Sex is beyond reason, and yet we constantly reason about it. So, too, did the peoples of ancient Greece and Rome. But until recently there has been little discussion of their views on erotic experience and sexual ethics. The Sleep of Reason brings together an international group of philosophers, philologists, literary critics, and historians to consider two questions normally kept separate: how is erotic experience understood in classical texts of various kinds, and what ethical judgments and philosophical arguments are made about sex? From same-sex desire to conjugal love, and from Plato and Aristotle to the Roman Stoic Musonius Rufus, the contributors demonstrate the complexity and diversity of classical sexuality. They also show that the ethics of eros, in both Greece and Rome, shared a number of commonalities: a focus not only on self-mastery, but also on reciprocity; a concern among men not just for penetration and display of their power, but also for being gentle and kind, and for being loved for themselves; and that women and even younger men felt not only gratitude and acceptance, but also joy and sexual desire. Contributors: * Eva Cantarella * Kenneth Dover * Chris Faraone * Simon Goldhill * Stephen Halliwell * David M. Halperin * J. Samuel Houser * Maarit Kaimio * David Konstan * David Leitao * Martha C. Nussbaum * A. W. Price * Juha Sihvola

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Art and Text in Roman Culture is a collection of specially commissioned essays exploring the interface between words and images in the Roman world. The relationship of pictures and writing is complex and fascinating. Essays by ancient historians, literary critics and classical art historians examine a range of themes from ekphrasis to epigraphy, from the problems of modern to those of ancient reproduction, from mimesis to self-fashioning, from the cultural meanings of children and death in imperial Roman art to the significance of torture and images of women. The aim of this volume - a sequel to Art and Text in Ancient Greek Culture edited by Simon Goldhill and Robin Osborne (1994) - is to offer a series of commentaries and reflections on different kinds of interaction between images and writing in Rome, in order to enrich the critical debate within Classical art history.

From the front flap of this 167 page book: "Krautheimer has, in a few brief chapters, managed to meld architectural history, political history, social history, and religious history (both ecclesiological and doctrinal) into a genuinely original explanation of the development of the great early Christian cities." and "Why did emperor Constantine, a Christian, build the cathedral of his newly conquered capital city far from the quarters housing Rome's large Christian congregation? This anomaly, encountered by the author while working on a previous study of Rome, led to the present excursion into 'political topography'. Contemporary writings, legislation, inscriptions, and coins provided clues to the puzzle's solution: Constantine's aim in choosing a suburban site for the Lateran basilica was to minimize friction with the strong pagan opposition in the Senate, which held numerous pagan sanctuaries in the city center under its protection. By the time he was established at his new capital, Constantinople, Constantine no longer faced a significant pagan opposition. But the siting and character of key monuments reflect politically important ideological conflicts, such as that between his lingering persuasion of his own divinity qua emperor and the concept of Christ as the One God and Emperor of the Universe. In the cases of Milan at the time of St. Ambrose and early papal Rome, as with Constantinian Rome and Constantinople, Professor Krautheimer arrives at fresh historical insights by using architectural monuments and their location within the urban texture to illuminate complex interrelationships of power politics and religious beliefs that decisively shaped life in each of these Christian capitals."

Nicholas Horsfall was one of the most recognizable and influential Latinists of his generation. His main legacy is his work on Virgil and the five erudite commentaries on the Aeneid, but he was also a prolific writer of papers, both Virgilian and non-Virgilian. A number of Horsfall's papers, including the important 'Camilla', are translated in this volume for the first time.0Stretching from 1971 to 2015, the papers are drawn from his entire output demonstrating his unparalleled ability to connect Roman poetry with history, antiquarianism, and Realien. While showcasing his unique analysis of Virgil, it also highlights Horsfall's work as both a Latinist and a Romanist, illuminating the coherence in his approach. This volume includes many Virgilian papers that have become classics-on Aeneas the colonist, and on the Aeneas-legend, for example. This does not detract from the value of the non-Virgilian papers, many of which-on the collegium poetarum, and on discussions of reading and libraries at Rome, for example-have become standard treatments of their subjects. Throughout all these works there is an astonishing degree of connection, with glimpses in many papers of his other research interests.0'Nicholas Horsfall needs to be approached through his short papers, typically fresh, innovative and stimulating, and he has been so productive that nobody can claim to have had a full view of his scholarship. When it comes to placing a literary text in the frames offered by material culture, documents, landscapes, history, and by religious, legal, military and antiquarian studies, he was unrivalled.' Professor Alessandro Barchiesi, Professor of Classics, New York University.

