This biography by music critic Arthur Jacobs celebrates the life of Sir Henry Wood, the progressive and much-loved conductor who made the Proms famous, and whose musical achievements included conducting the first British production of Tchaikovsky's Eugene Onegin and making some of the earliest orchestral recordings. With the help of family papers put at his disposal, the author also deals frankly with Wood's complex personality and turbulent private life, including his relationship with Lady Jessie Wood, who was not his wife but who changed her name by deed poll.

Renowned as the legendary rude landlord of the Coach and Horses in London's Soho, Norman Balon has been immortalized in Private Eye and, most recently, as a menacing off-stage presence in Keith Waterhouse's play, Jeffrey Bernard is Unwell. These are his memoirs - a personal view not only of his 50 years at the Coach and Horses where actors, painters, authors, drinkers and Private Eye writers have come and gone (some more peacefully than others), but also of a much-loved and much-changed Soho.

The popular comedy actress and raconteuse Maureen Lipman reveals how she found herself trussed up backstage in Birmingham, ponders the more peculiar aspects of cricket terminology and explores the miracle of plastic tablecloths.

This is the compelling account of the life and work of Albert Reuss (1889-1975), a Jewish painter and sculptor who developed a uniquely individual style. Born in Vienna, he emigrated to England in 1938 following Hitler's annexation of Austria. In the process, Reuss lost many members of his family, as well as all his possessions, and the reputation he had built up as an artist in Vienna prior to his departure. Many of his artworks were confiscated by the Nazis. He and his wife Rosa were helped to escape from Vienna by Cornishman and Quaker, John Sturge Stephens. Reuss continued to work as an artist in England, but his style changed dramatically, reflecting the trauma he had suffered. Following his exile, Reuss held numerous solo exhibitions in municipal galleries throughout England and in 1948, he and Rosa moved to Mousehole, Cornwall, where they established the ARRA Gallery. From 1953 to 1973 he held regular one-man shows at the renowned O'Hana Gallery in London. Several provincial galleries hold his work, most notably Newlyn Art Gallery in Cornwall, as do the British Museum and the Victoria and Albert Museum in London, the Belvedere Gallery and the Albertina in Vienna, and the Tel Aviv Museum of Art in Israel. In researching the life of this intriguing man, Susan Soyinka interviewed many people who knew him, and also retrieved a huge archive on Reuss from Vienna, which included much of his lifetime's correspondence. A most fascinating story emerged of this lonely and isolated artist's struggle to develop his art and to survive, a story full of human drama and tragedy, all set against the background of world historic events. The book includes first-hand accounts of the couple's escape from Vienna, and of their experience as refugees in war-time Britain.

"Franz Baermann Steiner (1909-52) provided the vital link between the intellectual culture of central Europe and the Oxford Institute of Anthropology in its post-Second World War years. This book demonstrates his quiet influence within anthropology, which has extended from Mary Douglas to David Graeber, and how his remarkable poetry reflected profoundly on the slavery and murder of the Shoah, an event which he escaped from. Steiner's concerns including inter-disciplinarity, genre, refugees and exile, colonialism and violence, and the sources of European anthropology speak to contemporary concerns more directly now than at any time since his early death"--

extremely rare,very good condition

A heart-rending, wartime story of a young Czech exile's lonely struggle to grasp the meaning of life and love.

A fresh account of the medieval mystic, traveling pilgrim, and pioneering memoirist Margery Kempe. This is a new account of the medieval mystic and pilgrim Margery Kempe. Kempe, who had fourteen children, traveled all over Europe and recorded a series of unusual events and religious visions in her work The Book of Margery Kempe, which is often called the first autobiography in the English language. Anthony Bale charts Kempe's life and tells her story through the places, relationships, objects, and experiences that influenced her. Extensive quotations from Kempe's Book accompany generous illustrations, giving a fascinating insight into the life of a medieval woman. Margery Kempe is situated within the religious controversies of her time, and her religious visions and later years put in context. And lastly, Bale tells the extraordinary story of the rediscovery, in the 1930s, of the unique manuscript of her autobiography.

