Clifford Geertz is one of the foremost figures in the reconfiguration of the boundary between the social sciences and the humanities in the second half of the twentieth century. Expanding the power and complexity of the anthropological concept of culture, his work is both foundational to, and in critical counterpoint with, that vast interdisciplinary spectrum of scholarship known today as "cultural studies." This book brings together seven leading scholars from four disciplines to take a fresh look at Geertz's work, and to consider the continuing implications of his work in the contemporary context. Framed by an important introduction by anthropologist Sherry B. Ortner, the articles cover such topics as seventeenth-century English ghosts, Jewish merchants in early capitalism, Egyptian women in the age of television, and the role of Sherpas in Himalayan mountaineering, as well as such methodological issues as the place of emotional empathy and "complicity" in ethnographic fieldwork, and the mutual illumination of culture and history. Clifford Geertz is one of the foremost figures in the reconfiguration of the boundary between the social sciences and the humanities in the second half of the twentieth century. Expanding the power and complexity of the anthropological concept of culture, his work is both foundational to, and in critical counterpoint with, that vast interdisciplinary spectrum of scholarship known today as "cultural studies." This book brings together seven leading scholars from four disciplines to take a fresh look at Geertz's work, and to consider the continuing implications of his work in the contemporary context. Framed by an important introduction by anthropologist Sherry B. Ortner, the articles cover such topics as seventeenth-century English ghosts, Jewish merchants in early capitalism, Egyptian women in the age of television, and the role of Sherpas in Himalayan mountaineering, as well as such methodological issues as the place of emotional empathy and "complicity" in ethnographic fieldwork, and the mutual illumination of culture and history.

Rumi's Untold Story is written from 30-year research by award-winning Rumi translator, scholar and author Shahram Shiva. It provides a clear record of highlights of Rumi's life and clarifies certain aspects of his very colorful history which have been kept secret from public until now. It covers Rumi's unconventional relationship with his mentor Shams and Sham's controversial and doomed marriage to Rumi's daughter Kimia. TOPICS:1. Preface2. About Rumi3. The Growing Phenomenon of Rumi4. Why Rumi? Here are 12 Reasons5. Rumi & Shams: A Love Story, Tragedy or Personal Necessity? The Untold Story6. Who was Kimia Khatun? (Kimya, Khatoon, Khatoun) 7. The Collective Poems of Shams or Rumi?8. What Really Went On Between Rumi and Shams in those Precious Several Months?9. Rumi, Hafez, Omar Khayyam and Global Artistic Perspective10. Rumi, a Pop Star Celebrity at the Time?11. Is Rumi the Inspiration for Today's Love Songs?12. Was Rumi a Sufi?13. A Rumi for All Seasons14. Rumi was Gloriously Blasphemous15. Rumi Belongs to the Whole World and Cannot Be Marginalized16. The Famed Whirling Dervishes of Turkey do not Represent Rumi, they Epitomize his Son17. Why the Academia Will Never Come Close to Understanding Rumi and Other Mystic Poets and Writers18. Rumi's Untold Story - Conclusion19. Selection of Rumi Poems with Original Persian20. Shahram Shiva's Unique & Proven 4-Step Method to Whirling21. How to Manifest Your Vision22. Understanding Mystic or Yogic Dreams23. Soul Evolution Principal: The Four Stages24. Personal Gratitude25. References26. About Shahram Shiva

World War 3 Illustrated 1980-1988 is the buried history of the Reagan Years, a thundering reply to despair and political complacency. Kuper and co-editor Seth Tobocman have assembled this striking collection of comics and graphics from the pages of the New York-based magazine of cartoon political commentary, including work by the two editors, Eric Drooker, Girltalk editor Sabrina Jones, and (very early) Peter Bagge, plus text pieces, posters, and more. Under a striking collage cover, World War 3 is some of the most stirring and important political cartooning of the decade.

The Great White Way and has paved the way for some of the most legendary performers in history. But Broadway is more than a street, it's a community. In this Q Guide, a true Broadway expert takes theatre fans on the ultimate insider's tour. With its queer perspective, The Q Guides become the instant arbiters of taste and trends for the hip and hot, gay and straight.

Legendary director Sergei Eisenstein has unquestionably emerged as cinema's most influential theorist and author of some of the most important aesthetic writings of the twentieth century. For the first time in one volume, The Eisenstein Reader presents in concise, chronological form his most significant work--including his famous theories of montage and articles on subjects as diverse as sound, film language, and Russian history. The selections range from early writings on his great silent masterpieces The Strike, October and The Battleship Potemkin, to later works, hatched in the increasingly hostile and paranoid environment of Stalin's Soviet Union. Drawn from the acclaimed four-volume Selected Works, this collection, which includes a new introduction and explanatory notes by Richard Taylor as well as many illustrations, further illuminates the startling originality, diversity, and power of the greatest and most flamboyant of all Russian filmmakers.

