Art investigator Madison Dupre knew the offer was too good to be true: $20,000 for a quick trip to Dubai, the fantastic Arabian Nights city on the Persian Gulf. The call came from Sir Henri Lipton, a man who was supposed to be dead—and who she sincerely had hoped was burning in hell because he had ruined her career before his violent “demise.” He told her only one tantalizing thing about the piece of art: “Let’s just say it’s a couple thousand years old and was buried with Christ.” The fact the offer came from a man wanted on three continents for art looting was fair warning that there would be a catch. But with credit collectors and an avaricious landlord pounding at her door, Madison listened when the devil whispered magic words in her ear: $20,000– cash – upfront. There was a catch, of course. A number of them. Sir Henri was up to his neck in conspiracies and needed someone to deflect the danger onto—not to mention frame for the most audacious art theft in history. Dubai, a city that has been called Las Vegas on steroids, would just be the first stop for Madison on a quest that takes her to an ancient Mesopotamian city, the dark streets of exotic Istanbul, Venice at Carnival time, and a cathedral where the most sacred object of Christendom is stored. Along the way, she finds romance in the arms of a Russian agent who she doesn’t trust—and can’t resist.

Published to coincide with its world premiere at the Almeida Theatre in London, this play explores relationships within the family, and our own particular and individual understanding of such communal history.

This is Laski's most important book after A Grammar of Politics . It discusses, on a grand scale, every aspect of American public life. Laski surveys American traditions and the American spirit, political institutions, the entire educational, religious, economic and social scene, America as a world power, and Americanism as a principle of civilisation. Laski's unsurpassed knowledge of American constitutional, social and cultural history is set in the perspective of his deep study of comparative constitutional history and political theory. He was one of very few people to see U.S. politics from the inside, as a result of his friendships with Roosevelt, Brandeis and Oliver Wendell Holmes.

Twenty-four stories of Israeli and Jewish life, chosen from the more than one hundred Haim Watzman has written over the last nine years in his "Necessary Stories" column in the The Jerusalem Report. Bookended by a flashback to his first weekend in Israel forty years ago and a storytelling encounter on a recent flight back home from the US, these stories--funny, meditative, and sad, set in immigrant camps, the army, and the author's own neighborhood in south Jerusalem--uniquely capture what it is like, in our age, to be an Israeli and a Jew. Praise for Haim Watzman: "His stories detail the lives of ordinary Israelis, often touching on current events ... The dialogue, though written in English, has the distinct feeling of Hebrew speech -- that unmistakable combination of impatience and warmth." --Naomi Zeveloff, Forward "Watzman knows that every encounter, no matter how fleeting--a conversation in a cemetery with a long-dead Talmudic sage; Felix Mendelssohn's great aunt scolding the young prodigy; four Jews on a plane discussing the Bible, the Zohar and Wuthering Heights--is a matter of life and death. Necessary Stories is a quietly beautiful work, haunting in places, gently funny in others, written by a graceful, thoughtful, eloquent man who understands that life itself is not enough. One must live to tell the tale." --From the Introduction by Joseph Skibell "Author Haim Watzman is a master of the tiny moment, the exact point in time that leaves an impression on the future ... If you enjoy short stories, 'Necessary Stories' is a fine collection, filled with hints and hidden meanings. It's a perfect choice for a Jewish book club whose members can discuss these stories for hours." --Rivkah Lambert Adler, Jerusalem Post, June 14, 2017 "Watzman writes with immediacy, attentiveness and empathy, whether he's describing a pregnant feral cat he names Hagar, who makes her home in the dumpster of his Jerusalem building, or the best friend of the bride at a wedding, or his late son, who was killed in a tragic accident while serving in the IDF. Watzman ... has a good ear for dialogue. The stories, layered with meaning, speak to his wide-ranging interests." --Sandee Brawarsky, The Jewish Week/Times of Israel "All but one of these stories are relatively short ... Yet anyone who sits down with this collection will come away with a sense of something much larger--a multifaceted impression of what it's like to make a life in a place where the prosaic mixes with the fantastic; history, politics, and philosophy are around every corner, and each encounter with a stranger holds the potential to show you the world from a fresh angle." --Janice Weizman, The Jerusalem Report

