The ethics of literature, formalists have insisted, resides in the moral quality of a character, a story, perhaps the relation between author and reader. But in the wake of deconstruction and various forms of criticism focusing on difference, the ethical question has been freshly negotiated by literary studies, and to this approach Adam Newton brings a startling new thrust. His book makes a compelling case for understanding narrative as ethics. Assuming an intrinsic and necessary connection between the two, Newton explores the ethical consequences of telling stories and fictionalizing character, and the reciprocal claims binding teller, listener, witness, and reader in the process. He treats these relations as defining properties of prose fiction, of particular import in nineteenth- and twentieth-century texts. Newton's fresh and nuanced readings cover a wide range of authors and periods, from Charles Dickens to Kazuo Ishiguro and Julian Barnes, from Herman Melville to Richard Wright, from Joseph Conrad and Henry James to Sherwood Anderson and Stephen Crane. An original work of theory as well as a deft critical performance, Narrative Ethics also stakes a claim for itself as moral inquiry. To that end, Newton braids together the ethical-philosophical projects of Emmanuel Levinas, Stanley Cavell, and Mikhail Bakhtin as a kind of chorus for his textual analyses--an elegant bridge between philosophy's ear and literary criticism's voice. His work will generate enormous interest among scholars and students of English and American literature, as well as specialists in narrative and literary theory, hermeneutics, and contemporary philosophy.

Ghetto Tragedies (1899) is a collection of stories by Israel Zangwill. Raised in London by parents from Latvia and Poland, Zangwill understood the plight of the city's Jewish community firsthand. Having risen through poverty to become an educator and author, he dedicated his career to the voiceless, the oppressed, and the needy, advocating for their rights and bearing witness to their suffering in some of the most powerful novels and stories of the Victorian era. "People who have been living in a Ghetto for a couple of centuries, are not able to step outside merely because the gates are thrown down, nor to efface the brands on their souls by putting off the yellow badges. The isolation imposed from without will have come to seem the law of their being." As a Jewish immigrant who grew up in poverty in London, Israel Zangwill knows that the condition of life in the ghetto changes not just lives, but mentalities. In the fourth installment of his Ghetto series, Zangwill imagines the lives of everyday Jewish people. Zillah and Jossel, successful boot makers; Daniel Peyser, a father of seven daughters; Isaac Levinsky, the son of a pious Rabbi. These are the lives so lovingly shaped in the author's skillful hands, people whose experiences with love, loss, doubt, and faith are not so different from our own. The tales of Jewish life in Ghetto Tragedies earned Zangwill comparisons to Dickens upon publication and helped to establish him as an author with a gift for intensive character study and a passion for political themes. This edition of Israel Zangwill's Ghetto Tragedies is a classic of British literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Ghetto Comedies (1907) is a collection of stories by Israel Zangwill. Raised in London by parents from Latvia and Poland, Zangwill understood the plight of the city's Jewish community firsthand. Having risen through poverty to become an educator and author, he dedicated his career to the voiceless, the oppressed, and the needy, advocating for their rights and bearing witness to their suffering in some of the most powerful novels and stories of the Victorian era. "People who have been living in a Ghetto for a couple of centuries, are not able to step outside merely because the gates are thrown down, nor to efface the brands on their souls by putting off the yellow badges. The isolation imposed from without will have come to seem the law of their being." As a Jewish immigrant who grew up in poverty in London, Israel Zangwill knows that the condition of life in the ghetto changes not just lives, but mentalities. In the fifth and final installment of his Ghetto series, Zangwill imagines the lives of everyday Jewish people. A German painter searches for a Jewish model for his painting of Jesus Christ; Solomon Cohen, or S. Cohn, rises to prominence as a Town Councillor in Sudminster while suppressing his Jewish heritage; Bloomah Beckenstein, a young Jewish girl, is blamed for spreading smallpox at her school in London. These are the lives that take shape in the author's skillful hands, people whose experiences with love, loss, doubt, and faith are not so different from our own. The tales of Jewish life in Ghetto Comedies earned Zangwill comparisons to Dickens upon publication and helped to establish him as an author with a gift for intensive character study and a passion for political themes. This edition of Israel Zangwill's Ghetto Comedies is a classic of British literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Ted and Maisie's parents moved to the community of Blackberry Mountain in upstate New York full of hope for the future; they would live a wholesome life rooted in the natural world, free from social constraints and the ugly urban climate of the early seventies. But all this changes when Maisie, age fifteen, stands poised at the top of a waterfall on the 4th of July and looks down over her family and friends before plunging headfirst into the shallow pool, doing herself injuries that will mark them all forever. "The sins of parents are visited on their children in this superb new novel. . . a stinging social and cultural portrait of a time, a place and a generation whose highflown ideals masked a weak moral fiber.. . . While he is writing about the death of dreams, he provides a satisfying ending that is a healthy antidote to much current fiction in which cynicism triumphs over faith and moral turpitude over justice."

