One Discipline, Four Ways offers the first book-length introduction to the history of each of the four major traditions in anthropology—British, German, French, and American. The result of lectures given by distinguished anthropologists Fredrik Barth, Andre Gingrich, Robert Parkin, and Sydel Silverman to mark the foundation of the Max Planck Institute for Social Anthropology, this volume not only traces the development of each tradition but considers their impact on one another and assesses their future potentials. Moving from E. B. Taylor all the way through the development of modern fieldwork, Barth reveals the repressive tendencies that prevented Britain from developing a variety of anthropological practices until the late 1960s. Gingrich, meanwhile, articulates the development of German anthropology, paying particular attention to the Nazi period, of which surprisingly little analysis has been offered until now. Parkin then assesses the French tradition and, in particular, its separation of theory and ethnographic practice. Finally, Silverman traces the formative influence of Franz Boas, the expansion of the discipline after World War II, and the "fault lines" and promises of contemporary anthropology in the United States.

The twenty-five years after the Second World War were a lively and fertile period for the American novel and an era of momentous transformation in American society. Taking his title from the Kafka parable about the leopards who kept racing into the courtyard of the temple, disrupting the sacrifice, until they were made part of the ritual, Morris Dickstein shows how a daring band of outsiders reshaped the American novel and went on to dominate American fiction for the rest of the century. In fluid prose, offering a social as well as a literary history, Dickstein provides a wide-ranging and frank reassessment of more than twenty key figures-including Jewish writers like Norman Mailer, Saul Bellow, and Philip Roth; African-Americans such as Ralph Ellison and James Baldwin; colorful emigrés like Vladimir Nabokov; and avatars of a new youth culture, including J. D. Salinger and Jack Kerouac. Disputing the received wisdom about the culture of the Cold War, Dickstein shows why artists turned inward after the war and demonstrates how the writing of the 1960s emerged from the cultural ferment of the preceding decades, including road novels, avant-garde painting, bebop, film, psychoanalysis, and social changes that continue to affect us today.

"The years following 1945 witnessed a massive change in American intellectual thought and in the life of American universities. The vast effort to mobilize intellectual talent during the war established new links between the government and the academy. After the war, many of those who had worked with the military or the Office of Strategic Services (OSS) took jobs in the burgeoning postwar structure of university-based military research and the intelligence agencies, bringing infusions of government money into many fields." "Little has been written about the long-term impact of this close association, despite considerable study of the McCarthy period's destructive impact on academic careers. The Cold War and the University is a groundbreaking collection of newly commissioned essays that takes a bold first step toward the reconstruction of this history. In it, some of the country's most prominent intellectuals use their own experiences to explore what happened to the university in the postwar years and why." "In wide-ranging and revealing essays, these writers show the many ways existing disciplines, such as anthropology, were affected by the Cold War ethos; they discuss the rise of new fields, such as area studies; and they explore the changing nature of dissent and academic freedom during and since the Cold War."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

"Immediately after World War II, there was little discussion of the Holocaust, but today the word has grown into a potent political and moral symbol, recognized by all. In Holocaust: An American Understanding, renowned historian Deborah E. Lipstadt explores this striking evolution in Holocaust consciousness, revealing how a broad array of Americans--from students in middle schools to presidents of the United States--tried to make sense of this inexplicable disaster, and how they came to use the Holocaust as a lens to interpret their own history. Lipstadt weaves a powerful narrative that touches on events as varied as the civil rights movement, Vietnam, Stonewall, and the women's movement, as well as controversies over Bitburg, the Rwandan genocide, and the bombing of Kosovo. Drawing upon extensive research on politics, popular culture, student protests, religious debates and various strains of Zionist ideologies, Lipstadt traces how the Holocaust became integral to the fabric of American life. Even popular culture, including such films as Dr. Strangelove and such books as John Hershey's The Wall, was influenced by and in turn influenced thinking about the Holocaust. Equally important, the book shows how Americans used the Holocaust to make sense of what was happening in the United States. Many Americans saw the civil rights movement in light of Nazi oppression, for example, while others feared that American soldiers in Vietnam were destroying a people identified by the government as the enemy. Lipstadt demonstrates that the Holocaust became not just a tragedy to be understood but also a tool for interpreting America and its place in the world. Ultimately Holocaust: An American Understanding tells us as much about America in the years since the end of World War II as it does about the Holocaust itself."--Publisher information

