This book reflects on one of the most pressing challenges of our time: the current and historical relationships that exist between the faith-traditions of Judaism, Christianity and Islam. It begins with discussion on the state of Jewish-Christian relations, examining antisemitism and the Holocaust, the impact of Israel and theological controversies such as covenant and mission. Kessler also traces different biblical stories and figures, from the Hebrew Bible and the New Testament, demonstrating Jewish-Christian contact and controversy. Jews and Christians share a sacred text, but more surprisingly, a common exegetical tradition. They also need to deal with some of the more problematic and violent biblical texts. Jews, Christians and Muslims includes reflection on the encounter with Islam, including topics associated with a divergent history and memory as well contemporary relations between the three Abrahamic faiths. Kessler's writings shed light on common purpose as well as how to manage difference, both vital in forming a positive identity and sustaining a flourishing community.

Although Paul's writings have been intensively studied by Christian theologians, they have been dismissed by Jewish scholars as the meditations of an antagonistic apostate who broke completely with his Jewish past. In this revisionist account of Paul's work, Alan Segal argues that Paul's life can be better understood by taking his Jewishness seriously, and that Jewish history can be illuminated greatly by examining Paul's writings. By reading Paul from the viewpoint of the religion he left behind, Segal sheds new light on the man who played a critical role in both Judaism and Christianity.

"In December 1991, a two-volume edition of Dead Sea Scroll photographs was issued by the Biblical Archaeology Society, an American group headed by Hershel Shanks. It included an essay written by Dr. Elisha Qimron, an Israeli scholar noted for his work in the language of the Dead Sea Scrolls. Publication of this reconstruction and transcription resulted in a lawsuit in Israel and the United States between Qimron and Shanks. Piracy in Qumran analyzes this legal controversy, which rocked the scholarly world of Biblical and archaeological studies at the time, and which still resonates today"--

"Captured in a beautiful package, including more than fifty color photographs, The Last Waltz tells the intriguing story of of the Viennese Strauss family known for producing some of the best known, best loved music of the nineteenth century. Johann and Josef Strauss, the Waltz Kings, composed hundreds of instantly recognizable and enduring melodies, including The Blue Danube Waltz, Tales from the Vienna Woods, Voices of Spring and The Radetzky March. Their iconic music has been featured on the scores of nearly a thousand films. Yet despite their success, this was a family riven with tension, feuds and jealousy, living in a country that was undergoing seismic upheaval. Through the personal and political chaos, the Strauss family continued to compose music to which the Viennese -- anxious to forget their troubles -- could dance and drank champagne, even as their country hurtled towards oblivion at the hands of the First World War. Classical music expert and radio host John Suchet skillfully portrays this gripping story, capturing the family dramas, the tensions, triumphs and disasters against the turbulent backdrop of Austria in the nineteenth century, from revolution to regicide." --

Journey to heaven invites readers to rediscover some of the basic tenets of Jewish belief concerning the hereafter: resurrection, immortality, judgment, messianism, and the World to Come. Starting with the Bible's references to Sheol and allusions to resurrection, this comprehensive survey explores immortality and bodily resurrection in Second Temple literature; the Mishnah's discussions of olam ha-ba, the World to Come, and how to merit entertering it; and the Talmud's depictions of Gan Eden (paradise), Gehinnom (hell), and the soul's journey through these metaphysical landscapes. Bronner also explores the views of medieval scholars such as Maimonides and Nahmanides, Jewish mystical teachings about reincarnation, and modern views of faith and belief. A separate chapter is devoted to views of the Messiah over the course of Jewish history. Bronner demonstrates that the afterlife is indeed a vital part of Judaism, as she reveals how generations of Jews, from biblical times to the present, have grappled with its core ideas and beliefs about the hereafter

This volume's predominant theme is bourgeois mentality and its historical development. The works of Lope de Vega, Calder�n, Cervantes, and Shakespeare, among others, are analyzed within the historical framework of the decline of feudalism and the rise of the absolute regimes. Those of Moli�re and Goethe are set against the background of an evolving and consolidating bourgeois society in Western Europe.