Before Guy Gavriel Kay became known for his groundbreaking works of speculative fiction, establishing himself as one of the world's most respected writers in that genre, he was an accomplished poet, his work appearing in major literary journals such as The Antigonish Review and Prism . Through the years, while writing his dramatic international bestsellers, Kay has continued to quietly explore the paths and boundaries of poetry as well. Now for the first time, Guy Gavriel Kay's poetry has been gathered and selected for publication. For those familiar with his fiction, the poems in Beyond This Dark House will resonate for their linguistic and emotional nuances and their mythological allusions, echoing and illuminating themes of his fiction. But readers of contemporary poetry will also be captivated by the exquisite craft and power of these poems. Some are ironic and austere, slyly tracing the interplay of writer and world, present and past; others are sensual, even erotic, charting the mercurial but abiding nature of passion-in love, in language, in history.

"Drawing upon rich resources of feminist cultural analysis hitherto little applied to the visual arts, Griselda Pollock offers concrete historical analyses of key moments in the formation of modern culture to reveal the sexual politics at the heart of modernist art. Crucially, she not only provides a feminist re-reading of the work of canonical male impressionist and Pre-Raphaelite artists including Edgar Degas and Dante Gabriel Rossetti, but also re-inserts into art history their female contemporaries - women artists such as Bertha Morisot and Mary Cassatt. Casting her critical eye over the contemporary art scene, Pollock discusses the work of women artists such as Mary Kelly and Yve Lomar highlighting the problems of working in a culture where the feminine is still defined as the object of the male gaze. Now published with a new introduction by Griselda Pollock, Vision and Difference remains as powerful and as essential reading as ever for all those seeking not only to understand the history of the feminine in art but also to develop new strategies for representation for the future." --

In a wonderful synthesis of science, history, and imagination, Gino Segrè, an internationally renowned theoretical physicist, embarks on a wide-ranging exploration of how the fundamental scientific concept of temperature is bound up with the very essence of both life and matter. Why is the internal temperature of most mammals fixed near 98.6°? How do geologists use temperature to track the history of our planet? Why is the quest for absolute zero and its quantum mechanical significance the key to understanding superconductivity? And what can we learn from neutrinos, the subatomic "messages from the sun" that may hold the key to understanding the birth-and death-of our solar system? In answering these and hundreds of other temperature-sensitive questions, Segrè presents an uncanny view of the world around us.

An investigation of Jewish identity politics and Jewish contemporary ideology using both popular culture and scholarly texts. Jewish identity is tied up with some of the most difficult and contentious issues of today. The purpose in this book is to open many of these issues up for discussion. Since Israel defines itself openly as the 'Jewish State', we should ask what the notions of 'Judaism', 'Jewishness', 'Jewish culture' and 'Jewish ideology' stand for. Gilad examines the tribal aspects embedded in Jewish secular discourse, both Zionist and anti Zionist; the 'holocaust religion'; the meaning of 'history' and 'time' within the Jewish political discourse; the anti-Gentile ideologies entangled within different forms of secular Jewish political discourse and even within the Jewish left. He questions what it is that leads Diaspora Jews to identify themselves with Israel and affiliate with its politics. The devastating state of our world affairs raises an immediate demand for a conceptual shift in our intellectual and philosophical attitude towards politics, identity politics and history.

The challenge, in twentieth-century music, to the normative status of triadic tonality is one of the most far-reaching and extreme revolutions that the history of music has known. In his classic work, Twelve-Tone Tonality, George Perle argues that the seemingly disparate styles of post-triadic music in fact share common structural elements. According to Perle, these elements collectively imply a new tonality as "natural" and coherent as the major-minor tonality that was the basis of a common musical language in the past. His book describes the foundational assumptions of this post-diatonic tonality and illustrates its compositional functions with numerous musical examples. The second edition of Twelve-Tone Tonality is enlarged by eleven new chapters. Some of these are "postscripts" to earlier chapters, clarifying, elucidating, and expanding upon concepts discussed in the original edition. Others discuss new developments in the theory and practice of twelve-tone tonality, including voice-leading implications of the system and dissonance treatment. Errors discovered in the original edition have been corrected. - Jacket flap.

