From Sholom Aleichem to Avram Davidson, Isaac Bashevis Singer to Tony Kushner, the Jewish literary tradition has always been one rich in the supernatural and the fantastic. In these pages, gathered from the best short fiction of the last ten years, twenty authors prove that their heritage is alive and well -- in the spaces between stars that an alphabet can bridge, folklore come to life and histories become stories, and all the places where old worlds and new collide and change.

"This groundbreaking collection brings together 28 stunning stories by literary talents never before assembled in a single volume. With contributions from both established and bright new voices in lesbian fiction, 'Women on Women' ranges from the subtlety and restraint of Willa Cather's 'Tommy, the Unsentimental' to Sapphire's daring and highly erotic 'Eat' and Valerie Miner's suspenseful 'Trespassing.' Some of the stories are universal in theme - the joy and excitement of new romance, the ageless problems of family life, and the pain of lost love and of death. And many are written by or about members of racial, ethnic, and other minorities within the gay community. These are stories that offer stirring, eloquent, often passionate insights into the lesbian experience in a long-overdue collection that represents the best of lesbian short fiction from past to present"--Amazon.com.

Novel Gazing is the first collection of queer criticism on the history of the novel. The contributors to this volume navigate new territory in literary theory with essays that implicitly challenge the "hermeneutic of suspicion" widespread in current critical theory. In a stunning introductory essay, Eve Kosofsky Sedgwick delineates the possibilities for a criticism that would be "reparative" rather than cynical or paranoid. The startlingly imaginative essays in the volume explore new critical practices that can weave the pleasures and disorientations of reading into the fabric of queer analyses. Through discussions of a diverse array of British, French, and American novels—including major canonical novels, best-sellers, children’s fiction, and science fiction—these essays explore queer worlds of taste, texture, joy, and ennui, focusing on such subjects as flogging, wizardry, exorcism, dance, Zionist desire, and Internet sexuality. Interpreting the works of authors as diverse as Benjamin Constant, Toni Morrison, T. H. White, and William Gibson, along with canonical queer modernists such as James, Proust, Woolf, and Cather, contributors reveal the wealth of ways in which selves and communities succeed in extracting sustenance from the objects of a culture whose avowed desire has often been not to sustain them. The dramatic reframing that these essays perform will make the significance of Novel Gazing extend beyond the scope of queer studies to literary criticism in general. Contributors . Stephen Barber, Renu Bora, Anne Chandler, James Creech, Tyler Curtain, Jonathan Goldberg, Joseph Litvak, Michael Lucey, Jeff Nunokawa, Cindy Patton, Jacob Press, Robert F. Reid-Pharr, Eve Kosofsky Sedgwick, Melissa Solomon, Kathryn Bond Stockton, John Vincent, Maurice Wallace, Barry Weller

With the sixth volume of the acclaimed annual series, Best Gay Stories, editor Steve Berman has chosen compelling fiction that ranges from the pragmatic to the surreal from such acclaimed authors as Mark Ameen, Jameson Currier, Alex Jeffers, and William Sterling Walker, as well as moving and provocative essays by Peter Knegt and Eddie Safarty. No other anthology explores the breath and scope of today's diverse gay literary field.

An Indie Next PickA BOMC SelectionIt is summer, 2012. Charlie, a wealthy banker with an uneasy conscience, invites his troubled cousin Matthew to visit him and his wife in their idyllic mountaintop house. As the days grow hotter, the friendship between the three begins to reveal its fault lines, and with the arrival of a fourth character, the household finds itself suddenly in the grip of uncontrollable passions. As readers of James Lasdun's acclaimed fiction can expect, The Fall Guy is a complex moral tale as well as a gripping suspense story, probing questions of guilt and betrayal with ruthless incisiveness."A taut and cerebral literary thriller. . . . Matthew delights the couple with his culinary talents but tension soon boils over in this exquisitely paced, unbearably suspenseful morality tale. Lasdun's elegant prose serves up an unsettling dish of obsessions and jealousy seasoned with keen social observations of class and privilege while simmering with plots of revenge. For fans of Ian McEwan and Herman Koch." -- Bill's Bookshelf Selector, Bill Kelly

