Stephen Spender and David Hockney's illustrated diary of the trip they took together to China takes in not just the famous sites - the Great Wall, the Temple of the jade Buddha, the magical landscape of Kweilin but the unexpected incidents of everyday Chinese life. And both discuss their meetings with contemporary Chinese poets and painters. Hockney's photographs, drawings and watercolours are a unique revelation of China, while Spender discourses in rich prose. Together they provide a glimpse of this ever-mysterious land.

Emmy Award-winning producer and New York Times bestselling author Lionel Friedberg has spent 50 years making films as diverse as full-length theatrical features and television documentaries. After growing up in South Africa during the troubled era of apartheid he began his career during the dying days of colonialism in Central Africa. He eventually settled in Los Angeles where his work took him to the sound stages of Hollywood and to the most remote regions of the Earth. His career exposed him to the extraordinary wonders of our planet and brought him into close contact with many unforgettable personalities from maverick scientists to politicians, entertainers and people who survived near-death experiences. His observations have taught him that life is far more complex and infinitely stranger than we can imagine. When he was struck by an unexpected life-threatening illness his efforts to find a way to save his life took him back to Africa where he encountered the age-old rituals and powerful healing methods of African shamans. Their mysterious ways have much to teach us and are as relevant today as they were in ancient times.

CBS News correspondent Bob Simon recounts his captivity in Iraq during the Persian Gulf War in 1991.

Winner of the 2007 B.C. Award for Canadian Non-fiction A Globe and Mail Best 100 Book (2006) National Post Best Books (2006) A bold cultural portrait of contemporary Canada through the work of its most celebrated novelists, short story writers, and storytellers. Stories are the surest way to know a place, and at a time when the fabric of the country seems daily more uncertain, Noah Richler looks to our authors for evidence of the true nature of Canada. He argues why fiction matters and seeks to discover — in the extra-ordinary diversity of communities these writers represent — what stories, if any, bind us as a nation. Over two years, Richler has criss-crossed the country and interviewed close to one hundred authors — a who’s who of Canadian literature, including Wayne Johnston, Michael Crummey, Alistair MacLeod, Gil Courtemanche, Jane Urquhart, Joseph Boyden, Miriam Toews, Yann Martel, Fred Stenson, Douglas Coupland, and Rohinton Mistry — about the places and ideas that are most meaningful to their work. The result is a journey through the reality of Canada and its imagination at a critical point in the country’s evolution. Within thematic chapters he exposes our “Myths of Disappointment” and considers the stories of our native peoples, the rise of the city, and how our history as a colony shapes our society and politics even today. This Is My Country, What's Yours? is an impassioned literary travelogue and a vivid portrayal of our society, the work of Canadian authors, and the idea of writing itself. This Is My Country, What's Yours? is based on Noah Richler’s ten-part documentary of the same name originally broadcast on CBC Radio’s flagship Ideas program in spring 2005.

A father and son travel across North America in a pick-up truck--talking, laughing, fighting, and bonding. After years of thinking he'd never have kids, Lee Gutkind became a father at forty-seven and, following his divorce, soon found himself taking over more and more of the primary care responsibilities for his son, Sam. As one of a growing number of "old new dads" (recent studies have shown that one in ten children are born to fathers over forty), Gutkind realized that he faced challenges-both mental and physical-not faced by younger dads, not the least of which was how to bond with a son who was so much younger than himself. For the past five years, Gutkind's approach to this challenge has been to spend several weeks of every summer "truckin'" with Sam, a term they define as a metaphor for spontaneity, a lack of restriction: "Truckin' means that you can what you want to do sometimes; you don't always need to do what's expected." What began as long, cross-country journeys in a pick-up truck, including one memorable trip up the Alaska-Canadian Highway en route to a writer's conference in Homer, Alaska, have in more recent years ranged farther afield, to Europe, Australia, and Tibet. Whether listening to rock and roll music, entertaining themselves with their secret jokes and code words, fishing for halibut, or fighting over tuna fish sandwiches and how best to butter one's toast, Lee and Sam have learned to respect one another. In the process of their travels and their adventures, Lee has also come to grips with the downside of middle age and the embarassment of "senior moments," while Sam has inevitably begun to assert himself and shape his own life. Interspersed with Sam's own observations and journal entries, Truckin' with Sam is an honest, moving, and often hilarious account of one father's determination to bond with his son, a spontaneous travelogue that will appeal to old dads, new dads, and women who want to know more about how dads (and sons) think and behave.

