The dawning of the nineteenth century found the Jews of Eastern Europe torn between the forces of progress and reaction as they took their first tentative steps toward the modern world. In a war of words and of books, Haskaia-the Jewish Enlightenment-did battle with the religious revival movement known as Hasidism. Perl, an ardent advocate of Enlightenment, unleashed the opening salvo with the publication in 1819 of Revealer of Secrets . The novel tried to pass itself off as a hasidic holy book when it was, in fact, a broadside against Hasidism-a parody of its teachings and of the language of its holy books. The outraged hasidim responded by buying up and burning as many copies as they could. Dov Taylor's careful translation and commentary make this classic of Hebrew literature available and accessible to the contemporary English-speaking reader while preserving the integrity and bite of Perl's original. With Hasidism presently enjoying a remarkable rebirth, the issues in Revealer of Secrets are all the more relevant to those seeking to balance reason and faith. As the first Hebrew novel, the work will also be of great interest to students of modern Hebrew literature and modern Jewish history.

The dawning of the nineteenth century found the Jews of Eastern Europe torn between the forces of progress and reaction as they took their first tentative steps toward the modern world. In a war of words and of books, Haskala—the Jewish Enlightenment—did battle with the religious revival movement known as Hasidism. Perl, an ardent advocate of Enlightenment, unleashed the opening salvo with the publication in 1819 of Revealer of Secrets. The novel tried to pass itself off as a hasidic holy book when it was, in fact, a broadside against Hasidism—a parody of its teachings and of the language of its holy books. The outraged hasidim responded by buying up and burning as many copies as they could.Dov Taylor's careful translation and commentary make this classic of Hebrew literature available and accessible to the contemporary English-speaking reader while preserving the integrity and bite of Perl's original. With Hasidism presently enjoying a remarkable rebirth, the issues in Revealer of Secrets are all the more relevant to those seeking to balance reason and faith. As the first Hebrew novel, the work will also be of great interest to students of modern Hebrew literature and modern Jewish history.

The dawning of the nineteenth century found the Jews of Eastern Europe torn between the forces of progress and reaction as they took their first tentative steps toward the modern world. In a war of words and of books, Haskala—the Jewish Enlightenment—did battle with the religious revival movement known as Hasidism. Perl, an ardent advocate of Enlightenment, unleashed the opening salvo with the publication in 1819 of Revealer of Secrets. The novel tried to pass itself off as a hasidic holy book when it was, in fact, a broadside against Hasidism—a parody of its teachings and of the language of its holy books. The outraged hasidim responded by buying up and burning as many copies as they could.Dov Taylor's careful translation and commentary make this classic of Hebrew literature available and accessible to the contemporary English-speaking reader while preserving the integrity and bite of Perl's original. With Hasidism presently enjoying a remarkable rebirth, the issues in Revealer of Secrets are all the more relevant to those seeking to balance reason and faith. As the first Hebrew novel, the work will also be of great interest to students of modern Hebrew literature and modern Jewish history.

Two friends grow up in a North London Jewish suburb. David is bright, parent-pleasing and obviously destined for great things. But somehow he ends up earning peanuts in a Suffolk bookshop while his devious and wayward friend Jack, becomes rich and famous as a TV chat-show host. When Jack dies, his widow and publisher commission David to write his biography; after all, dependable David can be relied upon not to dish the dirt about the sex, the drugs and the women. David however soon realises that it's finally time he stopped doing what is expected of him. Instead he must write the true story of the forty year friendship that has dominated his life and then maybe he'll get Jack out of his system. But what David soon finds is that he can never be completely free of Jack...

Partition--the idea of separating Jews and Arabs along ethnic or national lines--is a legacy at least as old as the Zionist-Palestinian conflict. Challenging the widespread "separatist imagination" behind partition, Gil Hochberg demonstrates the ways in which works of contemporary Jewish and Arab literature reject simple notions of separatism and instead display complex configurations of identity that emphasize the presence of alterity within the self--the Jew within the Arab, and the Arab within the Jew. In Spite of Partition examines Hebrew, Arabic, and French works that are largely unknown to English readers to reveal how, far from being independent, the signifiers "Jew" and "Arab" are inseparable.In a series of original close readings, Hochberg analyzes fascinating examples of such inseparability. In the Palestinian writer Anton Shammas's Hebrew novel Arabesques, the Israeli and Palestinian protagonists are a "schizophrenic pair" who "have not yet decided who is the ventriloquist of whom." And in the Moroccan Jewish writer Albert Swissa's Hebrew novel Aqud, the Moroccan-Israeli main character's identity is uneasily located between the "Moroccan Muslim boy he could have been" and the "Jewish Israeli boy he has become." Other examples draw attention to the intricate linguistic proximity of Hebrew and Arabic, the historical link between the traumatic memories of the Jewish Holocaust and the Palestinian Nakbah, and the libidinal ties that bind Jews and Arabs despite, or even because of, their current animosity.