Discover Georg Brandes's seminal work, "Friedrich Nietzsche," a vital exploration of one of the most influential philosophers of the 19th century. This meticulously prepared edition offers a clear and insightful look into Nietzsche's groundbreaking philosophy. Brandes, a prominent literary critic, provides a crucial perspective on Nietzsche's life and ideas, placing him within the broader context of German philosophical thought. This book delves into the core themes of Nietzsche's work, offering readers a valuable introduction to his complex and often controversial ideas. Ideal for those interested in philosophy, intellectual history, and the development of modern thought, "Friedrich Nietzsche" remains a cornerstone text for understanding this pivotal figure. Explore the intellectual landscape of the 19th century and gain a deeper appreciation for the enduring legacy of Friedrich Nietzsche. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Who could have guessed that the lowly fruit fly might hold the key for decoding heredity? Or that the mouse might one day disclose astonishing evolutionary secrets? In a book infused with wisdom, wonder, and a healthy dose of wry skepticism, Nobel Prize-winning geneticist François Jacob walks us through the surprising ways of science, particularly the science of biology, in this century. Of Flies, Mice, and Men is at once a work of history, a social study of the role of scientists in the modern world, and a cautionary tale of the bumbling and brilliance, imagination and luck, that attend scientific discovery. A book about molecules, reproduction, and evolutionary tinkering, it is also about the way biologists work, and how they contemplate beauty and truth, good and evil. Animated with anecdotes from Greek mythology, literature, episodes from the history of science, and personal experience, Of Flies, Mice, and Men tells the story of how the marvelous discoveries of molecular and developmental biology are transforming our understanding of who we are and where we came from. In particular, Jacob scrutinizes the place of the scientist in society. Alternately cast as the soothsayer Tiresias, the conscienceless inventor Daedalus, or Prometheus, conveyer of dangerous knowledge, the scientist in our day must instead adopt the role of truthteller, Jacob suggests. And the crucial truth that molecular biology teaches is the one he elaborates with great clarity and grace in this book: that all animals are made of the same building blocks, by a combinatorial system that always rearranges the same elements according to new forms.

Presents an unfinished Boas manuscript and selected publications in which the renowned anthropologist records his observations of such aspects of Kwakiutl culture as social and economic organization, religion, and art. Franz Boas, a German-born American anthropologist, became the most influential anthropologist of his time. He left Germany because of its antiliberal and anti-Semitic climate. As a Columbia University professor for 37 years (1899-1936), he created both the field of anthropology and the modern concept of culture. Boas played a key role in organizing the American Anthropological Association (AAA) as an umbrella organization for the emerging field. At both Columbia and the AAA, Boas encouraged the "four field" concept of anthropology; he personally contributed to physical anthropology, linguistics, archaeology, as well as cultural anthropology. His work in these fields was pioneering. Both directly and through the influence of such students as Ruth Benedict, Melville J. Herskovits, Alfred L. Kroeber, and Margaret Mead, he set the agenda for all subsequent American cultural anthropology. In His lifetime Boas had many leadership roles Assistant curator at the American Museum of Natural History; editor of The Journal of American Folklore; president of the New York Academy of Sciences, and founder of the International Journal of American Linguistics. Boas is the author of hundreds of scientific monographs and articles. He died in 1942.

Among the founding fathers of modern quantum physics few have contributed to our basic understanding of its concepts as much as E.P. Wigner. His articles on the epistemology of quantum mechanics and the measurement problem, and the basic role of symmetries were of fundamental importance for all subsequent work. He was also the first to discuss the concept of consciousness from the point of view of modern physics. G.G. Emch edited most of those papers and wrote a very helpful introduction into Wigner's contributions to Natural Philosophy. The book should be a gem for all those interested in the history and philosophy of science.

"A series of public lectures on nationalism arranged by the History of Ideas Unit in the Research School of Social Sciences of the Australian National University."

