"Judy Gold, a concise, funny, and thoughtful polemic on the current assault on comedy, that explores how it is undermining free speech and a fundamental attack against the integrity of the art. From Mae West and Lenny Bruce to Richard Pryor and Howard Stern to Kathy Griffith and Kevin Hart, comedians have long been under fire for using provocative, often taboo subjects to challenge mores and get a laugh. But in the age of social media, comedians are at greater risk of being silenced, enduring shaming, threats, and damaged careers because of angry, censorious electronic mobs. But while comedians' work has often been used to rile up detractors, a new threat has emerged from the left: identity politics and notions like "safetyism" and trigger warnings that are now creating a cultural and political standard that runs perilously close to censorship. From college campuses to the Oscars, comics are being censured for old jokes, long-standing comedy traditions, unfinished bits and old material that instead of being forgotten, go viral. For comics like Judy Gold, today's attacks on comics would have Richard Pryor and Lenny Bruce "rolling in their graves." "No one has the right to tell comics what they can or cannot joke about. Do you tell artists what they can or cannot paint?" she asks. Freedom of speech is fundamental for great stand-up comedy. Humor is the most palatable way to discuss a subversive or taboo topic, but it better be funny. A comic's observations are deliberately delivered to entertain, provoke, and lead to an exchange of ideas. "We are truth tellers." More important, the tolerance of free speech is essential for a healthy democracy. In addition to offering readers a quick study on the history of comedy and the arts (noting such historical reference points as The Hays Code) and the threats to them., Gold takes readers on a hilarious ride with chapters such as "Thank God Don Rickles is Dead," as well as her singular take on "micro-aggressions," such as: Person: "OMG! You're a lesbian? I had no idea. I mean you wear make-up. When did you become a lesbian?" Judy Gold: "Coincidently, right after I met you!" (micro-assault!) In this era of "fake news," partisan politics, and heated rhetoric, the need to protect free speech has never been greater, especially for comics, who often serve as the canaries in the coalmine, monitoring the health of our democracy. Yes I Can Say That is a funny and provocative look at how safe spaces are the very antithesis of comedy as an art form-and an urgent call to arms to protect our most fundamental Constitutional right. There's a good reason it was the FIRST amendment"--

"Science world luminary John Brockman assembles twenty-five of the most important scientific minds, people who have been thinking about the field artificial intelligence for most of their careers, for an unparalleled round-table examination about mind, thinking, intelligence and what it means to be human"--

The woman who made Cocoon a verb, who predicted the retreat from the corporate rat race to home-based businesses, now shows readers how they can actively use trends to click into the future and into new careers and lifestyles that are more rewarding and fulfilling. From Pleasure Revenge to FemaleThink to Icon Toppling, Clicking explores the trends that will shape our future. Popcorn and her co-author, Lys Marigold, chart the sixteen major trends that Popcorn's company, BrainReserve, has identified to make the right choices - in business and in life. To illustrate the process, Popcorn and Marigold talk about people they've interviewed and give examples of new products, new ideas, and new companies, as well as individuals who have successfully clicked. Clicking is an invaluable road map that will teach readers how to capitalize on the newest trends and click into success. It is about possibilities, taking chances, and taking charge of the future - now.

"[This book] examines the lives, legal careers, and legacies of the eight Jews who have served or who currently serve as justices of the U.S. Supreme Court: Louis D. Brandeis, Benjamin Cardozo, Felix Frankfurter, Arthur Goldberg, Abe Fortas, Ruth Bader Ginsburg, Stephen G. Breyer, and Elena Kagan. David Dalin discusses the relationship that these Jewish justices have had with the presidents who appointed them, and given the judges' Jewish background, investigates the antisemitism some of the justices encountered in their ascent within the legal profession before their appointment, as well as the role that antisemitism played in the attendant political debates and Senate confirmation battles. Other topics and themes include the changing role of Jews within the American legal profession and the views and judicial opinions of each of the justices on freedom of speech, freedom of religion, the death penalty, the right to privacy, gender equality, and the rights of criminal defendants, among other issues."--Publisher's website.