The Torch-Bearers tells the story of an itinerant Anarchist preacher who comes to the corrupt city of Geronta in the company of a fellow vagabond, where he begins preaching in parables, that being his preferred method of enlightenment. He hears a number of other story-tellers narrating their own parables, to which he opposes his own in order to expose their ideological flaws. Here, presented in English for the first time in a superb translation by Brian Stableford, is one of the most interesting novels of the Symbolist Movement--the elaborate fruit of author Bernard Lazare's wholehearted commitment to both Symbolist and Anarchist ideals. This striking literary experiment, testing the hypothesis that the raw materials of myth, legend and folklore, which had been redeployed and pastiched so successfully by the Movement, could be adapted to Anarchist purposes.

Joseph Grand, the hero of From a Seaside Town , is a travel writer struggling to eke out an existence in an English seaside town. He introduces us to the small circle of relatives and companions who figure in his life. As he explores the sequence of events that led him to his present state of limbo, it becomes apparent that his crisis is not merely financial but also a crisis of personal identity. A Canadian Jew, Grand has spent a lifetime seeking to submerge his past. Now as a consequence, he discovers that he belongs nowhere. By turns comic and moving, this beautifully observed and beautifully written novel is a striking example of Norman Levine's artistry. From a Seaside Town has quietly become a classic. It is a book which simply will not go away.

1920. Translated from the French by Thurfrida Wake; Verses translated by Wilfrid Jackson. Whitlock writes in the Introduction about The Silence of Colonel Every English officer one met was chuckling over it, and pointing out Old So-and-so in its pages as the original of this or that type. It was a picture not only of the Lennox Highlanders, but of every regimental and brigade mess in the army.

Who knew that being in the leisure class required so much work? Judith Lee, an entitled descendant of the Korean royal family, has grown quite accustomed to the privileges of the aristocracy. When her parents cut off her finances upon graduation from Yale, Jude learns that her fancy upbringing has left her unprepared to deal with her monstrous debts. That is, until she is introduced to Madame Tartakov, a charismatic Russian émigré who has the solution to Jude's financial woes: two years with Tartakov's like-minded high-society girls as one of Manhattan's most coveted courtesans. But Jude's moral fiber is tested when she discovers that not only is she falling in love outside her clientele, but an illegitimate relative is harboring a grotesque secret, and something catastrophic is hidden in the family archives.

Now available as a New Directions paperbook, Love and Terror, William Herrick's second novel with ND, both reflects and anticipates today's headlines. Terrorist kidnappings, hijackings, and dramatic rescues all form a part of the plot, but Herrick's interest lies less in tension-filled heroics than in the human cost of flawed idealism. Through the notebook of the principal terrorist, Viktor X, the complex characters of Viktor and Gabriele, for whom love and terrorism are intertwined and inseparable, are revealed. And in a series of interviews with a nameless reporter, the lives of three disillusioned revolutionaries--"the old ones," now hostages to a new brand of revolution--gradually and movingly unfold. In his earlier Shadows and Wolves (New Directions, 1980), Herrick showed us the possibility of human solutions that transcend politics. In Love and Terror he shows us why any ideology, inflexibly adhered to, makes such solutions necessary.

