At a time when Charlemagne ruled, the Byzantines were encroaching upon Russia, and the faith of Allah was flourishing in Baghdad, there existed a kingdom with a tolerant, advanced civilization: somewhere between the Caucasus mountains and the Volga, the Khazar kingdom grew and flourished, and in one of the oddest choices ever made, converted itself to Judaism. A thousand years later, when the writer Marc Sofer is given an ancient Khazarian coin by a mysterious visitor, he is drawn into investigating the fascinating enigma of the Khazars. Why did these Steppe warriors decide to become Jews? Why, after centuries of power and prosperity, were they effaced from history? What is the connection between this ancient, vanished people, and the terrorist group calling themselves the New Khazars, who have begun attacking oil plants on the Caspian sea? Taking place both in the 10th century and the 21st, this absorbing, dramatic tale is part historical novel, part thriller. The story of the Khazars is interwoven with a contemporary political conspiracy in an unusual blend of reality and fiction that explores the ever important themes of history and identity.

In this media driven age in which private has become public we have seen the Stonewall riots, which launched the gay rights movement, Hair on Broadway with a nude cast, art from Mapplethorpe to Madonna, AIDS and safe sex campaigns, drag gone mainstream, and adolescents engaging in sexual activity at increasingly younger ages. At the same time, society continually tries to eradicate open expressions of sexuality and harass those who ignore the mandated modes of permissible sexual expression. Taking on those who would limit sexual freedom, New Sexual Agendas challenges the notion that there are fixed sexual behaviors for men and women. This engaging collection draws on a number of disciplines including women's studies, literature, gender studies, cultural studies, history, politics, and education, sociology, and psychology. Including well known thinkers such as Jeffrey Weeks, Leonore Tiefer, and Mary McIntosh, New Sexual Agendas explores our sexual legacy, from turn-of-the-century sexologists to the inequalities of sexually invested social structures, from the rise of the Right and its portent for sexual freedoms to the myth of women as the subordinate sex. Along the way it explores the limits of trust in intimate relationships, the escalating AIDS epidemic, and the dangers of prescribed sex roles for both heterosexual and homosexual relationships.

In this volume, scholars from the United States, Israel and Eastern Europe examine the history of the Holocaust on Soviet territory and its treatment in Soviet politics and literature from 1945 to 1991. Of special interest to researchers will be chapters on some of the major research sources for historical study, including census materials, memorial books, archives and recently released documents.

A new edition of a major philosophical workThis remarkable text, first published in 1964, was a landmark of its era and remains, in the words of Michael L�wy, a work of "remarkable richness." Drawing on Georg Luk�cs' History and Class Consciousness , Lucien Goldmann applies the concept of "world visions" to flesh out the similarities between Pascal's Pens�es and Kant's critical philosophy, contrasting them with the rationalism of Descartes and the empiricism of Hume.For Goldmann, a leading exponent of the most fruitful method of applying Marxist ideas to literary and philosophical problems, the "tragic vision" marked an important phase in the development of European thought, as it moved from rationalism and empiricism to the dialectical philosophy of Hegel, Marx and Luk�cs. Here he offers a general approach to the problems of philosophy, of literary criticism, and of the relationship between thought and action in human society.

By 1650, the spiritual and political power of the Catholic Church was shattered. Thanks to the twin blows of the Protestant Reformation and the Thirty Years War, Rome, celebrated both as the Eternal City and Caput Mundi - the head of the world - had lost its pre-eminent place in Europe. Then a new Pope, Alexander VII, fired with religious zeal, political guile and a mania for building, determined to restore the prestige of his church by making Rome the must-visit destination for Europe's intellectual, political and cultural elite. To help him do so, he enlisted the talents of Gianlorenzo Bernini, already celebrated as the most important living artist: no mean feat in the age of Rubens, Rembrandt and Velazquez.0Together, Alexander VII and Bernini made the greatest artistic double act in history, inventing the concept of soft power and the bucket list destination. Their creation of Baroque Rome as a city more beautiful and grander than since the days of the Emperor Augustus continues to delight and attract. 0Famous as a TV Presenter for MasterChef and Through the Keyhole, Loyd Grossman has also been deeply involved in heritage and art history. His love of Rome was kindled by his first encounter with the enigmatic and strangely beautiful monument to this relationship between artist and pope: the elephant carrying on obelisk outside Santa Maria Sopra Minerva, just behind the Pantheon. Written with this as a starting point, An Elephant in Rome is a book for those who love the endless fascination of the Eternal City and want a deeper and more entertaining tale of how it came to be.