"Melissa Jensen's life takes a dramatic turn when her father accepts a teaching assignment in a small town in the remote Midwest, far from her home in New York City. Though the college town seems to offer more than she ever suspected, for the first time in her life Melissa must personally navigate antisemitism and racism. Her choice to speak out should be clear-cut, but life is never that simple. The Violin Players examines the price we pay when bigotry is met with silence"--

Originally published in 1913, When All Is Said and Done is one of the great novels of the twentieth century. Considered David Bergelson's masterpiece, it was written in Yiddish and until now has been unavailable in a complete and accurate English translation. This version by acclaimed translator Joseph Sherman finally brings the novel to a wide English-speaking audience. Bergelson depicts the lives of upwardly mobile, self-aware nouveaux riche Jews in the waning years of the Russian Empire. The central character, Mirel Hurvits, is an educated, beautiful woman who embodies the conflict between tradition and progress, aristocracy and enterprise. A forced marriage of convenience results in Mirel's emotional disintegration and provokes a confrontation with the expectations of her pious family and with Jewish tradition. In a unique prose style of unsurpassable range and beauty, Bergelson reduces language to its bare essentials, punctuated by silences that heighten the sense of alienation in the story.

The year is 1031. Karimah, a charming, headstrong Jewish nineteen-year-old has followed her heart on an adventure that will take her far from home. The story is revealed in her letters to the family she left behind in Egypt, their letters to her, and their correspondence with others as they seek to make sense of the disorder that Karimah has brought to their lives. Details of everday life from a millennium ago are now familiar to scholars through the discovery of the Cairo Geniza, a synagogue storeroom full of several centuries' worth of religious manuscripts, receipts, and business correspondence. The author creates an impassioned portrayal of a time when Jews and Muslims lived together in reasonable harmony.

In this next thrilling story from Alan Gold and Mike Jones, we meet Shalman, a freedom-fighter turned peacenik and archaeologist, and his young beautiful wife, Judit, a refugee from the horrors of Stalin's USSR. As the Second World War draws to a close, and the world begins to learn the truth about Hitler's genocide, the foundation of the State of Israel as a permanent home for what's left of the Jewish people becomes increasingly urgent. In Palestine, Arab and Jewish forces fight each other and the British for supremacy and the right to own the land, causing a nightmare environment of hatred and suspicion. But a deeply buried global conspiracy, which has its origin in Stalin's Russia, seeks to undermine Israel's future as an independent nation. A plot to fashion the fledgling nation as a puppet of the Soviet Union rests upon a handful of committed Jewish Communists, led secretly by Judit. But is she a heartless assassin, a disciple of the evils of Beria and the Kremlin, or a committed fusion of Zionist and Communist? And in the darkest recesses of ancient history, we meet Shalman's ancestors, themselves descendants of the builders of Solomon's Temple. As the family escapes the nightmare of the Roman occupation of Jerusalem, it witnesses the glories of the Islamic renaissance in Baghdad and the rampages of the Crusaders through the region. Another exciting instalment in this story of the births of nations and of the strength of their people.

Tristan Brodsky, sprung from the asphalt of the Depression-era Bronx, goes on to become one of the swaggering Jewish geniuses who remake American culture, but slowly suffocates his poet wife, who harbors secrets of her own. Nina Hricek, a driven young Czech photographer, escapes from behind the Iron Curtain with a group of black American musicians, only to find herself trapped yet again, this time in a doomed love affair. And finally, Tris Freedman, grandson of Tristan and lover of Nina, a graffiti artist and unanchored revolutionary, cannibalizes his family history to feed his muse. In the end, their stories converge, and the survival of each requires the sacrifice of another.