In this book of new and collected critical essays, Vivian Gornick turns the searching intelligence and honesty of insight that mark her memoirs on the work - and the lives - of writers she admires, among them Jean Rhys, Willa Cather, Christina Stead, and George Meredith. In doing so, she examines a century of novels of love-in-the-Western-world and comes to see that, for most writers, it is the drama of our angry and frightened selves in the presence of love that is our modern preoccupation.

The music of clarinetists Naftule Brandwein and Dave Tarras is iconic of American klezmer music. Their legacy has had an enduring impact on the development of the popular world music genre. Since the 1970s, klezmer music has become one of the most popular world music genres, at the same time influencing musical styles as diverse as indie rock, avant-garde jazz, and contemporary art music. Klezmer is the celebratory instrumental music that developed in the Jewish communities of eastern Europe over the course of centuries and was performed especially at weddings. Brought to North America in the immigration wave in the late nineteenth century, klezmer thrived and developed in the Yiddish-speaking communities of New York and other cities during the period 1880-1950. No two musicians represent New York klezmer more than clarinetists Naftule Brandwein (1884-1963)and Dave Tarras (1897-1989). Born in eastern Europe to respected klezmer families, both musicians had successful careers as performers and recording artists in New York. Their legacy has had an enduring impact and helped to spurthe revival of klezmer since the 1970s. Using their iconic recordings as a case study, New York Klezmer in the Early Twentieth Century looks at the inner workings of klezmer dance music, from its compositional aspects to the minutiae of style. Making use of historical and ethnographic sources, the book places the music within a larger social and cultural context stretching from eastern Europe of the nineteenth century to the United Statesof the present. JOEL E. RUBIN is Associate Professor of Music at the University of Virginia and an acclaimed performer of traditional klezmer music.

This book is the first comprehensive treatment and analysis of the pheno-menon of textual interpretation in ancient Israel. It is shown that the Old Testament is the repository of and witness to a rich tradition of exegesis considerably prior to the development of biblical interpretation in early classical Judaism and in the earli-est Christian communities. The subject-matter is explored under four major cate-gories: (1) scribal exegesis (lexical, philo-logical, and euphemistic interpretations); (2) legal exegesis (additions, analogies, etc., in the legal corpora); (3) aggadic exegesis (theological, homiletical, and his-toriographical interpretations); (4) manto-logical exegesis (omens, dreams, and oracles). Particular attention is paid to the types and techniques of exegesis within the Old Testament and to the continuity of this exegetical tradition in later hermeneutical writings. In the end it emerges that the Hebrew Bible is not only the foundation document for the exegetical culture of Judaism and Christianity but is an exe-getical corpus in its own right. --cover flap.

Representing the spectrum of subfields within Jewish Studies, the contributing scholars to this volume use beginnings as a hermeneutic stance to analyze texts in their area. While each essay is a significant contribution to its own subfield - Bible, Talmud, Kabbalah, Modern Jewish Thought, Feminist and Cultural Studies - the essays taken as a whole present new possibilities for exploring the space that is Jewish Studies and beginning an inquiry into what might constitute a definable hermeneutics of Jewish texts.

The biblical tale of Noah and the Flood has been interpreted in many different ways through the ages, mirroring the many changes in Western beliefs and values. In this masterly and beautifully illustrated book, Norman Cohn, the author of The Pursuit of the Millennium and Cosmos, Chaos and the World to Come, explores the origins, development, and varying interpretations of this ancient story and assesses its impact on the history of ideas. The roots of the Flood story, Cohn explains, lie in Mesopotamian mythology. But its meaning was totally transformed by the authors of Genesis so that it became a message of hope for Jews and later a prefiguring of salvation for Christians. Cohn then shows how, under the impact of the scientific revolution of the seventeenth century, the story came to be understood in a new way. Between the seventeenth and the nineteenth centuries it was closely associated with the development of scientific geology, which it both helped and hindered. From the late eighteenth century until the present day the story of Noah's Flood has been involved also in the conflict between traditional religious beliefs and science and the attempts to harmonize the two. Cohn describes how, while geological and palaeontological discoveries were calling the historicity of the Flood into question, fundamentalists have continued to champion it, even to the extent of searching for the landing site of the ark. Finally, he considers how, in the course of the present century, the story has been interpreted as a solar myth, a lunar myth, a fertility myth, and even (psychoanalytically) as an expression of male resentment against women. Wide ranging and compellingly narrated, the book includesintriguing accounts of the scholars and theologians who endorsed or rejected the Flood story and contributed to its powerful resonance over two thousand years.