In the last three decades, hundreds of books and essays have been published on women, gender, and Jewish Studies. This burgeoning scholarship has not been adequately theorized, contextualized, or historicized. This book argues that Jewish feminist studies is currently constrained by multiple frames of reference that require re-examination, a self-critical awareness, and a serious reflective inquiry into the models, paradigms, and assumptions that inform, shape, and define this area of academic interest. This book is the first critical analysis of Jewish feminist scholarship, tracing it from its tentative beginnings in the late 1970s to contemporary academic articulations of its disciplinary projects. It focuses on the assumptions, evasions, omissions, inconsistencies, and gaps in this scholarship, and notably the absence of debate, contestation, and interrogation of authoritative articulations of its presumed goals, investments, and priorities. The book teases out implicit thinking about mapping, direction, and orientation from introductions to leading anthologies and engages critically with the few explicitly theoretical works on Jewish feminist studies, contesting ideas that have become hegemonic in some areas, and interrogating the limitations these theories impose on future trajectories in Jewish feminist studies. Each chapter outlines the theoretical assumptions that inform salient publications in the field, providing a close reading of scholarly texts that justify certain practices. The book is divided into four chapters, each of which focuses on a different frame of reference. It outlines the way in which the various frames that have so far been imposed on Jewish feminism, the ethnocentric, liberal, personal, masculinist, and essentialist, have arrested its theoretical elaboration and articulation. The book includes both interdisciplinary anthologies on gender and Jewish identity and disciplinary publications in history, literature, philosophy, cultural studies, and Holocaust studies.

Reaching from biblical times to the present day, Esther Benbassa’s prize-winning exploration of Jewish identity is both epic and comprehensive. She shows how in the Jewish world, the representation and ritualization of suffering have shaped the history of both the people and the religion. Benbassa argues that the nineteenth century gave rise to a Jewish ‘lachrymose’ historiography, and that Jewish history was increasingly seen to be a ‘vale of tears’—a development that has become even more pronounced since the Holocaust. The treatment of the Holocaust in the State of Israel now has the form of a civil religion. In principle within reach of everyone, the ‘duty of memory’ and the uniqueness of the genocide have mitigated for many Jews the loss of other traditions. The Israeli government invokes the memory of the Holocaust to neutralize threats to its interests—ensuring that suffering continues to be a central part of Jewish identity and positioning the State of Israeli as a redemptive force.

The author reviews the history of the science of man in relation to contemporary problems and offers proposals for a true merger of science and philosophy

A Globe and Mail Top Nonfiction Book Finalist, Shaughnessy Cohen Prize for Political Writing In this groundbreaking investigation, Erna Paris explores the history of global justice, the politics behind America's opposition to the creation of a permanent international criminal court, and the implications for the world at large. The International Criminal Court (ICC) is the first permanent tribunal of its kind. The mandate of the ICC is to challenge criminal impunity on the part of national leaders and to promote accountability in world affairs at the highest level. Independent and transnational, its indictments cannot be vetoed in the Security Council. On March 11, 2003, when the new court was inaugurated in a moving ceremony, attended by over half of the countries in the world, one country was conspicuously missing from the celebrations. The government of the United States had made it clear that the International Criminal Court was not consistent with American goals and values.

First published in 1997, Inventing Memory is about four generations of remarkable women from a Jewish-American family-their triumphs, tragedies, scandals, and love affairs-as related by Sara Solomon, the youngest of these women. While trying to chronicle their history, the story becomes essentially hers, as she comes to understand the nature of memory, the way all of us both invent and assimilate our ancestors. In learning about the women in her family, Sara discovers how to create her own future.

Through the analysis of several commemorative acts in space, matter and image, namely museums and memorials, this book reflects on the ways in which architecture as a discipline, a practice and a discourse represents the Holocaust. In doing so, it problematises how one presents an extreme historical case in a contemporary context and integrates the historical into actuality. By examining several cases, the book defines the issues faced by various architects who dealt with this topic and discuss their separate and distinctive approaches. In each case, it analyses the ways in which the cultural and political contexts of commemoration led to a different interpretation of the condition. Focusing on the Ghetto Fighters' House, the world's first Holocaust museum; Yad Vashem, Israel's national Holocaust memorial in Jerusalem; the U.S. Holocaust Memorial Museum in Washington, and the Holocaust Memorial in Berlin, the book discusses how the representation of history by architecture creates a dialectic process in which architecture mediates the past to the present, while at the same time creating a present saturated with historical contexts. It shows how, together, they are incorporated into one another and create a new reality: past and present intertwined.