Socrates is an elusive figure, Sarah Kofman asserts, and he is necessarily so since he did not write or directly state his beliefs. "With Socrates," she writes in her introduction, "we will never leave fiction behind." Kofman suggests that Socrates's avowal of ignorance was meant to be ironic. Later philosophers who interpreted his text invariably resisted the profoundly ironic character of his way of life and diverged widely in their interpretations of him. Kofman focuses especially on the views of Plato, Hegel, Kierkegaard, and Nietzsche. The information that is available about Socrates's life is paradoxical. He was famously ugly, but he was also a notorious seducer of youth. His sexuality is ambiguous, according to Kofman, for his allure is stereotypically feminine. His death is also subject to varied interpretation. Some commentators regard him as a redemptive, proto-Christ figure, more Jewish than Greek, and others see him as an archetypal Stoic hero. Despite radically different interpretations, Plato, Hegel, Kierkegaard, and Nietzsche all found Socrates to be a dominant figure of immense importance in the history of philosophy. Kierkegaard and Nietzsche try to retain the idea of irony as essential to the Socratic way of life. Hegel, in contrast, insists that Socrates be assigned one particular place in the historical development of Absolute Spirit. While Kierkegaard considered Socratic irony as an intellectual position, Nietzsche recognized and resisted Socrates's irony as a predisposition. In examining each philospher's response to Socratic irony, Kofman draws specifically on the history of philosophy and psychoanalytic theory.

"An examination of the ever-shifting boundary between scientific medicine and quackery. Reaching from the beginnings of scientific medicine in the nineteenth century through to the present, Sander L. Gilman examines the ever-shifting boundary between scientific medicine and quackery, asking if such a fixed boundary can realistically exist within mainstream medical practice. Through detailed case studies – of stomach ulcers and eye disease – as well as the clinical use and abuse of specific therapies, such as acupuncture, Doc or Quack reveals the influence of pharmaceutical companies in determining the nature of medical practice, the pros and cons of increasing specialization, the question of why ‘bad’ science can cure, and the murky issue of ‘race’ and ‘gender’ in scientific medicine. This readable account covers medical practice from the Enlightenment to the present, offering a realistic view of health politics in the usa, Germany and the uk. It’s an essential read for anyone interested in the history and future of scientific medicine in the age of Charles iii and Trump ii." --

In this cultural history, Ruth Katz conceives of opera as a laboratory dedicated to exploration of the powers hidden in the interaction between words and music. Opera combines not only music and libretto, but the sensuality, acting out, and lyricism that characterize the popular culture of the Italians. The Powers of Music is thus a contribution to cultural studies, providing unique insight into the social meaning of opera in Italy.According to Katz, opera's origins in Renaissance Italy can be traced to numerous characteristics of life at that time. Among them are: the belief of the Humanists that the magical properties of music could be harnessed; the transition from polyphony to monody that gave musical expression to individualism; the melodramatic propensity of Italian culture reflected in its literary and theatrical arts; and the salons of Florentine aristocrats, scientists, and artists whose agenda included the challenge to rediscover how the ancient Greeks succeeded in heightening the rhetorical power of words by allying them with music. Katz discusses each of these factors in detail.In her new introduction, Katz reconsiders her original work by discussing three topics. The first has to do with the perception that there has been a major change in the academic climate for this kind of analysis. The second relates to her concern with the eighteenth-century expansion of the Florentine comparison of the attributes of the arts, from which music emerges as the purest of all, for being freest of external reference. Third, she reconsiders her initial impression that opera was on the wane. The Powers of Music is an intriguing study that will be of interest to sociologists, cultural historians, and scholars of communication and popular culture.

One of the most persistent legends in the annals of New World exploration is that of the Land of Gold. This mythical site was located over vast areas of South America (and later, North America); the search for it drove some men mad with greed and, as often as not, to their untimely deaths. In this history of quest and adventure, Robert Silverberg traces the fate of Old World explorers lured westward by the myth of El Dorado. From the German conquistadores licensed by the Spanish king to operate out of Venezuela, to the journeys of Gonzalo Pizarro in the Amazon basin, and to the nearly miraculous voyage of Francisco Orellana to the mouth of the Amazon River, encountering the warlike women who gave the river its name, violence and bloodshed accompanied the determined adventurers. Sir Walter Raleigh and a host of other explorers spent small fortunes and many lives trying to locate Manoa, a city that was rumored to be El Dorado—City of Gold. Celebrated science fiction author Robert Silverberg recreates these legendary quests in The Golden Dream: Seekers of El Dorado.

