The highly acclaimed debut is Devyani Saltzman's remarkable story of reconnecting with her mother, award-winning filmmaker Deepa Mehta, in India and Sri Lanka during the production of the Oscar®-nominated film Water. In Shooting Water , Devyani Saltzman recounts her experience straddling the separate worlds of her divorced parents in Canada and India—navigating between two religions (Hindu and Jewish), two traditions, two cultures, and two people—belonging to both and to neither at once. This cross-cultural memoir chronicles her life-changing experiences in India and Sri Lanka, the struggle to produce the controversial Oscar®-nominated film, and the emergence of a deeper understanding between mother and daughter. This trade paperback edition features a reading group guide that includes an interview with the author and discussion questions. 16 black-and-white photos, maps.

On the motion-picture front, no other publication of our age has achieved the stature, vitality, or magic of Vanity Fair. In its coverage of the film industry, the magazine prides itself on assigning the world's top photographers, writers, and illustrators to explore the brightest stars in the Hollywood firmament. Now, for the first time, the most memorable renderings of this illustrious pantheon have been assembled in one volume: Garbo and Swanson, Fairbanks and Pickford, Gable and Grant, Tracy and Hepburn, Taylor and Burton -- along with today's cinematic giants, including Cruise and Kidman, Nicholson and Streep, De Niro and DiCaprio, Tom Hanks and Julia Roberts, and scores more. As this sweeping, lavish book makes clear, Vanity Fair's stable of photographers (Cecil Beaton, Annie Leibovitz, Helmut Newton, Herb Ritts, Edward Steichen, Mario Testino, Bruce Weber, and many others represented here) have helped define modern portraiture. Likewise, Vanity Fair's Hollywood includes Vanity Fair contributors of the past (D.H. Lawrence, Clare Boothe Luce, Dorothy Parker, Carl Sandburg, Walter Winchell, and P.G. Wodehouse) and of the present.

Raised in the Hollywood of the 1920s as the privileged son of a pioneer studio mogul, Budd Schulberg went on to win fame as a distinguished novelist, short story writer, playwright, Oscar-winning screenwriter, and boxing historian. Moving Pictures is his fascinating remembrance of growing up amidst the glamour, swank, courage, triumphs, defeats, cabals, and double-crosses of an industry in the making. His utterly candid account includes unsparing portraits of outsized characters in all their power, venality, charm, pettiness, and vindictiveness. As a book on the early days of the movies in Hollywood, this one is hard to beat. Abundantly illustrated with rare photographs. Book jacket.

For this definitive biography, acclaimed journalist and bestselling author Tom Bower was granted unprecedented access to Simon Cowell and those around him--and the result is a fascinating multilayered portrait of one of the world's most intriguing television personalities ever to dominate the music industry. Simon Cowell has made an international name for himself as the no-holds-barred judge on the television phenomenon American Idol . He's been called mean, arrogant, brash, and unapologetic, but his stinging barbs and smug personality have also earned him cheers from fans, as well as millions of dollars, a string of exotic beauties, and industry clout to develop his own projects. But Cowell's true reward is revenge . Sweet Revenge is the ultimate insider's account of Simon Cowell's rise to fame--even as others plotted his downfall--from his cheeky exploits as a British school lad to his failures as a frustrated young music exec in London to his explosive rivalry with Simon Fuller over the genesis of the Idol franchise to the PR disaster that nearly sunk his wildly successful show The X Factor . Conducting more than 150 interviews with industry power players, Cowell's inner circle, and Cowell himself on a private jet, chartered yacht, at his L.A. home, and on the studio lot, Tom Bower pulls back the curtain on a man who is at once insecure, ambitious, easily bored, vain, needy, and driven, a man who will go to any limit to secure his success. Cowell is also revealed as a loyal friend and loving son. His father, to whom Cowell was particularly close, became his most trusted adviser and mentor. Packed with juicy details, exclusive interviews, and never-before-revealed facts, Sweet Revenge presents a complete picture of Simon Cowell that few have ever seen.

The legendary television star tells the backstage stories of the classic comedy of Your Show of Shows, Caesar's Hour, and other landmark programs.

This volume presents seventeen of the funniest people of the 20th Century talking about how they make people laugh. Each engaging interview was painstakingly elicited by the author, who spent years researching, collecting the material and recording these intimate one-on-one conversations.

