This book is a comical romp through the joys of womanhood. It's great to be a woman . . . most of the time. Lisa Birnbach, Ann Hodgman, and Patty Marx have come up with 1,003 hilarious reasons why it's great all of the time. Pantyhose, high heels, lipstick, maxi pads, chocolate-all things feminine are covered. These three witty and wise women have delivered yet another hysterical list of 1,003 great things. Each writer has a unique (and much appreciated) take on being a modern-day woman. After all, today's females need to be tough, talented multitaskers with an amazing sense of humor-and that's just to compete with the males in grade school! The trio empathizes humorously with women's universal struggles and triumphs: * Hair talk is the international language. * You and the children go first in the lifeboat. * You can cry your way out of a speeding ticket. * Oh, the joy of a shoe sale! * The gender that brought you Girl Scout cookies. * Women are tougher than men. Proof: bikini waxes. * Women have a better instinctive sense of how to bag items in the supermarket. * When we get that tone in our voice, you'd better listen up. * Nothing wrong with us that a Frappuccino can't fix. * Without ever having been there first, we know our way around every Target, Wal-Mart, Kohl's, and Kmart. You'll laugh out loud at these outrageously funny stands on the sisterhood of femininity. 1003 Great Things About Being a Woman is the gift book every woman must own!

They met in college and have been inseparable ever since: Cecile, confident, elegant, daughter of privilege; Norma, extraordinarily gifted and sadly troubled; Amanda, determined to rise above her humble southern beginnings. Two are married; one despairs of ever finding love; all lead busy adult lives. Yet, first and always, friends. But, in every life there is a moment when everything changes. For Cecile, Norma and Amanda it comes in the form of a pivotal event, a shattering act of betrayal that will shift the balance of power between husbands and wives, parents and children, sisters and brothers. After, the three friends will look at their families, their lives- and one another- differently. And none of them will be the same. Filled with the magical storytelling and emotional resonance that are Belva Plain's trademarks, "Looking Back" captures the profound intimacy and drama in the lives of women and their families. Tender, moving, and unforgettable, it is a richly woven page-turner by one of our most gifted authors.

A rich and rewarding story of love, loss, and the power of family from the bestselling author of Bad Mother and Love and Other Impossible Pursuits . In the aftermath of a devastating wedding day, two families, the Tetherlys and the Copakens, find their lives unraveled by unthinkable loss. Over the course of the next four summers in Red Hook, Maine, they struggle to bridge differences of class and background to honor the memory of the couple, Becca and John. As Waldman explores the unique and personal ways in which each character responds to the tragedy—from the budding romance between the two surviving children, Ruthie and Matt, to the struggling marriage between Iris, a high strung professor in New York, and her husband Daniel—she creates a powerful family portrait and a beautiful reminder of the joys of life. Elegantly written and emotionally gripping, Red Hook Road affirms Waldman’s place among today’s most talented authors.

Read Visible City . Tova Mirvis s graceful yet vigorous New York novel is about the half-inadvertent window-peeping that city life enables, and where it can lead. New York Magazine After chaotic days of wrangling and soothing her young children, Nina spends her evenings spying on the quiet, contented older couple across the street. But one night, through her same window, she spies a young couple in the throes of passion. Who are these people, and what happened to her symbol of domestic happiness? Soon, Nina crosses paths with both couples on the streets of her Upper West Side neighborhood and, as anonymity gives way to different forms of intimacy, all begin to confront their own desires and disappointments. Shrewdly and artfully, Mirvis explores the boundaries between our own lives and the lives of others. From its lavish ghost subway stations to its hidden stained-glass windows, Visible City conjures a New York City teeming with buried treasures. An utterly perfect, deeply moving evocation of contemporary Manhattan [that] reminded me of Paula Fox and Laurie Colwin, and also those master chroniclers of the privileged classes, Wharton and Fitzgerald . . . Brilliant. Joanna Smith Rakoff, Salon.com Mirvis s meticulously choreographed novel surprises and moves us. New York Times Book Review TOVA MIRVIS is the author of The Outside World and The Ladies Auxiliary , a national bestseller. Her essays have appeared in various anthologies and newspapers, and her fiction has been broadcast on NPR. She is a recipient of a Massachusetts Cultural Council Fiction Fellowship and lives in Newton, Massachusetts, with her three children. Author photograph (c) Nina Subin"