"Places Central American migration to the United States in the context of the region's history of conquest, colonialism, revolution, and neoliberalism, looking especially at the revolutionary experiments of the 1980s and their aftermath"--

Excerpt from The Jewish Encyclopedia, Vol. 4: A Descriptive Record of the History, Religion, Literature, and Customs of the Jewish People From the Earliest Times; Chazars-Dreyfus Case Cyrus adler, Pan. (departments of post-biblical Antiquities; the Jews of America.) President of the American Jewish Historical Society Librarian, Smithsonian Institution, Washington, D. C. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

"A very personal journey through Jewish history (and Cohen's own), and a passionate defense of Israel's legitimacy. Richard Cohen's book is part reportage, part memoir--an intimate journey through the history of Europe's Jews, culminating in the establishment of Israel. A veteran, syndicated columnist for The Washington Post, Cohen began this journey as a skeptic, wondering in a national column whether the creation of a Jewish State was "a mistake." As he recounts, he delved into his own and Jewish history and fell in love with the story of the Jews and Israel, a twice-promised land--in the Bible by God, and by the world to the remnants of Europe's Jews. This promise, he writes, was made in atonement not just for the Holocaust, but for the callous indifference that preceded World War II and followed it--and that still threatens. Cohen's account is full of stories--from the nineteenth century figures who imagined a Zionist country, including Theodore Herzl, who thought it might resemble Vienna with its cafes and music; to what happened in twentieth century Poland to his own relatives; and to stories of his American boyhood. Cohen describes his relationship with Israel as a sort of marriage: one does not always get along but one is faithful"--

A book for every patriotic American kid! Never before has the riveting American saga of "The Star-Spangled Banner" been so beautifully and thoroughly presented. This info-packed story of our national anthem includes: ★ Illustrated lyrics ★ The fascinating history of the War of 1812 and the battle that inspired Francis Scott Key to pen the words ★ Musical notation ★ Historical images ★ A reproduction of Key's original manuscript Caldecott Medalist Peter Spier's magnificent tribute takes readers from our anthem's turbulent origins at the Battle of Baltimore through the flag's significance in modern-day America. It's a must-have for every American family's library.

Political, financial, erotic, and bizarre. This is a snapshot of more than 125 scandals that have rocked the nation’s capital and beyond. Since America’s founding, the nation’s capital has experienced more than its share of scandals; thankfully, Washington Babylon explores some of the dirtiest secrets that have occurred throughout US history. Some are from the earliest days of America’s founding and include the most famous people in history, like George Washington. Others are still fresh in our minds, as the dust has not even settled. In between, US history is littered with scandals from nearly all walks of life that were the most talked-about stories at the time. Many past scandals remain infamous, such as Watergate, Chappaquiddick, and Abscam. Other scandals that were once the biggest stories of the day have faded into obscurity. Washington Babylon reveals new details in some scandals that were not known when the story first broke, offering a whole new perspective for discussion. This is the most comprehensive collection of American scandals that will educate, entertain, shock, and perhaps, even titillate the reader.

This globe-spanning history of sugar is "an epic story on a broad canvas that never loses sight of individual moments of human drama; a historical methodology infused with political, intellectual, cultural, and social strands; a complex sequence of cause and effect; an illuminating synthesis of primary and secondary sources; and a thoughtful marriage of words, picture, and design." (Horn Book starred review) Here is the story of how one product allows us to see the grand currents of world history in new ways. Using songs, oral histories, maps, and over 80 archival illustrations, Marc Aronson and Marina Budhos put a human face on this vast pageant. Time line, source notes, bibliography, and index included. The history of sugar runs like a bright band from religious ceremonies in India to Europe's Middle Ages, then on to Columbus, who brought the first cane cuttings to the Americas. Sugar caused the loss of countless lives, but it also planted the seeds of revolution that led to freedom in the American colonies, Haiti, and France. Cane, not cotton or tobacco, drove the bloody Atlantic slave trade and took the lives of countless Africans who toiled on vast sugar plantations under cruel overseers. And yet the very popularity of sugar gave abolitionists in England the one tool that could finally end the slave trade. Sugar moved, murdered, and freed millions; sugar changed the world.

