Just in time for Valentine's Day comes a confection from David Levithan that is sure to have fans of "Boy Meets Boy "eager to devour it. Here are 18 stories, all about love, all kinds of love. From the aching for the one you pine for, to standing up and speaking up for the one you love, to pure joy and happiness, these love stories run the gamut of that emotion that at some point has turned every one of us inside out and upside down. What is love? With this original story collection, David Levithan proves that love is a many splendored thing, a varied, complicated, addictive, wonderful thing. "From the Trade Paperback edition."

The Dublin Lockout of 1913 is the most important industrial struggle in Irish history. It was a concerted attempt to crush militant trade unionism once and for all. With incredible courage the Dublin workers, led by Jim Larkin and the Irish Transport and General Workers Union, held out for nearly six months. A century on we can still learn tremendous lessons in the power of the rank and file, solidarity and the kind of revolutionary leadership we need in the labour movement.

Expressed in such new institutions as GATT, NAFTA, the World Trade Organizations, and Maastricht, as well as by the development schemes of the World Bank and the International Monetary Fund, economic globalization has been bulldozed through legislative bodies throughout the world, with scant public debate or discourse. These tremendous changes are hailed by their backers as leading to a new era or prosperity and peace, but is this true? Now, for the first time, we have a comprehensive point-by-point analysis of the workings of the global economy, its premises, and its dire implications told by more than forty of the world's leading social, environmental, and economic thinkers from the America's, Europe, Asia, and the Pacific. They charge that free trade and economic globalization create exactly the opposite results from what is promised. Each of the forty-three chapters in The Case Against the Global Economy takes one part of the story and delves into it, to show both the root assumptions of globalism and its multiple failures. In the end, it is clear that we need to reverse course; away from the global toward a revitalization of local political and economic control, self-sufficiency, and ecological health.

Near Fine Hardcover New York: Random House, 1970. Book. Near Fine. Cloth. Signed by Author(s). First Edition. 8vo - over 7¾" - 9¾" tall. Brown and tan cloth, lettered in blind on front cover and in gold foil on spine panel. Text block edges slghtly toned by age, front cover a bit warped and thus mildly lifting toward fore-edge. 241 pp. Illus. dust jacket lightly rubbed at corners and spine extremities, spine panel slightly toned by age, now in archival mylar. Signed by author (no inscription) on front flyleaf. First editoin, as per Random House designation at the time (explicit statement, "2" in number line). This is a signed copy of the trade edition, not the signed/limited edition..

Learn About the Magic of Light from a Master Step into the captivating world of Jean Rosenthal, a trailblazing figure in the realm of lighting design for modern theater. The Magic of Light, a professional memoir crafted with the assistance of friend and novelist Lael Wertenbaker, unveils the artistry behind Rosenthal's technical mastery. Renowned for transforming stage illumination from a mere necessity to a mesmerizing art form, Rosenthal shares her insights, experiences, and the evolution of her craft. Part one of the memoir delves into Rosenthal's profound thoughts on light, exploring its role in theatrical history, dissecting its impact on plays, musicals, operas, and dance. Part two, "Tools of the Trade," serves as a comprehensive guide, detailing the mechanics of lighting instruments, with diagrams, charts, and photographs illustrating Rosenthal's creative process. Included are light plots, cue sheets, and scene designer's elevations for the famous Broadway productions of Hello, Dolly and Plaza Suite. In a heartfelt preface, Wertenbaker offers a glimpse into the life of Rosenthal, a woman of immense talent, professionalism, and profound humanity. From her early collaborations with Martha Graham to her work with Broadway stage greats, Rosenthal's journey unfolds with anecdotes, humor, and the unwavering dedication that endeared her to colleagues and theater crews alike. The Magic of Light is not only a technical guide; it's a celebration of Rosenthal's legacy and her impact on the theatrical world. With contributions from luminaries like Martha Graham, John Houseman, Oliver Smith, Mary Martin, and Garson Kanin, this memoir is a tribute to a pioneering artist whose work continues to shape the essence of stage illumination. This book is also available from Echo Point Books as a hardcover (ISBN 1648374298).