"Jacob Appel's acrobatic imagination is always a thrill to watch in action. These stories fly through the air and grip your heart. Appel's naturalness as a storyteller makes The Liars' Asylum a total pleasure, a collection in a league of its own. Each story-- there are no duds here-- engages and entertains. Each is beautifully measured and composed, populated by characters I worried for, crushed on, and hoped with."-- Kelly Luce "In this excellent collection of stories, Jacob Appel mines everything for what it is and what it might be: the ordinary, the bizarre, the poignant. The voice, regardless of the narrator, is always crisp and exuberant, in ways subtle and fresh. I could say he is a writer to watch, but actually he is publishing well and frequently. He's a writer to read."-- Fred Leebron "While the plants and ponds might be aggressively artificial in Jacob Appel's newest collection of stories, there's not a single false note when it comes to Appel's characters and their intertwined lives. Romance blooms despite vast differences in ages and circumstance, and near connections plunge into a unique melancholy optimism that will propel readers from one story to the next."-- Suzanne Greenberg "Jacob M. Appel's brilliant new story collection manages to pull off the rarest of literary feats-- delivering eight fantastic stories, each as entertaining as it is philosophically rich. A book of laugh-out-loud wit braided with intellectual fearlessness, The Liars' Asylum offers delights for the mind on every page. Best of all, these irreverent, lovingly subversive stories upend dusty assumptions about what it means to be alive and allow the reader to experience her own existence with a fresh eye. A stunning book that will remain with you long after the last page is turned."-- Alethea Black "Across eight compelling stories, Jacob Appel offers us glimpses into the lives of people keeping secrets, broaching taboos, and testing the limits of their relationships. From a former teacher's suicide to an epidemic of storms that forces those caught in them to tell the truth, The Liars' Asylum beautifully and artfully exposes the mysteries and longings of the human heart."-- Anne Valente "Jacob M. Appel new collection, The Liars' Asylum , confirms his status as one of our most skillful, and appealing, practitioners of short fiction. Indeed, Appel is one of those blessed and nimble writers who, like Chekhov, can find a story anywhere. On ample display are his trademark first-person narrators (often young women), his deliciously light touch, his mastery of the 'reversal of fortune' moment. His new cast of characters includes a girl tasked with ensuring her aunt a 'beau, ' an immigrant Finn who teaches us the meaning of endurance, and a ER psychiatrist dealing with a mass hysteria of truth-telling. Appel's fiction is a brilliant and reassuring example of Horace's maxim: The role of the artist is to inform and delight."-- Catherine Browder

Delve into the dark heart of morality with Leonid Andreyev's chilling exploration of good and evil, "Satan's Diary." This rediscovered work of religious and horror fiction presents a unique perspective on the eternal struggle, inviting readers to confront uncomfortable truths about human nature and the seductive power of darkness. Andreyev's masterful storytelling creates an unsettling atmosphere as he explores profound questions about temptation, sin, and redemption. A cornerstone of literary horror, "Satan's Diary" remains a compelling and thought-provoking read, offering a timeless glimpse into the complexities of faith and the enduring presence of the diabolical. This meticulously prepared print edition makes this classic of religious fiction available for all who seek a journey into the shadows. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Since emigrating to the U.S. from his native Romania in 1966, Andrei Codrescu has blazed a rocket-bright trail across the cultural landscape of his adopted country, gaining a national audience as public radio commentator, television personality and editor of the radical literary journal Exquisite Corpse. He has also commanded considerable critical recognition for his poetry (Alien Candor, Black Sparrow, 1996), and fiction (most notably, his novel about his Transylvanian homeland, The Blood Countess, 1995).

"Natsume Soseki (1867-1916) was the father of the modern novel in Japan, chronicling the plight of bourgeois characters caught between familiar modes of living and the onslaught of Western values and conventions. Yet even though generations of Japanese high school students have been expected to memorize passages from his novels and he is routinely voted the most important Japanese writer in national polls, he remains less familiar to Western readers in comparison to authors such as Kawabata, Tanizaki, and Mishima. In this biography, John Nathan provides a lucid and vivid account of a great writer laboring to create a remarkably original oeuvre in spite of the physical and mental illness that plagued him all his life. He traces Soseki's complex and contradictory character, offering rigorous close readings of Soseki's groundbreaking experiments with narrative strategies, irony, and multiple points of view as well as recounting excruciating hospital stays and recurrent attacks of paranoid delusion. Drawing on previously untranslated letters and diaries, published reminiscences, and passages from Soseki's fiction, Nathan renders intimate scenes of the writer's life and distills a portrait of a tormented yet unflaggingly original author. This biography elevates Soseki to his rightful place as a great synthesizer of literary traditions and a brilliant chronicler of universal experience who, no less than his Western contemporaries, anticipated the modernism of the twentieth century."-- Provided by publisher.