CARRIER STRIKEThe Battle of the Santa Cruz IslandsOctober 1942Eric HammelThe Battle of the Santa Cruz Islands, a strategic naval action in the bitter Guadalcanal Campaign, was history's fourth carrier-versus-carrier naval battle. Though technically a Japanese victory, the battle proved to be the Empire of Japan's last serious attempt to win the Pacific War by means of an all-out carrier confrontation. Only one other carrier battle occurred in the Pacific War, in June 1944, in the Philippine Sea. By then, however, the U.S. Navy's Fast Carrier Task Force was operational, and Japan's dwindling fleet of carriers was outnumbered and completely outclassed. Though hundreds of Japanese naval aviators perished in the great Marianas Turkey Shoot of June 19-20, 1944, it was during the first four carrier battles-in the six-month period from early May through late October 1942-that the fate of Japan's small, elite naval air arm was sealed. It was at Coral Sea, in May, that Japan's juggernaut across the Pacific was blunted. It was at Midway, in June, that Japan's great carrier fleet was cut down to manageable size. And it was at Eastern Solomons, in August, and Santa Cruz, in October, that Japan's last best carrier air groups were ground to dust. After their technical victory at Santa Cruz, the Japanese withdrew their carriers from the South Pacific-and were never able to use them again as a strategically decisive weapon. Of the four Japanese aircraft carriers that participated in the Santa Cruz battle, only one survived the war. Following Santa Cruz and the subsequent series of air and surface engagements known as the Naval Battle of Guadalcanal, the Imperial Navy's Combined Fleet never again attempted a meaningful strategic showdown with the U.S. Pacific Fleet. Though several subsequent surface actions in the Solomons were clearly Japanese victories, their results were short-lived. After November 1942, Japan could not again muster the staying power-or the willpower-to wage a strategic war with her navy. Once the veteran carrier air groups had been shredded at Eastern Solomons and Santa Cruz, Japanese carriers ceased to be a strategic weapon. The Santa Cruz clash was deemed a Japanese victory because U.S. naval forces withdrew from the battlefield. That is how victory and defeat are strictly determined. But on the broader, strategic, level, the U.S. Navy won at Santa Cruz-because it was able to achieve its strategic goal of holding the line and buying time. Japan was unable to achieve her strategic goal of defeating the U.S. Pacific Fleet in a final, decisive, all-or-nothing battle. The technical victory cost Japan any serious hope she had of winning the Pacific naval war. The "victory" at Santa Cruz cost Japan her last best hope to win the war in the Pacific. Once again, author-historian Eric Hammel brings to the reading public an exciting narrative filled with the latest information and written in the edge-of-the-seat style that his readers have enjoyed for nearly two decades, in nearly thirty acclaimed military history books. As was the case with its companion volume, Carrier Clash, this new book is based upon American and Japanese battle reports and the recollections of many airmen and seamen who took part. Eric Hammel is the author of forty combat history books.

"A word to those of you out there who have yet to be offended by something I have written or said: Please be patient. I am working as fast as I can." -Ann Coulter, 2006 Is she ever! Ever since the publication of her Clinton-bashing debut, High Crimes and Misdemeanors, right-wing fire-brand Ann Coulter has made herself one of the most talked-about figures in contemporary American life--and has done so by issuing a near-continuous barrage of insult and invective, which has been described as "shameless," "cruel," "shrill, bombastic, and mean-spirited," "grossly inappropriate," "hate speech." She has called the 9/11 widows "witches" and "harpies," referred to Muslims as "ragheads," called Al Gore a "total fag," and said that both New York Times editor Bill Keller and antiwar congressman Jack Murtha deserved to die. Yet with each new statement--and each new book launch--Coulter somehow manages to co-opt the media as a megaphone for her attacks, while emerging from the backlash miraculously unscathed. Until now. With Soulless, political commentator Susan Estrich takes on Ann and the "Coulter culture" she has created, exposing how the pundit provocatrice has downgraded our political discourse with her irresponsible rhetoric, personal attacks, and slanderous asides. Trawling through Coulter's history of often-violent public statements, Estrich asks which are more cynical: the pundit and her headline-grabbing drive-by character assassinations, or the networks who happily bring her back for more. Soulless also casts a light on "the Anns," wannabes like Michelle Malkin and Glenn Beck, whose imitation Coulterisms coarsen our culture with every passing news cycle. And, most important, she challenges us--the readers, the voters--to remember that behind the huckster's rhetoric lurks a dangerous reactionary whose real agenda is wildly out of step with the American public. As Estrich says, "She knows exactly what she is doing. And she is scary as hell because of it."