The classic history of the muckraking era (1902–1914) has been extended to trace the muckrakers' influence through World War II and McCarthyism, the civil rights movement and the counterculture, Korea and Vietnam, Naderism and women's liberation, and Watergate. (Former editions stopped with the New Deal.) The book that Allan Nevins called, "By all odds the best account in print of a most interesting movement," now embodies the challenge of the muckrakers to Americans of the seventies. Professor Filler has added a new introduction and a new final chapter, "The Anguish of Change." and has updated facts, interpretations, and references throughout the book. He also has updated his chronology and bibliography and has added four newly discovered cartoons and drawings to the twenty-two illustrations appearing in previous editions. Modern heirs of the muckraking tradition—Jack Anderson, Bernstein and Woodward, Dan Ellsberg, James Forman, Abbie Hoffman, Ralph Nader, I.F. Stone, and various TV talk-show personalities—are treated fairly but astringently. So too are revisionist critics of the original muckrakers. Today's journalistic investigators and social critics, in Professor Filler's view, lack the historical perspective and the emphatic sensitivity of their precursors. His opinion on this score will be controversial, but would be understood by Ida Tarbell, who wrote of the first edition, "His liberal sympathies give warmth to his narrative and his honesty as an investigator gives it trustworthiness."

"In 1996, during the relatively early days of the web, Kenneth Goldsmith created UbuWeb to post hard-to-find works of concrete poetry. What started out as a site to share works from a relatively obscure literary movement grew into an essential archive of twentieth- and twenty-first-century avant-garde and experimental literature, film, and music. Visitors around the world now have access to both obscure and canonical works, from artists such as Kara Walker, Yoko Ono, Pauline Oliveros, Samuel Beckett, Marcel Duchamp, Cecil Taylor, Glenn Ligon, William Burroughs, and Jean-Luc Godard. In Duchamp Is My Lawyer, Goldsmith tells the history of UbuWeb, explaining the motivations behind its creation and how artistic works are archived, consumed, and distributed online. Based on his own experiences and interviews with a variety of experts, Goldsmith describes how the site navigates issues of copyright and the ways that UbuWeb challenges familiar configurations and histories of the avant-garde. The book also portrays the growth of other "shadow libraries" and includes a section on the artists whose works reflect the aims, aesthetics, and ethos of UbuWeb. Goldsmith concludes by contrasting UbuWeb's commitment to the free-culture movement and giving access to a wide range of artistic works with today's gatekeepers of algorithmic culture, such as Netflix, Amazon, and Spotify"--

The Robot in the Garden initiates a critical theory of telerobotics and introduces telepistemology, the study of knowledge acquired at a distance. Many of our most influential technologies, the telescope, telephone, and television, were developed to provide knowledge at a distance. Telerobots, remotely controlled robots, facilitate action at a distance. Specialists use telerobots to explore actively environments such as Mars, the Titanic, and Chernobyl. Military personnel increasingly employ reconnaissance drones and telerobotic missiles. At home, we have remote controls for the garage door, car alarm, and television (the latter a remote for the remote).The Internet dramatically extends our scope and reach. Thousands of cameras and robots are now accessible online. Although the role of technical mediation has been of interest to philosophers since the seventeenth century, the Internet forces a reconsideration. As the public gains access to telerobotic instruments previously restricted to scientists and soldiers, questions of mediation, knowledge, and trust take on new significance for everyday life.Telerobotics is a mode of representation. But representations can misrepresent. If Orson Welles's "War of the Worlds" was the defining moment for radio, what will be the defining moment for the Internet? As artists have always been concerned with how representations provide us with knowledge, the book also looks at telerobotics' potential as an artistic medium.The seventeen essays, by leading figures in philosophy, art, history, and engineering, are organized into three sections: Philosophy; Art, History, and Critical Theory; and Engineering, Interface, and System Design.

