""Impromptu Man captures the remarkable impact of a singular genius, J.L. Moreno, whose creations-the best-known being psychodrama-have shaped our culture in myriad ways, many unrecognized. The record will be set straight for all time by this can't-put-down biography, a tribute by Jonathan D. Moreno to his father's masterly legacy." -DANIEL GOLEMAN, author of Emotional Intelligence: Why It Can Matter More Than IQ J.L. Moreno (1889-1974), the father of psychodrama, was an early critic of Sigmund Freud, wrote landmark works of Viennese expressionism, founded an experimental theater where he discovered Peter Lorre, influenced Martin Buber, and became one of the most important psychiatrists and social scientists of his time. ?? A mystic, theater impresario and inventor in his youth, Moreno immigrated to America in 1926, where he trained famous actors, introduced group therapy, and was a forerunner of humanistic psychology. As a social reformer, he reorganized schools and prisons, and designed New Deal planned communities for workers and farmers. Moreno's methods have been adopted by improvisational theater groups, military organizations, educators, business leaders, and trial lawyers. His studies of social networks laid the groundwork for social media like Twitter and Facebook. ?? Featuring interviews with Clay Shirky, Gloria Steinem, and Werner Erhard, among others, original documentary research, and the author's own perspective growing up as the son of an innovative genius, Impromptu Man is both the study of a great and largely unsung figure of the last century and an epic history, taking readers from the creative chaos of early twentieth-century Vienna to the wired world of Silicon Valley. Jonathan D. Moreno, called the "most interesting bioethicist of our time" by the American Journal of Bioethics, is a professor at the University of Pennsylvania and a Senior Fellow at the Center for American Progress. "--

A counter-revisionist examination of JFK and his administration, Promises Kept presents a policy history of major domestic legislative efforts between 1961 and 1963. Bernstein focuses on administraive and congressional progress under Kennedy in civil rights, education, taxes, unemployment, Medicare, and the Peace Corps. He persuasively argues that Kennedy was indeed a successful president, showing that many of JFK's campaign promises were well on their way to enactment by the time of his assassination, even after two years of dealings with a balky and often hostile Congress, and the difficulty of working in a political system changing from conservative to liberal.

This timeless classic by Harold J. Laski explains the nature of the modern state by examining its characteristics, as revealed by its history. The State in Theory and Practice is a work that grows in significance, rather than dwindles over time. This is because, as Sidney A. Pearson, Jr. points out, Laski helped develop and expound the foundational arguments of the political left.After the collapse of the Soviet Union, even on the hard left, few people thought of Marxism, at least in its classical formulation by Laski in the 1930s, as a political alternative. Much of the interest in Laski seeks to separate the early Laski of pluralist parliamentary arguments from the later Laski of Marxism. Laski's appeal rests on subtle aspects of his science of politics that require a detailed examination before their full significance can be understood. The state is a work that operates at several layers of assumptions and implications.The significance of Laski starts with the observation that among many intellectuals on the left, the political critique of liberal democracy remains as influential after the collapse of the Soviet Union as it was when Laski wrote. The leftist critique of classical liberalism is one of the touchstones of modern political thought and Laski remains part of that tradition. Laski is one of the links between what might be called the "old left" of the pre-World War II era and the "new left" of the 1960's and later.

City Codes is a study of the representation of the city in the modern novel that takes difference as its point of departure, so that cities are read according to the cultural and social position of the urbanite. City Codes argues that the modern urban novel, in contrast to earlier novels, is characterized by an intersection of public and private space, but that this intersection is mapped differently according to the position of the city dweller in terms of history, politics, nationality, gender, class, and race.