Dogs are invented creatures -- invented by humans, who have been shaping the lives of these four-legged companions for more than 14,000 years. However, we often forget that, just as dogs live in our world, we live in theirs. The Modern Dog is a look at our coevolution, interpreting both canine and human points of view, by Dr. Stanley Coren, the most consistently popular author of dog books ever. A fascinating treasure trove of information gleaned from science, folklore, religious writing, tradition, and politics, The Modern Dog explores not only how dogs behave, but also how we share our lives with our dogs. Much more a romp than a formal exposition, The Modern Dog 's profiles and tales are funny, sweet, quirky, and reveal a lot about both species and our centuries-long partnership. This book will show you how the mutually beneficial relationship between humans and dogs might very well be the reason why early Homo sapiens evolved and survived while Neanderthals became extinct. You will see how dogs have played many prominent roles in human history, from ancient Egypt, where Pharaoh Ramses II was buried with the names and statues of four of his dogs, to modern American politics, where many U.S. presidents have derived comfort from canine companionship. Our modern dog is quite different from the dogs that existed even a century ago, its job having changed dramatically from the hunting, herding, retrieving, and guarding for which many were bred. In this book, you will see that it is often how people respond to and interpret the actions of dogs (and dog owners) that has a greater effect on the dog's life than the behavior patterns that have been programmed into the dog's genes. The Modern Dog will show you how some of your dog's strange and funny habits are his own and some come from you. Illustrated throughout with Dr. Coren's own charming drawings, The Modern Dog chronicles the various aspects of how we interact with dogs, how society responds to dogs, how our relationships with dogs have changed over history, and where dogs fit into our personal and emotional lives. It does this by telling the stories of dogs that work, dogs that love, dogs that behave badly, and dogs that will make you laugh.

A comprehensive anthology bringing together more than one thousand of the best American and English song lyrics of the twentieth century; an extraordinary celebration of a unique art form and an indispensable reference work and history that celebrates one of the twentieth century’s most enduring and cherished legacies. Reading Lyrics begins with the first masters of the colloquial phrase, including George M. Cohan (“Give My Regards to Broadway”), P. G. Wodehouse (“Till the Clouds Roll By”), and Irving Berlin, whose versatility and career span the period from “Alexander’s Ragtime Band” to “Annie Get Your Gun” and beyond. The Broadway musical emerges as a distinct dramatic form in the 1920s and 1930s, its evolution propelled by a trio of lyricists—Cole Porter, Ira Gershwin, and Lorenz Hart—whose explorations of the psychological and emotional nuances of falling in and out of love have lost none of their wit and sophistication. Their songs, including “Night and Day,” “The Man I Love,” and “Bewitched, Bothered and Bewildered,” have become standards performed and recorded by generation after generation of singers. The lure of Broadway and Hollywood and the performing genius of such artists as Al Jolson, Fred Astaire, Ethel Waters, Judy Garland, Frank Sinatra, and Ethel Merman inspired a remarkable array of talented writers, including Dorothy Fields (“A Fine Romance,” “I Can’t Give You Anything but Love”), Frank Loesser (“Guys and Dolls”), Oscar Hammerstein II (from the groundbreaking “Show Boat” of 1927 through his extraordinary collaboration with Richard Rodgers), Johnny Mercer, Yip Harburg, Andy Razaf, Noël Coward, and Stephen Sondheim. Reading Lyrics also celebrates the work of dozens of superb craftsmen whose songs remain known, but who today are themselves less known—writers like Haven Gillespie (whose “Santa Claus Is Coming to Town” may be the most widely recorded song of its era); Herman Hupfeld (not only the composer/lyricist of “As Time Goes By” but also of “Are You Makin’ Any Money?” and “When Yuba Plays the Rumba on the Tuba”); the great light versifier Ogden Nash (“Speak Low,” “I’m a Stranger Here Myself,” and, yes, “The Sea-Gull and the Ea-Gull”); Don Raye (“Boogie Woogie Bugle Boy,” “Mister Five by Five,” and, of course, “Milkman, Keep Those Bottles Quiet”); Bobby Troup (“Route 66”); Billy Strayhorn (not only for the omnipresent “Lush Life” but for “Something to Live For” and “A Lonely Coed”); Peggy Lee (not only a superb singer but also an original and appealing lyricist); and the unique Dave Frishberg (“I’m Hip,” “Peel Me a Grape,” “Van Lingo Mungo”). The lyricists are presented chronologically, each introduced by a succinct biography and the incisive commentary of Robert Gottlieb and Robert Kimball.

