A history of American liberalism since the Great Depression traces the pivotal roles of leading contributors, describing how their ambitions, flaws, and successes have shaped the nation's government, media, and culture.

Victor S. Navasky is the renowned editor, writer, and teacher who has been at the helm of "The Nation" for almost thirty years. "A Matter of Opinion," a scintillating reflection on his journalistic experiences, is also an extraordinary political document-a spirited, provocative argument for independent journals of opinion as vital to the health of democracy. Whether at the satirical magazine "Monocle" (which he founded when he was in law school), or at "The New York Times," or finally at "The Nation," Navasky's commitment to political engagement and to the social and intellectual values of independent cultural activity has always been front and center. In a wonderfully entertaining narrative, he tells of his innovative efforts to find money to keep "The Nation" afloat and to keep its pages lively, honest, and relevant, and he embellishes it with unforgettable stories-about his colleagues and opponents, from E. L. Doctorow to Bill Buckley; his heroes, from I. F. Stone to Jurgen Habermas; and his precedessors, from Daniel Defoe to Carey McWilliams. Navasky's accomplishments have been legion, despite the threats of revenue-driven multinational media corporations, and despite the sometimes ugly, sometimes hilarious problems that fearless muckrakers face in any culture. "A Matter of Opinion" is a passionately written, irresistibly charming account of a great journalistic tradition.

Provides a better understanding of the Occupy Wall Street movement by exploring its origins, spirit, uniqueness, predecessors, and inner tensions, while discussing the role it's likely to play in future political culture.

"As World War II comes to a close, the United States and the Soviet Union emerge as the two greatest world powers on extreme opposites of the political spectrum. After the United States showed its hand with the atomic bomb in Hiroshima, the Soviets refuse to be left behind. With communism sweeping the globe, the two nations begin a neck-and-neck competition to build even more destructive bombs and conquer the Space Race. In their battle for dominance, spy planes fly above, armed submarines swim deep below, and undercover agents meet in the dead of night. The Cold War game grows more precarious as weapons are pointed towards each other, with fingers literally on the trigger. The decades-long showdown culminates in the Cuban Missile Crisis, the world's close call with the third-and final-world war"--

In Stagestruck noted novelist and outspoken critic Sarah Schulman offers an account of her growing awareness of the startling similarities between her novel People in Trouble and the smash Broadway hit Rent . Written with a powerful and personal voice, Schulman's book is part gossipy narrative, part behind-the-scenes glimpse into the New York theater culture, and part polemic on how mainstream artists co-opt the work of "marginal" artists to give an air of diversity and authenticity to their own work. Rising above the details of her own case, Schulman boldly uses her suspicions of copyright infringement as an opportunity to initiate a larger conversation on how AIDS and gay experience are being represented in American art and commerce. Closely recounting her discovery of the ways in which Rent took materials from her own novel, Schulman takes us on her riveting and infuriating journey through the power structures of New York theater and media, a journey she pursued to seek legal restitution and make her voice heard. Then, to provide a cultural context for the emergence of Rent-- which Schulman experienced first-hand as a weekly theater critic for the New York Press at the time of Rent 's premiere--she reveals in rich detail the off- and off-off-Broadway theater scene of the time. She argues that these often neglected works and performances provide more nuanced and accurate depictions of the lives of gay men, Latinos, blacks, lesbians and people with AIDS than popular works seen in full houses on Broadway stages. Schulman brings her discussion full circle with an incisive look at how gay and lesbian culture has become rapidly commodified, not only by mainstream theater productions such as Rent but also by its reduction into a mere demographic made palatable for niche marketing. Ultimately, Schulman argues, American art and culture has made acceptable a representation of "the homosexual" that undermines, if not completely erases, the actual experiences of people who continue to suffer from discrimination or disease. Stagestruck 's message is sure to incite discussion and raise the level of debate about cultural politics in America today.

"A deeply reported look at how polarization and compounding crises, including the war in Gaza and threats to democracy, are reshaping the American political system"--

Europe was in the long slumber of the Dark Ages, the Roman Empire was in tatters, and the Greek language was all but forgotten, until a group of Arab, Jewish, and Christian scholars rediscovered and translated the works of Aristotle. His ideas spread across Europe like wildfire, offering the scientific point of view that the natural world, including the soul of man, was a proper subject of study. The Catholic Church convulsed, and riots took place at the universities of Paris and Oxford.

Noting that the current period has much in common with the Colombian Age of Imperialism, during which Western Europe conquered most of the world, Chomsky focuses on various historical moments in this march of imperial power, up to and including the current axis where the U.S., Germany, and Japan share world economic control with the U.S. reveling in a monopoly of military might.