For more than a decade the leaders of the United States, Japan, Western Europe and Canada have met annually to discuss international economic and political issues. Hanging Together analyses the history of these seven-power summits and the relations between the Western allies during these turbulent years. New chapters in this edition relate the story of Western economic diplomacy until the Reagan Years. They give lucid accounts of the revamped international economic strategy after 1984 and how the Europeans and Japanese reacted to it. A new introduction and conclusion place the summits in a theoretical framework.

Poems deal with the unseen presence of history, the evolution of desire, the creative genius in an ordinary shirt, the life of a diamond cutter, and the perspectives of religion

Autobiography of an Ex-White Man is an intensely personal meditation on the nature of America by a White Philosopher who joined a Black Studies Department and found his understanding of the world transformed by the experience. The book begins with an autobiographical narrative of the events leading up to Wolff's transfer from a Philosophy Department to the W. E. B. Du Bois Department of Afro-American Studies at the University of Massachusetts, and his experiences in the Department with his new colleagues, all of whom had come to Academia from the Civil Rights Movement of the 1960s. Wolff discovered that the apparently simple act of moving across campus to a new Department in a new building worked a startling change in the way he saw himself, his university, and his country. Reading as widely as possible to bring himself up to speed in his new field of academic responsibility, Wolff realized after a bit that his picture of American history and culture was undergoing an irreversible metamorphosis. America, he realized, has from its inception been a land both of Freedom and of Bondage: Freedom for the few, and then for those who are White; Bondage at first for the many, and then for those who are not White. Slavery is thus not an aberration, an accident, a Peculiar Institution -- it is the essence and core of the American experience. Wolff's optimistic outlook leads him to express the hope that our acknowledging the realities of America's racial history and present will begin to tear down the formidable barrier to change. He sees this refashioning of the American story as a first step toward the crafting of a truly liberatory project. Robert Paul Wolff is Professor of Afro-American Studies at the University of Massachusetts-Amherst and the author of numerous books, including Introductory Philosophy and In Defense of Anarchism.

The definitive guide to the history and topography of Snowdonia, home of the highest mountain range in Wales, this edition explores the geology, natural history, legends, literary associations, and the industrial and agricultural heritage of this famous region, now protected as a national park. Descriptions and maps of the 10 main walking routes to the summit and a selection of monochrome and color images of the natural splendor of the area are included in this extensive, informative reference.

Los Angeles's history is a story of conflicting visions. Most historians, journalists, and filmmakers have focused on L.A. as a bastion of corporate greed, business boosterism, political corruption, cheap labor, exploited immigrants, and unregulated sprawl. The Next Los Angeles tells a different story: that of the reformers and radicals who have struggled for alternative visions of social and economic justice. The authors chronicle efforts of progressive social movements that worked throughout the twentieth century to create a more livable, just, and democratic Los Angeles. These movements—what the authors call Progressive L.A.—have produced a new kind of labor movement, community-oriented environmentalism, and multi-ethnic coalition politics. This book shows how reformers have fought to transform a city characterized by huge economic disparities, concrete-encased rivers, and an endless landscape of subdivisions, freeways, and malls into a progressive model for regions around the country. The Next Los Angeles includes a decade-by-decade historical snapshot of the city's progressive social movements and an in-depth exploration of key trends that are remaking L.A. at the beginning of the twenty-first century. It examines L.A.'s changing political landscape, including grassroots initiatives to construct a new agenda for social transformation. At once a history, a policy analysis, and a road map for a progressive future, this book provides an exciting portrayal of a city on the cutting edge of many of the social, economic, and environmental changes sweeping across America.

Since he followed it all of his life, Richard Neutra (1892-1970) must have relished the maxim of the Greek philosopher Socrates: "The unexamined life is not worth living." In his books, articles, lectures, correspondence, and even casual conversations, Neutra constantly examined, not only his own life, but the lives of others - present and past - and the human and natural world they inhabited. Nowhere was this truer than in his autobiography Life and Shape, first published in 1962, which now, after years of being out of print, has again happily come back to life. As opposed to Survival Through Design (1954), his superb collection of densely philosophical essays, Neutra took a different tack in Life and Shape, following a lighter and more deliberately relaxed approach. It was as if the usually serious and intense Neutra was giving himself permission to reveal his richly ironic sense of humor and to probe areas in his personal experience which he had not examined as closely before. These included hitherto unrecorded memories of his parents, siblings, and his childhood and education in imperial Vienna, his numbing experiences as an Austrian artillery officer in World War I, and the beginnings of his architectural consciousness in his response to the work of Otto Wagner, Adolf Loos, Erich Mendelsohn, Louis Sullivan, and Frank Lloyd Wright. As in the autobiographies of Sullivan and Wright, Life and Shape concentrates on Neutra's earlier years, both in Europe and America. While he naturally recounts his memories of such well-known commissions as the Lovell Health House (1929), his own Van der Leeuw Research House (1933) and the von Sternberg House (1935), he also muses on such less famous buildings as the small, and now virtually forgotten, Mosk House (1933). Life and Shape also confirms Neutra's obsession with the passage of time and his firm resolution never to waste it. Like Sullivan and Wright, Neutra eschewed writing a factual chronicle, and - at the age of 70 - composed instead a meditation on the aspects of his life and work that seemed, in retrospect, to be the most interesting and significant. He felt no need to try to "include everything" but rather to present an honest recounting of his memory of his life. In writing my own Richard Neutra and the Search for Modern Architecture [Oxford University Press, 1982; Rizzoli Press, 2006], I relied on Life and Shape when I wanted an account of Neutra's experiences told in his own authentic voice. For future generations of architects, historian, and readers, it is good to have it back. - Thomas S. Hines, UCLA Professor Emeritus of History and Architecture

