A biographical excavation of one of the world’s great, troubled cities A remarkable view of one of the world’s most beloved and troubled cities, Adina Hoffman’s Till We Have Built Jerusalem is a gripping and intimate journey into the very different lives of three architects who helped shape modern Jerusalem. The book unfolds as an excavation. It opens with the 1934 arrival in Jerusalem of the celebrated Berlin architect Erich Mendelsohn, a refugee from Hitler’s Germany who must reckon with a complex new Middle Eastern reality. Next we meet Austen St. Barbe Harrison, Palestine’s chief government architect from 1922 to 1937. Steeped in the traditions of Byzantine and Islamic building, this “most private of public servants” finds himself working under the often stifling and violent conditions of British rule. And in the riveting final section, Hoffman herself sets out through the battered streets of today’s Jerusalem searching for traces of a possibly Greek, possibly Arab architect named Spyro Houris. Once a fixture on the local scene, Houris is now utterly forgotten, though his grand Armenian-tile-clad buildings still stand, a ghostly testimony to the cultural fluidity that has historically characterized Jerusalem at its best. A beautifully written rumination on memory and forgetting, place and displacement, Till We Have Built Jerusalem uncovers the ramifying layers of one great city’s buried history as it asks what it means, everywhere, to be foreign and to belong.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Memorie Di Lorenzo Da Ponte, Da Ceneda: In Tre Volumi, Volume 2; Memorie Di Lorenzo Da Ponte, Da Ceneda: In Tre Volumi; Lorenzo Da Ponte Lorenzo Da Ponte, Baron George Gordon Byron Byron pubblicate dall' autore. Gray & Bunce, stampatori, 1829 Biography & Autobiography; Composers & Musicians; Biography & Autobiography / Composers & Musicians

The automobile and Soviet communism made an odd couple. The quintessential symbol of American economic might and consumerism never achieved iconic status as an engine of Communist progress, in part because it posed an awkward challenge to some basic assumptions of Soviet ideology and practice. In this rich and often witty book, Lewis H. Siegelbaum recounts the life of the Soviet automobile and in the process gives us a fresh perspective on the history and fate of the USSR itself. Based on sources ranging from official state archives to cartoons, car-enthusiast magazines, and popular films, Cars for Comrades takes us from the construction of the huge "Soviet Detroits," emblems of the utopian phase of Soviet planning, to present-day Togliatti, where the fate of Russia's last auto plant hangs in the balance. The large role played by American businessmen and engineers in the checkered history of Soviet automobile manufacture is one of the book's surprises, and the author points up the ironic parallels between the Soviet story and the decline of the American Detroit. In the interwar years, automobile clubs, car magazines, and the popularity of rally races were signs of a nascent Soviet car culture, its growth slowed by the policies of the Stalinist state and by Russia's intractable "roadlessness." In the postwar years cars appeared with greater frequency in songs, movies, novels, and in propaganda that promised to do better than car-crazy America. Ultimately, Siegelbaum shows, the automobile epitomized and exacerbated the contradictions between what Soviet communism encouraged and what it provided. To need a car was a mark of support for industrial goals; to want a car for its own sake was something else entirely. Because Soviet cars were both hard to get and chronically unreliable, and such items as gasoline and spare parts so scarce, owning and maintaining them enmeshed citizens in networks of private, semi-illegal, and ideologically heterodox practices that the state was helpless to combat. Deeply researched and engagingly told, this masterful and entertaining biography of the Soviet automobile provides a new perspective on one of the twentieth century's most iconic--and important--technologies and a novel approach to understanding the history of the Soviet Union itself.

This intellectual biography of Muhammad al-Shawkani, one of the founding fathers of modern Islamic reformism, is also a study of an important transitional period in Yemeni history which saw the shift from traditional Shi'ism to Sunni reformism. The transition propelled political, religious and social change. While Shawkani espoused a socio-religious order which echoed aspects of Western thinking, the book demonstrates that it was indigenous to Islamic thought. Shawkani's ideas remain vital to the intellectual debates happening in Islam today.