I didn't know it then, but I know it now, that what I said to Harold was like crossing a Rubicon. I had declared myself, there was no turning back. I said what I said with feeling and to someone who up to that moment was like a god on Mt. Olympus. He became Harold St. James, secular savior and friend. I could talk to him. I didn't have to choose my words. I could be Izzy Goldstein. What will later become the legendary St. James-Goldstein duo at Yale begins on the day World War II breaks out in Europe. Harold St. James and Izzy Goldstein meet on the train to New Haven, Connecticut, and both learn that they will be working together in two different departments in the same building at Yale. Their oddball friendship becomes fodder for snide comments and campus newspaper articles. But it's a strong friendship that carries them through an initial anti-Semitism, Harold's marriage and his wife's premature death, the House Un-American Activities Committee, the Vietnam War, and the Black Panthers.

The Crimson Keep was created in 2011 when Crazy 8 Press made its public debut. "Demon Circle," the first tale of the Crimson Keep, was a round-robin story written to raise funds for a worthy cause . . . but the authors couldn't get these characters and this fantastical world out of their minds.Now, in celebration of its third anniversary, the authors of Crazy 8 Press--Russ Colchamiro, Peter David, Micha el Jan Friedman, Robert Greenberger, Glenn Hauman, Paul Kupperberg, and Aaron Rosenberg--have gathered to craft all-new Tales of the Crimson Keep. This first-ever Crazy 8 Press anthology reintroduces you to teen apprentices Athis, Belid, and Klaria, and to their teacher, the powerful and enigmatic sorcerer known only as the Master.Within these pages you'll also meet the Master's very first student . . . encounter some thieves who washed out of the apprentice program . . . learn the fate of the dread demon Koliander the Undying . . . follow two novices on their inaugural mission . . . watch as another learns a hard-won lesson . . . and see how the lives of the apprentices--and the power of the Crimson Keep--crop up in the most unexpected places. So step inside and join the team at Crazy 8 Press on a series of truly magical adventures--within the Crimson Keep.

"Here is a singular story of survival, an earthly miracle wrought by family devotion, gardens, horses, guts. A compelling read."—Carolyn Heilbrun In July 1998, when Maxine Kumin's horse bolted at a carriage-driving clinic, she was not expected to live. Yet, less than a year later, her progress pronounced a miracle by her doctors, she was at work on this journal of her astonishing recovery. She tells of her time "inside the halo," the near-medieval device that kept her head immobile during weeks of intensive care and rehabilitation, of the lasting "rehab" friendships, and of the loving family who always believed she would heal. "[S]he resonates wisdom while announcing a triumph of body and soul."—Anne Roiphe, New York Times Book Review "Maxine Kumin brings the sensitivity and imagination of a poet to her extraordinary ordeal."—Richard Selzer, author of Mortal Lessons: Notes on the Art of Surgery "From a singular experience she has created a lesson that is universal, which, it seems to me, is the essence of being a poet."—Abraham Verghese, author of The Tennis Partner