In this riveting sequel to her number one bestseller You'll Never Eat Lunch in This Town Again, Julia Phillips levels her brutal wit and frank observation on all of Los Angeles. Sizzling with Hollywood gossip and acerbic social commentary, this dishy expose reveals the real L.A. --land of fires, race riots, drugs, earthquakes and liposuction.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Based on Andrew Denton's television series of the same name, ELDERS is an exploration of the successes and failures, opportunities and formative experiences that are learned over a lifetime. For his ABC television series ELDERS, Andrew Denton interviewed twelve diverse but well-known people over the age of 65, with the express aim of discovering what lessons they have learned in their lives and what values they have come to cherish most. the conversations were surprising, illuminating, humorous, thoughtful and candid. It was compelling television, and it makes inspiring and riveting reading. All the interviews from both series feature in this book, which also includes material that never made it to air. Featuring: Alan Alda, Dame Elisabeth Murdoch, Muhammad Yunus, Bob Hawke, Sir David Attenborough, Isabel Allende, Rosalie Kunoth-Monks, Clive James, Father Des Reid, Helen thomas, Richard Dawkins and Helen Bamber

Delve into the dazzling world of early 20th-century art and theatre with "Bakst: The story of Leon Bakst's life" by André Levinson. This meticulously prepared republication chronicles the life and career of Léon Bakst, the visionary artist who revolutionized stage and costume design for the Russian ballet. Explore Bakst's pivotal role in shaping the aesthetic of iconic productions. Levinson expertly details Bakst's contributions to art history, revealing the man behind the groundbreaking designs that captivated audiences worldwide. This book illuminates Bakst's innovative approach to visual storytelling. A captivating biography for enthusiasts of Russian ballet, stage design, and costume design. Discover the enduring legacy of Léon Bakst, whose artistic vision continues to inspire and influence the performing arts. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Two of the Best in the Neighbourhood is a backstage account of the creation and continued life of the smash hit play 2 Pianos 4 Hands. (This volume also includes the full script of the play.) With contributions from the principal players of this story, including many from co-creator Ted Dykstra, Greenblatt takes us from the genesis of the idea to the blockbuster cross-Canada tour and to productions in the US, England, and Japan. A highly personal and subjective tale filled with anecdotes that span almost three decades, Two of the Best in the Neighbourhood is a glimpse into a fascinating chapter of Canadian theatre history. 2 Pianos 4 Hands tells the story of Ted and Richard, who grow up as "piano nerds," dealing with pushy parents, eccentric teachers, hours of repetitive practice, stage fright, the agony of competitions and exams, and the dream of greatness. As they mature, they become more aware of the gap between the merely very good and the great, and they come to the humbling realization that although concert stardom may be out of reach, they just might be two of the best piano players in the neighbourhood--and that in itself is worth celebrating.

Max Fleischer (1883--1972) was for years considered Walt Disney's only real rival in the world of cartoon animation. The man behind the creation of such legendary characters as Betty Boop and the animation of Popeye the Sailor and Superman, Fleischer asserted himself as a major player in the development of Hollywood entertainment. Out of the Inkwell: Max Fleischer and the Animation Revolution is a vivid portrait of the life and world of a man who shaped the look of cartoon animation. Also interested in technical innovation, Fleischer invented the rotoscope -- a device that helped track live action and allowed his cartoons to revolutionize the way animated characters appeared and moved on-screen. In the 1920s, Fleischer created a series of "Out of the Inkwell" films, which led to a deal with Paramount. Their character KoKo the Clown introduced new animation effects by growing out of Fleischer's pen on-screen. As the sound revolution hit film, the studio produced shorts featuring the characters interacting with songs and with the now-famous bouncing ball that dances across lyrics projected on the screen. Max Fleischer's story is also one of a creative genius struggling to fit in with the changing culture of golden age cinema. Out of the Inkwell captures the twists and turns, the triumphs and disappointments, and most of all the breathless energy of a life vibrantly lived in the world of animation magic.

In 1977, when Zhongmei Lei was 11 years old, she learned that the prestigious Beijing Dance Academy was having open auditions. She'd already taken dance lessons, but everyone said a poor country girl would never get into the academy, especially without any connections in the Communist Party of the 1970s. But Zhongmei, whose name means Faithful Plum, persisted, traveled for three days and two nights to get to Beijing and eventually beat out 60,000 other girls. But getting in was easy compared to staying in, as Zhongmei soon learned. Without those all-important connections, she was just a little girl on her own, far away from family. But her determination, talent, and sheer force of will were not something the teachers or other students expected, and soon it was apparent that Zhongmei was not to be underestimated. Zhongmei became a famous dancer, and founded her own dance company, which made its New York debut when she was in just her late 20s. In A Girl Named Faithful Plum, her husband and renowned journalist, Richard Bernstein, has written a fascinating account of one girl's struggle to go from the remote farmlands of China to the world's stages, and the lengths she went to in order to follow her dream.