From award-winning physicist, public intellectual, and the bestselling author of A Universe from Nothing Lawrence Krauss, comes “a masterful blend of history, modern physics, and cosmic perspective that empowers the reader to not only embrace our understanding of the universe, but also revel in what remains to be discovered” (Neil deGrasse Tyson, American Museum of Natural History). In this grand poetic vision of the universe, Lawrence Krauss tells the dramatic story of the discovery of the hidden world that underlies reality—and our place within it. Reality is not what you think or sense—it’s weird, wild, and counterintuitive, and its inner workings seem at least as implausible as the idea that something can come from nothing. With his trademark wit and accessible style, Krauss leads us to realms so small that they are invisible to microscopes, to the birth and rebirth of light, and into the natural forces that govern our existence. His unique blend of rigorous research and engaging storytelling invites us into the lives and minds of remarkable scientists who have helped unravel the unexpected fabric of reality with reasoning rather than superstition and dogma, and to explain how everything we see—and can’t see—came about. A passionate advocate for reason, Krauss gives the rationale for the seemingly irrational—and the mysteries and apparent contradictions of quantum physics, and explores what that means for our lives here on Earth—and beyond. At its core, The Greatest Story Ever Told—So Far is about the best of what it means to be human—an epic history of our ultimately purposeless universe that addresses the question, “Why are we here?”

When the enigmatic billionare founder and CEO of Tetration, the world's most powerful tech company, is diagnosed with terminal pancreatic cancer, he hires a failed novelist, Josh Cohen, to ghostwrite his memoirs. This tech mogul, known only as 'Principal', takes Josh deep into his own mind, and outlines the history of Tetration, which started by revolutionising the search engine and later ventured into smartphones, computer manufacturing and the surveillance of American citizens. Accompanying Josh on a mind-bending world tour of local Tetration offices, from Palo Alto to Dubai, Principal soon initiates Josh into the secret pretext of the autobiography project, and the life-or-death stakes that surround its publication.

"Raskin's biography of Abbie Hoffman pleases precisely because it does not evade the ambiguities of that wild time. For a cynical age, Raskin evokes some of its innocent pleasures: great rock-and-roll, movements against injustices, exuberant sex."--Jonathan Rieder, New York Times Book Review "As much a corrective to a New Left history of the time as a biography of Abbie Hoffman, the wildest of the wildmen...Raskin's book is arranged like a series of filmed calender pages; behind the pages stand descriptions as vivid as movies of the formative influences moving with lightning speed across those few amazing years while Abbie, and the rhetoric inside him, grew apace."--Vivian Gornick, The Nation "Hoffman remains one of the most vivid figures in an era that specialized in them...It would be very hard to read his life's story and not be affected by it."--Jonathan Yardley, Washington Post "The book takes [Hoffman], his w ritings, and his politics seriously...Well-researched, well-reported, well-illustrated, and scrupulously documented."--Bruce McCabe, Boston Globe "Not only a biography of an individual...but a fully rounded portrait of that era...Hoffman remains an utterly fascinating American icon, one of the most important performance-art patriots of our time."--Bernard Weiner, San Francisco Chronicle