Over four decades ago, radical scholars began to suggest a new way of looking at South African society - one that blamed the economic power of those who owned property for the racial bondage of the black majority. Their work, and the debates it triggered, are mostly forgotten, but they and their critics have much to say that sheds lights on today's South African realities. Harold Wolpe was arguably the most influential theorist of this generation. His writings played a major role in a revolution in thought, and his celebrated escape from prison in the 1960s made him a symbol of alternative action. Race, Class and Power clearly and insightfully examines Wolpe's work in the political, intellectual, and social contexts in which it was developed and to which it gave form. Drawing on interviews with those who Wolpe worked with, disagreed with, and inspired, the book also maps his influence on ideas and the culture that emerged in anti-apartheid circles in the 1970s. Harold Wolpe's writings are a prism through which South African society can be viewed, and this book is an intellectual biography both of Wolpe and of South Africa's left. It also assesses and engages with the ongoing impact of Wolpe's ideas into the post-apartheid present. Moreover, it suggests how Wolpe's work can move us towards a way of thinking about and acting upon South Africa's realities differently.

Yehoshua Hankin had two loves: love for his wife Olga, many years his senior, and a love for the land. The two competed with each other, but he never preferred one over the other. Displayed for the reader, against the backdrop of the atmosphere in the Land of Israel toward the close of the Ottoman period and into that of the British Mandate, is a broad slice of life spread over fifty years of the man dubbed by constituents as the “Redeemer of the Land,” and of the figures who accompanied him.The characters, events, times, and places described in this historical novel are to a great extent a faithful representation of reality, and they are interwoven into a multi-faceted biography illuminating the period and forgotten actors in a new light. Joining forces in writing this book were Irit Amit Cohen and Ruth Kark, who combined Irit Amit Cohen’s literary work in the genre of the historical novel with Ruth Kark’s long-term research endeavor on Yehoshua Hankin, which even encompassed oral documentation from his close associates.

"A translation of a biography of the Athenian general Alcibiades by Jacqueline de Romilly, a French scholar and member of the French Academy"--

From the late 1930's to the early 1960's, Chinese nightclubs fourished in San Francisco's Chinatown. They were the first, and in those days the only venues for talented Asians who sang or danced professionally. Asian entertainers came from everywhere to perform in Chinatown, and they all found a home in the Chinese Nightclubs. For publicity purposes, many of the entertainers were compared to famous Caucasian stars. They were billed as "The Chinese Fred Astair and Ginger Rogers," "the Chinese Frank Sinatra", the "Chinese Sophie Tucker." They sang and danced for the GIs during the war, and Hollywood stars like Ronald Reagan and Jane Wyman came to their shows. In this book the men and women who performed in the nightclubs from 1937 to 1964, tell their stories in their own words. Forbidden city brings back to life an age of glamour and a long neglected slice of Asian-American history.

In the summer of 1950, Rebecca Lepkoff and her husband Gene bought land in Jamaica, Vermont, a small, south-central Green Mountain town on the West River. A 34-year-old photographer, Rebecca had already made a name for herself as a member of the Photo League, which viewed photography as a tool for social change. Her photographs of her native Lower East Side in the 1930s and ‘40s were already becoming renowned. The Lepkoffs were drawn to the communitarian homesteaders who populated the Pikes Falls area of Jamaica, clustered near Scott and Helen Nearing. Published here for the first time are some 60 photographs that Rebecca Lepkoff took of natives and transplants at work and play during that summer of 1950, as the Korean War engulfed the nation’s headlines. These intimate images are the work of an artist at the peak of her craft and they portray a rural Vermont town at a moment in time just before paved roads and postwar development would alter its character forever.