'Francesa Segal is precise and funny, and The Awkward Age is brimming with keen observations of the highest order--the clever, the sore, and the sublime.' Emma Straub In a Victorian terraced house, in north-west London, two families have united in imperfect harmony. After five years of widowhood, Julia has fallen deeply, unexpectedly in love. James is everything she never knew she wanted - if only her beloved teenaged daughter, Gwen, didn't hate him so much. At the very least, Gwen could be civil to James's son, Nathan. Bringing together two households is never easy, but Gwen's struggle for independence will test her mother's loyalty, and her unexpected actions will threaten this fragile new happiness. The Awkward Age is about the new family; about starting over, about the attempt to build something beautiful amid the mess and complexity of what came before. It is a story about standing by the ones we love, even while they hurt us. We would do anything to make our children happy. But how much should we give?

Just as every society has an economic and political structure, so too every society has a gender structure. Barbara Risman's original research on single fathers, married baby boom mothers, and heterosexual egalitarian couples and their children, reported in this intriguing book, weaves together qualitative and quantitative data from surveys, interviews, and observation. Risman shows how gender as a social structure affects individuals, organizes expectations attached to social positions, and becomes an integral part of social institutions. She provides empirical evidence that human beings are capable of enduring and affective intimate relationships without gender as the central organizing mechanism. The data also strongly indicate that men and women are capable of changing gendered ways of being throughout their lives. In her analysis of nontraditional families, Risman finds that gender expectations can be overcome if couples are willing to flout society and risk "gender vertigo." Most children of such families adopt their parents' beliefs about gender, but they do struggle with the contradictions between parental ideology and folk knowledge and expectations in peer relationships. The author argues that we can create a just society only by creating a society in which gender is an irrelevant category for social life--a post-gender society.

The Big Chill meets The Group in Deborah Copaken Kogan’s wry, lively, and irresistible new novel about a once-close circle of friends at their twentieth college reunion. Clover, Addison, Mia, and Jane were roommates at Harvard until their graduation in 1989. Clover, homeschooled on a commune by mixed-race parents, felt woefully out of place. Addison yearned to shed the burden of her Mayflower heritage. Mia mined the depths of her suburban ennui to enact brilliant performances on the Harvard stage. Jane, an adopted Vietnamese war orphan, made sense of her fractured world through words. Twenty years later, their lives are in free fall. Clover, once a securities broker with Lehman, is out of a job and struggling to reproduce before her fertility window slams shut. Addison’s marriage to a writer’s-blocked novelist is as stale as her so-called career as a painter. Hollywood shut its gold-plated gates to Mia, who now stays home with her four children, renovating and acquiring faster than her director husband can pay the bills. Jane, the Paris bureau chief for a newspaper whose foreign bureaus are now shuttered, is caught in a vortex of loss. Like all Harvard grads, they’ve kept abreast of one another via the red book, a class report published every five years, containing brief autobiographical essays by fellow alumni. But there’s the story we tell the world, and then there’s the real story, as these former classmates will learn during their twentieth reunion weekend, when they arrive with their families, their histories, their dashed dreams, and their secret yearnings to a relationship-changing, score-settling, unforgettable weekend.

