The campaign for the restitution of Jewish property stolen during the Holocaust has touched a raw nerve within European society, bringing many nations to confront their wartime past. Together with the end of the Cold War and generational change, the campaign has created a need to reevaluate conventional historical truths. Following an unprecedented media campaign, pressure from Jewish organizations, and public opinion, more than 40 European commissions were established to investigate their fellow countrymen's behavior during the war and to ascertain how stolen property was dealt with in its aftermath. The Plunder of Jewish Property During the Holocaust brings together a range of distinguished international experts to examine the major cases concerning restitution in several countries, covering specific issues such as Nazi gold, wartime theft of works of art, and the ownership of dormant accounts in Swiss banks. The contributors incorporate insights from diverse disciplines such as international law, economics, history, and political science which, taken as a whole, make clear that some chapters of European history will have to be rewritten. With a preface by Edgar Bronfman and Israel Singer

The Tangled Bank: Darwin, Marx, Frazer and Freud as Imaginative Writers

A Jewish leader describes how to reinvigorate the Jewish community in North America, calling for acceptance of intermarried families and disengaged Jews, embracing of Jewish diversity, and openness to innovation and young leadership.

"If you, Jakob Bronsky, meet such a girl, she will wonder: Who is Jakob Bronsky? ... What does Bronsky know about the 'American way of life'? Does Jakob Bronsky know that only success counts and nothing else? Is he a guy who ruthlessly gets his way but still believes in God Almighty? Does he know that our world is an idyllic one? ... Is he familiar with the ideals of our forefathers who arrived on the first boat, the Mayflower, and what does he think of Coca-Cola Culture?" For more information, please see: http: //doi.org/10.4444/10.4

The nine essays gathered here pursue the provocative implications of Toni Morrison's claim that no early American writer was more important than Poe in shaping a concept of "American Africanism," an image of racialized blackness destined to haunt the Euro-American imagination. As contributors to this volume reveal, Poe's response to the "shadow" of blackness--like his participation in the cultural construction of whiteness--was both problematic and revealing. Born in Boston but raised mostly in Richmond, surrounded by the practices of slaveholding culture, Poe seems to have shared notions of racial hierarchy and Anglo-Saxon supremacy pervasive on both sides of the Mason-Dixon line. That he promulgated racist stereotypes in depicting black servants--his Jupiters and Pompeys--cannot be denied; that he complicated these stereotypes with veiled, subversive implications, however, gives his fiction peculiar relevance to the task of historicizing racial attitudes in antebellum culture. Was Poe an unabashed proslavery apologist, a careerist who avoided racial politics, a "gradualist" who hoped slavery would just disappear, or an ideological chameleon? Were Poe's views on race extreme or unusual? Overtly, in tales such as "The Gold-Bug," "The Journal of Julius Rodman," and The Narrative of Arthur Gordon Pym, and covertly in such works as "The Black Cat" and "Hop-Frog," Poe alternately caricatured and demonized the racial Other, yet he often endowed such figures with shrewdness and resourcefulness, at times portraying their defiance as inevitable and even understandable. In Romancing the Shadow, leading interpreters of nineteenth-century American literature and culture debate Poe's role in inventing the African of the white imagination. Their readings represent an array of positions, and while they reflect some consensus about Poe's investment in racialized types and tropes, they also testify to the surprising ways that race embedded itself in his work--and the diverse conclusions that can be drawn therefrom.

A book version of Lou Reed's musical POEtry (2000), and CD The Raven (2003), inspired by Edgar Allan Poe's poems and stories, with illustrations by Lorenzo Mattotti.