In nineteenth-century Eastern Europe, the Jewish-run tavern was often the center of leisure, hospitality, business, and even religious festivities. This unusual situation came about because the nobles who owned taverns throughout the formerly Polish lands believed that only Jews were sober enough to run taverns profitably, a belief so ingrained as to endure even the rise of Hasidisms robust drinking culture. As liquor became the regions boom industry, Jewish tavernkeepers became integral to both local economies and local social life, presiding over Christian celebrations and dispensing advice, medical remedies and loans. Nevertheless, reformers and government officials, blaming Jewish tavernkeepers for epidemic peasant drunkenness, sought to drive Jews out of the liquor trade. Their efforts were particularly intense and sustained in the Kingdom of Poland, a semi-autonomous province of the Russian empire that was often treated as a laboratory for social and political change. Historians have assumed that this spelled the end of the Polish Jewish liquor trade. However, newly discovered archival sources demonstrate that many nobles helped their Jewish tavernkeepers evade fees, bans and expulsions by installing Christians as fronts for their taverns. The resulta vast underground Jewish liquor tradereflects an impressive level of local Polish-Jewish co-existence that contrasts with the more familiar story of anti-Semitism and violence. By tapping into sources that reveal the lives of everyday Jews and Christians in the Kingdom of Poland, Yankels Tavern transforms our understanding of the region during the tumultuous period of Polish uprisings and Jewish mystical revival.

Convinced that your star mutual fund manager will help you beat the market? Eager to hear the latest stock picking advice on CNBC? FORGET ABOUT IT! "The" "Great Mutual Fund Trap "shows that the average mutual fund consistently underperforms the market, and that strategies for picking "above-average" funds -- everything from past performance to expert rankings -- are useless. Picking individual stocks on the advice of brokers and analysts works no better. The only sure things are the fees and commissions you'll pay. Fortunately, the news is not all bad. Investors willing to ignore the constant drumbeat of "trade frequently," "trust the experts," and "beat the market" now have the opportunity to do better. Using new investing products investors can earn higher returns with lower risks. Drawing on their years of Wall Street, Treasury and Federal Reserve experience, Gary Gensler and Gregory Baer offer a fresh and realistic look at how money is managed in America. From new indexing strategies to risk-managed stock selection, "The" "Great Mutual Fund Trap" offers investors an escape from high costs and immunity from seductive marketing messages. "From the Hardcover edition."

Argues that the major difference between communism and Western democracy was the existence of intermediary institutions, such as trade unions, political parties, religions, and clubs

Australian prime ministers since Harold Holt have all fostered close relationships with the United States, but John Howard has initiated economic and military policies that have bound the two countries even tighter. As a result, many Australians now believe that not only our sovereignty but also our very identity as a nation is under threat, and that we are fast becoming America's 51st state. If this view is correct, it should be reflected not only in our foreign policy but also in our domestic policies. Indeed, the weakening of social safety nets, the privatisation of areas long seen as government responsibilities, and the signing of the Free Trade Agreement all point to the triumph of US-style neo-liberalism. Yet, as Dennis Altman shows, the story is not so simple. Even as official rhetoric immerses us ever deeper into the US worldview, the resilience of the Australian social contract is imposing real limits on the application of neo-liberal principles. And, despite his enthusiastic membership of the coalition of the willing, Howard has assiduously cultivated economic and political ties within our region which, as the global balance of power shifts, will become increasingly relevant. In this elegant and sophisticated meditation on Australian identity, Altman suggests that the tendency to attribute malign American influence to everything we dislike about the contemporary world is the flipside of seeing the US as the only model worthy of emulation, and serves to conceal the deeper questions we face namely, how does Australia imagine its future?

A bold fantasy in the tradition of Roger Zelazny's Chronicles of Amber, The Merchant Princes is a sweeping new series from the hottest new writer in science fiction! The six families of the Clan rule the kingdom of Gruinmarkt from behind the scenes, a mixture of nobility and criminal conspirators whose power to walk between their world and ours make them rich in both. Braids of family loyalty and intermarriage provide a fragile guarantee of peace, but a recently ended civil war has left the families shaken and suspicious. Miriam, a hip tech journalist form Boston, discovered her alternate-world relatives with explosive results that shook three worlds. Now, as the prodigal Countess Helge Thorold-Hyorth, she finds herself ensnared in schemes and plots centuries in the making. She is surrounded by unlikely allies, lethal contraband, and, most dangerous of all, her family. With her modern American attitudes, she's not sure she can fit in, or if she even wants to, but to stay alive, she really has no choice. To avoid a slippery slope down to an unmarked grave, Miriam must build a power-base of her own. She started applying modern business practices and scientific knowledge to a trade heretofore dominated by medieval mercantilists-with unexpected consequences for three different timelines, including the quasi-Victorian one exploited by the hidden family. Blending the creativity and humor of Roger Zelazny, the adventure of H. Beam Piper and Philip Jose Farmer, and the rigor and scope of a science-fiction writer on the grandest scale, Charles Stross has set a new standard for fantasy epics. Charles Stross is one of the big new SF writers of the 21st century, and the saga of The Merchant Princes is his most ambitious work yet.

