Amid the bustling marketplaces of a rich and vibrant Damascus, where the dark alleyways teem with fear and hostility, Hilu unfolds a story charged with emotional and sexual conflict in this powerful literary tour-de-force from a unique new voice; at times wickedly funny, at others painfully sad, but beautifully told throughout.

From the author of The Last Testament comes the true love of Bonnie Prince Charlie, her adventures in America and her lasting legacy. In the page-turning popular genre trail-blazed by Antonia Fraser and Phillippa Gregory, The Pretender’s Lady , Alan Gold’s meticulously researched novel, accurately opens history’s pages on a peerless woman who helped change the course of history and whose legend lives on in Scotland today—Flora MacDonald. She was the most famous Scotswoman of her day, single handedly saving Bonnie Prince Charlie. This is her fictionalized life story—her relations with the Prince, her flight to America, Ben Franklin’s influence, and her return to Britain to lobby for peace But what’s hidden from history, revealed now for the first time in Gold’s dazzling new work of fiction, is the result of Flora’s and Charlie’s love: a beautiful and talented boy raised on an American farm. But only she knows his true heritage and his claim to the world’s greatest throne. And only the genius of Ben Franklin understands how to use this naïve boy to change the history of America. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

James Thomas Flexner has been a professional writer most of his adult life. After several year spent at the City desk at the New York Herald Tribune after graduating from Harvard University , Flexner went on to become one of America's foremost historians. He has written with great distinction in a unique style accessible to and enjoyed by the scholar and general reader, twenty-six books in the fields of American history and art. Although he is principally known for his historical books, notably his four -volume biography of George Washington, Flexner has written in many forms and for many outlets. He has written for print and television; he has been a lecturer, columnist, reviewer, and even a fiction writer.

Family trauma, race, and the destiny of a nation corrupted by slavery, cast in the light of epic myth: "More than a saga of Black revitalization . . . Part vision, part parable, it is a story for all America." ( The New York Times Book Review ) The Snowdon family stands as a pinnacle of Black excellence in Washington, D.C.: educated, affluent, and influential. John Christopher, the patriarch, saves lives as a heart surgeon and is revered by his students at Howard University. His wife, Camille, governs an elegant house overlooking Rock Creek Park and devotes herself to reading, gardening, and raising their three daughters--Cynthia, Patricia, and Eva--to attend the very best schools and roam the world on a whim. Theirs ought to be a story of success and empowerment, but something is rotten in the house of Snowdon. Years later, when John Christopher's granddaughter Johnnie comes to seek the truth about her own parentage, she unveils a legacy of unspeakable family secrets tangled up in America's original sin. What begins as a quest for identity spirals into an apocalyptic vision of a nation on the brink of ruin. By turns a poetic epic, a ghost story, a historical saga, and a chilling dystopian fable, Thereafter Johnnie is a unique and uniquely American fusion of myth and hard-bitten reality: an erotic, horrifying, and even hopeful reckoning with centuries of injustice.

The Spanish Civil War was the last in Europe to be fought for idealistic reasons. When it ended, idealism had been totally and tragically defeated. Hermanos! is about the men and women who came to Spain as volunteers from every corner of the world - Germany, Ireland, the USA and Britain - to join the International Brigades in what they saw as a crusade against fascism. It is about the cruel war they fought, and the terror and murderous fury of the battles in which most died. It is also about the politics of international socialism and of those who infiltrated into Spain and intrigued for power, and the weapons - distortion, secret police, terror, death - they used in a ruthless and cynical exploitation of idealism for their own ends. And it is about those who fought in the streets, crying, 'Unios! Hermanos proletarios!' William Herrick's Spanish Civil War is far different from Hemingway's. Equally tragic, equally conscious of the dignity and nobility of the men involved, nevertheless it reveals the harsh and painful reality of the workings of politics. It is also memorable for the passionate story of Jacob Starr and Sarah Ruskin, and for its battle-scenes in which Herrick manages to convey, in his sharp, idiosyncratic and sardonic style, the hope and optimism that turned to despair and inevitable defeat.

