Fourteen of Walker Evans's evocative photographs of Brooklyn Bridge, most of which have never been published, appear in this edition of Alan Trachenberg's Brooklyn Bridge: Fact and Symbol. In the new afterword Trachenberg explores the history of Hart Crane's The Bridge, especially the poem's integral relationship with the powerful photography of Evans."[Brooklyn Bridge] is familiar in so many movies, in so many stage sets and, as Mr. Trachtenberg shows in this brilliant . . . book, it is at least as much a symbol as a reality. . . . Mr. Trachtenberg is always exciting and illuminating."—Times Literary Supplement "The book is a skillful and insightful synthesis of materials about Brooklyn Bridge from such diverse fields as history, engineering, literature and art. Essentially it asks the question of why Brooklyn Bridge achieved such great impact on the nineteenth century American imagination and why it has continued to have a significant impact on twentieth century art and literature. In addition to its exploration of the bridge's symbolic significance, which includes perceptive analyses of such particular works as Hart Crane's great poem cycle and the paintings of artists like Joseph Stella, the book also includes a solidly researched account of the conception, planning and construction of the bridge. Trachtenberg's account of the intellectual and cultural sources of the bridge is particularly fascinating in its demonstration of the convergence of many different philosophical and ideological currents of the time around this great engineering enterprise, illustrating as effectively as any discussion I know the complex interplay of ideas and material culture."—John G. Cawelti, University of Chicago"Alan Trachtenberg's Brooklyn Bridge is a fascinating story, the philosophic genesis of the idea in Europe, John Roebling's heroic effort to translate it into masonry and steel, and the meanings that Americans attached to the physical object as an emblem of their aspirations."—Leo Marx, Amherst College, author of The Machine in the Garden

The world’s foremost expert on Middle Eastern relations explains Iran’s current nuclear potential and what America can do about it: “Engrossing…If Congress gets a vote on going to war with Iran, let’s hope that this book is on everyone’s reading lists” ( The Economist ). In 2005, Kenneth Pollack’s first book about foreign policy in Iran, The Persian Puzzle , sparked a national conversation, laying out the possible options for nuclear deterrent in Iran. But, despite the attention his solutions received, the world didn’t follow his advice. Now, Iran is even closer to possessing nuclear weapons, and America will have to find a new path forward. In Unthinkable, a New York Times and Economist Best Book of 2013 Pollack explores the intractable American problem with Iran, and Tehran’s pursuit of nuclear weapons capability. With the authority of his years as a CIA analyst and his time as the Director of Persian Gulf Affairs on the National Security Council, Pollack keenly examines the nature of the Iranian threat to American interests and the long-going clash that has led us to this point. Pollack explains and assesses the options for American policymakers: redoubling our efforts at a “carrot-and-stick” approach that combines negotiations and sanctions; aiding the Iranian opposition to bring about a popular form of regime change; an Israeli military strike; the American military option; and containing a nuclear Iran. Ultimately, Pollack argues for an assertive version of containment to maintain pressure on Tehran and minimize its ability to contribute to the problems of the Middle East by keeping it largely on the defensive. “Learned, lucid, and deeply sobering” ( Kirkus Reviews ), Pollack has written one of the most important books on foreign policy in this decade.

In a rambling series of essays -- partly analytical, partly polemical, and partly autobiographical -- Fiedler takes issue with the elitist and prescriptive tendency among the self-appointed guardians of art, and with the modern split between 'high' and 'low' forms of literature. He argues that traditional approaches to and standards of literature have become obsolete, and a criticism which ignores or condescends to Uncle Tom's Cabin, Gone with the Wind, Roots et alia can have little to say about American culture.

This collection brings together in one volume three of Howard Fast's famous novels of the American Revolution: Conceived in Liberty, The Proud and the Free, and The Unvanquished. With a new introduction by the author.

"As World War II comes to a close, the United States and the Soviet Union emerge as the two greatest world powers on extreme opposites of the political spectrum. After the United States showed its hand with the atomic bomb in Hiroshima, the Soviets refuse to be left behind. With communism sweeping the globe, the two nations begin a neck-and-neck competition to build even more destructive bombs and conquer the Space Race. In their battle for dominance, spy planes fly above, armed submarines swim deep below, and undercover agents meet in the dead of night. The Cold War game grows more precarious as weapons are pointed towards each other, with fingers literally on the trigger. The decades-long showdown culminates in the Cuban Missile Crisis, the world's close call with the third-and final-world war"--

The war in Bosnia has confounded all our expectations. The end of the Cold War, most people imagined in 1989 and 1990, signaled the end of conflict in Europe. What Western Europeans already enjoyed - peace, prosperity, a common market - would be extended to countries like Yugoslavia. Like their neighbors in Croatia and Serbia, Bosnians - Croat, Serb, and Muslim alike - had the same expectations of the post-Communist era. Theirs was already a consumer culture, fueled by ever larger waves of tourists. In 1984, the Winter Olympics were held in Sarajevo. That event seemed to presage the rosiest of futures. But when the Yugoslavian state began to collapse, Bosnia collapsed with it.^