BIOGRAPHY & AUTOBIOGRAPHY: FILM, TELEVISION, MUSIC, THEATRE. The Sayles might not have been the only Jewish atheist communist family in Liverpool, but Alexei knew from an early age that they were one of the more eccentric. Born on the day egg rationing came to an end, Alexei was the only child of Joe, an affable trade unionist who led the family on railway expeditions across eastern Europe, and Molly, a hot-tempered red-head who terrified teachers and insisted Alexei see the Red Army Choir instead of the Beatles. Perceptive and hilarious, this is a portrait of a family, a city, a country and a continent going through enormous changes.

A New York Times Book Review Editors' Choice. One of Library Journal 's Best Books of 2020. One of our most beloved writers reassess the electrifying works of literature that have shaped her life I sometimes think I was born reading . . . I can’t remember the time when I didn’t have a book in my hands, my head lost to the world around me. Unfinished Business: Notes of a Chronic Re-reader is Vivian Gornick’s celebration of passionate reading, of returning again and again to the books that have shaped her at crucial points in her life. In nine essays that traverse literary criticism, memoir, and biography, one of our most celebrated critics writes about the importance of reading—and re-reading—as life progresses. Gornick finds herself in contradictory characters within D. H. Lawrence’s Sons and Lovers , assesses womanhood in Colette’s The Vagabond and The Shackle , and considers the veracity of memory in Marguerite Duras’s The Lover . She revisits Great War novels by J. L. Carr and Pat Barker, uncovers the psychological complexity of Elizabeth Bowen’s prose, and soaks in Natalia Ginzburg, “a writer whose work has often made me love life more.” After adopting two cats, whose erratic behavior she finds vexing, she discovers Doris Lessing’s Particularly Cats . Guided by Gornick’s trademark verve and insight, Unfinished Business is a masterful appreciation of literature’s power to illuminate our lives from a peerless writer and thinker who “still read[s] to feel the power of Life with a capital L.”

The political thought of Socrates, Plato and Aristotle defended and justified the values and way of life of the declining and decaying landed aristocracy in opposition to Athenian democracy and the craftsmen, traders and labourers upon which it increasingly rested. Although the Socratics recognized and condemned aristocratic regeneration, they hoped that the outlook and conduct of the nobility could be revitalized so as once more to become the foundation of civic life in order to stem the levelling tide of democracy, the tyranny of the mob, and the vulgarity that they felt were endangering Greece and especially Athens. To be understood and appreciated fully, the classics of political theory must be viewed as basically ideological and much more closely and rigorously related to their social contexts than has usually been the case. The point of departure for this critique of the Socratics is a particular conception of the Greek polis and its significance for Western social organization, an interpretation differing from most standard treatments. Besides casting new light upon the political thought of the Socratics, this study should help to illuminate the aristocratic myth about the character of the demos which, immortalized by the Socratics, has been a cornerstone of anti-democratic ideology and social theory in the West ever since the ancient philosophers first recorded their fears of the 'mob'.

Between 1948 and 2016, David Goldblatt returned periodically to Fietas, a suburb west of Johannesburg’s city centre, to photograph the impact of punitive segregation and ethnic cleansing wrought by apartheid legislation on its residents and landscape. Moved by the life force of the predominantly Indian community’s families, shopkeepers, and small business owners, Goldblatt attempted ‘to grasp something of their life and what they had built.’ The resulting photographs, collected and published here for the first time, form a vivid social document of Fietas before, during, and after its destruction under the Group Areas Act. Earlier images of storefronts and domestic interiors contrast poignantly with those of their demolition from the late 1970s onwards. Dignified portraits of traders in their stores capture their determined efforts to build a life for their families. Interviews with past and present Fietas residents close the book, recalling the testimonials of Goldblatt’s subjects in The Transported of Kwandebele and Ex-Offenders at the Scene of Crime. Exemplary of Goldblatt’s empathetic and observational documentary style, these photographs and oral histories establish a generous exchange between photographer and subject. Together these materials preserve narratives of Fietas as a racially diverse community that existed in defiance of apartheid. An accompanying essay by Professor Ashwin Desai places Fietas within the wider historical context of Indian South Africans and racist ideology before and after the advent of apartheid, completing a compelling reference to a little known community forever changed by the darkest point in South Africa’s history. (Verlagsangaben)

