A leading disciple and confidant of Freud, Otto Rank revolutionized the field of psychoanalytic theory in The Trauma of Birth (1924). In this book, Rank proposed that the child's pre-Oedipal relationship to the mother was the prototype of the therapeutic relationship between analyst and patient. Although Rank is now widely acknowledged as the most important precursor of humanistic and existential psychotherapy--influencing such well-known writers as Carl Rogers, Rollo May, and Ernest Becker--Rank's knotty prose has long frustrated readers. In this volume of Rank's lectures, Robert Kramer has brought together for the first time the innovator's clearest explanations of his most influential theories. The lectures were delivered in English to receptive audiences of social workers, therapists, and clinical psychologists throughout the United States from 1924 to 1938, the year before Rank's untimely death. The topics covered include separation and individuation, projection and identification, love and will, relationship therapy, and neurosis as a failure in creativity. The lectures reveal that Rank, much maligned by orthodox analysts, invented the modern object-relations approach to psychotherapy in the 1920s. In his introduction, based on private correspondence between Rank, Freud, and others in the inner circle, Robert Kramer tells the full story of why Rank parted ways with Freud. The collection of lectures constitutes a "readable Rank," filled with insights still relevant today, for those interested in the humanistic, existential, or object- relational aspects of psychotherapy, or in the development of the psychoanalytic movement.

Chronicles the growth and success of Elektra Records during the 1960s

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First published in 1939, After Freedom is the first complete ethnography of an African American community in the United States.

"Mr. Draper believes that recent years have seen the suppression of political by military instrumentalities in the conduct of American foreign policy. After an opening chapter which briefly traces this process in two smaller instances - Cuba and the Dominican Republic - he devotes the rest of this book to a painstaking inquiry which seeks to dissolve the confusion that still envelops the story of our presence in Vietnam."

Paul Rand (1914-1996) was a pioneering figure in American graphic design whose career spanned almost seven decades. Always enquiring and investigating, he explored the formal vocabulary of European avant-garde art movements and synthesised them to produce a distinctive graphic language. Rand was a major force in editorial design, advertising and corporate identity. He was art director at "Esquire" and "Apparel Arts" magazines, and he designed the ground-breaking covers for the cultural journal "Direction". He worked at the Weintraub Advertising Agency from 1941-1954 and, in 1955, established his own design studio, acting as consultant to companies such as IBM, Westinghouse and UPS. His logos for these companies are world-renowned design classics. This book comprises a definitive collection of Rand's works, through an exploration of his advertising, publishing and corporate identity work. Steven Heller's text, with a foreword by designer Armin Hofmann, introduction by advertising guru George Lois, and a concluding essay by designer and writer Jessica Helfand, offer an insight into Paul Rand's work.

Shirley Povich was the Dean of American sportswriters. As a columnist for The Washington Post for more than seventyfive years, he was an eyewitness to the most thrilling moments in American sports, including: the legendary 1927 Dempsy-Tunney "long count"; the celebrated 1938 race between Seabiscuit and War Admiral; the 1946 signing of Jackie Robinson by the Brooklyn Dodgers; Don Larsen's perfect game in the 1956 World Series; the Ali-Frazier fight of 1971; and the murder of eleven Israeli athletes at the 1972 Munich Olympics. But Povich's columns were about more than sports; they reflected the dramatic changes in American society over the course of the 20th Century. Driven by a strong sense of social justice, Povich called for the integration of major league baseball in 1939, and twenty years later he was still at it, attacking Washington Redskins owner George Preston Marshall for having an all-white team. For the 100th anniversary of his birth, Povich's children— David, Maury, and Lynn — and his colleague at the Post, former sports editor George Solomon, have pulled together this panoramic collection of Povich's most beloved columns. The result is a front-row seat to the most awe-inspiring sports moments of our American Century.

Shirley Povich was the Dean of American sportswriters. As a columnist for The Washington Post for more than seventyfive years, he was an eyewitness to the most thrilling moments in American sports, including: the legendary 1927 Dempsy-Tunney "long count"; the celebrated 1938 race between Seabiscuit and War Admiral; the 1946 signing of Jackie Robinson by the Brooklyn Dodgers; Don Larsen's perfect game in the 1956 World Series; the Ali-Frazier fight of 1971; and the murder of eleven Israeli athletes at the 1972 Munich Olympics. But Povich's columns were about more than sports; they reflected the dramatic changes in American society over the course of the 20th Century. Driven by a strong sense of social justice, Povich called for the integration of major league baseball in 1939, and twenty years later he was still at it, attacking Washington Redskins owner George Preston Marshall for having an all-white team. For the 100th anniversary of his birth, Povich's children— David, Maury, and Lynn — and his colleague at the Post, former sports editor George Solomon, have pulled together this panoramic collection of Povich's most beloved columns. The result is a front-row seat to the most awe-inspiring sports moments of our American Century.