"Known as "Captain Fiction," Gordon Lish (b. 1934) is among the most influential, and controversial, figures in modern American letters. As an editor at Esquire (1969-1977), Alfred A. Knopf (1977-1995) and The Quarterly (1987-1995), and as a teacher both in and outside the university system, he has worked closely with many of the most pioneering writers of recent times, including Raymond Carver, Don DeLillo, Barry Hannah, Amy Hempel, Sam Lipsyte, and Ben Marcus. A prolific author of stories and novels, Lish has also won a cult following for his own fiction, earning comparisons with Gertrude Stein and Samuel Beckett. Conversations with Gordon Lish collects all of Lish's major interviews, covering the entire span of his extraordinary career. Ranging from 1965 to 2015, these interviews document his pivotal role in the period's defining developments: the impact of the Californian counterculture, the rise and decline of so-called literary "minimalism," dramatic transformations in book and magazine publishing, and the ongoing growth of creative writing instruction. Over time, Lish--a self-described "dynamic conversationalist"--forges an evolving conversation not only with his interviewers, but with the central trends of twentieth-century literary history. This book will be essential reading not only for students and fans of contemporary fiction, but for writers too: included are several interviews in which Lish discusses his secretive private writing classes. Indeed, these pieces themselves amount to a masterclass in Lishian literary language--each is a work of art in its own right." -- provided by publisher.

"Scarified sensibility, subversive intellect, and predatory wit make her a writer like no other I know." -New York Times Book Review The Childlike Life of the Black Tarantula , Kathy Acker's debut and the first in this three-novel collection, began as an episodic handmade pamphlet that Acker mailed out to influential writers and artists whose addresses she managed to get her hands on. In the novel, Acker steps into the biography of a Mississippi murderess who falls in love with a famous lawyer, and mixes in fragments from porn, historical romance, pulp fictions, and The Story of O . Collect with her second novel, the dreamy exploration of desire I Dreamt I was a Nymphomaniac , and her third, The Adult Life of Toulouse Lautrec , Portrait of an Eye is dive into the frenzy of sexual wanting, the search for identity, and the invention of a new literary language. Now with an introduction by Kate Zambreno contextualizing the resurrection of these three early Acker novels, this new edition of Portrait of an Eye reminds us of all there is still to learn from Kathy Acker, a writer and artist whose work "remains radical and uncanny, entirely inimitable, a smash and grab on the history of literature" ( Guardian ).

A collection of essays from notable writers, including Joyce Carol Oates, Ray Bradbury, Andre Dubus, and many others, offers brilliant advice, wisdom, and insight to fiction writers about the art of writing and surviving the writing life. Reprint.

Kaus pays a great deal of attention to Catherine's early life. Her relationship with her siblings and the poor relationship she had with her father discussed in detail. Catherine hungered for love, something she would struggle with for her whole life. She desired a husband who would provide her with a crown more dazzling than that of Zerbst, in her native land of Germany. Her marriage to Peter III was a failure but provided her with the crown of Russia. Her extramarital affairs are discussed. After the conspiracy against her husband was successfully carried out, the Imperial Guards proclaimed her the sole ruler of Russia. There was an intense hatred between Catherine and her son Paul, and because of this, Catherine planned to make her grandson, Alexander, the successor to the throne of Russia. Gregory Potemkin loved and admired her as no one else in Catherine's life. A number of illustrations are included as well as an index.