In this tale of life at sea the author tells of voyages round the Horn and his time in the Aland Islands where he fitted out a small boat and sailed with the lovely Elsa. He describes the trials and pleasures of life under sail, including adventures with sharks, drunken captains and a stowaway.

"As a writer he was the disengaged onlooker who understood how his presence altered a place or a situation." This is how the Independent described Laurie Lee in their 1997 obituary of the much-loved author. In A Thousand Laurie Lees , another poet, Adam Horovitz, explores not only how the Slad Valley informed the man and his writing, but also how the valley itself was affected by its association with such an international figure, and how it has retained its particular identity since its description in Cider with Rosie . Shortly after Laurie Lee's death in 1997, a handful of locals dressed up as Lee and cycled right through the heart of Cider with Rosie country, stopping off at all the pubs on the way. They called their journey "The Night of a Thousand Laurie Lees." Slad valley man Horovitz draws on memoir, myth, and literature inspired by the valley and his walks through the Slad landscape, charting what has changed and what remains, from badger setts to "Notting Hill in Wellies," to celebrate the man and the landscape that made him.

A lecture delivered at the library on March 1, 1983 focusing on Wilde's Oxford years. Frontispiece and black and white illustrations. Acknowledgments. Wrappers faded at spine. 30, 2 pages. stiff paper wrappers. 8vo..

1st edition Futura 1985 paperback, vgIn stock shipped from our UK warehouse -

Sitting in Judgement 1913-63 An Interpretation of History

Memoirs of a Jew who was born in 1919 in Frankfurt to a wealthy family and renamed Otto after his father, who died young. First relates the stories of a number of Jews who contributed to German society; these accounts often end with brief details of deaths in concentration camps or by suicide. After the Koch family jewelry store was Aryanized, the extended family faced the dilemma of how and when to emigrate. In 1935 Otto went to study in England, returning home on holidays until 1938. Chs. 17-18 (pp. 91-103) are devoted to events of 1938, when his mother, who had returned to Frankfurt from Switzerland, succeeded in emigrating. Otto, who was studying at Cambridge, was arrested as an enemy alien by the British, interned, and then sent to Canada, where he and other Jews, along with Nazis and POWs, were imprisoned for over a year and a half. The policy of incarcerating Jews in Canada was not considered unreasonable by Koch and others. They attributed it to fear and obtuseness; antisemitism may have been a factor but not a major one. Koch gives a full account of the German Jews' incarceration in "Deemed Suspect: A Wartime Blunder".

The first few decades of the eighteenth century witnessed an important moment in Jewish-Christian relations, as influential Christian scholars increasingly looked to Jewish texts to reveal the truths of their own faith. To what extent could postbiblical writings help them better understand the New Testament? And who would best be able to explicate these connections?Connecting the Covenants focuses on two separate but entwined stories, the first centering around the colorful character of Moses Marcus. The English-born son of wealthy parents and the grandson of the famous autobiographical author Glikl of Hameln, Marcus was a prominent Jew educated in the Ashkenazic yeshivah at Hamburg. On New Year's Day, 1723, Marcus was baptized as a Christian, later publishing a justification of his conversion and a vindication of his newly discovered faith in a small book in London. A trophy convert, he was promoted by figures at the highest levels of the Anglican Church as a cultural mediator between Judaism and Christianity. His modest successes in the world of the elite clerical establishment were followed, however, by conspicuous failures, both intellectual and material.The second story that David Ruderman tells emerges against the background of Marcus's professional decline. In the end, the prize convert proved to be a theologian of limited ability, far outstripped in sophistication and openness to rabbinic learning by a circle of Enlightenment Protestant scholars. It was not the Jew who had abjured Judaism who was willing or able to apply the Mishnah and Talmud to Christian exegesis, but figures such as William Whiston, Anthony Collins, William Wotton, and the Dutch scholar William Surenhusius who seized upon the ways to connect the covenants.