"In 1905, a young Jewish immigrant from Luxembourg founded an electrical supply shop in New York. This inventor, writer, and publisher Hugo Gernsback would later become famous for launching the first science fiction magazine, Amazing Stories, in 1926. But while science fiction's annual Hugo Awards were named in his honor, there has been surprisingly little understanding of how the genre began among a community of tinkerers all drawn to Gernsback's vision of comprehending the future of media through making. In The Perversity of Things, Grant Wythoff makes available texts by Hugo Gernsback that were foundational both for science fiction and the emergence of media studies. Wythoff argues that Gernsback developed a means of describing and assessing the cultural impact of emerging media long before media studies became an academic discipline. From editorials and blueprints to media histories, critical essays, and short fiction, Wythoff has collected a wide range of Gernsback's writings that have been out of print since their magazine debut in the early 1900s. These articles cover such topics as television; the regulation of wireless/radio; war and technology; speculative futures; media-archaeological curiosities like the dynamophone and hypnobioscope; and more. All together, this collection shows how Gernsback's publications evolved from an electrical parts catalog to a full-fledged literary genre. The Perversity of Things aims to reverse the widespread misunderstanding of Gernsback within the history of science fiction criticism. Through painstaking research and extensive annotations and commentary, Wythoff reintroduces us to Gernsback and the origins of science fiction"--

The rise and fall of the Jews is compressed into the enigmatic character of Ebenezer Schneerson, who has somehow become the final repository of all Jewish culture following the ravages of World War II.

A Charming tale to remind us all that our kindness works miracles. "When the sun sets and stars fill the sky, the square in the little town grows quiet and still. The cool air of distant hills mingles with the sweet scent of baking bread. The moon rises and glows softly. It's the sort of place where miracles could happen." David and Jacob live in the same little, ordinary town, but it's almost as if they're from different worlds. David is so poor he can barely feed his family. Jacob is so consumed with staying rich he thinks about nothing but money. But the two men have one thing in common: they both believe that miracles are big, magical things that can only happen somewhere else, to someone else. But when Jacob wakes up from a nap in synagogue one day, sure that God has demanded twelve loaves of bread from him, all this changes in amazing ways you'd never expect. A delightful, timeless legend based on Jewish tradition, In God's Hands tells of the ordinary miracles that occur when we really, truly open our eyes to the world around us.

When Ezra tries to blackmail Chef Yael about being trans, she throws him out of her restaurant and immediately reports him to the queen. But when police find Ezra stabbed to death, Queen Shulamit realizes he may have also tried to extort someone more dangerous than a feisty old lady. Shulamit's royal investigation leads her to an international terrorist plot to destroy her country's economy--and worse, her first love, Crown Princess Carolina of Imbrio, may be involved. This is a love story between wives, between queen and country, and between farmers and the crops they grow.

The agendas of three European men with dubious political histories converge in the aftermath of an 1989 death linked to the fates of myriad Hungarians, Jews, Germans and Gypsies across the treacherous years of the mid-twentieth century.

To be an unbending adherent in a world of stony realities, ' Herbert had remarked, 'is to ask for trouble. Not because of ones allegiance, but because such an ally will be forced to conform or be squashed, trampled on or in the end annihilated by the crude laughter of fate. 'The Hollow Tree is a tale of love and loyalty in a time of war. Sometime..

A seventeen-year-old Orthodox Jewish girl leaves her home in New York for the summer to film a television show in California.

Product Description From Edeet Ravel, internationally acclaimed author of the Tel Aviv Trilogy, comes a deeply personal novel about an unexpected friendship. Maya and Rosie meet one day at the local dry cleaner's and their instant friendship blossoms into an inseparable bond. Both are children of holocaust survivors, but where Maya refuses to become entangled in the past, Rosie is inexorably drawn into her parents' haunted world. Your Sad Eyes and Unforgettable Mouth is a deeply resonant novel about the strength and nature of friendship, the weight of the secrets we keep, and whether or not we are ever able to truly live beyond the past. About the Author Edeet Ravel is the recipient of the Hugh MacLennan Prize for Look for Me and the Canadian Jewish Book Award for A Wall of Light, which was also shortlisted for the Giller Prize and the Canadian/Caribbean Commonwealth Prize. Ten Thousand Lovers was a finalist for the Governor General’s Literary Award and the Koret Jewish Book Award. Her most recent novels are the critically acclaimed Your Sad Eyes and Unforgettable Mouth and The Last Rain. Edeet was born on a kibbutz in Israel and has a Ph.D. in Jewish Studies.

Story of a Viennese Jewish businessman whose faith is restored after being snowbound in a faith-centered rural village. He returns to Vienna with a renewed sense of faith and tolerance on the eve of World War II where an anti-Semitic atmosphere pervades.

Highly regarded for her deft and humorous portrayals of the dark side of modern living, Maxine Chernoff’s latest collection is a droll, poetic field guide to the endearing and troubling aspects of human behavior. Chernoff fans will relish the sixteen new stories, and new readers will discover a wonderful assemblage of Chernoff’s likeable and contemplative characters. Chernoff continues to establish herself as a master of the short story genre with this excellent collection.