What is Roger Kahn, best-selling author of THE BOYS OF SUMMER, doing owning a near-bankrupt minor league baseball team? What is this bunch of major league rejects doing playing their hearts out for an organization that pays peanuts and rations practice baseballs? They -- and you -- are finding out if the dreams that baseball is made of can come true in real life. This funny, poignant story of one special season will make you hesitate before you ever call anything "bush league" again. "Irresistable...Read this book, whether you like baseball or not. Roger Kahn will show you the glories of getting your head in the game, be it baseball or life." (Milwaukee Journal)

Painting a vivid, personal portrait of social and political upheaval in Oaxaca, Mexico, this unique memoir employs comics, bilingual essays, photos, and sketches to chronicle the events that unfolded around a teachers' strike and led to a seven-month siege. When award-winning cartoonist Peter Kuper and his wife and daughter moved to the beautiful, 15th-century colonial town of Oaxaca in 2006, they planned to spend a quiet year or two enjoying a different culture and taking a break from the U.S. political climate under the Bush administration. What they hadn't counted on was landing in the epicenter of Mexico's biggest political struggle in recent years. Timely and compelling, this extraordinary firsthand account presents a distinct artistic vision of Oaxacan life, from explorations of the beauty of the environment to graphic portrayals of the fight between strikers and government troops that left more than 20 people dead, including American journalist Brad Will.

This book explores changing American views of race mixing in the twentieth century, showing how new scientific ideas transformed accepted notions of race and how those ideas played out on college campuses in the 1960s. In the 1930s, it was not unusual for medical experts to caution against miscegenation, or race mixing, espousing the common opinion that it would produce biologically dysfunctional offspring. By the 1960s the scientific community roundly refuted this theory. The author traces this revolutionary shift in scientific thought, explaining how developments in modern population biology, genetics, and anthropology proved that opposition to race mixing was a social prejudice with no justification in scientific knowledge. In the 1960s, this new knowledge helped to change attitudes towards race and discrimination, especially among college students. Their embrace of social integration caused tension on campuses across the country. Students rebelled against administrative interference in their private lives, and university regulations against interracial dating became a flashpoint in the campus revolts that revolutionized American educational institutions. The author's provocative study is a personal one, featuring interviews with mixed-race couples and stories from the author's student years at the University of Pittsburgh. As such, this book offers a unique perspective on how contentious debates taking place on college campuses reflected shifts in race relations in the larger society. -- from Back Cover

Why did so many distinguished Western Intellectuals--from G.B. Shaw to J.P. Sartre, and. closer to home, from Edmund Wilson to Susan Sontag-- admire various communist systems, often in their most repressive historical phases? How could Stalin's Soviet Union, Mao's China, or Castro's Cuba appear at one time as both successful modernizing societies and the fulfillments of the boldest dreams of social justice? Why, at the same time, had these intellectuals so mercilessly judged and rejected their own Western, liberal cultures? What Impulses and beliefs prompted them to seek the realization of their ideals in distant, poorly known lands? How do their journeys fit into long-standing Western traditions of looking for new meaning In the non-Western world? These are some of the questions Paul Hollander sought to answer In his massive study that covers much of our century. His success is attested by the fact that the phrase "political pilgrim" has become a part of intellectual discourse. Even in the post-communist era the questions raised by this book remain relevant as many Western, and especially American intellectuals seek to come to terms with a world which offers few models of secular fulfillment and has tarnished the reputation of political Utopias. His new and lengthy introduction updates the pilgrimages and examines current attempts to find substitutes for the emotional and political energy that used to be invested in them.

THE HARVEST is the great, definitive novel of the creation of the Jewish state and the triumphant efforts of the Jewish people to survive and become a nation. In 1972, the Los Angeles Times called Meyer Levin "the most significant American Jewish writer of his time." Norman Mailer referred to him as "one of the best American writers working in the realistic tradition." In addition, Ernest Hemingway called Levin's book CITIZENS "a fine American novel -- one of the best I ever read." Is it any wonder then that the work of Meyer Levin is considered to be among the finest and most important of any twentieth century writer? In the historical novels THE SETTLERS (1972) and THE HARVEST (1978), Levin wove an epic tale of pioneering life in the early Palestine settlements. The works were the culmination of decades of research, and reviewers hailed the duo as the author's masterwork, a Jewish WAR AND PEACE.

Mickey Mantle (1931-1995), the iconic number 7 of the world-famous New York Yankees, was the epitome of power, grace, and class in the 1950s. Veteran New York sportswriter Maury Allen writes candidly of Mantle's luminous achievements, including being named the American League's Most Valuable Player three times and hitting an astonishing 536 career home runs; of Mantle's uneasiness at being a national hero; of Mantle's long, eventually triumphant, struggle with alcoholism; and of Mantle's subsequent losing battle with liver cancer.