'Truly eye-opening . . . The most accessible and coherent introduction to Chomsky's ideas' Irish TimesThe land of the free. The home of the brave. But what has America achieved in the aim of 'spreading democracy' - except wreak havoc across the globe and establish a reckless foreign policy that serves the interest of few and has endangered all too many?In t[Bokinfo]

In Freedom Betrayed, Michael Ledeen weaves together key moments in the fall of communism with the skill of a born storyteller. His insider's knowledge of the interplay of complex personalities and Byzantine strategies makes a compelling narrative - a narrative enlivened by his wit and flair for the dramatic. He observes that just when democracy seemed everywhere triumphant - with the fall of antidemocratic regimes in Europe, Asia, Latin America, and Africa - our leaders failed those fledgling democracies, first by misunderstanding the monumental achievement of that triumph and second by not providing the political, legal, and entrepreneurial know-how and support the new democrats so desperately needed.

Henry Ford and Charles Lindbergh have long been exalted as two of the greatest American icons of the twentieth century. Now award-winning journalist Max Wallace uncovers groundbreaking and astonishing revelations about the poisonous effect these two so-called American heroes had on Western democracy and how the two of them---acting in league with the Nazis---almost brought democratic Europe to the verge of extinction. With unprecedented access to declassified FBI and military intelligence files, Wallace reveals how the close friendship and ideological bond between automotive pioneer Ford and aviator Lindbergh culminated in an abuse of power that helped strengthen Hitler's regime and undermined the Allied war effort. Devastating, thoroughly researched, and engagingly written, The American Axis is not only a mesmerizing, cautionary tale, but a compelling historical exposé.

"Examines how presidential decisionmaking has been influenced by America's defeat in the Vietnam war, studying presidents Ford, Carter, Reagan, George H. W. Bush, Clinton, George W. Bush, and Obama and how they have approached key decisions regarding conflicts while in office"--Provided by publisher.

Contains primary source materials and sections on black slaves, Lowell, women on the Oregon trail, nursing, white slavery, letters from black migrants, the Lawrence textile strike, the Triangle fire, and child care.

In a rambling series of essays -- partly analytical, partly polemical, and partly autobiographical -- Fiedler takes issue with the elitist and prescriptive tendency among the self-appointed guardians of art, and with the modern split between 'high' and 'low' forms of literature. He argues that traditional approaches to and standards of literature have become obsolete, and a criticism which ignores or condescends to Uncle Tom's Cabin, Gone with the Wind, Roots et alia can have little to say about American culture.

The journey of nine extraordinary men from Budapest to the New World, wht they experienced along their dangerous route and how they changed America and the world. They are the scientists Leo Szilard, Edward Teller, Eugene Wigner, and John von Neuman; Arthur Koestler author of Darkness at Noon; Robert Capa, the first photographer ashore on D-Day; Andre Kertesz, pioneer of modern photojournalism and iconic filmmakers Alexander Korda and Michael Curtiz.

The journey of nine extraordinary men from Budapest to the New World, wht they experienced along their dangerous route and how they changed America and the world. They are the scientists Leo Szilard, Edward Teller, Eugene Wigner, and John von Neuman; Arthur Koestler author of Darkness at Noon; Robert Capa, the first photographer ashore on D-Day; Andre Kertesz, pioneer of modern photojournalism and iconic filmmakers Alexander Korda and Michael Curtiz.

Baseball card collecting carries with it images of idealized boyhoods in the sprawling American suburbs of the postwar era. Yet since the mid-1970s, it has grown from a pastime for children to a big money pursuit taken seriously by adults. This work employs interviews with collectors, dealers, and hobbyists to ask what this hobby tells us about nostalgia, work, play, masculinity, and race and gender relations among collectors. These interviews reveal the hobby's alienating, lonely and unfulfilling aspects, and demonstrate the nostalgia experienced among collectors for the ideal childhood world many middle class white males experienced in the postwar years, when baseball card collecting was a form of play, not a money-making enterprise. The work links this nostalgia to anxieties about de-industrialization and the rise of the civil rights, feminist, and gay rights movements. It examines the gendered nature of swap meets as well as the views of masculinity expressed by the collectors: is the purpose of baseball card collecting to form a community of adults to reminisce or to inculcate young men with traditional masculine values? Is it to establish "connectedness" or to make money? Are collectors striving to reinforce the dominant culture or question it through their attempts to create their own meaning out of what are, in fact, mass-produced commercial artifacts?