June 1, 1967, is a landmark moment not just for the Beatles but also for the world of rock and roll as it marks the release date for one of the most famous albums in the history of modern music. The Beatles and Sgt. Pepper: A Fans' Perspective is about Sgt. Pepper; written by fans for fans. In addition to essays written by Spizer, Al Sussman, Frank Daniels, Piers Hemmingsen, and Bill King. Included are dozens of fan recollections that add a personal touch demonstrating the true impact of the Beatles. This book is a celebration of the most famous band in modern music history and their album, Sgt. Pepper's Lonely Hearts Club Band is considered by many to be the most famous record of rock and roll.

An eloquent accompaniment to an upcoming PBS documentary offers an inclusive musical portrait of the Mississippi River, showing its effect on the culture of America and including interviews with over more than five hundred musicians whose music flows with the river. TV tie-in. 15,000 first printing.

From Reich's 1968 essay, "Music as a gradual process," which was the founding call for the development of minimalism, to his work on non-Western music such as the Balinese and African influences that contributed to "Drumming"

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The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks- the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. This first volume in Richard Taruskin's majestic history, Music from the Earliest Notations to the Sixteenth Century , sweeps across centuries of musical innovation to shed light on the early forces that shaped the development of the Western classical tradition. Beginning with the invention of musical notation more than a thousand years ago, Taruskin addresses topics such as the legend of Saint Gregory and Gregorian chant, Augustine's and Boethius's thoughts on music, the liturgical dramas of Hildegard of Bingen, the growth of the music printing business, the literary revolution and the English madrigal, the influence of the Reformation and the Counter-Reformation, and the operas of Monteverdi. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.

A comprehensive examination of Jewish influence and participation in the American popular music business, that weaves together cultural, political, musical and economic history.

From Reich's 1968 essay, "Music as a gradual process," which was the founding call for the development of minimalism, to his work on non-Western music such as the Balinese and African influences that contributed to "Drumming"

Illustrates the nursery rhyme and children's game about London Bridge falling down. Includes a history of the bridge and music score.

“Jeff Tamarkin is an able guide through the tangled history of one of the Sixties' most musically visionary bands.” — Rolling Stone From a renowned music journalist, a close-up portrait of Jefferson Airplane, chronicling the band's origins in 1965 San Francisco and their role in defining the sound and culture of 1960s and 1970s rock 'n' roll. The most successful and influential rock band to emerge from San Francisco during the 1960s, Jefferson Airplane created the sound of a generation. Their smash hits "Somebody to Love" and "White Rabbit" virtually invented the era's signature pulsating psychedelic music and, during one of the most tumultuous times in American history, came to personify the decade's radical counterculture and paved the way for other Bay Area music greats, including the Grateful Dead and Janis Joplin. Having worked closely with Jefferson Airplane for more than a decade, Tamarkin had unprecedented access to the band members, their families, friends, lovers, crew members, fellow musicians, cultural luminaries, even the highest-ranking politicians of the time. More than just a definitive history, Got a Revolution! is a rock legend unto itself.

The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. In Music in the Nineteenth Century , Richard Taruskin offers a panoramic tour of this magnificent century in the history music. Major themes addressed in this book include the romantic transformation of opera, Franz Schubert and the German lied, the rise of virtuosos such as Paganini and Liszt, the twin giants of nineteenth-century opera, Richard Wagner and Giuseppe Verdi, the lyric dramas of Bizet and Puccini, and the revival of the symphony by Brahms. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.

The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Late Twentieth Century is the final installment of the set, covering the years from the end of World War II to the present. In these pages, Taruskin illuminates the great compositions of recent times, offering insightful analyses of works by Aaron Copland, John Cage, Milton Babbitt, Benjamin Britten, Steve Reich, and Philip Glass, among many others. He also looks at the impact of electronic music and computers, the rise of pop music and rock 'n' roll, the advent of postmodernism, and the contemporary music of Laurie Anderson, John Zorn, and John Adams. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.