"Tired of gathering banal quotes from the B-list on the sidelines of the red carpet. Emma Swanson publicly yearns for a more substantial career but privately dreams of a hot shot boyfriend to transport her into the beating heart of the Hollywood scene. Instead she meets Jessica - beautiful, cavalier, manipulative - who shamelessly trades sex for the gifts it can bring. Convinced that writing a story about Jessica and her ilk would seriously boost her journalistic cred, Emma soon finds herself sucked into a world where the luxuries of prettied-up prostitution may cost more than she ever expected."--Cover p. [4].

After a nuclear explosion in Washington, D.C., kills the president, a dissident faction of the Clan from an alternate universe joins a faction of the U.S. government in a political takeover. There is no safe place for a pregnant Queen Miriam and her Clan except, perhaps, in the third alternate world, New Britain--which has just had a revolution and a nuclear incident of its own.

Between about 1830 and the outbreak of the First World War, print culture, reading, and writing transformed cultural life in Western Europe in many significant ways. Book production and consumption increased dramatically, and practices such as letter- and diary-writing were widespread. This study demonstrates the importance of the nineteenth century in French cultural change and illustrates the changing priorities and concerns of l'histoire du livre since the 1970s. From the 1830s on, book production experienced an industrial revolution which led to the emergence of a mass literary culture by the close of the century. At the same time, the western world acquired mass literacy. New categories of readers became part of the reading public while western society also learned to write. Reading Culture and Writing Practices in Nineteenth-Century France examines how the concerns of historians have shifted from a search for statistical sources to more qualitative assessments of readers' responses. Martyn Lyons argues that autobiographical sources are vitally important to this investigation and he considers examples of the intimate and everyday writings of ordinary people. Featuring original and intriguing insights as well as references to material hitherto inaccessible to English readers, this study presents a form of 'history from below' with emphasis on the individual reader and writer, and his or her experiences and perceptions.

Mention 1492 and most people conjure up images of three stout ships making their way west. But 1492 was the year in which the vibrant Jewish community of Spain came to an abrupt and tragic end. This book details the expulsion of the Jews from Spain and Portugal and their early immigration to the New World. European anti-Semitism followed the Jews but the newcomers persevered and made a home for themselves in the New World. Starred Review and Editor’s Choice, Booklist, NCCS/CBC Notable Children’s Trade Book and American Bookseller Pick of the Lists, 1990.

This Modern Library collection presents seven novellas that brilliantly showcase the range and depth of the talent of Hortense Calisher, a writer hailed by the Saturday Review as "among the most literate practitioners of modern American fiction, a stylist wholly committed to the exploitation of language." Featured is "Women Men Don't Talk About," a new story, published here for the first time. The novellas are characterized by their unfailing intelligence and by the technical sure-handedness and acuity of the writing. Each has a strong sense of place--New York City, the Hudson Valley, Saratoga Springs--and an eclectic cast of characters who inhabit regions where our most acute hopes, fears, and anxieties coexist. The respectable lawyer of "Tale for the Mirror" attempts to oust an unconventional Hindu healer from his community, only to wonder whether the doctor's trickery is any different from his own. In "The Railway Police," a journey by train occasions a social worker's sudden break with past pretenses and her kafkaesque rebirth as a vagabond. And in "Saratoga, Hot," a sharply observed tale set amid the fabled world of horse racing, a man and woman discover new strength in a love touched by tragedy. Included as well are "Extreme Magic," "The Man Who Spat Silver," and "The Last Trolley Ride." "Calisher hits at her targets at a point more vital than the usual marksman knows to exist," wrote novelist and critic Angus Wilson. And The New York Times Book Review commented, "Seen through her eyes the real world is not prosaic. Placed in lyrical, poetic spaces, it is thick and rich with implication." The Novellas of Hortense Calisher, an edition exclusive to the Modern Library, is a major collection from one of America's finest literary voices. The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foun-dation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hard-bound editions of important works of liter-ature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inau-gurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.