"Spanning 130 years, The Flower in the Skull opens in the 1870s with Concha, a 12-year-old Opata Indian girl whose village has been attacked by soldiers. Her beloved family scattered, Cocha works as a housekeeper in Tucson and clings to memories of her old way of life. Her daughter, Rosa, feels the trauma of Concha's loss and marries young to start her own family. The story jumps forward to 1990s Los Angeles, where Shelly, a young Chicana woman, deals with the stress of a sexually predatory employer. On a research assignment to Tucson, Shelly digs through historical archives in search of information about the Ópata people. Unearthing a photograph of Concha, Shelly feels an immediate connection-and notices Concha's resemblance to a single faded photo from Shely's own family. Inspired by the author's research into her own family history, The Flower in the Skull illuminates the importance of a connection to ancestors-a connection disrupted by colonial violence and generational trauma"--

Hitler's Germany: The Nazi Background To War by Karl Loewenstein is a comprehensive analysis of the rise of the Nazi party and the events that led to the outbreak of World War II. The book delves into the political, economic, and social factors that contributed to the rise of Hitler and the Nazi regime in Germany. It examines the role of propaganda, the persecution of Jews and other minorities, and the militarization of German society. The author also explores the international response to Hitler's aggression, including the appeasement policies of Britain and France. Drawing on a wealth of primary sources and historical research, Loewenstein provides a detailed and nuanced account of one of the most tumultuous periods in modern history. This book is a must-read for anyone interested in the origins of World War II and the rise of totalitarianism in Europe.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This stimulating collection of lectures by the late Judith Shklar on political obligation is paired with a scholarly introduction that offers an overview of her life, illuminates the connections among her teaching, research, and publications, and explains why her lectures still resonate with us and contribute to current debates in political theory and intellectual history.

A collection of essays and transcripts of interviews and speeches by Earth First!er Judi Bari who survived first a 1990 car-bombing that left her paralyzed, then subsequent implication in her own attack, in spite of clear motives and death-threats from others. These articles and essays provide a history of Earth First!'s work and internal struggles, the involvement of the timber corporations, Richard Held (of COINTELPRO fame) and the FBI in discrediting Earth First!, as well as Bari's own complex relationship with the organization and some of its tactics. Annotation copyright Book News, Inc. Portland, Or.

Soviet Psychiatry is a comprehensive book written by Joseph Wortis that provides an in-depth analysis of the development of psychiatry in the Soviet Union. The book covers the period from the 1917 Bolshevik Revolution to the 1970s, highlighting the political, social, and economic factors that influenced the evolution of Soviet psychiatry. Wortis examines the role of psychiatry in the Soviet Union's political system, including its use as a tool of repression and control. He also discusses the impact of Soviet psychiatry on the international community, including its influence on the development of psychiatric theory and practice in other countries. The book provides a detailed account of the controversies surrounding Soviet psychiatry, including the diagnosis of political dissidents as mentally ill and the use of psychiatric hospitals as prisons. Wortis draws on his own experiences as a psychiatrist in the Soviet Union, as well as interviews with other experts in the field, to provide a nuanced and insightful analysis of this complex topic. Overall, Soviet Psychiatry is an important resource for anyone interested in the history of psychiatry, Soviet history, or the intersection of politics and medicine.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Sketches of eminent Americans and a pointed reconsideration of the ingredients of the American Dream form a fascinating social history. Should be must reading in executive suites as well as college classrooms. --Forbes

In this volume Father Meier explores how Matthew remodeled the form, the Christological message, and the moral demand of the gospel. Part I shows Matthew's church in crisis. It was experiencing a shift in its Christian existence: from a narrow Jewish-Christian past to a universal Gentile future. To preserve yet reinterpret the particularistic traditions of that Jewish-Christian past, Matthew drew up a model of salvation history and then reshaped the gospel message to fit it. Part II offers a mini-commentary on the whole gospel to illustrate this reshaping of the message. Pericope by pericope, Matthew presents Jesus as Son of God and Son of Man, and therefore as 'the' definitive teacher of his Church. Indeed, the nexus between Christ and his Church emerges as the outstanding characteristic of Matthew's gospel. Part III studies Matthew's construction of a unified moral vision on the basis of this connection between Christ and Church. The basic stance of Jesus and his disciples towards the Mosaic Law is one of fulfillment - a 'prophetic' fulfillment which involves at times a deepening of, at times the abrogation of, the letter of the Law.