Mel Shavelson is one of Hollywood's triple-threat Writer-Director-Producers, and a two-time Academy Award Nominee for his original screenplays, which he also directed. He served three terms as President of the Writers Guild of America, West, and is the recipient of its highest honor, the Laurel Award for Screen Writing. He has written, alone or in collaboration, over thirty-five feature motion pictures, directed twelve of them, and created for television two Emmy Award-winning series.

Get FREE page samples from this book at B5books.com.SCRIPTS* "Ruling From the Tomb" by Peter David* "Value Judgments" by Fiona Avery (Unproduced)* "Tried and True" by Fiona Avery (Unproduced)* "War Story" by Richard Mueller (Unproduced)FEATURING* JMS's handwritten notes for the episode that eventually became "Ruling From the Tomb"* The "Ruling From the Tomb" premise that JMS wrote for Peter David* The biography of IPX archaeologist Maximilian Eilerson written by actor David Allen Brooks, as well as a trio of poems (one R-rated) that he wrote from Max's point of view* A May 2011 interview with Dureena Nafeel actress Carrie Dobro, where she describes her feelings about the two new Dureena-centric scripts featured in this volume that she had never seen before* An interview with Warner Bros. executive Gregg Maday on what went wrong with CRUSADE* Three unused story ideas that Richard Mueller pitched to JMS* A detailed synopsis of "The Walls of Hell," an episode to be written by Larry DiTillio* 14 drawings of the Excalibur's bullet car* 32 alien makeup concepts intended to appear in the background* 8 concept drawings charting the evolution of Dureena Nafeel's makeup* A definitive guide including 6 different viewing orders for CrusadeSOME OF THE STORIES IN PETER DAVID'S INTRODUCTION* The reason Peter David added Max Eilerson to the story when the character was not present in JMS's premise for the episode* How a misremembered name from a Broadway musical led to the character called LeBecque* Why the bomb's countdown clock stopped at 018, and how that tied into the theme of the episode* The story's original ending, which Peter David changed when he remembered he was "writing CRUSADE, not TWILIGHT ZONE"SOME OF THE STORIES IN RICHARD MUELLER'S INTERVIEW* What historical naval battle informed his CRUSADE story and why* Which character he had to rein in lest they become the star of his episode* Why his script for "War Story" exists, even though he was never given the official go-ahead to write itDiscover why Babylon 5 will never be available on Blu-ray at B5news.com.

Jack Faith, world-renowned superstar entertainer, would stoop to anything—even murder—to prevent an unauthorized biography about him and his adulterous romantic escapades with countless beautiful Hollywood starlets (sometimes underaged) from being published. How he gets caught by his own nefarious schemes and exposed as the charlatan he is, is the story of not only his life, but at the same time gives the reader an inside peek at what the real Hollywood is like.

"Soon after he started filming "The Last of England" (which had much autobiographical content) in 1986, Derek Jarman started work on this book, which contains diary entries, interviews and notes from the script. He writes of his childhood and his kleptomaniac father, the process through which he came to terms with his homosexuality, his early work as a painter and designer, and his debut as a film director. Serious themes are followed thoughout, as Jarman writes of what he regards as the corruption of the cinema industry, the moral and personal consequences of the AIDS virus, and the down side of Thatcher's Britain.

A book on the cultural and revolutionary florescence of the American Theatre, circa 1963-1973

With his dynamic on-air personality and his trademark cry of "Burn, baby! BURN!" when spinning the hottest new records, Magnificent Montague was the charismatic voice of soul music in Chicago, New York, and Los Angeles from the mid-1950s to the mid-1960s. In this memoir Montague recounts the events of his momentous radio career, which ran from the era of segregation to that of the civil rights movement; as he does so, he also tells the broader story of a life spent in the passionate pursuit of knowledge, historical and musical. Like many black disc jockeys of his day, Montague played a role in his community beyond simply spreading the music of James Brown, Otis Redding, Aretha Franklin, and other prominent artists. Montague served as an unofficial spokesman for his black listeners, reflecting their beliefs and acting as a sounding board for their concerns. Montague was based in Los Angeles in 1965 when the Watts rioters seized on his incendiary slogan, turning the shout of musical appreciation into a rallying cry for racial violence. In Burn, Baby! BURN! Montague recalls these tumultuous times, including the personal struggle he faced over whether to remain true to his listeners or bend to political pressure and stop shouting his suddenly controversial slogan. Since the mid-1950s Montague had also expressed his passion for African American culture by becoming a zealous collector of artifacts of black history. He has built a monumental collection, taking time out from his collecting to become only the second African American to build his own radio station literally from the ground up. A compelling account of a rich and varied life, Burn, Baby! BURN! gives an insider's view of half a century of black history, told with on-the-air zest by the DJ/historian who was there to see it unfold.