This selection from the first ten years of the Evergreen Review gives the full flavor of the energy, savvy, excitement, and gall that characterized the magazine during the days of its publication. It also happens to bring together some of the world’s best writers in one volume, in the company of their peers. Evergreen was more than another literary magazine. Founded by Barney Rossett of Grove Press and publishing from 1957 through 1973 (it now exists as an online only magazine), it was the voice of a movement that helped to change the attitudes and prejudices of the culture at large through the language of art—and succeeded. It was always damn the torpedoes and full speed ahead. Here are original short stories by Samuel Beckett and Jack Kerouac (with his “October in the Railroad Earth” predating the publication of On the Road ); Allen Ginsberg’s “Howl” (previously published only as a pamphlet); a selection from Lawrence Ferlinghetti’s A Coney Island of the Mind ; and a passage from Alexander Trocchi’s Cain’s Book . Also included are a fantastic sample of the original and iconic magazine covers which were works of art themselves—a heavily bearded Ginsberg cavorting in a sport coat and Uncle Sam top hat in 1966—and several reprinted comic strips; notably, Michael O’Donoghue’s “The Adventure of Phoebe Zeit-geist.”

Samuel Perlman, the elderly narrator of Yasmina Reza’s deliriously dyspeptic novel, is surrounded by happy people. His wife Nancy is thrilled to be a member of the human race. His grown son is content crisscrossing the world to “sample exotic fruit with the savages.” But Samuel himself refuses to be happy and his attempt to explain his refusal (half to his son and half to himself) generates an epic, blasphemous, and hilarious rant against the compromises of his life. Whether he is recounting his pal Lionel’s heroic battle against impotence; lamenting the loss of his great love, the irresistible Marisa Botton; or pondering the possibility of a new love in the person of one Genevieve Abramowitz, the droll, irascible Perlman is one of the great talkers of contemporary fiction. And Desolation is one of the most dazzling performances ever written for one voice.

If you thought the only thing Ellison writes is speculative fiction, craziness about giant cockroaches that attack Detroit, or invaders from space who look like pink eggplant and smell like chicken soup, this dynamite novel of the emergent days of rock and roll will turn you around at least three times. No spaceships, no robots, just a nice kid from Louisville named Stag Preston with a voice like an angel, seductive moves like the devil, and an invisible monkey named Success riding him straight to hell . . .

Gina Berriault had written critically acclaimed stories and novels for decades, but in 1996 she was in the literary spotlight as never before, winning both the PEN/Faulkner Award and the National Book Critics Circle Award for Women in Their Beds. This new collection, compiled by Berriault's daughter and her longtime companion, Leonard Gardner, opens with five stories, including ?The Figure Skater,” the final story she saw to publication before her death in 1999. Berriault's stories have been praised for their elegance, compassion, and psychological intelligence. We are first drawn in by her deep understanding of human emotions and predicaments, and then astounded by her remarkable eye for detail. Essays on topics as diverse as topless dancers and firing squads are also included, together with three rare self-revelatory pieces on why the world needs writers, comprising a sort of ars poetica for Berriault. As a whole, this collection becomes her credo on American culture, politics, and the written word.

"Selected by Cynthia Ozick from a dozen books written across more than fifty years, the essays and short stories gathered here constitute a summing-up of her remarkable literary career. In such classic essays as 'Who Owns Anne Frank?,' 'What Helen Keller Saw,' 'Dostoevsky's Unabomber,' and 'Transcending the Kafkaesque,' Ozick examines some of the world's most illustrious writers and their work, tackles compelling contemporary literary and moral issues, and looks into the wellsprings of her own lifelong engagement with literature. In her short stories, including 'A Hebrew Sibyl,' 'What Happened to the Baby?,' 'Dictation,' 'The Biographer's Hat,' and 'The Conversion of the Jews,' Ozick demonstrates again and again her stylistic brilliance and the originality of her distinctive interweaving of the strands of history and myth." -

Four-time Edgar Award-winning author Lawrence Block's definitive essay collection on the art of writing fiction For ten years, crime novelist Lawrence Block funneled his wealth of writing expertise into a monthly column for Writer's Digest. Collected here for the first time are those pieces illuminating the tricks of the authorial trade, from creating vibrant characters and generating seamless plots, to conquering writer's block and experimenting with self-publishing. Filled with wit and insight, The Liar's Bible is a must-read for experts, amateurs, and anyone interested in learning to craft great fiction from one of the field's modern masters. This ebook features an illustrated biography of Lawrence Block, including rare photos and never-before-seen documents from the author's personal collection.

A modern psychological novel of human beings caught in the indulgences and inhibitions of our times - another literary triumph for Italy's great contemporary writer.