A profoundly moving biographical study of George Kennan by the fine historian John Lukacs A man of impressive mental powers, of extraordinary intellectual range, and--last but not least--of exceptional integrity, George Frost Kennan (1904-2005) was an adviser to presidents and secretaries of state, with a decisive role in the history of this country (and of the entire world) for a few crucial years in the 1940s, after which he was made to retire; but then he became a scholar who wrote seventeen books, scores of essays and articles, and a Pulitzer Prize-winning memoir. He also wrote remarkable public lectures and many thousands of incisive letters, laying down his pen only in the hundredth year of his life. Having risen within the American Foreign Service and been posted to various European capitals, and twice to Moscow, Kennan was called back to Washington in 1946, where he helped to inspire the Truman Doctrine and draft the Marshall Plan. Among other things, he wrote the "X" or "Containment" article for which he became, and still is, world famous (an article which he regarded as not very important and liable to misreading). John Lukacs describes the development and the essence of Kennan's thinking; the--perhaps unavoidable--misinterpretations of his advocacies; his self-imposed task as a leading realist critic during the Cold War; and the importance of his work as a historian during the second half of his long life.

In 1997, amid Aerosmith's sold-out world tour and number one album release, word about Joey's troubles was reported in the press.Despite the advice he had received to play it down, Joey revealed in an interview his ongoing struggles with depression. The response from fans and people battling those same internal demons was overwhelming. Joey—who has been the drummer in Aerosmith since it was founded in 1970 and is the first member of the band to release his own book—now tells the complete story: the early days of the band, glamorous drug-addled events leading up to their eventual sobriety, battles within his family and among bandmates, and the explosive internal dynamics in Aerosmith that continue to unleash a fury of endless creativity. This is not just another rock 'n' roll memoir. In addition to the never-before-told Aerosmith war stories that abound in the book, Hit Hard unpacks the history of a rock star who was both fragile and tough, who after years of insane wildness became willing to accept help and finally kick a serious alcohol and drug addiction, only to find that the real terrors and hard work were still ahead. It's the story of an average kid from an average American suburb who went through physical and emotional trauma. It's about years of depression and the nervous breakdown at the height of the band's comeback success. Ultimately, Hit Hard is about how Joey recognized his confusion between love and abuse, awakening to the kind of self-acceptance and compassion that make relationships possible in the "real world" as a member of the biggest band in American history.

Hardcover book with dust jacket is an history of thoroughbred horse racing. Many photos of important races and horses.

Given the long history of anti-Semitic evil done by the Catholic Church over the centuries, who could have imagined that there was at least on family of (converted?) Jews who gave the world 3 roman popes! Prinz does his scholarly homework and combines it with great story telling to make a book that deserves a much bigger audience.

Ism, Ism, Ism / Ismo, Ismo, Ismo is the first comprehensive, United States-based film program and catalogue to treat the full breadth of Latin America's vibrant experimental film production. The exhibition features key historical and contemporary films from Argentina, Brazil, Bolivia, Chile, Colombia, Cuba, Ecuador, Mexico, Paraguay, Peru, Uruguay, Venezuela, Puerto Rico and the United States. From innovative works by Brazilian artist Helio Oiticica and Mexican photographer Manuel Alvarez Bravo to the breathtaking yet practically unknown ouevre of queer Ecuadorian filmmaker Eduardo Sola Franco, the exhibition takes both the aficionado and the open-minded viewer on a journey into a wealth of materials culled from the forgotten corners of Latin American film archives. Equally unprecedented in its approach and scope, the accompanying fully bilingual catalogue features major scholars and artists working across nationalities, mediums, and time periods. Lerner and Piazza assemble a mix of original content authored by key curators, scholars, and archivists from Latin America: eighteen essays and articles translated for the first time pertaining to the history of Latin American experimental film, historical image-documents that are fundamental to the history of experimental film in Latin America, and program notes from the exhibition's programs. Published in association with the Los Angeles Filmforum, and as part of the Getty's Pacific Standard Time: LA/LA.