"Explores how American Jews leveraged the Black Power movement to strengthen American Jewish religious, ethnic, and cultural life"--Provided by the publisher.

In 1931 Cameroon, young Kedi is upset to learn that children in her American teacher's village of New York are going hungry because of the Great Depression, and she asks her mother, neighbors, and even the headman for money to help. Includes historical notes.

"The film Casablanca opens with the words, "With the coming of the Second World War, many eyes in imprisoned Europe turned hopefully, or desperately, toward the freedom of the Americas." Leslie Epstein's Hill of Beans is the story of how one nation, one industry, and in particular one man responded to that desperate hope. That man is Jack Warner. His impossible goal is to make world events--most importantly, the invasion of North Africa by British and American forces in 1942--coincide with the release of his new film about a group of refugees marooned in Morocco. Arrayed against him are Stalin and Hitler, as well as Josef Goebbels, Franklin Roosevelt, a powerful gossip columnist, and above all a beautiful young woman with a terrible secret. His only weapons are his hutzpah and his heroism as he struggles to bring cinema and city, conflict and conference together in an epic command performance. Hill of Beans is the novel that Leslie Epstein--the son and nephew of Philip and Julius Epstein, the screenwriters of Casablanca--was born to write"--

Written after the independent weekly paper that employed the author was closed for refusing to mourn Stalin's death--this work is an account of daily life in communist Poland

Surveys Holocaust denial activities and publications around the world, with a separate chapter on the United States (pp. 10-24), referring to the penetration of Holocaust denial propaganda in American universities and in the media. Focuses on concrete ways of refuting specific claims made by the deniers. The four appendices (pp. 100-152) include propagandistic material published by Bradley R. Smith (from the Institute for Historical Review), a transcript of a TV talk show on Holocaust denial (30 April 1992), a list of Holocaust-denying books and pamphlets (only author and title given), and articles from the "Journal of Historical Review."

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Tradition in an Untraditional Age, first published in 1990, explores the challenges of secularisation, assimilation and antisemitism, through analyses of thinkers including R. Samson Raphael Hirsch, R. Moses Sofer, R. Abraham Isaac Kook, R. Joseph Soloveitchik, Franz Rosenzweig and Martin Buber, as well as studies of topics including the Holocaust, Jewish-Christian dialogue, Jewish economic ethics and religious alienation and return. It also sets out an agenda for future Jewish thought.

John Gerassi went to North Vietnam as a member of the first investigating team for the International War Crimes Tribunal set up by the Bertrand Russell Peace Foundation. This book, first published in 1968, is the record of that visit and of the author's sympathy for the ordinary people caught up in the conflict. It is primarily intended as a historical document, and provides valuable on-the-spot records of the war as experienced in North Vietnam.

Here for the first time is a stirring collection of 110 rare songs from the Holocaust in sixteen languages with singable English translations, songs of resistance, despair, rage, hope, and even humor, written in the face of utter evil. The very existence of these songs raises haunting questions. Who composed them? Who sang them? Who listened? The lyrics, along with extensive historical notes and insightful survivor testimony in this groundbreaking volume, provide moving answers. Musicologist Jerry Silverman has compiled an expansive collection of Holocaustera songs-in Yiddish, German, Hebrew, Spanish, French, Dutch, Italian, Ladino, Serbo-Croatian, Greek, Norwegian, Czech, Polish, Russian, Hungarian, and Englishwhich he situates within a vivid historical framework. This volume comprises then work of concentration camp prisoners and inhabitants of the ghettos of Eastern Europe as well as subversive European cabaret music, anti-Fascist anthems inspired by the Spanish Civil War, Red Army songs, and songs of Resistance fighters. Silverman conducted exhaustive research that included interviews with survivors and visits to international archives. In some cases, where the original music has been lost, he has set the words to music usingmtraditional melodies or his original compositions. Included are songs of prewar Germany, of ghettos and camps during the height of the murderous "Final Solution;' and of postwar reflection by such balladeers as Pete Seeger, Janis Ian, Si Kahn, and Tom Paxton.

Drawing on a mass of unpublished writings and archival sources from prerevolutionary Russian conservatories, this book offers an insightful account of the Jewish search for a modern identity in Russia through music, rather than politics or religion.