In this fascinating and pathbreaking work, Susan Starr Sered uncovers, describes, and analyzes religions, scattered throughout the world, in which women are both the majority of leaders and the majority of participants. How are these women's religions different from those dominated by men? What can we learn from them about the ways in which women experience and interpret the supernatural? How do women construct religion? Looking for common threads linking groups as diverse as the Sande secret societies of West Africa, matrilineal spirit cults of northern Thailand, Christian Science, and the Feminist Spirituality movement, Sered asks whether there is anything particularly "womanly" about women's religions. She finds that women's concerns and identity as mothers play a vital role in these female-dominated groups. Nurturing and concern for others are at the center, as are healing arts and ways of dealing with illness and the death of children. Religion not only enables women to find sacred meaning in their daily lives, from the preparation of food to caring for their families, but can offer intense and personal relationships with deities and spirits - often through ecstatic possession trance. These religions provide women with opportunities to celebrate and mourn with other women, as well as forums for advancing women's social and economic rights and security. In all of these religions, women priestesses, shamans or ritual experts embody the spiritual power available to women. By examining the shared experiences of women across great cultural divides, Priestess, Mother, Sacred Sister offers a new understanding of the role gender plays in determining how individuals grapple with the ultimate questions of existence. In the process, it not only highlights the profound differences between men and women, but the equally important ways in which we are all alike.

A comic and heartwarming memoir about childhood's second act from Real Simple journalist Catherine Newman. Much is written about a child's infancy and toddler years, which is good since children will never remember it themselves. It is ages 4-14 that make up the second act, as Catherine Newman puts it in this delightfully candid, outlandishly funny new memoir about the years that "your children will remember as childhood." Following Newman's son and daughter as they blossom from preschoolers into teenagers, CATASTROPHIC HAPPINESS is about the bittersweet joy of raising children--and the ever-evolving landscape of issues parents traverse. In a laugh out-loud, heart-wrenching, relatable voice, Newman narrates events as momentous as grief and as quietly moving as the moonlit face of a sleeping child. From tantrums and friendship to fear and even sex, Newman's fresh take will appeal to any parent riding this same roller coaster of laughter and heartbreak.

Product Description Set in the magnificent culture of the Middle East more than four thousand years ago, Lilah is a rich and emotionally resonant story of faith, love, and courage. Living in exile, Lilah is in love with Antinoes, a Persian warrior. They have known each other since they were children, and Antinoes dearly wants to make Lilah his wife. Yet Lilah does not feel she can marry without the blessing of her brother, Ezra. She and Ezra are close, and Lilah knows her brother well—he does not want his sister to have a husband outside their faith. Ezra is a scholar of the laws of Moses, and Lilah believes it is her brother’s destiny to lead the Jewish people back to the Promised Land. While Antinoes pressures her to accept his proposal, Lilah realizes that before she can consider her own happiness, it is her duty to help her brother accomplish the seemingly impossible task that is before him. Putting herself in grave danger, and with the help of Antinoes, Lilah wins Ezra an audience with Artaxerxes II, the King of Kings, who grants permission to lead the exiles on their journey back to the Promised Land. After a hazardous trip across the desert, Lilah, Ezra, and the thousands who join them arrive in Jerusalem. But the hardship of rebuilding the Temple takes its toll, and the religious enthusiasm of some turns to extremism. Ezra, listening to the zealots, orders all non-Jewish wives and their children banished from Jerusalem. Lilah, whose love for Antinoes has never wavered, is horrified by this command. She knows she must now choose between her brother and her conscience, which tells her that the time has come to defy him. Lilah is a timeless story of one woman’s stand against intolerance; it will linger in the reader’s mind long after the last page has been turned. From Publishers Weekly In his final installment of the Canaan Trilogy ( Sarah; Zipporah), Halter ambitiously tackles portions of the complicated biblical book of Ezra, which centers on the rebuilding of the Jerusalem temple and calls Israel to ethnic and religious purity. In the Persian town of Susa, the beautiful Lilah dreams of marrying her Persian lover and childhood sweetheart, Antinoes. However, her beloved brother Ezra, who has immersed himself in studying the laws of God, refuses to approve of their union since Antinoes is not a Jew. As the story unfolds, with scenes full of rich detail, Lilah becomes the unlikely instrument of gaining royal approval for the Jewish people to return to Jerusalem and rebuild the holy city. However, once there, Ezra orders all non-Jewish wives and children driven away in what is surely one of the most heart-wrenching episodes directly from scripture. A horrified Lilah repudiates her brother and leaves with them. As the cast-off women wander unprotected outside the city, rape, murder and mayhem ensue. (It's confusing that Lilah narrates one violent scene, but readers are unsure how she survives it.) As in Sarah and Zipporah, there is plenty of highly charged sexuality and some imaginative storytelling. Unfortunately, as with its predecessors, the story trails off, and the ending is unsatisfactory. (June) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From AudioFile Ellen Reilly brings the story of Lilah, sister of Ezra, the biblical prophet, to life. Perhaps not many are familiar with the story of Ezra, which takes place more than four thousand years ago during a sad time in Israel's history. Lilah is torn between her love for her brother, Ezra, and her love for a Persian warrior. She must choose, and her choice will bring far-reaching consequences. All the emotion and turmoil in the story are made real by the talented Ellen Reilly. One can easily feel the heartache, passion, and drama of this book. Fascinating and well worth a listen. N.L. © AudioFile 2006, Portland, Maine-- Copyright © AudioFile, Portland, Maine About the Author Mar