Examines the personal values and philosophies of Edith Stein, Simone Weil, Anne Frank, and Etty Hillesum in relation to the pressures and conditions under which they lived in the Nazi era. All had "strong Christian affinities." Under the challenge of terror they were "Christians by choice, Jews by decree." Each responded to her Jewishness in a distinct way: Stein felt close to the Jews; Weil had a hateful attitude toward them and tried to obliterate herself as a Jew; Frank and Hillesum both affirmed their Jewish identities. In the face of Hitler, each, in her own way, resisted.

The ten essays published in this volume were written over the space of a decade, but they were conceived from the start as a coherent whole, presenting Peiresc's study of discrete languages and literatures of the Near East and North Africa. For Peiresc the student of the Classical past, this described the eastern and southern space in which the Greeks and Romans lived and strove. For Peiresc the Christian, this was the world of the Bible that impacted upon the Greeks and Romans. And for Peiresc of the Mediterranean (for he was born in Aix, spent much time in Marseille, and lived outside of the region for only 6 of his 57 years), this was the territory that his friends and colleagues sailed to, lived in and, usually, came back from. The convergence of these axes in the life of one man, and a man of singular intellectual power and charm whose vast personal paper arsenal had survived, makes this such a compelling project. The essays are arranged in a roughly chronological order. They follow the course of Peiresc's own projects from his early encounter with the ancient Near East in Greek and Roman literature, through his engagement with Arabic to his deepening kowledge of rabbinic texts to the wider world of the new oriental studies of the seventeenth century which he helped create: Samaritan, Coptic and Ethiopic.

After World War II, German scientist Nikolaus Riehl and his family were held captive in the Soviet Union from 1945 to 1955. His story is uniquely interesting in part because of its historical content, in part because he was bilingual in German and Russian, having grown up in St. Petersburg as the son of a German father and a Russian mother, and as a result of his warm human interest in the Russian people. He tells his story in Ten Years in a Golden Cage. Frederick Seitz has written a detailed introduction that provides a historical context for his translation (from German) of Riehl's book.

Zum Zeitpunkt seines Todes im Jahr 1820 war Benjamin West der berühmteste Künstler der englischsprachigen Welt und wurde in ganz Europa gefeiert. Aus bescheidenen Verhältnissen in Pennsylvania stammend, hatte er als erster amerikanischer Künstler in Italien studiert und war innerhalb weniger Jahre nach seiner Ankunft in London maßgeblich an der Gründung der Royal Academy of Arts beteiligt und zum Historienmaler von König Georg III. ernannt worden. Wie der Autor in diesem Buch feststellt, gehörte West jedoch zur Avantgarde, die den Neoklassizismus und die Romantik schuf und zu den ersten Malern, die die inspirierenden Qualitäten zeitgenössischer Ereignisse darstellten. Vor allem sein bekanntestes Gemälde, Der Tod des General Wolfe, war ein revolutionäres Werk, das die Kunst nachhaltig veränderte. Es ist das erste Buch, das den Beitrag von West zu den Ideen der Moderne und der Erneuerung der Historienmalerei bewertet und es bietet spannende neue Einblicke in Wests berühmtestes Gemälde.

The statesman, scientist, and philosopher Francis Bacon (1561-1626) lived a divided life, and in the centuries since his death questions about his true nature have abounded. Deservedly called the "Father of Modern Science," and still best known today for his innovative method of scientific inquiry - a single deductive system covering the entire range of empirical research into the natural world - he spent most of his career immersed not in scientific research but in the cutthroat world of high politics. Was Bacon a noble scholar who longed for solitary contemplation of higher philosophical truths, or a conniving political crook? Was he a captive of his birth and upbringing, an innocent caught in a web of political intrigue? Was he a homosexual? Lisa Jardine and Alan Stewart boldly pursue the answers to these questions through a mass of previously untapped archival sources.

