THE CLASSIC COLLECTION OF JEWISH FANTASY! "Marks a milestone in the literature of the fantastic." - Paul Di Filippo, author of The Steampunk Trilogy In HebrewPunk , World Fantasy Award winning author Lavie Tidhar had reinvented pulp fantasy fiction in Jewish terms, creating a hidden world where fantasy, horror and history intertwine. Featuring the Rabbi, the Rat and the Tzaddik, their stories take us on a journey from an expedition to an alternate world in Kenya in 1904 to the drug-soaked streets of 1920s London and to Transylvania in the Second World War. "Imagine Hard-Boiled Kabbalah... If you like your otherworld fun noir, have I got a book for you!" - Kage Baker, author of In the Garden of Iden "Wondrous, adventurous, and thought-provoking." - Ellen Datlow, co-editor of The Year's Best Fantasy and Horror "Tidhar writes a sort of intensified supernatural action-surrealism that fair rattles along and is full of surprises--not only plot twists and thrills but a level of conceptual surprise, a reinvigoration of some of the more tired conventions of the fantasy-horror genre... not to be missed." - Adam Roberts, author of The Thing Itself

"For centuries before its "rebirth" as a spoken language, Hebrew writing was like a magical ship in a bottle that gradually changed design but never voyaged out into the world. Isolated, the ancient Hebrew ship was torpid because the language of the Bible was inadequate to represent modern life in Europe. Early modern speakers of Yiddish and German gave Hebrew the breath of life when they translated dialogues, descriptions, and thought processes from their vernaculars into Hebrew. By narrating tales of pilgrimage and adventure, Jews pulled the ship out of the bottle and sent modern Hebrew into the world. In Travels in Translation, Frieden analyzes this emergence of modern Hebrew literature after 1780, a time when Jews were moving beyond their conventional Torah- and Zion-centered worldview. Enlightened authors diverged from pilgrimage narrative traditions and appropriated travel narratives to America, the Pacific, and the Arctic. The effort to translate sea travel stories from European languages--with their nautical terms, wide horizons, and exotic occurrences--made particular demands on Hebrew writers. They had to overcome their tendency to introduce biblical phrases at every turn in order to develop a new, vivid, descriptive language. As Frieden explains through deft linguistic analysis, by 1818, a radically new travel literature in Hebrew had arisen. Authors such as Moses Mendelsohn-Frankfurt and Mendel Lefin published books that charted a new literary path through the world and in European history. Taking a fresh look at the origins of modern Jewish literature, Frieden launches a new approach to literary studies, one that lies at the intersection of translation studies and travel writing"--OCLC

EARLY DOCUMENTS OF LANGUAGE & LINGUISTICS. Imagine holding history in your hands. Now you can. Digitally preserved and previously accessible only through libraries as Early English Books Online, this rare material is now available in single print editions. Thousands of books written between 1475 and 1700 can be delivered to your doorstep in individual volumes of high quality historical reproductions. The evolution of English and foreign languages is documented in these original texts studying and recording early philology from the study of a variety of languages including Greek, Latin and Chinese, as well as multilingual volumes, to current slang and obscure words. Translations from Latin, Hebrew and Aramaic, grammar treatises and even dictionaries and guides to translation make this collection rich in cultures from around the world. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Florio his firste fruites which yeelde familiar speech, merie prouerbes, wittie sentences, and golden sayings. Also a perfect induction to the Italian, and English tongues, as in the table appeareth.Florio, John, 1553?-1625.Dedication and end of text dated 10 August 1578.Part 1 has Italian and English in parallel columns.The last leaf is blank.[12], 163, [1] leaves[London] : Imprinted at the three Cranes in the Vintree, by Thomas Dawson, for Thomas Woodcocke, [1578]STC (2nd ed.) / 11096EnglishReproduction of the original in the Henry E. Huntington Library and Art Gallery ++++ This book represents an authentic reproduction of the text as printed by the original publisher. While we have attempted to accurately maintain the integrity of the original work, there are sometimes problems with the original work or the micro-film from which the books were digitized. This can result in errors in reproduction. Possible imperfections include missing and blurred pages, poor pictures, markings and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as part of our commitment to protecting, preserving and promoting the world's literature.

Lethargic inactivity can be debilitating and depressing; but for those living in the modern world, the pendulum has swung far in the other direction. We live in a hectic, hyperactive, over-stimulated age. Excessive busyness and overfilled schedules are the norm, as are their effects on our mental and emotional lives. How might we address and counter such problems, for the sake of experiencing our lives more fully? In How to Be Bored , Eva Hoffman explores the importance we place on success, high level function, effectiveness and alertness in today's competitive society. In a world where it is almost impossible to be idle, she draws upon lessons from history, literature and psychotherapy to help us embrace boredom and find meaning in doing nothing - to appreciate real reflection and enjoy the richness of our inner and external lives.