Lauren Book, now 25, was 11 years old when her new nanny, Waldina Flores, joined the family. For the next six years Lauren endured daily sexual and physical abuse. "I was a people pleaser," she says. "I was beaten every day...Waldy was very smart, like all predators are. She hit me and bruised me where my parents wouldn't look. When you are 13 and 14 parents never look at their children's stomachs or lower backs or butts or upper thighs." Lauren is the oldest of three children; her father, Ron Book, is a prominent Florida attorney and lobbyist. In 2002, after being encouraged by her boyfriend, Lauren confessed to her therapist, who in turn called her parents. Her father fired Flores. She fled to Oklahoma and was arrested one month later while coaching a 10-year-old girls' soccer team. While in prison, Flores wrote love letters to Lauren asking for money and ultimately was sentenced to another 10 years on top of the initial 15 years. Since then, Lauren and her father have successfully mounted a legislative onslaught against predators; the many laws they are responsible for include the right to get 48-hour access to predators' HIV test results, a ban on molesters from ever contacting their victims or families, passed legislation to create a statewide network of sexual assault treatment centers, and the controversial act that barred predators from living 2500 feet from public places where children gather such as schools, parks, and playgrounds. Lauren's memoir is a book about hope in the face of extreme adversity. While it deals with a tremendously sensitive and "dark" subject, the hope that it delivers to readers carries an everlasting positive impact. Her story will empower readers to address abuse issues in their own lives and move them to understand the resulting deep emotional matrix that results from abuse and the incredible power of an individual's ability to recover and embrace life.

"We are on our way to Le Havre. The train is going so fast that the landscape is all but a blur. From time to time, I can see a farm in the mist surrounded by a sea of green fields. I am excited but also scared. It is 1955, and we are on our way to New York." So begins the marvelous journey of Colette Rossant, just married to an American architect and about to leave France for a new life in the heart of New York City. At first, Colette finds Americans' manners to be as mystifying as their cuisine, but before long, she discovers the myriad charms of her adopted country. Between taking on an astoundingly diverse series of jobs, raising four children, and renovating a Soho town house, Colette develops her own flair for food -- and for superb food writing. In this spirited and deliciously entertaining memoir, Colette shares the unforgettable stories of her forty tumultuous years at the heart of American and international cuisine. The children's cooking school she starts for her daughter's friends turns into a starring role on a PBS television series. As New York magazine's "Underground Gourmet," she hails the city's staggering array of outstanding ethnic cuisine. Either with her husband and children, or on her own, she travels to Africa, China, Japan, and South America, exploring cuisine and culture around the globe. She rides camels through the Australian outback, barters lipstick for fresh vegetables in Tanzania, and is almost arrested as a spy by the Chinese secret police -- just because she is trying to eat like a local. Charming, indomitable, endlessly curious and adventurous, Colette Rossant inspires us to savor every meal -- and every day. With a wonderful array of mouth-watering recipes, The World in My Kitchen is an irresistible celebration of family, food, and life.