The author draws on his conversations with ordinary Cubans, students, intellectuals, and others to present a picture of a country burdened with human rights abuses, a suffocated civil society, and a bankrupt political system

Influential assassination researcher Harold Weisberg revolves the third installment in his Whitewash series around the photographic evidence available to government officials investigating the death of John F. Kennedy. Given the materials and photographs available to the Warren Commission, Weisberg shows that in numerous cases the government either ignored the evidence it had in front of it or intentionally misrepresented evidence. Using the photographs themselves to show the inadequacies of the government’s research techniques, as well as the impossible conclusions at which the government arrived, Weisberg’s most damning argument is that the government twisted the evidence to make it fit preconceived theories and explanations for the assassination of the president. In the years since its original publication in 1974, the books in Weisberg’s Whitewash series have become classics of assassination literature and have established the author as one of the premier investigators and researchers in his field. Decades later, the shocking revelations painstakingly detailed in his work have lost none of their impact, and the information uncovered beneath the government’s whitewash is crucial to understanding the assassination of John F. Kennedy.

Originally published in 1995, and in the same classic investigative style of Whitewash and Case Open , Harold Weisberg turns his sharp investigative eye towards the events surrounding the autopsy of John F. Kennedy. Inside Never Again! you’ll find: • The specific truths regarding the autopsy of John F. Kennedy—truths that have for thirty years been buried, distorted, or ignored not only by the government but also by the national press • The blatant errors and calculated deceit of the Journal of the American Medical Association in their 1992 reports on the Kennedy autopsy • The path of conspiracy leading from the Navy Hospital in Bethesda through the corridors of the FBI to the Justice Department, into the office of the attorney general and eventually that of the president Weisberg argues this case with exclusive regard for the facts. Facts lead to the book’s startling new illuminations. Facts provide a compelling narrative filled with intrigue and laced with outrage. Facts reveal the failure of America’s institutions to deal effectively with perhaps its most profound national tragedy. In the face of overwhelming facts, Harold Weisberg justly warns us that this must never again happen!

Germany's changing historical memory of World War II and its aftermath, as reflected in the official and public remembrance of the German war dead, exposes an unresolved tension between a discourse of guilt and a discourse of national suffering and victimization. In Germany, under the auspices of the Allied occupation, remembrance honored the victims of the Nazis and those who had fought against the regime. After the partition of Germany, a new culture emerged, memorializing the civilian dead and fallen German soldiers. Despite the fierce ideological rivalry between East and West Germany, however, certain similarities existed. The political leaderships who shaped these cultures ceased to confront their citizens with the question of guilt and instead depicted the German people as victims. In Guilt, Suffering, and Memory —whose Israeli edition was awarded the Jacob Bahat Prize for best original book—Gilad Margalit discusses the official remembrance ceremonies for the German war dead, the memorials erected to commemorate them, the public discussions of these disparate cultures, and their treatment in postwar German literature and film.

A New York Times “Books for Summer Reading” selection Winner of the 2003 National Jewish Book Award for History By the time he died in 1993 at the age of 73, Irving Howe was one of the twentieth century’s most important public thinkers. Deeply passionate, committed to social reform and secular Jewishness, ardently devoted to fiction and poetry, in love with baseball, music, and ballet, Howe wrote with such eloquence and lived with such conviction that his extraordinary work is now part of the canon of American social thought. In the first comprehensive biography of Howe’s life, historian Gerald Sorin brings us close to this man who rose from Jewish immigrant poverty in the 1930s to become one of the most provocative intellectuals of our time. Known most widely for his award-winning book World of Our Fathers, a rich portrayal of the East European Jewish experience in New York, Howe also won acclaim for his prodigious output of illuminating essays on American culture and as an indefatigable promoter of democratic socialism as can be seen in the pages of Dissent, the journal he edited for nearly forty years. Deeply devoted to the ideal of democratic radicalism and true equality, Howe was constantly engaged in a struggle for decency and basic fairness in the face of social injustice. In the century of Auschwitz, the Gulag, and global inter-ethnic mass murder, it was difficult to sustain political certainties and take pride in one's humanity. To have lived a life of conviction and engagement in that era was a notable achievement. Irving Howe lived such a life and Gerald Sorin has done a masterful job of guiding us through it in all its passion and complexity.

On the night the SS rounded up the Jews of his Ukrainian ghetto, eighteen-year-old Yosel Epelbaum crawled on his hands and knees to a nearby forest. There he joined a diverse band of pro-Soviet partisans, led by a kind of warlord in the wilderness, who created a "forest republic" behind enemy lines. With his courageous comrades, Epelbaum disrupted the German war effort for almost a year and a half and saved hundreds of civilans at the same time. After the liberation. the young survivor became caught up in Europe's roaring black market. With little money or formal education, an knowing no English, he immigrated to San Francisco in 1947 and within a year opened an ice cream shop in the city's outlying, foggy Sunset District. Only a decade later Joe Pell was well on his way to becoming one of the leading real estate developers in Northern California. Taking Risks, related in a taut and vivid style, is his story--one of loss and torment but also daring, ingenuity, and uncommon resilience.