In Philip Roth's intimate intellectual encounters with an international and diverse cast of writers, they explore the importance of region, politics and history in their work and trace the imaginative path by which a writer's highly individualized art is informed by the wider conditions of life. With Primo Levi, Roth discusses the stubborn core of rationality that helped the Italian chemist-writer survive the demented laboratory of Auschwitz. With Milan Kundera, he analyzes the mix of politics and sexuality that made him the most subversive writer in communist Czechoslovakia. With Edna O'Brien, he explores the circumstances that have forced generations of Irish writers into exile. Elsewhere Roth offers appreciative portraits of two friends--the writer Bernard Malamud and the painter Philip Guston--at the end of their careers, and gives us a masterful assessment of the work of Saul Bellow. Intimate, charming, and crackling with ideas about the interplay between imagination and the writer's historical situation, Shop Talk is a literary symposium of the highest level, presided over by America's foremost novelist.

Portrays a vast sweep of the history of the Russian Communist Party. The vantage point is that of Trotsky in retirement and isolation just before his death in 1940.

When animals and their symbolic representations—in the Royal Menagerie, in art, in medicine, in philosophy—helped transform the French state and culture. Peter Sahlins's brilliant new book reveals the remarkable and understudied “animal moment” in and around 1668 in which authors (including La Fontaine, whose Fables appeared in that year), anatomists, painters, sculptors, and especially the young Louis XIV turned their attention to nonhuman beings. At the center of the Year of the Animal was the Royal Menagerie in the gardens of Versailles, dominated by exotic and graceful birds. In the unfolding of his original and sophisticated argument, Sahlins shows how the animal bodies of the menagerie and others were critical to a dramatic rethinking of governance, nature, and the human. The animals of 1668 helped to shift an entire worldview in France—what Sahlins calls Renaissance humanimalism toward more modern expressions of classical naturalism and mechanism. In the wake of 1668 came the debasement of animals and the strengthening of human animality, including in Descartes's animal-machine, highly contested during the Year of the Animal. At the same time, Louis XIV and his intellectual servants used the animals of Versailles to develop and then to transform the symbolic language of French absolutism. Louis XIV came to adopt a model of sovereignty after 1668 in which his absolute authority is represented in manifold ways with the bodies of animals and justified by the bestial nature of his human subjects. 1668 explores and reproduces the king's animal collections—in printed text, weaving, poetry, and engraving, all seen from a unique interdisciplinary perspective. Sahlins brings the animals of 1668 together and to life as he observes them critically in their native habitats—within the animal palace itself by Louis Le Vau, the paintings and tapestries of Charles Le Brun, the garden installations of André Le Nôtre, the literary work of Charles Perrault and the natural history of his brother Claude, the poetry of Madeleine de Scudéry, the philosophy of René Descartes, the engravings of Sébastien Leclerc, the transfusion experiments of Jean Denis, and others. The author joins the nonhuman and human agents of 1668—panthers and painters, swans and scientists, weasels and weavers—in a learned and sophisticated treatment that will engage scholars and students of early modern France and Europe and readers broadly interested in the subject of animals in human history.

Beginning with his first book, Return Again, Traveler , and through Succeeding volumes, Norman Rosten has given us a unique sense of personal history. Here, for the first time, is a rich selection from his six previous books and a group representing his later work.

This account chronicles a chapter in modern Palestinian history - the revolt against Israeli occupation known as the Intifada - from inception to bitter defeat. It focuses on the daily lives of the Palestinians with whom the author became close during his time in the Middle East.

Augustus ( Gaius Julius Caesar Augustus; 23 September 63 BC – 19 August AD 14) is considered the first emperor of the Roman Empire, which he ruled alone from 27 BC until his death in AD 14. Born Gaius Octavius Thurinus, he was adopted posthumously by his great-uncle Gaius Julius Caesar in 44 BC via his last will and testament, and between then and 27 BC was officially named Gaius Julius Caesar. In 27 BC the Senate awarded him the honorific Augustus ("the revered one"), and thus consequently he was Gaius Julius Caesar Augustus. Because of the various names he bore, it is common to call him Octavius when referring to events between 63 and 44 BC, Octavian (or Octavianus) when referring to events between 44 and 27 BC, and Augustus when referring to events after 27 BC. The young Octavius came into his inheritance after Caesar's assassination in 44 BC. In 43 BC, Octavian joined forces with Mark Antony and Marcus Aemilius Lepidus in a military dictatorship known as the Second Triumvirate. As a triumvir, Octavian ruled Rome and many of its provinces. The triumvirate was eventually torn apart under the competing ambitions of its Lepidus was driven into exile, and Antony committed suicide following his defeat at the Battle of Actium by the fleet of Octavian commanded by Agrippa in 31 BC. After the demise of the Second Triumvirate, Octavian restored the outward facade of the Roman Republic, with governmental power vested in the Roman Senate, but in practice retained his autocratic power. It took several years to determine the exact framework by which a formally republican state could be led by a sole ruler; the result became known as the Roman Empire. The emperorship was never an office like the Roman dictatorship which Caesar and Sulla had held before him. Nicolaus of Damascus was a Greek historian and philosopher who lived during the Augustan age of the Roman Empire. His name is derived from that of his birthplace, Damascus. He was born around 64 BC. He was an intimate friend of Herod the Great, whom he survived by a number of years. He was also the tutor of the children of Antony and Cleopatra (born in 40 BC), according to Sophronius. He went to Rome with Herod Archelaus. His output was vast, but is nearly all lost. His chief work was a universal history in 144 books. Other than the biography of Augustus, he also wrote an autobiography, a life of Herod, some philosophical works, and some tragedies and comedies.