Heavy Tales is the detailed, never before told story as lived by Jonny Zazula of how he founded Megaforce Records out of a flea market in New Jersey with his wife, Marsha and built a dynasty unmatched by others, forever changing the scope of Heavy Metal. The bands they worked with would go on to release some of the most prolific and important albums in heavy metal history, giving it its Golden Era. Jonny Zazula was a renegade youth who went from living on the New York City streets, to later working on Wall Street, and then moving unexpectedly towards the music business. In the winter of 1982, while working in a flea market, he received an unexpected demo tape from underground, unsigned band Metallica. Eager and determined to have the music heard by the entire world, Jonny Z and Marsha founded Megaforce Records in 1983, and soon after released Metallica's debut album, Kill 'Em All. Through this release Megaforce had cemented its position as the de-facto music label in America for Heavy Metal - but that's just the start. Heavy Tales details the stories of how Jonny Z worked miracles by managing and releasing albums by Metallica, Anthrax, Testament, Mercyful Fate, Raven, Overkill, Exciter, Stormtroopers of Death, Method of Destruction, Ace Frehley, King's X, Ministry, Mindfunk, Nudeswirl, Warren Haynes, Disco Biscuits and others, and how one night in 1984, he jokingly created Rap Metal before anyone else conceived the idea. With the foreword written by Chuck Billy, plus over 100 rare photographs unearthed from the MegaVault and photographer friends, Heavy Tales is the definitive American story of a family man with a dream, determined to prove to the world that heavy metal belonged on the stage, on the radio and in your living room.

The two-state solution is doomed; the one-state reality is here to stay Why have Israelis and Palestinians failed to achieve a two-state solution to the conflict that has cost so much and lasted so long? In Paradigm Lost , Ian S. Lustick brings fifty years as an analyst of the Arab-Israeli dispute to bear on this question and offers a provocative explanation of why continued attempts to divide the land will have no more success than would negotiations to establish a one-state solution. Basing his argument on the decisiveness of unanticipated consequences, Lustick shows how the combination of Zionism's partially successful Iron Wall strategy for dealing with Arabs, an Israeli political culture saturated with what the author calls "Holocaustia," and the Israel lobby's dominant influence on American policy toward the Arab-Israeli conflict scuttled efforts to establish a Palestinian state alongside Israel. Yet, he demonstrates, it has also unintentionally set the stage for new struggles and "better problems" for both Israel and the Palestinians. Drawing on the history of scientific ideas that once seemed certain but were ultimately discarded, Lustick encourages shifting attention from two-state blueprints that provide no map for realistic action to the democratizing competition that arises when different subgroups, forced to be part of the same polity, redefine their interests and form new alliances to pursue them. Paradigm Lost argues that negotiations for a two-state solution between the Mediterranean Sea and the Jordan River are doomed and counterproductive. Israeli Jews and Palestinian Arabs can enjoy the democracy they deserve but only after decades of struggle amid the unintended but powerful consequences of today's one-state reality.

From Ragtime and Billy Bathgate to The Book of Daniel, World’s Fair, and The March, the novels of E. L. Doctorow comprise one of the most substantive achievements of modern American fiction. Now, with Homer & Langley, this master novelist has once again created an unforgettable work. Homer and Langley Collyer are brothers–the one blind and deeply intuitive, the other damaged into madness, or perhaps greatness, by mustard gas in the Great War. They live as recluses in their once grand Fifth Avenue mansion, scavenging the city streets for things they think they can use, hoarding the daily newspapers as research for Langley’s proposed dateless newspaper whose reportage will be as prophecy. Yet the epic events of the century play out in the lives of the two brothers–wars, political movements, technological advances–and even though they want nothing more than to shut out the world, history seems to pass through their cluttered house in the persons of immigrants, prostitutes, society women, government agents, gangsters, jazz musicians...and their housebound lives are fraught with odyssean peril as they struggle to survive and create meaning for themselves. Brilliantly conceived, gorgeously written, this mesmerizing narrative, a free imaginative rendering of the lives of New York’s fabled Collyer brothers, is a family story with the resonance of myth, an astonishing masterwork unlike any that have come before from this great writer.