Never before available in English, Judgment is a work of startling power by David Bergelson, the most celebrated Yiddish prose writer of his era. Originally published in 1929 and set in 1920 during the Russian civil war, Judgment traces the death of the shtetl and the birth of the “new, harsher world” created by the 1917 revolution. Jews and non-Jews smuggle people, goods, and anti-Bolshevik literature back and forth across the new political border. Filipov acts as the arbiter of "judgment" to prisoners in a Bolshevik outpost, who include Spivak, a counterrevolutionary; Lemberger, a pious and wealthy Jew; a seductive woman referred to as "the blonde"; and a memorable cast of smugglers and criminals. Ordinary people, depicted in a grotesque and modernist style—comparable to Isaac Babel’s Red Cavalry —confront the overwhelming forces of history, whose ultimate outcome remains unknown.

"These lit-crit essays are at once spoofable and brilliant".-Esquire. "'Trauma TV' is . . . the most illuminating essay on TV and video ever written".-Artforum. "Ronell is one of the few critical theorists of talent who can write her way out of the hermeticism typically associated with the deconstructionism of Derrida, Blanchot, Nancy, or Lacoue-Labarthe. She jumps between the vulgate of television talk shows and the high theoretical jargon of the academy with the adroitness of a speed-fiend switchboard operator . . . [She is] the reigning queen of termino-millenarianism".-Poetics Today. Suspending the distinction between headline news and high theory, Ronell examines diverse figures of finitude in our modern world: war, guerrilla video, trauma TV, AIDS, music, rumor. Her essays address such questions as: How do rumors kill? How has video become the call of conscience of TV? How have the police come to be everywhere, even when they are not? Is peace possible? Ronell writes to "the community of those who have no community-to those who have known the infiniteness of abandonment". Avital Ronell is also the author of The Telephone Book: Technology, Schizophrenia, Electric Speech (1989) and Crack Wars: Literature, Addiction, Mania (1992), both published by the University of Nebraska Press. She is a professor in and chair of the Department of German and a professor of comparative literature at New York University.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A young girl imagines all the wonderful things she could have and do if she were queen of the world and her little brother were her mere subject.

Henry Kuttner (April 7, 1915-February 4, 1958) was a science fiction author born in Los Angeles, California. As a young man he worked for a literaryagency before selling his first story, "The Graveyard Rats", to Weird Tales in 1936. Kuttner was known for his literary prose and worked in close collaboration with his wife, C. L. Moore. They met through their association with the "Lovecraft Circle", a group of writers and fans who corresponded with H. P. Lovecraft. Their work together spanned the 1940s and 1950s andmost of the work was credited to pseudonyms, mainly Lewis Padgett and Lawrence O'Donnell.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"The titular character, Ghalen, is a brilliant young Black man who is the son of an endearing neurodivergent man and a gifted, astute, and empathic woman. His parents' grand love story takes up the first third of the book and sets you up to know Ghalen so fully and invest in this family (and their extended friend/family) so deeply, that each new twist and turn feels personal. The journey through Ghalen's coming-of-age tale, as he ventures out into the world is marked with peaks and valleys and such a drive that you can't help but strap in for it all, while not wanting it to end"-- Provided by publisher.

In Sir Tony Robinson's Weird World of Wonders: Pets , Sir Tony Robinson takes you on a headlong gallop through time, pointing out all the most important, funny, strange, amazing, entertaining and smelly bits about pets. It's history, but not as we know it! Find out everything you ever needed to know about pets through time in this brilliant illustrated, action-packed, fact-filled book, including: - The fact that Egyptians worshipped cats and shaved off their eyebrows to mourn them when they died - The brilliant and extremely useful jobs that animals did and still do for us in times of war - A whole array of bizarre animals through time, including medieval squirrels! - Pet fashions and fashionable pets And lots of other facts about the amazing pets that we spend our lives with. What are you waiting for? Let's get going . . . For more funny history facts discover the whole series!