The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Early Twentieth Century , the fourth volume in Richard Taruskin's history, looks at the first half of the twentieth century, from the beginnings of Modernism in the last decade of the nineteenth century right up to the end of World War II. Taruskin discusses modernism in Germany and France as reflected in the work of Mahler, Strauss, Satie, and Debussy, the modern ballets of Stravinsky, the use of twelve-tone technique in the years following World War I, the music of Charles Ives, the influence of peasant songs on Bela Bartok, Stravinsky's neo-classical phase and the real beginnings of 20th-century music, the vision of America as seen in the works of such composers as W.C. Handy, George Gershwin, and Virgil Thomson, and the impact of totalitarianism on the works of a range of musicians from Toscanini to Shostakovich

The must-read music book of the year—and the first such history bringing together all musical genres to tell the definitive narrative of the birth of Pop from 1900 to the mid-1950s. Pop music didn't begin with the Beatles in 1963, or with Elvis in 1956, or even with the first seven-inch singles in 1949. There was a pre-history that went back to the first recorded music, right back to the turn of the century. Who were these earliest record stars—and were they in any meaningful way "pop stars"? Who was George Gershwin writing songs for? Why did swing, the hit sound for a decade or more, become almost invisible after World War II? The prequel to Bob Stanley’s celebrated Yeah! Yeah! Yeah! , this new volume is the first book to tell the definitive story of the birth of pop, from the invention of the 78 rpm record at the end of the nineteenth century to the beginnings of rock and the modern pop age. Covering superstars such as Louis Armstrong, Bessie Smith, Duke Ellington and Frank Sinatra, alongside the unheralded songwriters and arrangers behind some of our most enduring songs, Stanley paints an aural portrait of pop music's formative years in stunning clarity, uncovering the silver threads and golden needles that bind the form together. Bringing the eclectic, evolving world of early pop to life—from ragtime, blues, and jazz to Broadway, country, crooning, and beyond— Let's Do It is essential reading for all music lovers. "An encyclopaedic introduction to the fascinating and often forgotten creators of Anglo-American hit music in the first half of the twentieth century."—Neil Tennant (The Pet Shop Boys)

The National Book Award-winner Patti Smith updates her treasure box of a childhood memoir about "clear unspeakable joy" and "just the wish to know" with a radiant new afterword, written during the pandemic and reflecting on current times. This expanded paperback edition also includes new photographs by the author. A great book about becoming an artist, Woolgathering tells of a child finding herself as she learns the noble vocation of woolgathering, "a worthy calling that seemed a good job for me." She discovers--often at night, often in nature--the pleasures of rescuing "a fleeting thought." Woolgathering calls up our own memories, as the child "glimpses and gleans, piecing together a crazy quilt of truths." Smith shares the fierce, vital pleasures of stargazing and wandering. Her new Afterword, penned during the quarantine, opens new horizons in "the scarcely charted landscape of memory governed by clouds." Woolgathering celebrates the sacred nature of creation in Smith's singular language, acclaimed as "glorious" (NPR), "spellbinding" (Booklist), "rare and ferocious" (Salon), and "shockingly beautiful" (New York Magazine).

Portraits of five Black women and the kind of music they sang during a period of social change. Includes Ma Rainey, Bessie Smith, Mahalia Jackson, Billie Holiday, and Aretha Franklin.

David Conway analyses why and how Jews, virtually absent from Western art music until the end of the eighteenth century, came to be represented in all branches of the profession within fifty years as leading figures - not only as composers and performers, but as publishers, impresarios and critics. His study places this process in the context of dynamic economic, political, sociological and technological changes and also of developments in Jewish communities and the Jewish religion itself, in the major cultural centres of Western Europe. Beginning with a review of attitudes to Jews in the arts and an assessment of Jewish music and musical skills, in the age of the Enlightenment, Conway traces the story of growing Jewish involvement with music through the biographies of the famous, the neglected and the forgotten, leading to a new and radical contextualisation of Wagner's infamous 'Judaism in Music'.

Black music has always expressed, consciously or not, its African oral heritage, reflecting the conditions of a minority culture in the midst of a white majority.