The definitive resource on Judaism This is a remarkable feat of reference scholarship by renowned Cambridge professor and translator, Nicholas de Lange. With an approachable A to Z format, the book covers everything from Jewish traditions and biographical entries on key historical figures to theology, religious law and practice, and the history of Jewish thought. Each entry is presented with clarity, precision, and authority. With extensive cross-referencing and invaluable additional material such as a chronology of Judaism and the Jewish calendar, this is an essential companion for students of Jewish studies, Hebrew, religion, and theology, or anyone with a general interest in this rich religion.

Professor Nelson Glueck's pioneer study of hesed and its meaning in the Bible has long been a basic source for biblical scholarship and theology. When the work first appeared as a published doctoral dissertation in 1927, titled Das Wort hesed im altentestamentlichen Sprachgerrauche als menschliche und gottliche gemeinschaftgemasse Verhaltunsweise, it was a methodological landmark study of the history of the ideas of the Bible. -- Alfred Gottschalk Hebrew Union College Los Angeles The importance of Nelson Glueck's monograph on hesed is, perhaps, best demonstrated in the use of his research in almost every important study involving the term since 1927, and in the relatively limited contribution made to Glueck's interpretation of the word. -- Gerald Larue

Traces the history of the popular British new wave group, offers brief profiles of all five band members, and looks at their recordings

Sam's oral history project about a legendary jazz musician and a dispute with a troublemaking classmate enliven his first year at Burr Academy.

"When her marriage suddenly ends, and a diary documenting her beloved grandfather's escape from Nazi-occupied Netherlands in the summer of 1942 is discovered, Naomi K. Lewis decides to retrace his journey to learn about her family history. Despite suffering from extreme disorientation and a lifetime of anxiety, she travels alone for the first time. Moving from Amsterdam to Lyon--relying on the marvels of GPS--she discovers family secrets and her own narrative as a second-generation Jewish Canadian. With vulnerability, humour, and wisdom, Lewis's memoir asks tough questions about her identity as a secular Jew, the accuracy of family stories, and the impact of the Holocaust on subsequent generations. How do immigrants weave their sense of identity into their chosen countries? Must we be able to locate ourselves within family and cultural geography to belong?"--

"Part memoir, part history, part political commentary - and all Richler - This Year in Jerusalem is a personal, passionate, and quirkily comic examination of the idea of Israel-as-homeland: for Jews, for Palestinians, and, not least, for the author himself. Richler re-creates the Montreal of his adolescence - the local Zionist youth organization functioning as an escape from the zealous Hasidism of his grandfathers; the idea of emigration to Israel growing into a shimmering dream for himself and his friends. And, going to Israel to look up his old pals from St. Urbain Street, he shows us what happened to those who actually did "make aliyah"--Who settled in the cities and on the kibbutzim, survived the turmoils of war, and are faced today with the opportunities and dangers of peace with the Palestinians. He shows us, as well, the course of his own migration - away from Zionism and through the maze of his own sense of Judaism until he rediscovers his true homeland: "I owe as much to the thin gruel of my Canadian experience as I do to my Jewish provenance." Woven through his story are his fond (and not so fond) recollections of his family, his encounters in today's Israel with the kids he grew up with in Montreal a million years ago, and his most mordant observations on the state of the state of Israel and the Israeli-Palestinian conflict. Witty, intelligent, well reasoned, and across-the-board provocative, here is Mordecai Richler at his inimitable - and controversial - best." -- dust jacket

Romantic Anti-capitalism and Nature examines the deep connections between the romantic rebellion against modernity and ecological concern with modern threats to nature. The chapters deal with expressions of romantic culture from a wide variety of different areas: travel writing, painting, utopian vision, cultural studies, political philosophy, and activist socio-political writing. The authors discuss a highly diverse group of figures - William Bartram, Thomas Cole, William Morris, Walter Benjamin, Raymond Williams, and Naomi Klein - from the late eighteenth to the early twenty-first century. They are rooted individually in English, American, and German cultures, but share a common perspective: the romantic protest against modern bourgeois civilisation and its destruction of the natural environment. Although a rich ecocritical literature has developed since the 1990s, particularly in the United States and Britain, that addresses many aspects of ecology and its intersection with romanticism, they almost exclusively focus on literature, and define romanticism as a limited literary period of the late eighteenth and early nineteenth centuries. This study is one of the first to suggest a much broader view of the romantic relation to ecological discourse and representation, covering a range of cultural creations and viewing romanticism as a cultural critique, or protest against capitalist-industrialist modernity in the name of past, pre-modern, or pre-capitalist values. This book will be of great interest to students and scholars of ecology, romanticism, and the history of capitalism.

