivors, often without family, home, or means, under regimes indifferent to their plight.

The American Reader is a stirring and memorable anthology that captures the many facets of American culture and history in prose and verse. The 200 poems, speeches, songs, essays, letters, and documents were chosen both for their readability and for their significance. These are the words that have inspired, enraged, delighted, chastened, and comforted Americans in days gone by. Gathered here are the writings that illuminate -- with wit, eloquence, and sometimes sharp words -- significant aspects of national conciousness. They reflect the part that all Americans -- black and white, native born and immigrant, Hispanic, Asian, and Native American, poor and wealthy -- have played in creating the nation's character.

Who is Bill Clinton? A man whose presidency was disgraced by impeachment -- yet who remains one of the most popular presidents of our time. A man whose autobiography, My Life, was panned by critics as a self-indulgent daily diary -- but rode the bestseller lists for months. A man whose policies changed America at the close of the twentieth century -- yet whose weakness left us vulnerable to terror at the dawn of the twenty-first. No one better understands the inner Bill Clinton, that creature of endless and vexing contradiction, than Dick Morris. From the Arkansas governor's races through the planning of the triumphant 1996 reelection, Morris was Clinton's most valued political adviser. Now, in the wake of Clinton's million-selling memoir My Life, Morris and his wife, Eileen McGann, set the record straight with Because He Could, a frank and perceptive deconstruction of the story Clinton tells -- and the many more revealing stories he leaves untold. With the same keen insight they brought to Hillary Clinton's life in their recent bestseller Rewriting History, Morris and McGann uncover the hidden sides of the complicated and sometimes dysfunctional former president. Whereas Hillary is anxious to mask who she really is, they show, Bill Clinton inadvertently reveals himself at every turn -- as both brilliant and undisciplined, charming yet often filled with rage, willing to take wild risks in his personal life but deeply reluctant to use the military to protect our national security. The Bill Clinton who emerges is familiar -- reflexively blaming every problem on right-wing persecutors or naïve advisers -- but also surprising: passive, reactive, working desperately to solve a laundry list of social problems yet never truly grasping the real thrust of his own presidency. And while he courted danger in his personal life, the authors argue that Clinton's downfall has far less to do with his private demons than with his fear of the one person who controlled his future: his own first lady. Sharp and stylishly written, full of revealing insider anecdotes, Because He Could is a fresh and probing portrait of one of the most fascinating, and polarizing, figures of our time.