Paula Hyman broadens and revises earlier analyses of Jewish assimilation, which depicted "the Jews" as though they were all men, by focusing on women and the domestic as well as the public realms. Surveying Jewish accommodations to new conditions in Europe and the United States in the years between 1850 and 1950, she retrieves the experience of women as reflected in their writings--memoirs, newspaper and journal articles, and texts of speeches--and finds that Jewish women's patterns of assimilation differed from men's and that an examination of those differences exposes the tensions inherent in the project of Jewish assimilation."

Songs from the United States Revolution, as collected from old manuscripts, old newspapers, and accounts of the Revolution.

Available again in paperback, this first survey of building types ever written remains an essential guide to vital and often overlooked features of the architectural and social inheritance of the West. Here Nikolaus Pevsner shares his immense erudition and keenly discerning eye with readers curious about the ways in which architecture reflects the character of society. He describes twenty types of buildings ranging from the most monumental to the least, from the most ideal to the most utilitarian. More than seven hundred illustrations illuminate the text. Both Europe and America have been covered with examples chosen largely from the nineteenth century, the crucial period for diversification. Included are national monuments, libraries, theaters, hospitals, prisons, factories, hotels, and many other public buildings; churches and private dwellings have been excluded for practical reasons. The author is concerned not only with the evolution of each type in response to social and architectural change, but also with differing attitudes toward function, materials, and style.

Presents an illustrated tribute to the lives and legacies of the Gershwins that is presented through the stories of twelve of their most enduring songs including "Strike Up the Band" and "Love Is Here to Stay."

"This delightful lesbian romp set in Elizabethan England captures the adventures of Moll Cutpurse, a swashbuckling heroine, upholder of the right of women, as she pits her wits against Puritans and tricksters, travels with the gypsies, rescues a near-victim of the anti-witchcraft hysteria, and cheats the wealthy out of their ill-gotten gains - with help from her lifelong friend and lover, Bridget, the apothecary"--P [4] of cover.

After a class trip to see the Neanderthals, Zach gets locked into the Rosencrantz Museum on the night of the new moon, the one time of the month when the prehistoric people and animals in the exhibits come to life.

Christian Zionism is the fastest growing religious movement in Christianity today, with current believers thought to exceed five million in the United States alone. Proposing a literal reading of the bible, it states that a Jewish return to the Holy Land is a requirement for the Second Coming and inevitable Armageddon. Promoting common interests between Israel and the Christian world, and possessing many wealthy and hugely powerful advocates, Christian Zionism has a far-reaching influence today.

Recently, the term "Abrahamic religions" has been used with exceeding frequency in the academy. We now regularly encounter academic books, conferences, and even positions (including endowed chairs) devoted to the so-called "Abrahamic religions." But what exactly are "Abrahamic religions"? Although many perceive him as the common denominator of Judaism, Christianity, and Islam, Abraham remains deceptively out of reach. An ahistorical figure, some contend he holds the seeds for historical reconciliation. Touted as symbol of ecumenicism, Abraham can just as easily function as one of division and exclusivity. Like our understanding of Abraham, the category "Abrahamic religions" is vague and nebulous. In Abrahamic Religions, Aaron Hughes examines the creation and dissemination of this term. Usually lost in contemporary discussions is a set of crucial questions: Where does the term "Abrahamic religions" derive? Who created it and for what purposes? What sort of intellectual work is it perceived to perform? Part genealogical and part analytical, this book seeks to raise and answer questions about the appropriateness and usefulness of employing "Abrahamic religions" as a vehicle for understanding and classifying data. In so doing, Abrahamic Religions can be taken as a case study that examines the construction of categories within the academic study of religion, showing how the categories we employ can become more an impediment than an expedient to understanding.

With a new introduction by the author, this is an enduring analysis of British politics, stressing the lessons to be learnt from history. By the winner of the 1993 Wolfson History Prize awarded as 'tribute to a lifetime's contribution to the study of history.'

This is the story of a nation--the United States--that has conducted more than 160 wars and other military ventures while insisting it loves peace. In the process, the US has forged a world empire while maintaining its innocence of imperialistic designs. From Mexico to Lebanon, from China to the Dominican Republic, from Nicaragua to Vietnam, the US has intervened regularly in the affairs of other nations. Yet the myth that Americans are benevolent, peace-lving people who will fight only to defend the rights of others lingers on. Excesses and cruelties, though sometimes admitted, usually are regarded as momentary aberrations. In this comprehensive history of American imperialism, Sidney Lens punctures the myth once and for all by showing how the US, from the time it gained its own independence, has used every available means--political, economic, and military--to dominate other peoples.

