All Whom I Have Loved is the haunting story of a Jewish family in Eastern Europe in the 1930s as seen through the eyes of an unforgettable nine-year-old boy. The beloved only child of divorced parents, Paul watches helplessly as his family and his world dissolve around him. At first he lives with his mother—a secular, assimilated schoolteacher, whom he adores until she “betrays” him by marrying a gentile. He’s then sent to live with his father—once an admired avant-garde artist, but now reviled by the critics as a “decadent Jew,” who drowns his anger, pain, and humiliation in drink. Paul searches in vain for a life of stability and meaning. The earthy peasant girl who briefly takes care of him, the pull he feels toward the Jews praying in the local synagogue, and his fascination with Eastern Orthodox church rituals give him only tantalizing glimpses into worlds of which he can never be a part. The fates that Paul’s parents will meet with Paul as terrified witness, and his own fate as an orphaned Jewish child alone in Europe in 1938, are rendered by Aharon Appelfeld with extraordinary subtlety and power, as they foreshadow, in the heart-wrenching story of three individuals, the cataclysm that is about to engulf all of European Jewry.

In Jews vs Zombies, editors Lavie Tidhar and Rebecca Levene have gathered together brand new stories from the light-hearted to the profound, with authors ranging from BSFA Award winner Adam Roberts to best-selling author Sarah Lotz, all asking, for the first time, the question you didn't even know you wanted answered - what happens when the Chosen People meet the Living Dead?

In Jews vs Aliens, editors Lavie Tidhar and Rebecca Levene have gathered together brand new stories from the light-hearted to the profound, with authors ranging from Orange Prize winner Naomi Alderman to Big Bang Theory writer/producer Eric Kaplan, all asking, for the first time, the question you didn't even know you wanted answered - what happens when the aliens arrive, only to encounter... Jews?

Remarkable prose collection from a notable Australian poet. If life is a cosmic stage where illusions are the only reality, says Jacob G. Rosenberg, it is through these illusions that we can sometimes better recognize our world, our fellows, and ourselves. Such is the author's hope in this book. The stories in the first part, Lives, explore dimensions of the human landscape. The shorter pieces that make up Embers, inspired by the midrashic tradition of biblical interpretation, investigate the eternal human drama through the prisms of scripture, history, and folklore.

'The Credit Draper', an original debut novel by J. David Simons, is more than just an immigrant's story about the search for identity in an alien land - it is also a book about whisky, football and waterproof clothing.

'Feinstein's triumph is to write so well that she makes Lena's predicament not only moving, in a perfunctory dismissive way, but also painful ... [she has] an accurate and acute feeling for language, and pauses, and silence.' Guardian Lena's seemingly contented family life is coming apart at the seams. Her husband Ben has been having an affair with the au pair, and as their relationship slides he retreats more and more into his work in a science lab. Sons Alan and Michael may appear happy enough, but this is far from the case - both are responding to a physical world which they alone inhabit. And Lena - desperately lost and seeking an identity of her own, both inside and outside of her family unit - increasingly finds solace at the bottom of a bottle. An exploration of just how lonely - and how magic - a marriage can be, The Circle is a poignant, poetic and incredibly assured debut novel.

"Hell on Earth is the second book written by Avigdor Hameiri (born Feuerstein; 1890-1970) about his experiences as a Russian prisoner of war during the second half of World War I. Translator Peter C. Appelbaum first became interested in Hameiri's story after learning that one quarter of the Austro-Hungarian army was captured and imprisoned, and that the horrific events that took place at this time throughout Russia and central Asia are rarely discussed in scholarly texts. Available for the first time to an English-speaking audience, this reality-driven novel is comparable to classics like All Quiet on the Western Front and The Gulag Archipelago."--

"It is the mid-1980s. In Australia, stay-at-home wives jostle with want-it-all feminists, while AIDS threatens the sexual freedom of everyone. On the other side of the world the Soviet Block is in turmoil. Gorbachev has been in power for a year when twenty-four-year-old book illustrator, Galina Kogan, leaves Leningrad - forbidden ever to return. As a Jew she's inherited several generations worth of Russia's chronic anti-Semitism. As a Soviet citizen she is unprepared for Australia and its easy-going ways. Once settled in Melbourne, Galina is befriended by Sylvie and Leonard Morrow, and their adult son, Andrew. The Morrow marriage of thirty years balances on secrets. Leonard is a man with conflicted desires and passions, while Sylvie chafes against the confines of domestic life. Their son, Andrew, a successful mosaicist, is a deeply shy man. He is content with his life and work - until he finds himself increasingly drawn to Galina. While Galina grapples with the tumultuous demands that come with being an immigrant in Australia, her presence disrupts the lives of each of the Morrows. No one is left unchanged."--Publisher's description

A Jew who survived the Holocaust obsessively rides the trains of postwar Europe in search of a Nazi concentration camp guard. The guard murdered his parents and he intends to kill him.