This comprehensive anthology, edited by the acclaimed scholars of modernism, Richard Ellmann and Charles Feidelson, is arranged thematically with essential readings from the Western European tradition symbolism, realism, nature, cultural history, the unconscious, myth, self-consciousness, existence, and faith. Readings include examples from Romanticism, the aesthetic movement of the late 19th century, the art theories of cubism, dadaism and futurism, and the philosophical queries of existentialism. Writers represented span the 19th and early 20th centuries and include Wilde, Rilke, Picasso, Baudelaire, Yeats, Nietzsche, Eliot, Joyce, Pound, Marx and Sartre.

"The ancient Greeks were consequential - not by creating "timeless values", but by questioning them. This book is for anyone interested in the ancient world and its modern meaning and follows the history of science and of the literary canon to reveal how the Greeks set off a train of progress"--

The lives of Raymond Aron and Charles de Gaulle intersected at significant moments in twentieth-century history, though they differed on many issues during World War II and over the subsequent decades. Aron, for example, distinguished between the attitude and responsibility of the Vichy government and the French Nazi collaborators in Paris, unlike de Gaulle, who regarded anyone who obeyed Marshal Petain as a traitor. In the postwar period, Aron differed from de Gaulle on a number of issues, including Algeria. But the strongest direct criticism by Aron of de Gaulle's language and policy resulted after a 1967 press conference, where he referred to Jews as "an elite people, self-assured and domineering." This comment led Aron to write DeGaulle, Israel and the Jews. Aron saw de Gaulle conflating the issues of Israel and that of French Jews, and the question of Israeli policy in 1967 and other times. He stressed the right of individuals to be, at the same time, French and Jewish, and raised the question of whether de Gaulle intended to deliver a message to the Jews in the Diaspora or simply wanted to attack those in Israel. While Aron did not accuse de Gaulle of anti-Semitism, he felt that for the first time in postwar Europe, a leader had used language that lent respectability to anti-Semitism and made it legitimate. De Gaulle, Israel and the Jews, translated from the French by John Sturrock and graced with a new introductory essay by Michael Curtis, allows us the opportunity to raise questions about de Gaulle and his policy in the Middle East. Was he anti-Semitic? What were his real attitudes and policies toward Israel, and how did they relate to his policies on the Middle East and on international affairs? This is a volume of contemporary relevance for students of political science, Middle East affairs, and international policy.

From Kennedy to Khrushchev, from Castro to Onassis by way of Mitterand and Bardot, Begin and Arafat, Pierre Salinger has known them all. In this guided tour through modern American history, a man who was at the center of it--former presidential press secretary Pierre Salinger--looks back over the journey that has been his life. of photos.

Anchor Books proudly launches an annual essay series. Acclaimed essayist Phillip Lopate has selected the most surprising, important, and exquisite pieces published during the last twelve months. Bringing together materials from both periodicals and books, The Anchor Essay Annual 1997 also includes essays never before published, as well as translations from abroad. The result is as rich and unique as it is cosmopolitan. In her brilliantly frank "Revelation", Mary Gaitskill recounts the religious epiphany that changed her life. Hilton Als explores the "Negressity" of his soul in "My Pin-Up". In his dazzling "The Laying Off of Desire", Jean Baudrillard sets forth a flamboyant dissection of human sexuality. Hubert Butler ruminates on the stunted life of his handicapped grandchild in "Little K." We relive the glories and disappointments of the Borscht Belt in Vivian Gornick's evocative group portrait, "The Catskills Remembered". And we ride a rollercoaster of cultural insight in Daniel Harris's "A Psychosexual History of the Homosexual Body". A a whole, this superb collection is a heady cocktail indeed. All of this exciting new work is placed in context with an illuminating introduction from Phillip Lopate, "the house authority on the genre and its greatest practitioner" ( Washington Times ). With generous selections from over twenty-five writers from around the world, The Anchor Essay Annual 1997 is the first in what is sure to become a series widely anticipated and highly acclaimed, every October, for years to come.