THE NEW VOICES IN LITERATURE AWARD FINALIST A WILLIAM FAULKNER COMPETITION SEMI-FINALIST " a marvelous collage of history, politics, mystery and romance." Pat Averbach, Director, Chautauqua Writers Center When Taiwanese millionaire Ko-sa Ong shows up in Washington with Jade Phoenix by his side, Nick Malter, his best friend, and his lost "Angel" would all rather be in some other country. But Taiwan is no ordinary country in the 1970s. Against all odds, Ko-sa has everything he could want except a son and a nation. Jade Phoenix has nothing after her father, a senior Nationalist general, commits suicide. Nick Malter, an American reporter, peers under the veils that cloak the Chinese and their women. Love blooms in a wilderness of misunderstanding. Ko-sa and Nick share an abiding hatred of Chiang Kai-shek and the cynical American Secretary of State who would forever deny the Taiwanese their country. They risk all for each other, but both give up everything for the love of Jade Phoenix. A stroke of the pen shatters dreams of nationhood and foreign devils challenge ancient Chinese customs in this extraordinary cross-cultural adventure. Betrayal and trust forge uncontrollable urges, fierce loyalties, and love that extends beyond life itself.

From internationally bestselling author Santa Montefiore, whose books have sold more than six million copies worldwide, comes The Distant Shores , a new story in the sweeping Deverill saga, about a family torn apart and the woman who will bring them back together. Margot Hart travels to Ireland to write a biography of the famous Deverill family. She knows she must speak to the current Lord Deverill, JP, if she is to uncover the secrets of the past. A notorious recluse, JP won’t be an easy man to crack. But Margot is determined—and she is not a woman who is easily put off. What she never expected was to form a close bond with JP and be drawn into his family disputes. Shouldering the blame for running up debts that forced him to sell the family castle, JP is isolated and vulnerable. With help from his handsome son Colm, it seems as though Margot might be the only one who can restore JP’s fortunes. Will the family ever succeed in healing rifts that have been centuries in the making?

"An ex-Soviet professor plays amateur detective in this post Cold War romp by New York Times bestselling spy master Robert Littell. Lemuel Falk, a theoretical "chaoticist," has been denied permission to leave Russia for the last twenty-three years, likely because he knows a few state secrets. Even he is surprised-and wary-when his twenty-fourth request is approved, and he is offered a position as visiting professor at the Institute for Advanced Interdisciplinary Chaos-Related Studies in upstate New York. But as soon as Professor Falk arrives in America, he is plunged into a new kind of chaos-including a high-stakes academic catfight, an affair with a much-younger hairdresser, and cascading offers from domestic spies looking to capitalize on his knowledge-and soon finds himself playing amateur detective at the behest of local police. While he helps hunt for a dangerous serial killer, he grapples with ghosts from his own past in Russia. In this wholly original novel, Littell explores chaos theory, questions of faith, ad the ironies of contemporary America"-- Provided by publisher.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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Melanie is a mother and a lover, middle-aged, eccentric, courageous, and often hilariously unpredictable. She’s also deeply scarred by her internment as a child in Drancy, a Nazi detention camp. Through the humanity and friendship of an English boy, Christopher Lewis, and her self-appointed protector, Jakob Bronski, Melanie managed to survive. Forty years later, Jakob, now a frail, well-known Soviet dissident, and Christopher, a writer who’s never forgotten the young Melanie, reenter her life. Memories of the past, coupled with her husband’s infidelity, upset Melanie’s precarious emotional stability, forcing her to confront the absurdity of trying to balance good and evil, guilt and love, duty and desire. With its finely drawn characters, rich humanity, and rare wit,Emotional Arithmeticis a novel of memory and hope, offering an unforgettable look at how the shadows of the past illuminate the present.

An inner life of Johannesburg that turns on the author’s fascination with maps, boundaries, and transgressionsThis singular memoir begins with a transgression—the invasion of a private home in Johannesburg. But it is far more than the story of a theft. Lost and Found in Johannesburg is a luminous exploration of place, one in which the author’s and the reader’s assumptions are constantly being tested. As a child growing up in apartheid South Africa, Mark Gevisser was obsessed with maps—and with Holmden’s Register , Johannesburg’s street guide, in particular. He played a game called Dispatcher with this eccentric guide, transporting himself across the city into places that would otherwise be forbidden to him. It was through Dispatcher that he discovered apartheid by realizing that he could not find an access route to the neighboring township of Alexandra and, later, by realizing that Soweto was not mapped at all. This was the beginning of his lifelong obsession with maps and photographs, and what they tell us about borders and boundaries—how we define ourselves by staying within them or by transgressing them. This memoir is an account of getting lost in one’s hometown, and then finding oneself as a gay Jewish South African who was raised under apartheid and who eventually married a man of a different race as the country moved toward freedom. Using maps, shards of memory, photographs, and stories, Gevisser constructs a stunning portrait of race and sexuality, heritage and otherness.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Bible Unmasked is a book written by Joseph Lewis that aims to critically examine the Bible and reveal its flaws, inconsistencies, and contradictions. The author argues that the Bible is not a divinely inspired text but rather a collection of myths, legends, and historical inaccuracies. The book is divided into several chapters, each of which focuses on a specific aspect of the Bible, such as its creation story, the Ten Commandments, and the life of Jesus Christ. The author uses historical, scientific, and philosophical arguments to debunk the Bible's claims and to offer alternative explanations for the events and characters described in the text. The book is intended for readers who are interested in exploring the Bible from a critical and skeptical perspective and who are willing to challenge their own beliefs and assumptions about religion and faith.Contents: Abram and Sarai; Isaac and Rebekah; Incest, or Lot and His Daughters; Jacob, Leah and Rachel; Rape of Dinah; Joseph and Potiphar's Wife; Judah and Tamar; 19th Chapter of Judges; King David and His Wives; Rape of Tamar; Story of Ruth; King Solomon and His Songs; Book of Esther, New Testament; Virgin Birth; Elizabeth, Mary and the Angel Gabriel; Jesus and the Sinner, Creed of Science.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