Creative nonfiction, also known as narrative nonfiction, liberated journalism by inviting writers to dramatize, interpret, speculate, and even re-create their subjects. Lee Gutkind collects twenty-five essays that flourished on this new ground, all originally published in the journal he founded, Creative nonfiction, now celebrating its tenth anniversary. Lauren Slater is a therapist in the institution where she was once a patient. John Edgar Wideman reacts passionately to the unjust murder of Emmett Till. Charles Simic tells of wild nights with Uncle Boris. John McPhee creates a rare, personal, album quilt. Terry Tempest Williams speaks on the decline of the prairie dog. Madison Smartt Bell invades Haiti. Many of the writers are crossing genres--from poetry and fiction to nonfiction--symbolic of Creative nonfiction's scope and popularity. A cross section of the famous and those bound to become so, this collection is a riveting experience highlighting the expanding importance of this dramatic and exciting new genre. A tenth anniversary collection of twenty-five narrative essays originally published in the journal, Creative nonfiction, includes Lauren Slater's discussion of her work as a therapist at an institution where she was once a patient, John Edgar Wideman's passionate reaction to the murder of Emmett Till, and John McPhee's personal album quilt.

The very best writing from one of America's most groundbreaking literary magazines. When Creative Nonfiction debuted in 1994, the literary genre it championed was largely the target of skepticism or downright ridicule. But at a time when few editors were interested in the personal essay, the magazine doggedly explored new ideas and fresh modes of expression, and over the next three decades, its contributors pioneered what would come to be known as the "fourth genre." The thirty-two essays collected here bring together some of the finest work Creative Nonfiction published over its seventy-eight issues. Read Pulitzer Prize-winner Charles Simic's boyhood remembrances of the bombing of Belgrade, Carolyn Forche's haunting, lyric catalog of her daily life as she faced down a cancer diagnosis, and John Edgar Wideman's meditation on the photo of a murdered boy his same age--Emmett Till--and how the image haunted him forever. Here, you'll find work by such luminaries as Adrienne Rich and John McPhee, but also essays from more contemporary voices like Brian Broome, Elizabeth Fortescue, and Anne McGrath. With an introduction by Lee Gutkind, Creative Nonfiction's founder and editor, this collection captures the evolution of a genre and the amazing work of the little magazine that helped make it all happen.

When FBI Director J. Edgar Hoover reported to the Nixon White House in 1972 about the Bureau's surveillance of John Lennon, he began by explaining that Lennon was a "former member of the Beatles singing group." When a copy of this letter arrived in response to Jon Wiener's 1981 Freedom of Information request, the entire text was withheld—along with almost 200 other pages—on the grounds that releasing it would endanger national security. This book tells the story of the author's remarkable fourteen-year court battle to win release of the Lennon files under the Freedom of Information Act in a case that went all the way to the Supreme Court. With the publication of Gimme Some Truth , 100 key pages of the Lennon FBI file are available—complete and unexpurgated, fully annotated and presented in a "before and after" format. Lennon's file was compiled in 1972, when the war in Vietnam was at its peak, when Nixon was facing reelection, and when the "clever Beatle" was living in New York and joining up with the New Left and the anti-war movement. The Nixon administration's efforts to "neutralize" Lennon are the subject of Lennon's file. The documents are reproduced in facsimile so that readers can see all the classification stamps, marginal notes, blacked out passages and—in some cases—the initials of J. Edgar Hoover. The file includes lengthy reports by confidential informants detailing the daily lives of anti-war activists, memos to the White House, transcripts of TV shows on which Lennon appeared, and a proposal that Lennon be arrested by local police on drug charges. Fascinating, engrossing, at points hilarious and absurd, Gimme Some Truth documents an era when rock music seemed to have real political force and when youth culture challenged the status quo in Washington. It also delineates the ways the Reagan, Bush, and Clinton administrations fought to preserve government secrecy, and highlights the legal strategies adopted by those who have challenged it.

A collection of mystery stories by such authors as P.D. James, Edward D. Hoch, Ruth Rendell, Edgar Wallace, and others

Four-time Edgar Award-winning author Lawrence Block's definitive essay collection on the art of writing fiction For ten years, crime novelist Lawrence Block funneled his wealth of writing expertise into a monthly column for Writer's Digest. Collected here for the first time are those pieces illuminating the tricks of the authorial trade, from creating vibrant characters and generating seamless plots, to conquering writer's block and experimenting with self-publishing. Filled with wit and insight, The Liar's Bible is a must-read for experts, amateurs, and anyone interested in learning to craft great fiction from one of the field's modern masters. This ebook features an illustrated biography of Lawrence Block, including rare photos and never-before-seen documents from the author's personal collection.