Widely acclaimed for its engaging style and provocative perspective, this book has helped thousands transform their working lives. Now including a 30-page resource guide that explains the basics of working for oneself. It's about fulfillment. A revolution is sweeping America. On its front lines are people fed up with unfulfilling jobs, dysfunctional workplaces, and dead-end careers. Meet today's new economic icon: the free agent-men and women who are working for themselves. And meet your future. It's about freedom. Free agents are the marketing consultant down the street, the home-based "mompreneur," the footloose technology contractor. Already 30 million strong, these 21st-century pioneers are creating lives with more meaning-and often more money. Free Agent Nation is your ticket to this world. It's about time. Now, you can discover: The kind of free agent you can be-"soloist," "temp," or "microbusiness"-and how to launch your new career. How to get the perks you once received from your boss: health insurance, office space, training, workplace togetherness, even water cooler gossip. Why the free agent economy is increasingly a woman's world-and how women are flourishing in it. The transformation of retirement-how older workers are creating successful new businesses (and whole new lives) through the Internet.

Peek behind the curtain into the making of Happy Days , the ultimate American sitcom, in this detailed season-by-season history written by two of the show’s longest-serving writer-producers . One of the most successful TV shows of all time, Happy Days drew in 30 million viewers weekly at its peak and launched the careers of stars like Ron Howard, Henry Winkler, and Robin Williams. Now, just in time for its 50th anniversary, tune in for exclusive access, as writers Brian Levant and Fred Fox Jr. chronicle life on set and examine the evolution of a television show that made history. Featuring new interviews with the creators, cast, and crew of the show and a foreword by The Fonz himself, explore rarely-seen photographs and personal anecdotes on a season-by-season journey behind the scenes. A PHOTOGRAPHIC TREASURE TROVE: This coffee-table art book includes stunning, full-color photos of candid moments between cast and crew, lovingly preserved scenes from the show, exclusive shots that capture the energetic set, and a look at some of the vintage collectibles that brought the sitcom into fans’ homes. REVELATIONS ABOUT THE CREATIVE TALENT BEHIND THE SCENES: Explore the strategies and big gambles that fueled one of the most successful shows of all time, as told by the individuals who made it happen. EXCLUSIVE INTERVIEWS: Gather anecdotes straight from Ron Howard, Henry Winkler, Anson Williams, Marion Ross, Ted McGinley, and a host of Hollywood royalty who worked as a team to change the landscape of television forever. NOSTALGIC GUIDE TO A SPECIAL PLACE AND TIME: Take a deep dive into the in-world lore that will bring to life the 1950s Milwaukee of Richie and Joanie Cunningham, Potsie Weber, Ralph Malph, and, of course, Arthur “Fonzie” Fonzarelli.

A career-spanning anthology of essays on politics and culture by the best-selling author of The Flamethrowers includes entries discussing a Palestinian refugee camp, an illegal Baja Peninsula motorcycle race, and the 1970s Fiat factory wildcat strikes.

The Faber Classic Screenplay Series presents the very best writing from the history of cinema. Sweet Smell of Success is the smartest, most cynical American film of the 1950s. Written by Ernest Lehman ( North by Northwest , The Sound of Music ) and the celebrated leftist playwright Clifford Odets, it is a vicious dissection of the world of public relations and journalism which conjures up a wprld of creeping hysteria and acid disenchantment. Tony Curtis playing the Scuttling press agent Sidney Falco, and Burt Lancaster as the colimnist J.J. Hunsecker, gave the performances of their careers. With a specially commissioned introduction by Lehman, and an appreciation of the film's director, Alexander Mackendrick, by James Mangold. The Faber Classic Screenplay Series presents the very best writing from the history of cinema. Sweet Smell of Success is the smartest, most cynical American film of the 1950s. Written by Ernest Lehman ( North by Northwest , The Sound of Music ) and the celebrated leftist playwright Clifford Odets, it is a vicious dissection of the world of public relations and journalism which conjures up a wprld of creeping hysteria and acid disenchantment. Tony Curtis playing the Scuttling press agent Sidney Falco, and Burt Lancaster as the colimnist J.J. Hunsecker, gave the performances of their careers. With a specially commissioned introduction by Lehman, and an appreciation of the film's director, Alexander Mackendrick, by James Mangold.

Pages clean and unmarked. Slight wear from time on shelf like you would see on a major chain. Immediate shipping.