An overview of generations of Italians in the Big Apple, weaving together numerous stories from different epochs and different backgrounds. "If you want to learn something about Italian creativity, come to New York. Here, you will find the pride of flying the Italian colors at the Fifth Avenue Columbus Day Parade, the American patriotism of those who perished at Ground Zero, the courage of firefighters and marines on the frontline of the war against terrorism, the babel of dialects at the Arthur Avenue market, portrayals of social change in the writings of Gay Talese, stories of successful business ventures on the TV shows of Maria Bartiromo and Charles Gasparino, political passion in the battles of Mario Cuomo and Rudy Giuliani, creative imagination in the works of Gaetano Pesce, Renzo Piano and Matteo Pericoli, and provocation in the attire of Lady Gaga... The Midtown top managers, whoarrived in the past twenty years, operate in the XXI century, while on Fresh Pond Road in Ridgewood the panelle are still prepared according to the Sicilian recipes transmitted from one generation to the next." (From the "Introduction")

Described as “a continuous carnival” and “the crossroads of the world,” Times Square is a singular phenomenon: the spot where imagination and veracity intersect. To esteemed scholar and author Marshall Berman, it is also the flashing, teeming, and strangely beautiful nexus of his life. In this remarkable book, Berman takes us on a thrilling illustrated tour of Times Square, revealing a landscape both mythic and real. On the Town is a unique look through the lens of the ideas and works of art that inspired–or were inspired by–this landmark’s allure. Times Square pulses with life, drawing countless millions who long to be surrounded by too many in the midst of too much. Beyond the immense crowds, the intoxicating lights, the imposing architecture, and even the recent incursion of corporate headquarters that limn the Square’s present boundaries, there is an indefatigable humanity (and undeniable sexual tension) that, for more than a century, has nourished creative expression. Interleafing his own recollections with astute social commentary, Berman reveals how movies, graphic arts, literature, popular music, television, and, of course, the Broadway theater have reflected Times Square’s voluminous light to illuminate a vast spectrum of themes and vignettes. Berman shows us Times Square as it is seen in Alfred Eisenstadt’s iconic photography, the movies of Busby Berkeley, John Schlesinger, and Martin Scorsese, and the stage choreography of Jerome Robbins. Conversely, we see how Times Square’s distinctive aura finds its source in a stunningly diverse list of performers, writers, and impresarios, including Theodore Dreiser, Florenz Ziegfeld, Ethel Merman, Al Jolson, Bob Dylan, and Bruce Springsteen. Berman also celebrates the unsung heroes of Times Square–the artists, engineers, and hucksters behind the Square’s landmark signs that, throughout the decades, re-created raging waterfalls, blew smoke rings, bathed onlookers in the Square’s eerily welcoming light, and projected the image of what Americans want to be against a surface of who we really are. Part love letter, part revelatory semiotic exposition of a place known to all, On the Town is a nonstop excursion to the heart of American civilization, written by one of our keenest, most entertaining cultural observers.

Mark W. Clark was a major figure in World War II. He was prominent as one of the top American commanders. Together with Dwight D. Eisenhower, Omar N. Bradley, and George S. Patton, Jr., Clark was widely regarded as being responsible for victory on the European side of the conflict. One of the great World War II memoirs by a legendary American general in charge of operations in North Africa and Italy. General Mark W. Clark recounts his wartime exploits and tells the story of the battles in Tunisia and Italy with verve and attention to key detail. An unparalleled account by a great military leader.

Since the 1950s American artists have used abstraction to deliberately attempt to confront the memory of the Holocaust or accepted commissions for memorial works. Examines individual paintings, an architectural project, a video installation, a site-specific sculpture, and commissioned works by Richard Serra, Joel Shapiro, Sol LeWitt, and Ellsworth Kelley (all 1993) in the US Holocaust Memorial Museum. Concludes that abstract art works can represent the Holocaust in complex ways.

The nine essays gathered here pursue the provocative implications of Toni Morrison's claim that no early American writer was more important than Poe in shaping a concept of "American Africanism," an image of racialized blackness destined to haunt the Euro-American imagination. As contributors to this volume reveal, Poe's response to the "shadow" of blackness--like his participation in the cultural construction of whiteness--was both problematic and revealing. Born in Boston but raised mostly in Richmond, surrounded by the practices of slaveholding culture, Poe seems to have shared notions of racial hierarchy and Anglo-Saxon supremacy pervasive on both sides of the Mason-Dixon line. That he promulgated racist stereotypes in depicting black servants--his Jupiters and Pompeys--cannot be denied; that he complicated these stereotypes with veiled, subversive implications, however, gives his fiction peculiar relevance to the task of historicizing racial attitudes in antebellum culture. Was Poe an unabashed proslavery apologist, a careerist who avoided racial politics, a "gradualist" who hoped slavery would just disappear, or an ideological chameleon? Were Poe's views on race extreme or unusual? Overtly, in tales such as "The Gold-Bug," "The Journal of Julius Rodman," and The Narrative of Arthur Gordon Pym, and covertly in such works as "The Black Cat" and "Hop-Frog," Poe alternately caricatured and demonized the racial Other, yet he often endowed such figures with shrewdness and resourcefulness, at times portraying their defiance as inevitable and even understandable. In Romancing the Shadow, leading interpreters of nineteenth-century American literature and culture debate Poe's role in inventing the African of the white imagination. Their readings represent an array of positions, and while they reflect some consensus about Poe's investment in racialized types and tropes, they also testify to the surprising ways that race embedded itself in his work--and the diverse conclusions that can be drawn therefrom.