For fans of All-of-a-Kind Family , here is the true story of how Sarah Brenner, a poor girl from New York City’s Lower East Side, became Sydney Taylor: dancer, actress, and successful children’s book author. Sarah Brenner might have come from an all-of-a-kind family (five sisters who all dressed alike), but she was always one of a kind. Growing up in a Jewish immigrant family on New York’s impoverished Lower East Side, Sarah loved visiting the library, celebrating holidays with her family, and taking free dance classes at the Henry Street Settlement. But she was always aware of things that weren’t fair—whether it was that women couldn’t vote, or how girls were treated in her school, or that her parents had had to leave Europe because they were Jewish. When she grew up, Sarah changed her name to Sydney and became an actress and a dancer, but she never forgot the importance of fighting unfairness, whether it was anti-Semitism at her job or the low wages of workers. And when her daughter complained that it wasn’t fair that there were no books about Jewish children like her, Sydney put pen to paper and wrote a one-of-a-kind children’s book. From well-known Jewish children’s author Richard Michelson, this is the story of how Sarah became Sydney and how she showed children the joy of seeing their culture reflected on the page.

This interpretation of the way female sexuality was viewed by the nineteenth-century European medical profession characterizes an attitude based on massive ignorance and prejudice

From the award-winning author of Minor Characters comes a haunting novel about the persistence of love and the sustaining and destabilizing power of memories In the vibrant downtown Manhattan art world of the 1960s, where men and women collide in "lucky and unlucky convergences," a series of love affairs has left Joanna Gold, a young photographer, feeling numbed. Then, at yet another party, a painter named Tom Murphy walks up to her. "Why do you hang back?" he asks. Rather than another brief collision, their relationship is the profound and ecstatic love each had longed to find. But it's undermined by Tom's harrowing past--his fatherless childhood, his wartime experiences, and most of all, the loss of the two children he left behind in Florida, along with the powerful red, white, and black paintings he will never set eyes on again. Tom, both tender and volatile, draws Joanna into the unwinnable struggle against the forces that drive him toward death. Once again, Joyce Johnson brings to life a mythic bohemian world where art is everything and life is as full of intensity and risk as the bold sweep of a painter's brush across a canvas. A New York Times Notable Book Excerpted in The New Yorker and Harper's Magazine

"Julia Howe (1819-1910) was a beautiful, studious New York heiress and aspiring poet when she married Bostonian Dr. Samuel Gridley Howe, a hero of the Greek war of independence against the Turks and an internationally acclaimed pioneer in the education of the blind. Their marriage united two exceptional people. Together the Howes knew many of the key figures of their era, from Charles Dickens and Florence Nightingale in England, to Margaret Fuller, Henry Wadsworth Longfellow, Horace Mann, Charles Sumner, and John Brown. But despite his philanthropic and abolitionist ideals, Dr. Howe did not support married women's work outside the home. He isolated Julia, opposed her literary ambitions, and wasted her inheritance. She defied him by continuing to publish poems and plays while raising their six children. She also secretly wrote a bold novel about a hermaphrodite, undiscovered until long after her death. And during the Civil War, she wrote the words to the most powerful and enduring anthem in the nation's history. Authorship of the 'Battle Hymn of the Republic' made her famous and revered. But she fought her own civil war at home, battling with her husband over her rights to equality, intellectual freedom, and a public voice. As soon as the war ended, she became a pacifist and suffragist leader. In the second half of her life, she came into her own as a tireless campaigner for women's rights and social reform. In this biography, Elaine Showalter tells the story of Howe's determined self-creation and vividly restores her to the pantheon of feminist intellectuals who changed the world"--Jacket

"Brodsky chronicles how RAWA members, whose identities have been concealed in order to survive, have run schools and orphanages, supplied medical care in secret, and covertly documented fundamentalist atrocities against Afghan women through cameras hidden in their clothes. Since the toppling of the Taliban, RAWA continues its important work, not only helping women and children survive the aftermath of years of abuse, but continuing to fight for human rights, equality for women, and a free and democratic Afghanistan."--BOOK JACKET.