The Independent Directing Bible that will fit in your back pocket! (If you have an extremely large pocket...) Have you always wanted to direct a movie, but don't know how to start? Want to know how to get your first directing job? What do directors even do, anyway? Legendary director Lloyd Kaufman, creator of The Toxic Avenger, reveals 40 years worth of maverick cinematic know-how! Direct Your Own Damn Movie! will be your step-by-step roadmap on the journey through: * Scriptwriting * Pre-production * Casting * Managing your set * Post-production * Distribution Master the art of directing the easy way! There is no better way to become a director than by following the instruction and wisdom of an actual successful film director, not someone who just talks about it. Featuring expert advice from: Eli Roth (Grindhouse, Hostel) Jenna Fischer (LolliLove) Stan Lee (co-writer Spider-Man, Fantastic Four) Ron Jeremy (credits cannot be printed here) Stuart Gordon (Re-Animator) James Gunn (Dawn of the Dead, Slither) ...and many more! WARNING! Do not read this book if you suffer from motion sickness, or are about to operate heavy machinery. This book is not for the faint of heart, the good of taste, or those who might be pregnant. * There's more to directing than a cool-looking chair. Renegade director Lloyd Kaufman reveals all! * Includes interviews with a host of luminaries on mistakes and disasters from their early film careers * Learn the ten directing commandments of Lloyd Kaufman, plus the all-important 11th: forget the first 10 and direct your own damn movie!

"The years following 1945 witnessed a massive change in American intellectual thought and in the life of American universities. The vast effort to mobilize intellectual talent during the war established new links between the government and the academy. After the war, many of those who had worked with the military or the Office of Strategic Services (OSS) took jobs in the burgeoning postwar structure of university-based military research and the intelligence agencies, bringing infusions of government money into many fields." "Little has been written about the long-term impact of this close association, despite considerable study of the McCarthy period's destructive impact on academic careers. The Cold War and the University is a groundbreaking collection of newly commissioned essays that takes a bold first step toward the reconstruction of this history. In it, some of the country's most prominent intellectuals use their own experiences to explore what happened to the university in the postwar years and why." "In wide-ranging and revealing essays, these writers show the many ways existing disciplines, such as anthropology, were affected by the Cold War ethos; they discuss the rise of new fields, such as area studies; and they explore the changing nature of dissent and academic freedom during and since the Cold War."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Only Greg Rucka, the thriller genre's most fearless writer, would dare create a spy so edgy, so explosive, so extreme, she should be rated X.Tara Chace was once the most dangerous woman alive. And now that the international spy network thinks she's as good as dead, she's even more dangerous than ever.Only one thing could coax Tara back into the game: a chance to vindicate herself. The torture and execution of Dina Malikov has set off a cutthroat grab for power in strategically crucial Uzbekistan. Tara's job is to slip into the country and extract Dina's pro-Western husband and their young son before they are murdered--by his ruthless sister.But there are a couple of wild cards in the deck, including a missing mobile weapons system that can bring down a commercial airliner, not to mention powerful political careers. Now, as she vanishes into hostile territory with a man who may or may not be what he seems, Tara is going to find out that the war on terror is more terrifying than anyone knows. For in a battle where betrayal is a conventional weapon, loyalty is a weakness, and anyone--even a child--is a legitimate target: it's every spy, every woman, for herself.Combine a thriller that defies every expectation with a heroine for whom nothing is out of bounds, and the result is Private Wars, a suspense novel so explosively realistic, it should be classified --

In this riveting account of the explosive relationship between Robert F. Kennedy and J. Edgar Hoover, renowned journalist and author Burton Hersh sets their highly publicized clashes in the context of Joe Kennedy's ongoing manipulation of Congress and his children's careers, and his lifelong connections to organized crime. Theirs was a unique triumvirate, marked by conflict and betrayal, and culminating in a near-Shakespearean tragedy. Based on compelling new research, and told in gripping anecdotal style, Hersh chronicles the complex relationship between the two antagonists, from their early brushes during the McCarthy years to their controversial deaths.