"A rich collection that I will use in teaching graduates and undergraduates about the weave of ethnography, narrative, the women's movement, and feminism. Crafted by an impressive range of scholars, the essays are empirically rich and theoretically cogent. But most important, they engage the complexities of multicultural, feminist, and multinational ethnographies and the stories that matter to politics, scholarship, and lives. With an ear for the tones of race and gender, this book answers the political, generic, and theoretical challenge of Writing Culture with layered essays that rewrite an important range of cultural conversations."—Donna Haraway, author of Professor , History of Consciousness Board, UCSC "Since the advent of the 'post-modern' in ethnography, we have been much in need of a marvelous volume such as this, placing 'woman' at the center of the debate. Women Writing Culture will prove as stimulating for our time as its great predecessor, Women, Culture and Society was for the 1970s."—Jose E. Limon, University of Texas "A groundbreaking book—provocative, illuminating, imaginative—and it is a pleasure to read. A trenchant yet always generous feminist critique of the masculinist bias in the theoretical canon of anthropological texts, it expansively and imaginatively maps the future directions of a feminist anthropology. In moving and courageous acts of reconstruction, the writers in this volume boldly cross disciplinary and generic lines, reading fiction as anthropology, writing theater as ethnography, getting personal, radically reconceiving the relationship of self and other and, thereby, the field itself. Feminist scholars of all disciplines will find here enabling textual and conceptual strategies as well as memorable voices and powerful stories."—Marianne Hirsch, Dartmouth College, author of The Mother-Daughter Plot

The world-renowned musicologist Richard Taruskin has devoted much of his career to helping listeners appreciate Russian and Soviet music in new and sometimes controversial ways. Defining Russia Musically represents one of his landmark achievements: here Taruskin uses music, together with history and politics, to illustrate the many ways in which Russian national identity has been constructed, both from within Russia and from the Western perspective. He contends that it is through music that the powerful myth of Russia's "national character" can best be understood. Russian art music, like Russia itself, Taruskin writes, has "always [been] tinged or tainted ... with an air of alterity--sensed, exploited, bemoaned, reveled in, traded on, and defended against both from within and from without." The author's goal is to explore this assumption of otherness in an all-encompassing work that re-creates the cultural contexts of the folksong anthologies of the 1700s, the operas, symphonies, and ballets of the 1800s, the modernist masterpieces of the 1900s, and the hugely fraught but ambiguous products of the Soviet period. Taruskin begins by showing how enlightened aristocrats, reactionary romantics, and the theorists and victims of totalitarianism have variously fashioned their vision of Russian society in musical terms. He then examines how Russia as a whole shaped its identity in contrast to an "East" during the age of its imperialist expansion, and in contrast to two different musical "Wests," Germany and Italy, during the formative years of its national consciousness. The final section, expanded from a series of Christian Gauss seminars presented at Princeton in 1993, focuses on four individual composers, each characterized both as a self-consciously Russian creator and as a European, and each placed in perspective within a revealing hermeneutic scheme. In the culminating chapters--Chaikovsky and the Human, Scriabin and the Superhuman, Stravinsky and the Subhuman, and Shostakovich and the Inhuman--Taruskin offers especially thought-provoking insights, for example, on Chaikovsky's status as the "last great eighteenth-century composer" and on Stravinsky's espousal of formalism as a reactionary, literally counterrevolutionary move.

One of the greatest historians of the twentieth century, Arnaldo Momigliano (1908-1987) is known for his path-breaking studies of ancient Greek and Roman history. The encyclopedic knowledge of the ancient world that Momigliano brought to his work, however, enabled him to make connections between ancient history and the subsequent study of that history. His sweeping vision stretched from antiquity to the present day. In Momigliano and Antiquarianism, Peter N. Miller brings together an international and interdisciplinary group of scholars to provide the first serious study of Momigliano's history of historical scholarship. At its core, this collection is devoted to one of Momigliano's most celebrated subjects, the history of antiquarianism, and one of his most audacious claims, that the decay of early modern antiquarianism actually gave birth to the modern cultural sciences - history, sociology, anthropology, art history, archaeology, and history of religion. Filling a gap in the scholarship, this erudite collection will prove fascinating to teachers and students of classics, history, and the human sciences.

For more than forty years, Paul Cantor’s Shakespeare’s Rome has been a foundational work in the field of politics and literature. While many critics assumed that the Roman plays do not reflect any special knowledge of Rome, Cantor was one of the first to argue that they are grounded in a profound understanding of the Roman regime and its changes over time. Taking Shakespeare seriously as a political thinker, Cantor suggests that his Roman plays can be profitably studied in the context of the classical republican tradition in political philosophy. In Shakespeare’s Rome , Cantor examines the political settings of Shakespeare’s Roman plays, Coriolanus and Antony and Cleopatra , with references as well to Julius Caesar . Cantor shows that Shakespeare presents a convincing portrait of Rome in different eras of its history, contrasting the austere republic of Coriolanus , with its narrow horizons and martial virtues, and the cosmopolitan empire of Antony and Cleopatra , with its “immortal longings” and sophistication bordering on decadence.