Now in paperback, the extraordinary English language debut from the critically acclaimed writer Maxim Biller, whose “gossamer fictions may remind you of narrative poems in their ability to simultaneously elude and haunt you” (Francine Prose, O, The Oprah Magazine). • A writer on the verge of international acclaim: maxim Biller’s work received raves when it was published in The New Yorker in the summer of 2007, and he’s already been published in Dutch, Danish, French, Greek, and Czech. German cultural institutions based in the u.S., such as the Goethe House, are enthusiastically helping to promote Biller’s work in english. In addition, Love Today is translated by Anthea Bell, the award-winning German-language translator. • Twenty-seven exquisite vignettes: Biller depicts the complexities of romantic relationships in the twenty-first century perfectly—the frustration, longing, and loneliness—in these skillfully crafted stories, designed to build upon each other. It’s as if the reader were standing in the courtyard of an apartment building, observing the lives of others, listening to their conversations, experiencing their intimacy. • For fans of Miranda July, Nathan Englander, and Jonathan Safran Foer: Biller’s writing is sensitive, observant, and honest. The end result is both romantically voyeuristic and deeply moving—Biller is a writer poised for international stardom.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"She's beautiful," writes Irish-American art historian Patricia Dolan in the first of the journal entries that form The Music Lesson. "I look at my face in the mirror and it seems far away, less real than hers." The woman she describes is the subject of the stolen Vermeer of the novel's title. Patricia is alone with this exquisite painting in a remote Irish cottage by the sea. How she arrived in such an unlikely circumstance is one part of the story Patricia tells us: about her father, a policeman who raised her to believe deeply in the cause of a united Ireland; the art history career that has sustained her since the numbing loss of her daughter; and the arrival of Mickey O'Driscoll, her dangerously charming, young Irish cousin, which has led to her involvement in this high-stakes crime. How her sublime vigil becomes a tale of loss, regret, and transformation is the rest of her story. The silent woman in the priceless painting becomes, for Patricia, a tabula rasa, a presence that at different moments seems to judge, to approve, or to offer wisdom. As Patricia immerses herself in the turbulent passions of her Irish heritage and ponders her aesthetic fidelity to the serene and understated pleasures of Dutch art, she discovers, in her silent communion, a growing awareness of all that has been hidden beneath the surface of her own life. And she discovers that she possesses the knowledge of what she must do to preserve the things she values most.

Book by Sanford, John B

When Eli Rubinstein marries a German woman (nicknamed Beast) who may or may not be homosexual and may or may not be Hitler youth, it's not surprising that things go horribly wrong. In an effort to get rid of this nightmarish female, Eli finds himself fighting for survival in the slums of London, handing out payoffs to crooked cops in Chicago, and finally ending up in the gay-friendly climes of San Francisco during the waning days of the Haight Ashbury drug and free love culture. Though this dark, perverse, funny, erotic, and somewhat insane story is ultimately about Eli's battle for freedom, disparate tales about Crowley Magick, the professional world of chess and backgammon, a vampire attack in San Francisco's golden gate park, UFOs in the Oregon woods, and the wise lessons of a Haight Ashbury holy man paint a picture of a colorful time, not so long ago, that no longer exists.

Book Excerpt: a walnut-sized diamond which was presented to me as a gift. This may sound rather improbable and extraordinary, but then it was at a time of improbable and extraordinary happenings when it came into my possession. At the end of the war, in 1919, together with certain other British servicemen, I joined General Kolchak's counter-revolutionary army. When the campaign in Siberia had ended, I managed to make my way back to the European part of Russia after incredible hardships and suffering. Armed with the papers of a dead Austrian prisoner-of-war, I managed to get into a POW train and in this manner reached Moscow. Here, I ganged up with a number of people of my ilk and floated a company whose main line of business concerned the robbing of panic-stricken propertied types who were trying to flee the country. Our custom was to nose out a few such people and offer to smuggle them across the border into Poland for which purpose we had thoughtfully provided ourselves with an army lorry. Then, at some out-of-the-way pl Read More

In The Book of Words, Jenny Erpenbeck captures with amazing virtuosity the inner life of a young girl who survives the totalitarian regime of a curiously unnamed South American country (most likely Argentina during its "dirty war"). Raised by parents whose real identity ends up shocking her, the girl comes of age in a country where gunshots are mistaken for blown tires, innocent citizens are dragged off buses, and tortured and disappeared friends and family return to visit her from the dead.