Tobias Hill's first full-length collection, Year of the Dog, won an Eric Gregory award in 1995. Dominated by images and narratives from Hill's stay in Japan, as well as other travel poems, the book contains Hill's celebrated sequence 'A Year in Japan', with its sweeping filmic narratives of the poets encounters in a distant and strange land. Hill's skills in depicting urban pastoral landscapes and human tableux are much in evidence. Now made available in a new edition, this hard to obtain work will delight fans and collectors."Hill's special territory, in poetry and prose, is the 'urban-pastoral' ... his native North London is transformed, with many deftly dark touches, into an uneasy realm of the imagination. Hill clearly appreciated Simon Armitage's storytelling persona; he also drew upon observation of the natural world in ways associated with Ted Hughes. Much of his imagery is by turns delicately 'Japanese', or reminiscent of the heyday of Craig Raine's 'Martian' style. Hill has a romantic dimension in his work that is all his own. As a young man with an intense curiosity about the world, his work is full of sensual images, vignettes of city life - and romance ... these are poems of flirtation and desire."--contemporarywriters.co.uk"The closeup detail taken directly from nature, then skewed through 90* to give the reader something completely new, even unique ... with this third collection, Hill promises to be a real force in poetry, displaying an utterly contemporary understanding of how nature continues to work."--Poetry Review

Over and Over and Over againTerry North had once been on the Hollywood A-listplaying a crime-fighting superhero on one of the highest rated shows on television. But the show was cancelled, and for years she has spent most of her time watching old videos of Dark Avenger. In the videos, time has frozen. She's young, she'svital, she's super human. Reality bites, though, and her friend's advice to "stop living in the past" is easier said than done since Terry's present mostly sucks on ice.But Terry's life takes a radical turn when an old friend from the past offers her an opportunity to live out her dream - and a remarkable new costume."In Reruns Selina Rosen introduces us to a world where one woman and her convictions, along with a bit of help from some friends, do make a difference. We've all wanted to be, or even pretended to be, a superhero sometime in our life. Terry was lucky enough to play one on television, Dark Avenger, for seven seasons. Years after the series was cancelled someone approached her to actually become what she portrayed on TV and Vigilance was born... Selina has a certain natural gift of taking the reader and immersing theminto a novel so that the reality of the novel mixes seamlessly with the reality of the reader's life and they become one. In Reruns we find out what it is like to be a true superhero in a world that'slosing faith, without ever having to actually risk our own necks " -Stephen Pagel, co-editor of the multiple award-winning anthology series; Bending the Landscape

"A simple introduction to the Minnesota Twins major league baseball team, including its start in 1901 as the Washington Senators, its World Series triumphs, and its stars throughout the years"--

For centuries writers have used participatory experience as a lens through which to better see the world at large and as a means of exploring the self. Considering various types of participatory writing as different strains of one style--immersion writing--Robin Hemley offers new perspectives and practical advice for writers of this nonfiction genre. Immersion writing can be broken down into the broad categories of travel writing, immersion memoir, and immersion journalism. Using the work of such authors as Barbara Ehrenreich, Hunter S. Thompson, Ted Conover, A. J. Jacobs, Nellie Bly, Julio Cortazar, and James Agee, Hemley examines these three major types of immersion writing and further identifies the subcategories of the quest, the experiment, the investigation, the infiltration, and the reenactment. Included in the book are helpful exercises, models for immersion writing, and a chapter on one of the most fraught subjects for nonfiction writers--the ethics and legalities of writing about other people. A Field Guide for Immersion Writing recalibrates and redefines the way writers approach their relationship to their subjects. Suitable for beginners and advanced writers, the book provides an enlightening, provocative, and often amusing look at the ways in which nonfiction writers engage with the world around them. A Friends Fund Publication.

The New Trial is Peter Weiss’s final drama, completed only months before his death in 1982 and never before published in English.One of Europe’s most important twentieth century playwrights—often considered as influential as Brecht and Beckett—Weiss is best known to American audiences as the author of the Broadway play Marat/Sade and the three-volume novel The Aesthetics of Resistance, which has elicited comparison with Joyce’s Ulysses and Garcia Marquez’s One Hundred Years of Solitude. Initially influenced by Franz Kafka and later by the American Henry Miller, Weiss worked to expose the hypocrisy, the deception, and the nature of aggression in the contemporary world. A transformative “updating” of Kafka’s novel The Trial, The New Trial presents a surreal, hallucinatory look at the life of “Josef K.,” chief attorney in an enormous multinational firm that exploits both his idealism and his self-doubt in order to present to the world a public face that will mask its own dark and fascistic intentions. Fusing Marxist and capitalist perspectives in a manner that anticipates aspects of the current global market expansion, Weiss evokes a world in which nothing is private and everything is for sale. This edition of The New Trial is designed to facilitate theatrical teaching and stage production of the play. An extensive introduction by James Rolleston and Kai Evers situates the work in the full context of Weiss’s life, including his Swedish exile during the regime of the Third Reich. In addition, the play’s text is followed by interviews with Weiss and his original codirector (and wife) Gunilla Palmstierna-Weiss, as well as an account of the challenges of the first English staging by director Jody McAuliffe.