Scrutinizing the Israeli military, medical, and religious establishments, Susan Sered discloses the myths, policies, and pressures that encumber and endanger Israeli women in their roles as soldiers, brides, and mothers. Framed by the question of why the life expectancy and health status of Israeli women is poor in comparison to women in other developed countries, What Makes Women Sick? conjoins medical anthropology, gender studies, and women's health to show how female bodies in Israel are controlled through public policy, symbolic discourses, and ritual performances. Looking at issues such as disputes over women serving in combat, the rape of a former "Miss Israel," and government incentives for bearing children, Sered develops a passionate ethnography of Israeli society that resonates universal truths about women, power, and authority.

Young women in the 21st century have choices. They can marry or not; the doors of educational institutions and industry are wide open to them. They can do and be whatever they choose. But to keep moving forward, it is important to understand from where we have come. And Norma Yaeger's story helps put it is perspective. Like most young women in the 1950's, Norma Yaeger married young, had children, and depended on her husband to support their families. Unlike most women of the times, when things went awry and her husband failed to provide, Norma took it upon herself to make a better life for her and her kids. The stock market enthralled her. Never mind that she knew of no other women in the industry. Norma set out to get her NY Stock Exchange license. When she acquired it in 1962, it was not to break a barrier, it was to support her family. Norma had already conquered her deepest fears, broke and alone with three children in an isolated house in the Catskills. And she knew what thrilled her- staring at stock prices through a big window of brokerages. Wall Street was not ready for her. Women were not allowed to step foot on the floor of the New York Stock Exchange. The phrase "glass ceiling" wasn't even invented yet. And equal pay for equal work was a term yet to be uttered. But Norma was unstoppable. She acquired the license, walked the floor of the Exchange, and fought for and got equal pay. As one of the pioneering women on Wall Street, Norma had a fascinating career, accomplished much, and paved the way for other women. But the glass ceiling is still only cracked, not yet broken, and she hopes that her story can be an inspiration to the women still pushing against it in all walks of life.

If he always has the headache, why should you suffer? In the bestselling tradition of Bridget Jones's Diary comes this outrageous, hilarious look at love, marriage, and sex, introducing Anna Shapiro, who believes that surely there must be more to married life.... Tabloid reporter Anna Shapiro can pinpoint the day, three years ago, that she and her husband, Dan, last had great sex. Anna would be grateful if something as ordinary as a mere headache was her husband's excuse; Dan's hypochondriac terrors include brain tumors, tropical diseases, and spontaneous combustion. While she loves her husband, she's not ready to give up on sex at age thirty-seven--so what can she do? It's the perfect time for the distraction of a freelance assignment. But what her editor has in mind is a story on the explosive new feminist manifesto that prescribes no-strings-attached affairs for women. Anna's assignment is to interview three women who've had extramarital affairs purely for sexual pleasure--but she's inclined to take her research a bit further.... Can a woman have an uncomplicated affair purely for sexual pleasure--or do her emotions invariably interfere? Anna's determined to find out. And despite her worries about her middle-aged body, potential research assistants prove to be plentiful. Going where no journalist has gone before, Anna delves into a world she'd never considered until now. What is, after all, the perfect outfit for committing adultery in? Is it truly beyond the pale to pick up a man--no matter how sexy he is--at a funeral? And what can be done about that single horrifying gray hair? The answers are more hilarious than Anna could ever have predicted. But soon Anna finds herself facing the question that she never thought she'd have to answer: Is she willing to give up her marriage and her children for what may be the biggest gamble of her life? A novel for every woman who's ever wondered--and every woman who hasn't-- Neurotica will have you roaring with laughter as it takes you on a wickedly delightful journey of sheer indulgence.