The life and politics of an American Jewish activist who preached radical and violent means to Jewish survival Meir Kahane came of age amid the radical politics of the counterculture, becoming a militant voice of protest against Jewish liberalism. Kahane founded the Jewish Defense League in 1968, declaring that Jews must protect themselves by any means necessary. He immigrated to Israel in 1971, where he founded KACH, an ultranationalist and racist political party. He would die by assassination in 1990. Shaul Magid provides an in-depth look at this controversial figure, showing how the postwar American experience shaped his life and political thought. Magid sheds new light on Kahane’s radical political views, his critique of liberalism, and his use of the “grammar of race” as a tool to promote Jewish pride. He discusses Kahane’s theory of violence as a mechanism to assure Jewish safety, and traces how his Zionism evolved from a fervent support of Israel to a belief that the Zionist project had failed. Magid examines how tradition and classical Jewish texts profoundly influenced Kahane’s thought later in life, and argues that Kahane’s enduring legacy lies not in his Israeli career but in the challenge he posed to the liberalism and assimilatory project of the postwar American Jewish establishment. This incisive book shows how Kahane was a quintessentially American figure, one who adopted the radicalism of the militant Left as a tenet of Jewish survival.

"A deeply reported look at how polarization and compounding crises, including the war in Gaza and threats to democracy, are reshaping the American political system"--

"The three decades that followed World War II were an exceptionally fertile period for American essays. The explosion of journals and magazines, the rise of public intellectuals, and breakthroughs in the arts inspired a flowering of literary culture. At the same time, the many problems that confronted mid-century America--racism, sexism, nuclear threat, war, poverty, and environmental degradation among them--proved fruitful topics for America's best minds. In The Golden Age of the American Essay, Phillip Lopate assembles a dazzling array of famous writers, critics, sociologists, theologians, historians, activists, theorists, humorists, poets, and novelists. Here are writers like James Agee, E. B. White, A. J. Liebling, Randall Jarrell, and Mary McCarthy, pivoting from the comic indignities of daily life to world peace, consumerism, and restaurants in Paris. Here is Norman Mailer on Jackie Kennedy, Vladimir Nabokov on Lolita, Martin Luther King, Jr.'s "Letter from Birmingham Jail," and Richard Hofstadter's "The Paranoid Style in American Politics." Here are Gore Vidal, Rachel Carson, James Baldwin, Susan Sontag, John Updike, Joan Didion, and many more, in a treasury of brilliant writing that has stood the test of time." -Amazon.

"The untold story of the movement that came close to keeping the United States out of the First World War. This book is about the Americans who tried to stop their nation from fighting in one of history's most destructive wars and then were hounded by the government when they refused to back down. In the riveting War Against War, Michael Kazin brings us into the ranks of the largest, most diverse, and most sophisticated peace coalition up to that point in US history. They came from a variety of backgrounds: wealthy and middle and working class, urban and rural, white and black, Christian and Jewish and atheist. They mounted street demonstrations and popular exhibitions, attracted prominent leaders from the labor and suffrage movements, ran peace candidates for local and federal office, and founded new organizations that endured beyond the cause. For almost three years, they helped prevent Congress from authorizing a massive increase in the size of the US army--a step advocated by ex-president Theodore Roosevelt. Soon after the end of the Great War, most Americans believed it had not been worth fighting. And when its bitter legacy led to the next world war, the warnings of these peace activists turned into a tragic prophecy--and the beginning of a surveillance state that still endures today. War Against War is a dramatic account of a major turning point in the history of the United States and the world"--

Henry Ford and Charles Lindbergh have long been exalted as two of the greatest American icons of the twentieth century. Now award-winning journalist Max Wallace uncovers groundbreaking and astonishing revelations about the poisonous effect these two so-called American heroes had on Western democracy and how the two of them---acting in league with the Nazis---almost brought democratic Europe to the verge of extinction. With unprecedented access to declassified FBI and military intelligence files, Wallace reveals how the close friendship and ideological bond between automotive pioneer Ford and aviator Lindbergh culminated in an abuse of power that helped strengthen Hitler's regime and undermined the Allied war effort. Devastating, thoroughly researched, and engagingly written, The American Axis is not only a mesmerizing, cautionary tale, but a compelling historical exposé.

In this remarkable book, Jack Rakove offers a new and revealing perspective on the men who shaped the idea of an American nation. Each portrait brims with fresh and fascinating insights- Washington as a flawed tactician but expert manager; Jack Laurens as a slave trader's son who developed a plan to recruit black soldiers; Jefferson as a powerful critic of Europe's social order but a voracious consumer of its culture. Spanning the most crucial decades of the country's birth, Revolutionaries uses the stories of famous (and not so famous) men to capture - in a way no single biography ever could - the intensely creative period of the republic's founding. By the Pulitzer Prize-winning author of Original Meanings- Politics and Ideas in the Making of the Constitution.