Romanticism--a concept more easily recognized than defined--dominated the artistic landscape of music from 1830-1890. Like the other volumes in the New Oxford History of Music series, this final volume to be published provides a detailed, scholarly critical survey of the music and composers of its period. Divided among different forms of music, the chapters, written by eminent scholars under the editorship of one of the most respected experts on nineteenth-century music, detail the work of Chopin, Schumann, Mendelssohn, Liszt, Brahms, Berlioz, Donizetti, Verdi, Wagner, Gounod, Bizet, Borodin, Mussorgsky, Tchaikovsky, Rimsky-Korsakov, Dvorak, Smetana, Faur�, Wolf, Puccini, Bruckner, Mahler, Strauss, C�sar Franck, and Debussy.

In a grand tour of comic theater over the centuries, Erich Segal traces the evolution of the classical form from its early origins in a misogynistic quip by the sixth-century B.C. Susarion, through countless weddings and happy endings, to the exasperated monosyllables of Samuel Beckett. With fitting wit, profound erudition lightly worn, and instructive examples from the mildly amusing to the uproarious, his book fully illustrates comedy's glorious life cycle from its first breath to its death in the Theater of the Absurd. An exploration of various landmarks in the history of a genre that flourished almost unchanged for two millennia, The Death of Comedy revisits the obscenities and raucous twists of Aristophanes, the neighborly pleasantries of Menander, the tomfoolery and farce of Plautus. Segal shows how the ribaldry of foiled adultery, a staple of Roman comedy, reappears in force on the stages of Restoration England. And he gives us a closer look at the schadenfreude --delight in someone else's misfortune--that marks Machiavelli's and Marlowe's works. At every turn in Segal's analysis--from Shakespeare to Molière to Shaw--another facet of the comic art emerges, until finally, he argues, "the head conquers and the heart dies": Letting the intellect take the lead, Cocteau, Ionesco, and Beckett smother comedy as we know it. The book is a tour de force , a sweeping panorama of the art and history of comedy, as insightful as it is delightful to read.

In a work that illustrates how Jewish philosophy can make a genuine contribution to general philosophical debate, Daniel Rynhold attempts to formulate a model for the justification of practices by applying the methods of modern analytic philosophy to approaches to the rationalization of the commandments from the history of Jewish philosophy. Through critical analysis of the methods of Moses Maimonides and Joseph Soloveitchik, Rynhold argues against propositional approaches tojustifying practices that he terms Priority of Theory approaches and offers instead his own method, termed the Priority of Practice, which emphasizes the need for a more pragmatic take on this whole issue.

As the title Jar Jar Binks Must Die indicates, Daniel M. Kimmel is not only a film critic with strong opinions, he's also a fan. In this collection of essays, he covers movies from Metropolis (1927), answering the absurd claim that the restoration of this silent classic negated its status as a science fiction film, to how Star Trek, Avatar, Moon, and District 9 may have made 2009 a "miracle year" for the genre. Along the way he looks at neglected works like Things to Come (1936), explains why remakes aren't always bad, and how seeing E.T. in an empty screening room changed his mind about Steven Spielberg. Whether to rediscover old favorites or add new titles to your Netflix queue, this is a must-have for lovers of SF movies. Author Bio Daniel M. Kimmel is a past president of the Boston Society of Film Critics. When it was discovered he is also a science fiction fan he started getting invitations to participate at a number of SF conventions, which he continues to do. He reviewed for the Worcester Telegram and Gazette and now writes for Northshoremovies.net. He is a correspondent for Variety, the "Movie Maven" for the Jewish Advocate and teaches film--including a course on SF and horror--at Suffolk University. His essays on classic science films have appeared in several publications including Clarkesworld, Space and Time, and the Internet Review of Science Fiction. He is the author of a history of FOX TV, The Fourth Network (2004) which received the Cable Center Book Award. His other books include a history of DreamWorks, The Dream Team (2006) and I'll Have What She's Having: Behind the Scenes of the Great Romantic Comedies (2008). He is also the author of three novels: Shh! It's a Secret: a novel about Aliens, Hollywood, and the Bartender's Guide (2013) Time On My Hands: My Misadventures In Time Travel (2017), and Father of the Bride of Frankenstein (2019).