A biographical excavation of one of the world’s great, troubled cities A remarkable view of one of the world’s most beloved and troubled cities, Adina Hoffman’s Till We Have Built Jerusalem is a gripping and intimate journey into the very different lives of three architects who helped shape modern Jerusalem. The book unfolds as an excavation. It opens with the 1934 arrival in Jerusalem of the celebrated Berlin architect Erich Mendelsohn, a refugee from Hitler’s Germany who must reckon with a complex new Middle Eastern reality. Next we meet Austen St. Barbe Harrison, Palestine’s chief government architect from 1922 to 1937. Steeped in the traditions of Byzantine and Islamic building, this “most private of public servants” finds himself working under the often stifling and violent conditions of British rule. And in the riveting final section, Hoffman herself sets out through the battered streets of today’s Jerusalem searching for traces of a possibly Greek, possibly Arab architect named Spyro Houris. Once a fixture on the local scene, Houris is now utterly forgotten, though his grand Armenian-tile-clad buildings still stand, a ghostly testimony to the cultural fluidity that has historically characterized Jerusalem at its best. A beautifully written rumination on memory and forgetting, place and displacement, Till We Have Built Jerusalem uncovers the ramifying layers of one great city’s buried history as it asks what it means, everywhere, to be foreign and to belong.

A wise, witty, and humane autobiography filled with a passionate curiosity about the people--and meaning--of America. "One Man's America is at once a stirring account of a young immigrant becoming an American, a personal history of the major milestones of the late twentieth century, a fascinating insider's view of the most widely read news magazine in the world, and a warm and loving family saga. Here also is the remarkable success story of a boy driven from his native Vienna by the Nazis and returning years later as an ambassador; of a copy boy who rose to become editor of "Time magazine. During his long and distinguished career in journalism, Grunwald knew, befriended, and feuded with some of the greatest figures on the world stage, from Whitaker Chambers and Marilyn Monroe to John F. Kennedy and Henry Kissinger to Ronald Reagan and Fidel Castro. But the immense power his position allowed him was tempered by a fierce desire to know everything he could about the mores and folkways of the whole United States, Main Street bankers and student radicals alike, through whom he sought to understand the heart of his adopted country. "One Man's America is, above all, a hymn to the ever-turbulent, ever-changing land of America.

A memoir of spiritualism and self-discovery from the acclaimed, award-winning author At fifty, Alix Kates Shulman, author of the celebrated feminist novel, Memoirs of an Ex-Prom Queen , left a city life dense with political activism, family and literary community, and went to live alone on an island off the coast of Maine. On a windswept beach, in a cabin with no plumbing, power, or telephone, she found that she was learning to live all over again. In this luminous, spirited book, she charts her subsequent path as she learned not simply the joys of meditative solitude, but to integrate her new awareness into a busy, committed, even hectic mainland life. “A ten-year voyage of discovery . . . Shulman's honesty and sense of inquiry carry us with her all the way--could even, if we were willing, change our lives.” — San Francisco Sunday Examiner & Chronicle

"First-hand accounts of indigenous people's encounters with colonialism are rare. A daily diary that extends over fifty years is unparalleled. Based on a transcription of Arthur Wellington Clah's diaries, this book offers a riveting account of a Tsimshian elder who moved in both colonial and Aboriginal worlds. From his birth in 1831 to his death in 1916, Clah witnessed profound change: the arrival of traders, missionaries, and miners, and the establishment of industrial fisheries, wage labour, and reserves. His many voyages physical, cultural, and spiritual provide an unprecedented Aboriginal perspective on colonial relationships on the Pacific Northwest Coast."--Pub. desc.

Amy Sedaris meets Woody Allen in an uproarious memoir of self discovery. In her critically acclaimed memoir Dork Whore, Iris Bahr finally lost her virginity in the summer between high school and Brown University. In this book, she’s ready for love a year later—but not much wiser. Through all of her uproarious capers, she tries to reconcile her craving for mindblowing sex with her desire for a meaningful relationship—all in an attempt to become an adult. Sort of.