"Benjamin Isaac is one of the most distinguished historians of the ancient world, with a number of landmark monographs to his name. This volume collects most of Benjamin Isaac's published articles and book chapters of the last two decades, many of which are not easy to access, and republishes them for the first time along with some brand new chapters. The focus is on Roman concepts of state and empire and mechanisms of control and integration. Isaac also discusses ethnic and cultural relationships in the Roman Empire and the limits of tolerance and integration, as well as attitudes to foreigners and minorities, including Jews. The book will appeal to scholars and students of ancient, imperial, and military history, as well as to those interested in the ancient history of problems which still resonate in today's societies."--

"Roman comedy evolved early in the war-torn 200s BCE. Troupes of lower-class and slave actors traveled through a militarized landscape full of displaced persons and the newly enslaved; together, the actors made comedy to address mixed-class, hybrid, multilingual audiences. Surveying the whole of the Plautine corpus, where slaves are central figures, and the extant fragments of early comedy, this book is grounded in the history of slavery and integrates theories of resistant speech, humor, and performance. Part I shows how actors joked about what people feared - natal alienation, beatings, sexual abuse, hard labor, hunger, poverty - and how street-theater forms confronted debt, violence, and war loss. Part II catalogues the onstage expression of what people desired: revenge, honor, free will, legal personhood, family, marriage, sex, food, free speech; a way home, through memory; and manumission, or escape - all complicated by the actors' maleness. Comedy starts with anger"

Women in ancient Rome challenge the historian. Widely represented in literature and art, they rarely speak for themselves. Amy Richlin, among the foremost pioneers in ancient studies, gives voice to these women through scholarship that scours sources from high art to gutter invective. In Arguments with Silence, Richlin presents a linked selection of her essays on Roman women’s history, originally published between 1981 and 2001 as the field of “women in antiquity” took shape, and here substantially rewritten and updated. The new introduction to the volume lays out the historical methodologies these essays developed, places this process in its own historical setting, and reviews work on Roman women since 2001, along with persistent silences. Individual chapter introductions locate each piece in the social context of Second Wave feminism in Classics and the academy, explaining why each mattered as an intervention then and still does now.

Paperback.

"Across almost the entire expanse of Jewish history, Jews have had to adjust to being ruled by empires. In antiquity alone Jews lived under a succession of imperial powers - Assyrian, Babylonian, Persian, and Seleucid - before having to deal with the Romans. Judaism (of course) was shaped by each successive encounter with an imperial power. But as Katell Berthelot argues in this book, Rome and Roman imperialism presented Jews with unique ideological challenges, and compelled Jews to rethink key aspects of their own self-definition. Long before Rome became Christian, Jews recognized pagan Romans as unprecedented rivals because of some striking similarities between the two peoples. Previously Jews were ruled by empires associated with kingdoms and kings. By contrast, "Rome" was first and foremost a city and a people - and Romans thought of their city and themselves as a people in ways uncomfortably close to the ways Jews defined themselves: as an Israelite people tied to a capital city, Jerusalem. Moreover both Romans and Jews conceived of themselves as a pious people with a divine calling; both thought they possessed the most perfect laws ever written; and both believed themselves to be entrusted with a universal mission that implied bringing peace to the world. This was too close for comfort. The disturbingly close parallels led some Jews to feel that Rome was in fact trying to take Israel's place in God's plan for the world. Revealingly, the ancient rabbis depicted this rivalry by turning to the famous biblical story of the sibling rivals Jacob and Esau, associating the Jews with the former and the Romans with the latter. The perceived rivalry led to a series of innovations in Jewish self-perceptions in late antiquity in several areas that Berthelot will discuss in a series of book chapters: innovations in Jewish understandings of power, citizenship (or membership in a people), and law. Berthelot argues that in some cases the Jewish sources imitate or mimic Roman representations (of, e.g. legal thinking and practice), and in other cases propose a countermodel"--

The studies in this collection deal with a variety of subjects. Their focus is the Roman Empire in the East, the Roman army, Judaea in the Roman period, and Jewish history. Inscriptions are published in them and literary sources discussed. First, Judaea in the period before the arrival of the Romans as well as under Roman rule forms the centre of attention. Here, articles on specific documents are presented and historical problems discussed ranging from the Seleucid period to the Later Roman Empire. The second part of the book contains studies of the wider area and the third part is concerned with the Roman army, its organisation and aims in the Frontier areas. Many of these papers are hard to find and it is particularly valuable to have all of them together and logically arranged in one volume. Moreover extensive discussions of recent publications and newly published material have been added here.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Das Buch ""Antignostikus Geist des Tertullianus"" von August Neander, das im Jahr 1825 ver������ffentlicht wurde, besch�����ftigt sich mit dem Werk des Kirchenvaters Tertullian. Neander untersucht Tertullians Haltung gegen�����ber der Gnosis, einer antiken philosophischen Bewegung, die sich mit dem Streben nach Erkenntnis und Wahrheit besch�����ftigte. Tertullian lehnte die Gnosis als unvereinbar mit dem christlichen Glauben ab und vertrat stattdessen eine strenge orthodoxe Position. Neander analysiert Tertullians Schriften und stellt die Bedeutung seiner Argumente f�����r die Entwicklung des fr�����hen Christentums dar. Das Buch bietet eine gr�����ndliche und detaillierte Untersuchung von Tertullians Gedanken und ist ein wichtiger Beitrag zur Erforschung der fr�����hchristlichen Theologie.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.