Winner of the Edgar Allan Poe Award from Mystery Writers of America. Final Decree reads like a thriller. Yet, by sheer literary skill, George Jonas thrills us not through artificial catastrophes of far-fetched fiction, but through the dangers and suspense of familiar, everyday life. Kazmer Harcsa, an immigrant carpenter, has worked unstintingly to give his wife, Petrona, and their two children all the comforts of a modest middle-class life in Toronto. Kazmer's confident dreams of a happy future are shattered, however, on the day he comes home to find his family gone and himself a casualty of Petrona's quest for self-fulfillment. Confronted by trendy divorce lawyers and judges, who mistake his native wit for simple-mindedness and his fierce pride for insolence, Kazmer becomes desperate in his search for justice. Humiliation gives way to rage when he decides that to be a man worthy of his ancestors he must take the law into his own hands. A controversial indictment of how progressive laws destroy the very people they seek to protect, Final Decree is, above all, a work of literature. It strips away the masks of fashion to focus on the basic emotions of men and women. It does not plead for social reform, but celebrates the resilience of the human spirit. Tragedy, suspense and controversy combine to make Final Decree an explosive masterful novel.

Traces the author's involvement with the Seagram Company, and his experiences and reflections as he learned the running of the business from the ground up.

Connoisseurs of fictional murder and intrigue will rejoice in Shooting Script and Other Mysteries by William Link and Richard Levinson. Spanning the years 1954 to 1966, this collection shows the young writers exploring terrain that would later make them world famous as co-creators of a certain raincoat-clad LAPD detective and a mystery novelist from Cabot Cove, Maine. These compelling stories range from a small town in Colorado to a military base in Germany; from the hot, flat roads of Nevada to the steel-and-glass canyons of New York City. Never before collected in one volume, they share a common denominator: suspense of the most delicious variety. Shooting Script is edited by Edgar Award-winning playwright Joseph Goodrich and features a foreword by Tom Straw, author of the New York Times best-selling Richard Castle novels.

Casssidy Keaton earns good grades, has lots of friends and a good home life. But having spent two weeks at summer camp, she begins her junior year a little bored -- and a little restless. Ken Farquar had "fallen" for Cassidy at camp. Still, he's not sure he really fits in with her crowd -- and he's not sure he wants to anyway. Right now, all he knows is that he wants to be with Cassidy. But one moonlit night, everything in their lives changes. While partying with their friends, Cassidy and Ken stumble upon a dead body. Suddenly, they are faced with the toughest decision of their lives. Winner of the Edgar Award for Best Young Adult Mystery.

The Memory of All That is Katharine Weber’s memoir of her extraordinary family. Her maternal grandmother, Kay Swift, was known both for her own music (she was the first woman to compose the score to a hit Broadway show, Fine and Dandy ) and for her ten-year romance with George Gershwin. Their love affair began during Swift’s marriage to James Paul Warburg, the multitalented banker and economist who advised (and feuded with) FDR. Weber creates an intriguing and intimate group portrait of the renowned Warburg family, from her great-great-uncle, the eccentric art historian Aby Warburg, whose madness inspired modern theories of iconography, to her great-grandfather Paul M. Warburg, the architect of the Federal Reserve System whose unheeded warnings about the stock-market crash of 1929 made him “the Cassandra of Wall Street.” As she throws new light on her beloved grandmother’s life and many amours, Weber also considers the role the psychoanalyst Gregory Zilboorg played in her family history, along with the ways the Warburg family has been as celebrated for its accomplishments as it has been vilified over the years by countless conspiracy theorists (from Henry Ford to Louis Farrakhan), who labeled Paul Warburg the ringleader of the so-called international Jewish banking conspiracy. Her mother, Andrea Swift Warburg, married Sidney Kaufman, but their unlikely union, Weber believes, was a direct consequence of George Gershwin’s looming presence in the Warburg family. A notorious womanizer, Weber’s father was a peripatetic filmmaker who made propaganda and training films for the OSS during World War II before producing the first movie with smells, the regrettable flop that was AromaRama. He was as much an enigma to his daughter as he was to the FBI, which had him under surveillance for more than forty years, and even noted Katharine’s birth in a memo to J. Edgar Hoover. Colorful, evocative, insightful, and very funny, The Memory of All That is an enthralling look at a tremendously influential—and highly eccentric—family, as well as a consideration of how their stories, with their myriad layers of truth and fiction, have both provoked and influenced one of our most prodigiously gifted writers.