What do Joyce Brothers and Sigmund Freud, Rabbi Harold Kushner and philosopher Martin Buber have in common? They belong to a group of pivotal and highly influential Jewish thinkers who altered the face of modern America in ways few people recognize. So argues Andrew Heinze, who reveals in rich and unprecedented detail the extent to which Jewish values, often in tense interaction with an established Christian consensus, shaped the country's psychological and spiritual vocabulary. Jews and the American Soul is the first book to recognize the central role Jews and Jewish values have played in shaping American ideas of the inner life. It overturns the widely shared assumption that modern ideas of human nature derived simply from the nation's Protestant heritage. Heinze marshals a rich array of evidence to show how individuals ranging from Erich Fromm to Ann Landers changed the way Americans think about mind and soul. The book shows us the many ways that Jewish thinkers influenced everything from the human potential movement and pop psychology to secular spirituality. It also provides fascinating new interpretations of Sigmund Freud, Alfred Adler, and Western views of the psyche; the clash among Protestant, Catholic, and Jewish moral sensibilities in America; the origins and evolution of America's psychological and therapeutic culture; the role of Jewish women as American public moralists, and more. A must-read for anyone interested in the contribution of Jews and Jewish culture to modern America.

What do Joyce Brothers and Sigmund Freud, Rabbi Harold Kushner and philosopher Martin Buber have in common? They belong to a group of pivotal and highly influential Jewish thinkers who altered the face of modern America in ways few people recognize. So argues Andrew Heinze, who reveals in rich and unprecedented detail the extent to which Jewish values, often in tense interaction with an established Christian consensus, shaped the country's psychological and spiritual vocabulary. Jews and the American Soul is the first book to recognize the central role Jews and Jewish values have played in shaping American ideas of the inner life. It overturns the widely shared assumption that modern ideas of human nature derived simply from the nation's Protestant heritage. Heinze marshals a rich array of evidence to show how individuals ranging from Erich Fromm to Ann Landers changed the way Americans think about mind and soul. The book shows us the many ways that Jewish thinkers influenced everything from the human potential movement and pop psychology to secular spirituality. It also provides fascinating new interpretations of Sigmund Freud, Alfred Adler, and Western views of the psyche; the clash among Protestant, Catholic, and Jewish moral sensibilities in America; the origins and evolution of America's psychological and therapeutic culture; the role of Jewish women as American public moralists, and more. A must-read for anyone interested in the contribution of Jews and Jewish culture to modern America.

'Truly eye-opening . . . The most accessible and coherent introduction to Chomsky's ideas' Irish TimesThe land of the free. The home of the brave. But what has America achieved in the aim of 'spreading democracy' - except wreak havoc across the globe and establish a reckless foreign policy that serves the interest of few and has endangered all too many?In t[Bokinfo]

"Examines how presidential decisionmaking has been influenced by America's defeat in the Vietnam war, studying presidents Ford, Carter, Reagan, George H. W. Bush, Clinton, George W. Bush, and Obama and how they have approached key decisions regarding conflicts while in office"--Provided by publisher.

"A play in poetry about the lives of five women who don't know one another, nor speak to each other. Rather they're telling their life stories to the audience. Each is facing some crisis in life. Erin speaks bitterly of suicide. Kate, near the end of a life in which she always overcame circumstances, is fearful of death. All the voices speak in counterpoint to one another, leaving an unspoken dialogue as they echo one another. The play moves in counterpoint and resonance until the women speak in chorus their voices exchanging scenes from a common history. Then each sees where her life has moved her. In the end these women's voices are no longer isolated, nor are their lives separate. Voices opened to great audience acclaim in New York City." --Descripción del editor.

In Stagestruck noted novelist and outspoken critic Sarah Schulman offers an account of her growing awareness of the startling similarities between her novel People in Trouble and the smash Broadway hit Rent . Written with a powerful and personal voice, Schulman's book is part gossipy narrative, part behind-the-scenes glimpse into the New York theater culture, and part polemic on how mainstream artists co-opt the work of "marginal" artists to give an air of diversity and authenticity to their own work. Rising above the details of her own case, Schulman boldly uses her suspicions of copyright infringement as an opportunity to initiate a larger conversation on how AIDS and gay experience are being represented in American art and commerce. Closely recounting her discovery of the ways in which Rent took materials from her own novel, Schulman takes us on her riveting and infuriating journey through the power structures of New York theater and media, a journey she pursued to seek legal restitution and make her voice heard. Then, to provide a cultural context for the emergence of Rent-- which Schulman experienced first-hand as a weekly theater critic for the New York Press at the time of Rent 's premiere--she reveals in rich detail the off- and off-off-Broadway theater scene of the time. She argues that these often neglected works and performances provide more nuanced and accurate depictions of the lives of gay men, Latinos, blacks, lesbians and people with AIDS than popular works seen in full houses on Broadway stages. Schulman brings her discussion full circle with an incisive look at how gay and lesbian culture has become rapidly commodified, not only by mainstream theater productions such as Rent but also by its reduction into a mere demographic made palatable for niche marketing. Ultimately, Schulman argues, American art and culture has made acceptable a representation of "the homosexual" that undermines, if not completely erases, the actual experiences of people who continue to suffer from discrimination or disease. Stagestruck 's message is sure to incite discussion and raise the level of debate about cultural politics in America today.