"A wave of plague ravaged the cities of northern Italy in 1630-31, ravaging Christian and Jewish communities alike. In Writing Plague Susan L. Einbinder explores the Hebrew texts that lay witness to the event. These Jewish sources on the Great Italian Plague have never been treated together as a group, Einbinder observes, but they can contribute to a bigger picture of this major outbreak and how it affected people, institutions, and beliefs; how individuals and institutions responded; and how they did or did not try to remember and memorialize it"-- Provided by publisher.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The latter part of the thirteenth century is regarded as a key period in the history of Italian Jewry. During that time many Jewish communities sprang up in the regions of central and northern Italy. Their appearance marked a turning-point in the history of Jews in the Italian peninsula as the Jewish presence had previously been focused on Rome and the south. In this much-acclaimed study, originally published in Italian, Ariel Toaff captures all the intricacies of everyday life in the medieval Jewish communities of Umbria. A thorough examination of Hebrew and Italian archival sources enables him to characterize in detail the defining features of Jewish life in the region at that time and to show clearly how the common stereotype of a single, undifferentiated Jewish community does not reflect the reality. Instead, he presents a picture of a complex society that--far from being a 'mere' minority and somewhat isolated--actually contributed greatly to contemporary society and played a significant role in shaping it, while at the same time also being influenced by the surrounding Christian society. Professor Toaff elaborates contemporary Jewish traditions and practices associated with love, marriage, food, work, sickness, and death in the context of everyday social relations between Christians and Jews. In so doing he presents a full and fascinating reconstruction of the Jewish life of the period that faithfully reflects the links and divides between the two communities. Engagingly written, Love, Work, and Death: Jewish Life in Medieval Umbria will be of interest to the general reader, while its detailed references to archival documentation make it a particularly valuable source for students of medieval Jewish history and specialists in the social history of medieval and Renaissance Italy.

A study of Jewish-Christian relations in Assisi in the late medieval period. Inter alia, discusses anti-Jewish sermons by Franciscan friars in the 15th century, particularly by Fortunato Coppoli da Perugia. At his instigation, the Monte di Pieta was instituted in Assisi in 1468 in order to facilitate the passage of banking and finance from Jewish to Christian hands; other anti-Jewish measures were adopted as well. The Jews requested the intervention of Pope Paul II, who stated that all contracts with Jews were valid, but the Jews continued to be hounded by Franciscan preachers. In 1485 the Monte di Pieta and other measures were reinstituted, and shortly afterwards most of the Jews left the city. Pp. 101-213 contain documents, some of which refer to anti-Jewish measures.

The monastery of Monte Cassino, founded by St. Benedict in the sixth century, was the cradle of Western monasticism. It became one of the vital centers of culture and learning in Europe. At the height of its influence, in the eleventh and early twelfth centuries, two of its abbots (including Desiderius) and one of its monks became popes, and it controlled a vast network of dependencies--churches, monasteries, villages, and farms--especially in central and southern Italy. Herbert Bloch's study, the product of forty years of research, takes as its starting point the twelfth-century bronze doors of the basilica of the abbey, the most significant relic of the medieval structure. The panels of these doors are inscribed with a list of more than 180 of the abbey's possessions. Mr. Bloch has supplemented this roster with lists found in papal and imperial privileges and other documents. The heart of the book is a detailed investigation of the nearly 700 dependencies of Monte Cassino from the sixth to the twelfth century and beyond. No comparable study of this or any other great medieval institution has ever before been undertaken. Ironically, it was the bombing of 1944, which destroyed the monastery, that led to an unexpected revelation: the discovery, on the reverse side of some panels of the doors, of magnificent engraved figures of patriarchs and apostles. These proved to be remnants of the church portal ordered from Constantinople by Desiderius in the eleventh century, which marked the beginning of the grandiose reconstruction of the abbey and its church, the latter to become a model for many other churches. In order to solve the riddle of the doors of Monte Cassino, Bloch has investigated other bronze doors of Byzantine origin in Italy and the doors of the great Italian master Oderisius of Benevento, as well as those of S. Clemente a Casauria and of the cathedral of Benevento. Also included is a study of the political and cultural impact of Byzantium on Monte Cassino and a chapter on Constantinus Africanus, Saracen turned monk, one of the most interesting figures in the history of medieval medicine. The text is sumptuously illustrated with 193 plates; most of the more than 300 illustrations have never before been published. This three-volume work, with its nine detailed indexes, offers a wealth of information for scholars in many different fields.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