"Chapters on Jewish Literature" from Israel Abrahams. One of the most distinguished Jewish scholars of his generation (1858-1925).

Discusses Jewish identity in America as reflected in the culture of immigrants and descendants of immigrants. Self-hatred or, at least, ambivalence about oneself in the face of native American values is one theme. Ch. 5 (pp. 98-125), "To Make 'a Jew': Projecting Antisemitism in Post-War America", analyzes two novels - Arthur Miller's "Focus" and Saul Bellow's "The Victim" - that explore the psychosocial dimensions of postwar antisemitism. They raise the question whether possibilities of Jewish-Gentile relations might lead to personal and social renovation. In "Focus", a crypto-fascist antisemite who has internalized racist stereotypes finally identifies symbolically as a Jew. In "The Victim", both Jew and Gentile partially overcome their mutual stereotyping. The main Jewish protagonist also overcomes some negative aspects of his self-image.

1929. With fifty animated maps by the author, giving a pictorial history of centuries of wandering. Browne writes in the prologue that while this story may have been told, yet it cries out to be told still again. From beginning to end it pleads to be retold, and not as a list of names and dates, but as a wild adventure, as a romance. For the whole history of the Jewish people is a romance; the strangest, the most colorful in the saga of all mankind.

"Josephus" by Norman Bentwich is a biography that provides a comprehensive and insightful account of the life and works of Flavius Josephus, a Jewish historian and scholar from the first century AD. Bentwich delves into Josephus' early years, his experiences during the Jewish-Roman War, and his subsequent collaboration with the Roman Empire. The book explores Josephus' significant contributions to Jewish historiography, particularly his works "The Jewish War" and "Jewish Antiquities," which document the events and culture of ancient Judea. Bentwich analyzes Josephus' writings in the context of his political circumstances, shedding light on his motivations and the challenges he faced as a Jewish leader collaborating with the Romans. Through meticulous research and engaging storytelling, Bentwich paints a vivid picture of Josephus' life, offering readers valuable insights into the political, social, and religious dynamics of ancient Judea. The biography also explores Josephus' controversial reputation among Jews and Christians, his impact on historiography, and his enduring influence on the understanding of Jewish history.

Product Description Once a notorious hippie, Sammuel Himmelhoch joins a Hassidic sect of penitents in Jerusalem and becomes a Master of the Return, guiding fellow converts to the teachings of Rabbi Nahman of Bratslay From Publishers Weekly In Mara, Reich, herself the scion of a rabbinical family, took aim at the mores of American Orthodox Jewry. Here, she casts her sly, sardonic eye upon those at the opposite end of the spectrum, so to speakIsraeli penitents. With vigor, irreverence and devastating accuracy, she limns a flock of zany zealots, intoxicated by the rarefied Hassidism of Rabbi Nahman of Bratslav. These cultists, former hippies who are now "high on the One Above," are at once delightfully absurd in their revival, even invention, of bizarre customs (such as the paramount pilgrimage to Rabbi Nahman's Ukranian grave to terminate "nocturnal emissions"); poignant in their misguided, miseducated search for identity and redemption; as self-indulgent in their expiation as they once were in their passions; and alarming in their patent misogyny, racism, deceit, self-righteousness and extreme messianic political agenda. In Reich's hands, plot and character development are sacrificed to an extravagant religious and social parody cum cautionary tale. The penitents remain symbolic figuresas exemplified by an elderly midwife, whose name, Shifra-Puah, evokes her righteous colleagues from the biblical book of Exodus who disobeyed the pharaonic decree to murder male newborns, and Avraham Ger, whose surname, Hebrew for convert, proclaims his adoption of Judaism. Copyright 1988 Reed Business Information, Inc. From Library Journal Samuel Himmelhoch was once lighting effects man for notorious rock groups, his wife Ivriya rode horses bare-breasted in Rosh Pina, and Sora Katz was the former Pam Buck of Macon, Georgia, but now they are all members of an extreme Hassidic sect, living together in the Moslem quarter of the Old City of Jerusalem. Described with affection and great insight, the riotous adventures of these sincere but sometimes misguided penitents easily mix the supernatural with human events. Reich pinpoints absurdity and self-righteousness beautifully, as when Reb Lev Luria pontificates in gematria (talmudic numeric equivalents) derived from his newly donated computer. An arrestingly comtemporary treatment of Jewish spirituality and renewal. Highly recommended. Molly Abramowitz, Silver Spring, Md.Copyright 1988 Reed Business Information, Inc.