Throughout history human beings have been preoccupied with personal survival after death. As a consequence, most world religions proclaim that life continues beyond the grave, and they have depicted the Hereafter in a variety of forms. These various conceptions constitute answers to the most perplexing spiritual questions: Will we remember our former lives in the Hereafter? Will we have bodies? Can bodiless souls recognize each other? Will we continue to have personal identity? Will we be punished or rewarded, or absorbed into the Godhead? These issues serve as the basis of this collection of essays which provide a framework for understanding traditional conceptions of the Hereafter as well as new perspectives.

"On June 19, 1982, James Campbell, successful Houston lawyer, and Virginia, his wife of forty years, were found by their grandsons, brutally shot to death in their own bed. With no witnesses and only allegations of family greed, sexual abuse, and a missing will, the murder went unsolved for over two years. The most likely suspects, Cindy Ray Campbell, the victims' third daughter, and her survivalist boyfriend David West, had an alibi the police could not crack. Until a sexy stripper-turned-private investigator coaxed a confession from West and the most complex murder case in Texas history exploded into national news."--Page 4 of cover

In September 1993, as the Second Amendment stood on the brink of disaster, our book, Things You Can Do to Protect Your Gun Rights was published. The gun rights movement, having fought a defensive, holding action in Washington since 1988, was under the greatest attack in history. Within a few months, the Brady Bill passed. As we expected, the passage of this reasonable law did not lead the anti-gun movement to moderate its demands; to the contrary, the anti-rights movement rolled out an even more ambitious agenda for choking the Second Amendment, and the media plunged into the greatest anti-gun feeding frenzy in American history. As with our first book, we hope that this book proves useful not just to Second Amendment activists, but to anyone who is fighting the good fight for freedom, humankind's oldest and noblest cause.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"Rav Abraham Isaac Kook (1865-1935) was one of the most influential--and controversial--rabbis of the twentieth century. A visionary writer and outstanding rabbinic leader, Kook was a philosopher, mystic, poet, jurist, communal leader, and veritable saint. The first chief rabbi of Jewish Palestine and the founding theologian of religious Zionism, he struggled to understand and shape his revolutionary times. His life and writings resonate with the defining tensions of Jewish life and thought.A powerfully original thinker, Rav Kook combined strict traditionalism and an embrace of modernity, Orthodoxy and tolerance, piety and audacity, scholasticism and ecstasy, and passionate nationalism with profound universalism. Though little known in the English-speaking world, his life and teachings are essential to understanding current Israeli politics, contemporary Jewish spirituality, and modern Jewish thought. This biography, the first in English in more than half a century, offers a rich and insightful portrait of the man and his complex legacy. Yehudah Mirsky clears away widespread misunderstandings of Kook's ideas and provides fresh insights into his personality and worldview. Mirsky demonstrates how Kook's richly erudite, dazzlingly poetic writings convey a breathtaking vision in which "the old will become new, and the new will become holy.""--

One of America's foremost political columnists ties the Book of Job to the news of the day in a provacative exploration of how we can reshape politics by following Job's empowering example. "From the Trade Paperback edition.

The author draws comparisons and parallels between culture today and past historical events of the 20th century.

Theodor W. Adorno (September 11, 1903 - August 6, 1969) was a German-born international sociologist, philosopher, and musicologist. He was a member of the Frankfurt School of social theory along with Max Horkheimer, Walter Benjamin, Herbert Marcuse, Jürgen Habermas, and others. He was also the Music Director of the Radio Project from 1937 to 1941, in the U.S.

Provocative essays from one of America's most important cultural critics Think Again gathers one hundred of the best of Stanley Fish's provocative New York Times essays, pieces that have generated passionate discussion and debate. Addressing controversies about such hot-button topics as atheism, affirmative action, free speech, identity politics, guns, and postmodernism, Fish dissects the arguments put forth by different sides in order to explain how their arguments work or don't work. Brief and accessible yet challenging, these essays teach you not what to think but how to think more clearly, and provide all the powerful intellectual, cultural, and political analysis one expects from Fish, one of America's most influential thinkers.