On January 1, 1523, a fleet of fifty vessels put out from the harbor at Rhodes for an unknown destination in the West. On board were the shattered remnants of the Order of St. John of Jerusalem, accompanied by 4,000 Rhodians. They were leaving the home their Order had possessed for 212 years and were sailing out to beg from Christendom another station from which to attack the infidel once again. The Lothian Prize Essay for 1920.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

"Six Months on the Italian Front" offers a compelling firsthand account of the Italo-Austrian Campaign during World War I. Julius Mendes Price, writing from the heart of the conflict, provides a vivid portrayal of the war as witnessed on the Italian Front. This historical work, categorized under military history and European history, delves into the intricacies of the war and offers valuable insights into the strategies and experiences of those involved in this crucial theater of World War I. Explore the detailed war correspondence meticulously gathered by the author, painting a picture of the challenges and realities faced by soldiers and civilians alike. This reprint of "Six Months on the Italian Front" is a vital resource for anyone interested in the history of World War I and the Italo-Austrian Campaign. A timeless piece of historical literature, it offers readers a unique perspective on one of the 20th century's most significant conflicts. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Fifteenth-century Italy produced the earliest known treatises on the dance. Guglielmo Ebreo, an eminent Jewish dancing master, dedicated his `On the Practice or Art of Dancing' to the future Sforza duke of Milan in the determination to give dance the status enjoyed by music and other arts andsciences. He included not only choreographies (subsequently likened to the artistic achievements of Machaut, Leonardo, Dante, and Petrarch), but a Defence of the Dance, a Socratic dialogue, and theoretical precepts - still valid today - which clearly reflect the contemporary humanistic aesthetic andideals. Challenging exercises (such as dancing counter to the time of the music!) and advice to young ladies at balls are also described. Barbara Sparti has provided a heretofore unavailable (rare) source book for students, amateurs, and scholars: a critical edition in Italian and a facing English translation; dance tunes in facsimile and in annotated transcriptions based on the choreographies. Recent specialized studies and archivaldiscoveries have greatly enriched the introductory chapters on De pratica's history, the interpretation of its music, Guglielmo's life, and dancing in fifteenth-century Italy. An Appendix containing significant theoretical, musical, and choreographic additions from a later copy also has anAutobiography describing princely festivities, replete with names of participants, locations, and expenditures, of particular import to historians and those interested in court life in the Italian Renaissance. A Bibliography, Biographical Notes on Guglielmo's patrons, Illustrations depicting scenesof dancing, as well as a Glossary of dance, music, and humanistic terms, complete the critical apparatus.

Focuses on IAFWA's status as a proponent of broadly applied conservation policies since its founding in 1902. The debate over state vs. federal jurisdiction in wildlife management is prominently discussed. Here are presented two essays by one of the pioneers in the modern exploration of 16th century Italian art. The first, on the Kunstwissenschaft, v.XLVII; the second, on the style translated and published in a 1957 edition, of which this is a reprint (with inclusion of a 1964 foreword).

Although much has been written over the years about the ancient mystery religions and their influence on the intellectual life of the Renaissance, scholars have neglected their role in art. This is a serious omission in the case of one of the most popular cultic deities, the Mother Goddess, whose colorful myths and exotic rites, described in fascinating detail by classical authors, became a rich source of imagery for Renaissance writers, antiquarians, and artists. She was especially important to the Neoplatonist philosophers of the period, for whom she embodied the idea of love as the great universal bond and conveyor of divine influences to the mortal realm. In this ground-breaking study, Edith Balas draws upon a wide range of humanistic learning to examine the significance of the Mother Goddess and her cult in the works of such major figures as Botticelli, Mantegna, Michelangelo, Titian, and Raphael, as well in those of a host of lesser artists, including Neroccio de' Landi, Baltasare Peruzzi, Giorgio Vasari, and Pirro Ligorio. Dr. Balas not only provides additional keys to solving the often dauntingly complex riddles posed by many Quattrocento and Cinquecento images―images originally intended to be understood only by a learned elite―but also furnishes scholars with a valuable methodological model for analyzing the presence and meaning of other ancient religious cults in Renaissance art.