Norman Levine's Canada Made Me , first published in England in 1958, is a bitter, critical reassessment of the moral and cultural values of Canada. His account of his three-month journey from Halifax to Ucluelet, a fishing village on the west coast, is an unconventional portrait of Canada's underbelly. The book ends with the words: `I wondered why I felt so bitter about Canada. After all, it was all part of a dream, an experiment that could not come off. It was foolish to believe that you can take the throwouts, the rejects, the human kickabouts from Europe and tell them: Here you have a second chance. Here you can start a new life. But no one ever mentioned the price one had to pay; how much of oneself you had to betray.' Canada Made Me was regarded as so controversial that it did not appear in a Canadian edition until 1979. Critical opinion, however, has slowly swung around to the point the book was recently described in the Globe and Mail as a `laconic classic'. For this new edition Norman Levine has written an introduction which traces the book's publishing history and reputation.

After more than thirty years as an expatriate, Irma Kurtz gave in to her growing curiosity about her American roots and set off on a grand adventure to explore 'the most baffling of all places' - by Greyhound bus. Taking only the barest necessitites for travel, she entered the vast network of America's bus routes and a seething, fleeting world of brief encounters and changing landscapes.

Praise for Coming Together, Coming Apart ""Interesting conversation is Israel's most ingratiating commodity, and this is an especially interesting one. To read Coming Together, Coming Apart is to be engaged in an ongoing dialogue with one of Israel's most thoughtful observers--an American who made Israel his home, despite its imperfections and dangers. Gordis's conversational narrative is irresistible."" --Alan dershowitz, author of The Case for Israel ""Whether describing a walk through Jerusalem in snow, a hike in the desert, or a farewell family drive to the Gaza settlements, Gordis manages to capture the essential details that tell us the larger meaning of our Israeli lives. There is much irony in this book, and also anger, especially against those who unfairly judge Israel in its most desperate and noble times. Most of all, though, this book is the chronicle of a love story--of an immigrant family in Jerusalem falling in love with Israel and, through that love, discovering the strength to cope with life on the front lines of a jihadist war. As a fellow Jerusalemite, I feel a profound debt to Gordis for explaining what it means to raise a family in the middle of a terror zone, and the courage that average Israelis instinctively display in maintaining the pretense of normal life. Those of us who share his passion are fortunate to be so well represented by this book."" --Yossi Klein Halevi, Foreign Correspondent, The New Republic

An irreverent portrait of Arnold Schwarzenegger and the state of California present a series of witty and incisive commentaries on such topics as politics, the water supply, mansions, fund raising, earthquakes, celebrities, TV crews who rent one's house to film a detergent ad, spiritual advisers, and more. 60,000 first printing.

Time in Africa: Flying and Fun from 1963 to 1983 covers 20 amazing years of David Price’s life as a pilot, working primarily in Africa. Although filled with personal adventures and humorous anecdotes, Time in Africa is much more than an autobiography. It is also an amazing glimpse of a time in aviation before computerized flight controls and when some older planes were still made of plywood and canvas. Having flown planes such as a DC3, Dove, Comet 4, Viscount, B737 and B707, the author shares stories of near disaster, having to make mechanical repairs and adjustments while flying—including once with a fire ax, and landing and taking off in the desert without a runway. Adding further interest to these stories is the setting: Libya, Kenya, Tanzania, Uganda, Cameroon, Zambia, Guinea, and Nigeria in their early days of independence post colonization. A natural storyteller, David portrays what life was like in Africa—both for the privileged Whites and the native Blacks—along with providing insight into the politics and attitudes of the time. From starting an airplane with car batteries strapped to a baggage trolley to having to put out a charcoal fire started in the aisle of a plane to brew a cup of tea, it is clear that there were few dull moments during David’s time as a pilot in Africa. It is also evident that he enjoyed every minute there, as will his readers as he takes them back to an amazing place in an interesting time.

Tells the story of the house and the family that lived there. Describes its destruction and the memorial raised on the original site.

The true life story of Michael Elihu Colby and his childhood days at Manhattan's Algonquin Hotel. His grandparents Mary and Ben B. Bodne had traded their southern oil fortune for the legendary but faded Algonquin and restored the hotel's former glory. Their efforts led to a remarkable renaissance and attracted an overflow of celebrities from the ridiculous to the sublime. Michael weaves a vivid tapestry of encounters with glittering Broadway and Hollywood celebrities in a kaleidoscopic memoir of illustrious figures-some on a meteoric rise, some in tragic decline-while he found his own place in the topsy turvy world of the Broadway theatre and musicals. Nearly 200 rare photographs and illustrations, a Bibliography, Appendixes, and an Index.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.