The author of such classic works as The Republican Roosevelt, V Was for Victory, and Years of Discord, John Morton Blum is one of a small group of intellectuals who for more than a quarter of a century dominated the writing of American political history. Writing now of his own career, Blum provides a behind-the-scenes look at Ivy League education and political power from the 1940s to the 1980s. Blum insightfully recounts a long and distinguished journey that began at Phillips Academy, where he first realized he could make a career of teaching and writing history. He tells how young men were socialized to the values of the Northeastern establishment in those years before World War II, and how as a non-practicing Jew he learned to overcome bigotry both at Andover and at Harvard, which then had no Jewish professors. In 1957 Blum joined the faculty of Yale University's history department, widely regarded as the nation's best, where he became both influential and popular and where his students included one future U.S. president as well as others who aspired to the office. He reveals much about the inner workings of Ivy League education and tells of controversies over the Vietnam War and the Black Panthers, his role in Eugene McCarthy's presidential campaign, and how he searched for common ground between reactionary faculty and radical students. More than a recounting of a singular life, Blum's story explains how political history was researched and written during the second half of the twentieth century, describing how the discipline evolved, gained ascendancy, and was challenged as historical fashions changed. It also offers revealing glimpses of such prominent academics as Kingman Brewster, Arthur Schlesinger, Jr., C. Vann Woodward, and William Sloan Coffin. Over a distinguished career, Blum witnessed considerable change in elite educational institutions, where minorities and women were grossly underrepresented when he first entered academia. In a memoir brimming with insight and laced with humor, he looks back at the academy—"not a refuge from reality but an alternative reality"—as he reflects upon his intellectual journey and his contributions to the study and writing of twentieth-century American history.

On February 26, 1938, 17-year-old Georg Klaar took his girlfriend Lisl to his first ball at the Konzerthaus. His family was proudly Austrian; they were also Jewish, and two weeks later came the German Anschluss. This incredibly affecting account of Nazi brutality towards the Jews includes a previously unpublished post-war letter from the author's uncle to a friend who had escaped to Scotland. This moving epistle passes on the news of those who had survived and the many who had been arrested, deported, murdered, or left to die in concentration camps, and those who had been orphaned or lost their partners or children. It forms a devastating epilogue to what has been hailed as a classic of holocaust literature.

John Beckett was a rising political star. Elected as Labour's youngest M.P. in 1924, he was constantly in the news and tipped for greatness. But ten years later he was propaganda chief for Mosley's fascists, and one of Britain's three best known anti-Semites. Yet his mother, whom he loved, was a Jew. Her ancestors were Solomons, Isaacs and Jacobsons, originally from Prussia. He successfully hid his Jewish ancestry all his life - he said his mother's family were "fisher folk from the east coast." His son, the author of this book, acclaimed political biographer and journalist Francis Beckett, did not discover the truth until John Beckett had been dead for years. He left Mosley and founded the National Socialist League with William Joyce, later Lord Haw Haw, and spent the war years in prison, considered a danger to the war effort. For the rest of his life, and all of Francis Beckett's childhood, John Beckett and his family were closely watched by the security services. Their devious machinations, traced in records only recently released, damaged chiefly his young family. This is a fascinating and brutally honest account of a troubled man in turbulent times.

"Sidney Reilly (c. 1873-1925) is one of the most colorful and best-known spies of the twentieth century. Emerging from humble beginnings in southern Russia, Reilly was an inventive multilingual businessman and conman who enjoyed espionage as a sideline. By the early twentieth century he was working as an agent for Scotland Yard, spying on émigré communities in Paris and London, with occasional sorties to Germany, Russia, and the Far East. He spent World War I in the United States, brokering major arms deals for tsarist Russia, and then decided to become a professional spy, joining the ranks of MI6, Britain's foreign intelligence service. He came close to overthrowing the Bolshevik regime in Moscow before eventually being lured back to Russia and executed. Said to have been the inspiration for Ian Fleming's iconic James Bond character, Reilly was simultaneously married to three or four women and had mistresses galore. Sifting through the reality and the myth of Reilly's life, historian Benny Morris offers a fascinating portrait of one of the most intriguing figures from the golden age of spies"--Amazon.com.

A visual history of the American presidency as reflected by diplomatic entertaining events traces the early days of provincial dining in the capital through today's sumptuous White House state banquets.