A master film critic is at her witty, exhilarating, and opinionated best in this career-spanning collection featuring pieces on Bonnie and Clyde , The Godfather , and other modern movie classics “Film criticism is exciting just because there is no formula to apply,” Pauline Kael once observed, “just because you must use everything you are and everything you know.” Between 1968 and 1991, as regular film reviewer for The New Yorker , Kael used those formidable tools to shape the tastes of a generation. She had a gift for capturing, with force and fluency, the essence of an actor’s gesture or the full implication of a cinematic image. Kael called movies “the most total and encompassing art form we have,” and her reviews became a platform for considering both film and the worlds it engages, crafting in the process a prose style of extraordinary wit, precision, and improvisatory grace. Her ability to evoke the essence of a great artist—an Orson Welles or a Robert Altman—or to celebrate the way even seeming trash could tap deeply into our emotions was matched by her unwavering eye for the scams and self-deceptions of a corrupt movie industry. Here are her appraisals of era-defining films such as Breathless , Bonnie and Clyde , The Leopard , The Godfather , Last Tango in Paris , Nashville , along with many others, some awaiting rediscovery—all providing the occasion for masterpieces of observation and insight, alive on every page.

If you've ever been fired, you're in good company. That's what actress and writer Annabelle Gurwitch discovered when she was fired by her idol Woody Allen, who added, "You look retarded." In confiding her tale of woe to others, she realized there is a world of people out there with similar laugh-out-loud experiences. How did Bob Saget learn he was being phased out of his job on The Morning Program? "One day I showed up and my hosting chair was gone!" A collection of anecdotes from people who've all gotten the ax, the boot, or been canned at some point in their lives, Fired! boasts an all-star cast from Tim Allen to Jeff Garlin and features contributions from people all over the country. Uproariously funny and refreshingly true, this book proves it's not the bounce that counts, it's the bounce back.

The career of astronomer from a woman astronomer's point of view.

"Kilmer Watts makes his living teaching piano lessons, but when automatic pianos arrive in town, he realizes he's out of a job. He spots a "Help Wanted" sign at the poem factory and decides to investigate -- he's always been curious about how poems are made. The foreman explains that machines and assembly lines are used for poetry these days. So Kilmer learns how to operate the "meter meter" and empty the "cliché bins." He assembles a poem by picking out a rhyme scheme, sprinkling in some similes and adding alliteration. But one day the machines malfunction, and there is a dramatic explosion at the poem factory. How will poetry ever survive? Kyle Lukoff's funny story, rich in wordplay, is complemented by Mark Hoffmann's lively, quirky art. The backmatter includes definitions of poetic feet, types of poems (with illustrated examples) and a glossary of other terms."--

The companion to Drucker's seminal work Management, completely revised and updated Management Cases, Revised Edition is a collection of thought-provoking case studies—each a timeless representative of a challenge that all managers will face at some point in their careers. Longtime Drucker colleague, collaborator, and eminent management professor Joseph A. Maciariello has organized the material to be used in conjunction with Management, Revised Edition , making the book particularly useful in undergraduate, MBA, and executive education classrooms. It contains fifteen completely new cases written especially for this edition plus another thirty-five revised and updated cases, ensuring that the book provides comprehensive coverage of the most important management dilemmas and most timeless leadership wisdom. An essential resource for business students and working professionals alike, the book will help readers test and hone their management skills.

They're an extraordinary family . . . Milo, husband and father, is a sculptor, and Lulu, wife and mother, is his model and protectress. Their daughters, Hillary and Jennifer, are beautiful, precocious young women already starting careers of their own. They spend their summers on an island off Cape Cod, but this may be Lulu's last. And now her family, one by one, must learn to accept the limits of love. A widely acclaimed debut novel.

Go back in time to the 1980s, and visit the sets of movies like Back to the Future, A Nightmare on Elm Street, and A View To a Kill , where young journalist Lee Goldberg, years before he was a #1 New York Times bestselling author ( Lost Hills, True Fiction , etc) and TV writer/producer ( Monk , Diagnosis Murder, SeaQuest , etc), interviewed Michael J. Fox, William Friedkin, Wes Craven, Chevy Chase, Robert Zemeckis, Roger Moore, and many other actors, directors, producers and screenwriters. These informative, fascinating, and trivia-packed interviews offer a revealing look at film-making in the 1980s, while also exploring the long careers of established talents like Kurt Russell and director Fred Schepsi at the top of their game...and introducing newcomers like Johnny Depp and director W.D. Richter, some of whom went on to greatness, and others who disappeared into obscurity. Lee Goldberg put himself through college by writing freelance articles, primarily about movies, TV and publishing, for publications like Starlog, American Film , Cinefantastique, and the San Francisco Chronicle . He didn't do it just to pay his tuition and support himself... he also saw it as a way to get a graduate school education in all aspects of the entertainment industry...learning lessons he's still benefitting from today.