The publication of Jacqueline de Romilly's Histoire et raison chez Thucydide in 1956 virtually transformed scholarship on Thucydides. Rather than mining The Peloponnesian War to speculate on its layers of composition or second-guess its accuracy, it treated it as a work of art deserving rhetorical and aesthetic analysis. Ahead of its time in its sophisticated focus upon the verbal texture of narrative, it proved that a literary approach offered the most productive and nuanced way to study Thucydides. Still in print in the original French, the book has influenced numerous Classicists and historians, and is now available in English for the first time in a careful translation by Elizabeth Trapnell Rawlings. The Cornell edition includes an introduction by Hunter R. Rawlings III and Jeffrey Rusten tracing the context of this book's original publication and its continuing influence on the study of Thucydides. Romilly shows that Thucydides constructs his account of the Peloponnesian War as a profoundly intellectual experience for readers who want to discern the patterns underlying historical events. Employing a commanding logic that exercises total control over the data of history, Thucydides uses rigorous principles of selection, suggestive juxtapositions, and artfully opposed speeches to reveal systematic relationships between plans and outcomes, impose meaning on the smallest events, and insist on the constant battle between intellect and chance. Thucydides' mind found in unity and coherence its ideal of historical truth.

A genre-defying account of confinement and its literary echoes through history. As the pandemic sweeps through Paris in March 2020, the writer HC faces a choice: stay in Paris or flee to the countryside? The weight of historical responses bears down on her--those of her ancestors and Jewish writers during moments of persecution. Still uncertain, she flees to the country at the last moment, with her cats and her daughter, with her diaries and notebooks. What will she do here? Write? What will she write about? Can she write about the experience of being confined? She will write about her cats; every day she will observe their lives and take notes about how they cope with being housebound, and later, in the spring, with the outdoors. Thucydides, Defoe, Camus, Kafka--she will compare her experiences with those of others who have been confined by malady or persecution. She will write of her mother, who fled impending disaster on many occasions and always kept a suitcase ready. She too will endure. The important thing is to have a good death, surrounded by those she loves, not locked down in a hospital.

Hillel Halkin is an American-born Jew who has cast his personal and historical lot with Israel. The imaginary American Jewish friend to whom Halkin directs his onrush of argument is an equally committed young Jew who, however, upholds the possibility of a viable Jewish life outside of Israel. He has just returned to the United states after his second visit to Israel and written a letter of his impressions, which triggers the present correspondence. The two friends argue about Zionism, Israel, Jewish history and culture, the nature of Jewishness. As the gauntlet is flung back and forth, Halkin elaborates his case that Jewish history and Israeli history are two lines in the process of converging, so that for all practical purposes the struggle for Jewish survival and the struggle for Israel are the same; and that any Jew who chooses, in the absence of extenuating circumstances, not to live in Israel is removing himself to the peripheries of the struggle for Jewish survival and away from the center of Jewish history.

Persephone loses her innocence in the Underworld, but finds herself. She is Everywoman coming through darkness, betrayal and disillusion to discover a new life, a new sense of herself. And she is many women in Jenny Joseph's extraordinary novel, which retells the Greek myth of spring and winter, of good and evil.Demeter the earth goddess is every worried mother struggling to understand her daughter. Hades is the reckless man, brutal, possessive, but mellowed by the girl he takes for himself, the woman who goes back to him.In Persephone, Jenny Joseph has created a new kind of novel, a story made up of many stories, our stories, using poetry, narrative, parody and many other kinds of writing. Like the myth itself, Persephone is unforgettable. The book won her the 1986 James Black Memorial Prize for Fiction.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Thirty years after a Jewish widow and her children are kept safe by their loyal housekeeper after the Nazis take over Latvia in 1940, she begs her estranged granddaughter to find out what happened to her son.