A behind-the-scenes mystery at the World Series from bestseller John Feinstein. Bestselling author, journalist, and Edgar Award winner John Feinstein is back with another high-stakes sports mystery. Teen reporters Stevie Thomas and Susan Carol Anderson are covering baseball's World Series, and during the course of an interview with a new hot pitcher, they discover more than a few contradictions in his life story. What's he hiding? An embarrassing secret? A possible crime? Let the investigation begin!

Collecting the brilliant Joe Kubert's final Tarzan stories in the acclaimed and multi-Eisner Award-winning Artist's Edition format. Including the third Tarzan novel adapted by Joe Kubert, Tarzan and the Lion Man, as well as five additional stories. Includes Tarzan issues 224, 224, 227, 228, 229, 231, 232, 233, and 234. Featuring Kubert's masterful handling of Edgar Rice Burroughs' classic creation.

The arc of poetry of the South, from slave songs to Confederate hymns to Civil War ballads, from Reconstruction turmoil to the Agrarian movement to the dazzling poetry of the New South, is richly varied and historically vibrant. No other region of the United States has been as mythologized as the South, nor contained as many fascinating, beguiling, and sometimes infuriating contradictions. Poems of the American South includes poems both by Southerners and by famous observers of the South who hailed from elsewhere. These range from Herman Melville, Walt Whitman, Edgar Allan Poe, and Francis Scott Key through Langston Hughes, Robert Penn Warren, Wallace Stevens, Elizabeth Bishop, James Dickey, and Donald Justice, and include a host of living poets as well: Wendell Berry, Rita Dove, Sandra Cisneros, Yusef Komunyakaa, Naomi Shihab Nye, C. D. Wright, Natasha Trethewey, and many more. Organized thematically, the anthology places poems from past centuries in fruitful dialogue with a diverse array of modern voices who are redefining the South with a verve that is reinvigorating American poetry as a whole.

Winner of the Edgar® Award for Best Fact Crime The true account of one boy’s lifelong search for his boarding-school bully. Equal parts childhood memoir and literary thriller, Whipping Boy chronicles prize-winning author Allen Kurzweil’s search for his twelve-year-old nemesis, a bully named Cesar Augustus. The obsessive inquiry, which spans some forty years, takes Kurzweil all over the world, from a Swiss boarding school (where he endures horrifying cruelty) to the slums of Manila, from the Park Avenue boardroom of the world’s largest law firm to a federal prison camp in Southern California. While hunting down his tormentor, Kurzweil encounters an improbable cast of characters that includes an elocution teacher with ill-fitting dentures, a gang of faux royal swindlers, a crime investigator “with paper in his blood,” and a onocled grand master of the Knights of Malta. Yet for all its global exoticism and comic exuberance, Kurzweil’s riveting account is, at its core, a heartfelt and suspenseful narrative about the “parallel lives” of a victim and his abuser. A scrupulously researched work of nonfiction that renders a childhood menace into an unlikely muse, Whipping Boy is much more than a tale of karmic retribution; it is a poignant meditation on loss, memory, and mourning, a surreal odyssey born out of suffering, nourished by rancor, tempered by wit, and resolved, unexpectedly, in a breathtaking act of personal courage. Whipping Boy features two 8-page black-and-white photo inserts and 83 images throughout.