Many of the basic characteristics of Imperial China took shape during the Han period (202 BC-AD 220). This book, first published in 1982, is a key contribution to our understanding of China¿s cultural history. It explains the conceptual background of many of the artefacts of China¿s past, and calls on the written word of the philosopher, poet and historian, and on cultural treasures revealed by archaeologists.

Mel Gibson's The Passion of the Christ topped box office charts and changed the American religious conversation. The controversies it raised remain unsettled. In After The Passion Is Gone: American Religious Consequences, leading scholars of religion and theology ask what Gibson's film and the resulting controversy reveal about Christians, Jews, and the possibilities of interreligious dialogue in the United States. Landres and Berenbaum's collection moves beyond questions of whether or not the film was faithful to the gospels, too violent, or antisemitic and explores why the debate focused on these issues but not others. The public discussion of The Passion shed light on a wide range of American attitudes--evangelical Protestant, mainline Protestant, Roman Catholic, and Jewish--about media and faith, politics and history, Jesus and Judaism, fundamentalism and victimhood. After The Passion Is Gone takes a unique view of vital points in Christian-Jewish relations and contemporary American religion.

Written one year after the momentous 1967, Six Day War, this book places those recent and dramatic events in the context of Jewish and world history.

Son of pioneer movie producer Harry Rapf, Maurice Rapf grew up in Hollywood in that city's golden age. After moving from independent filmmaking to Warner Bros., in 1924 the senior Rapf joined Louis Mayer and became one of the founding members of MGM. Hence, movies were a huge influence in Maurice Rapf's early life. After graduating from college, Rapf worked as a screenwriter for major Hollywood studios, but, in 1947, he left Hollywood, never to work for a major studio again. On numerous occasions, he was called before the House Un-American Activities Committee as an alleged communist, although he never made a public confession or denial. As a result he was blacklisted from the industry and forced to begin a new career in the East. He eventually became a movie critic and film studies professor. Maurice Rapf knows movies and the movie business as an insider, from first-hand experience, not from books. His autobiography is the story of one person's interaction with an evolving Hollywood. Rapf witnessed the historical progression of movie production: from silents to sound, from a fun-loving frontier community to a huge and fiercely competitive industry, from an apolitical never-never land to a community very much aware of-and nervous about-its social responsibility in a period of economic depression and in a period of world peace seriously threatened by the aggression of fascism. Of interest to students and teachers of film studies, of American history, and of American popular culture, as well as anyone who loves movies.

Dual language - German original with English translations on facing pages. For much of her lifetime, and for decades after her death, Mascha Kaleko was a forgotten poet. With his publications, Andreas Nolte has played a role in changing this. To him, she personifies an all-too-typical example of a German-Jewish artist who was marginalized, intimidated, expelled into exile, and then forgotten. What adds to her obscurity is that her life's intriguing story is not well known, unless one speaks German and can read her poems, or what little has been written about her. This book provides a significant number of translated poems and biographical information from every stage of Kaleko's remarkable life in Berlin, New York, and Jerusalem to an English-speaking audience. Her story and her powerful poetry need to be heard: they shine a light on the darkest of times in the last century and remind us of the lessons that history teaches us.

On the night of May 4, 1886, during a peaceful demonstration of labor activists in Haymarket Square in Chicago, a dynamite bomb was thrown into the ranks of police -trying to disperse the crowd. The officers immediately opened fire, killing a number of protestors and wounding some two hundred others. Albert Parsons was the best-known of those hanged; Haymarket is his story. Parsons, humanist and autodidact, was an ex-Confederate soldier who grew up in Texas in the 1870s, and fell in love with Lucy Gonzalez, a vibrant, outspoken black woman who preferred to describe herself as of Spanish and Creole descent. The novel tells the story of their lives together, of their growing political involvement, of the formation of a colorful circle of "co-conspirators"-immigrants, radical intellectuals, journalists, advocates of the working class-and of the events culminating in bloodshed. More than just a moving story of love and human struggle, more than a faithful account of a watershed event in United States history, Haymarket presents a layered and dynamic revelation of late nineteenth-century Chicago, and of the lives of a handful of remarkable individuals who were willing to risk their lives for the promise of social change.

The founders of the United States overcame religious intolerance in favor of a constitutional order dedicated to fair treatment for people's deeply held conscientious beliefs. This respect for religious difference, scholar Nussbaum writes, formed our democracy. Yet today there are signs that this legacy is misunderstood. The prominence of a particular type of Christianity in our public life suggests the unequal worth of citizens who hold different religious beliefs, or no beliefs. Others, meanwhile, seek to curtail the influence of religion in public life in a way that is itself unbalanced and unfair. Such partisan efforts, Nussbaum argues, violate the spirit of our Constitution. This is a historical and conceptual study of the American tradition of religious freedom. Weaving together political history, philosophical ideas, and key constitutional cases, it is a chronicle of an ideal of equality that has always been central to our history but is now in danger.--From publisher description.