"Thirteen stories by the author of the critically acclaimed The Genizah at the House of Shepher address universal themes of yearning and displacement, love, loss and the struggle to belong. A latter-day Jewish Odysseus spends his life planning an intricate journey to the Promised Land, while an English father stranded in London mourns for his faraway Italian son. A man without a past searches the world for potential relatives, while in the title story, a Jew and a Muslim cast adrift in a Yorkshire landscape find momentary sisterhood over a copy of the Koran. Blending irony with pathos, the mythical with the mundane, Kafka in Bronteland gives voice to a rich mix of characters living outside traditional patterns of identity in a world of complex migrations and tumultuous change."--

The storm of controversy over Helen Demidenko and her novel, 'The Hand that Signed the Paper,' raised huge cultural and political questions. Robert Manne, the influential historian and commentator, was a key participant in that debate. In 'The Culture of Forgetting, Manne tells the fascinating story of Demidenko's triumphal march into the honors list of Australian literature, the furious argument she provoked, and her astonishing unmasking as Helen Darville, the daughter of English immigrants. In his pursuit of the truth, Manne is driven by one inescapable question: what is the relationship between 'The Hand that Signed the Paper' and the greatest tragedy of twentieth-century Europe, the Holocaust? 'The Culture of Forgetting' is a powerful and moving book about fiction and free speech, a deeply personal response to the Demidenko puzzle, and a brilliant account of the history at the heat of the affair.

In his unique and lyrical style, Mario Levi captures the city of Istanbul and its storied past with a rare intimacy and humor. A major work of contemporary Turkish literature, Istanbul Was a Fairy Tale tells the stories of three generations of a Jewish family from the 1920s to the 1980s. Istanbul is their only home, and yet they live in a state of alienation, isolating themselves from the world around them. As witness, observer, and protagonist, the narrator—at once inside and outside of his story—records their many tales, as well as those of their friends and neighbors, creating an expansive mosaic of characters, each doing their best to survive the twentieth century.

"The Book; yes, their Book. They had no state, holding them together, no country, no soil, no king, no form of life in common. If, in spite of this, they were one, more one than all the other peoples of the world, it was the Book that sweated them into unity. Brown, white, black, yellow Jews, large and small, splendid and in rags, godless and pious, they might crouch and dream all their lives in a quiet room, or fare splendidly in a radiant, golden whirlwind over the earth, but sunk deep in all of them was the lesson of the Book. Manifold is the world, but it is vain and fleeting as wind; but one and only is the God of Israel, the everlasting, the infinite, the Jehovah."-Jud Süss, 1925. When Feuchtwanger's two best known novels "Jew Süss" ("Power") and "Ugly Duchess" were first translated into English in the 1920s, they caused a tremendous sensation in England and then in America. The critics all hailed Feuchtwanger as the master of the historical novel-the peer of Dumas and Scott but written with the psychology of our own day. "Jew Süss," set in the 18th century Germany (at the time consisting of numerous fragmented independent states), deals with an identity crisis: in order to gain social power, the novel's protagonist attempts to forsake his Jewish heritage and becomes assimilated into the mainstream of German culture. More than that, Süss finds himself being in the position of potential kingmaker. Brilliant, attractive and with an insatiable lust for power, he practically ruled the Duke and his court, pandering to the vices of dissolute nobility, mounting through his intrigues to dizzying heights of power. Süss's only vulnerable spot, however, is his precious, exquisite, gentle daughter, Naomi. When her beauty became exposed to the beastliness of the Duke, tragedy came swiftly after.