How is it possible, after the Shoah, to declare one's faith in the God of Israel? Breaking the Tablets is David Weiss Halivni's eloquent and insightful response to this question. Halivni, Auschwitz survivor and one of the greatest Talmudic scholars of the past century, declares that at this time of God's near absence, Jews can still observe the words of the Torah and pray for God to come near again.--Product description

The developments in Judaism which occurred during the Second Temple period (c. 550 BC to 100 AD) were of great importance for the nature of Jewish religion in later centuries, yet few studies have examined the era in full. Now Lester L. Grabbe's lucid and accessible volume provides a much-needed encyclopedic study and holistic interpretation of the period. Topics examined include: * views about God and the spirit world * the temple and priesthood * scripture and synagogue * the main religious sects and revolutionary movements * eschatology and messianism * magic and predicting the future * religion in the Jewish diaspora * converts and 'Godfearers'. With an extensive, up-to-date bibliography, plus numerous helpful cross-references, summaries and syntheses, this book is essential reading for scholars and students of the history of Jewish religion. It will also be of great value as a reference tool.

Women and the Comics is the first attempt to document the careers of the hundreds of women who have created and worked in the field of comic strips, comic book and cartooning. The women whose work is showcased in this book have been long overlooked or ignored by most other histories of comics. In this volume you'll encounter the art of Rose O'Neill, whose Kewpies popularity spans over 70 years; Nell Brinkley, whose "Brinkley Girl" was just as famous in her day as Gibson's; Grace Drayton, whose lovely drawings gave the Campbell Kids life; the "flapper" artists of the 1920s; Dale Messick, creator of Brenda Starr; Martha Orr, who originated Mary Worth; the once anonymous female comic book artists of the 1940s; newspaper strip creators Marty Links (Bobby Sox), Cathy Guisewite (Cathy) and Lynn Johnston (For Better or For Worse); and the many women who write and draw today's most popular comic books. A special chapter surveying female cartoonists in Europe, Japan, and Australia is also included. Women and the Comics is a landmark book, the result of four years of research by Catherine Yronwode and Trina Robbins. It is a reference source designed to serve future generations interested in discovering the contributions women have made to America's most popular art form.

Most ancient societies were patriarchal in outlook, but not all patriarchies are equally condescending toward women. Impelled by the gnawing question of whether the inferiority of women is integral to the Torah's vision, Sassoon sets out to determine where the Bible, the Talmud, and related literature, especially the Dead Sea Scrolls, sit on this continuum of patriarchal condescension. Of course, there are multiple voices in both Biblical and Talmudic literature, but more surprising is how divergent these voices are. Some points of view seem intent on the disenfranchisement and domestication of women, whereas others prove to be not far short of egalitarian. Opinions that downplay the applicability of the Biblical commandments to women and that strongly deprecate Torah study by women emerge from this study as arguably no more than the views of an especially vocal minority.

"Essays on the literary structure, word play, and other literary facets of biblical and ancient near eastern literature, including Babylonian, Assyrian, and Ugaritic literature"--ECIP Summary.

The latest in Jacob Neusner's informative series on the theology and hermeneutics of Rabbinical Judaism, The Emergence of Judaism offers insight into the development of Judaism in antiquity. Based on the author's lectures, this volume focuses on the social setting of Judaism, the Babylonian Talmud, and the Bavli.