A New Yorker Best Book of 2024 A captivating journey of the expansive world of medieval travel, from London to Constantinople to the court of China and beyond. Europeans of the Middle Ages were the first to use travel guides to orient their wanderings, as they moved through a world punctuated with miraculous wonders and beguiling encounters. In this vivid and alluring history, medievalist Anthony Bale invites readers on an odyssey across the medieval world, recounting the advice that circulated among those venturing to the road for pilgrimage, trade, diplomacy, and war. Journeying alongside scholars, spies, and saints, from Western Europe to the Far East, the Antipodes and the ends of the earth, Bale provides indispensable information on the exchange rate between Bohemian ducats and Venetian groats, medieval cures for seasickness, and how to avoid extortionist tour guides and singing sirens. He takes us from the streets of Rome, more ruin than tourist spot, and tours of the Khan's court in Beijing to Mamluk-controlled Jerusalem, where we ride asses across the holy terrain, and bustling bazaars of Tabriz. We also learn of rumored fantastical places, like ones where lambs grow on trees and giant canes grow fruit made of gems. And we are offered a glimpse of what non-European travelers thought of the West on their own travels. Using previously untranslated contemporaneous documents from a colorful range of travelers, and from as far and wide as Turkey, Iceland, North Africa, and Russia, A Travel Guide to the Middle Ages is a witty and unforgettable exploration of how Europeans understood--and often misunderstood--the larger world.

A Holocaust survivor recounts her journey to her family's hometown of Šamorín, Slovakia, to exhume the bodies of her grandparents from a Jewish cemetery that would soon be flooded by a new dam on the Danube River, and take the bodies to Israel for reburial.

Odnoetazhnya Amerika (One-Storied America) First published in the U.S.S.R. 1936. Little Golden America. First published in England in 1944. Translated from the Russian by Charles Malamuth This is one of the most popular books ever published in the Soviet Union. It remains popular in Russia today. We Americans cannot figure out what makes it so popular. It is a good book, interesting and well written, but does not contain anything so outstanding as to make it the most popular book ever written. Yet almost every Russian seems to have read or to be familiar with "Little Golden America."It describes the adventures of the two authors, Ilya Ilf and Eugene Petrov, who arrived in New York City on the passenger ship Normandie. After one month in New York, they bought a car and started traveling around the United States. They went to Chicago and San Francisco and then swept back through the Southern States. When they arrived back in New York to return to Europe, they said that they had traveled ten thousand miles.

A spiritual and scientific surf quest. After spending two years in bed with Lyme disease, Steven Kotler had lost everything: his health, his job, his girl, and, he was beginning to suspect, his mind. Kotler, not a religious man, suddenly found himself drawn to the sport of surfing as if it were the cornerstone of a new faith. Why, he wondered, when there was nothing left to believe in, could he begin to believe in something as unlikely as surfing. What was belief anyway? How did it work in the body, the brain, our culture, and human history? Into this mix came a strange story. In 2003, on a surf trip through Mexico, Kotler heard of "the conductor," a mythical surfer who could control the weather. He'd heard this same tale eight years earlier, in Indonesia, but this time something clicked. With the help of everyone from rebel surfers to rocket scientists, Kotler undertakes a three year globetrotting quest for the origins of this legend. The results are a startling mix of big waves and bigger ideas: a surfer's journey into the biological underpinnings of belief itself.

In this alternately humorous and horrifying memoir, a Jewish father shleps his reluctant children around Europe on a hard-charging tour of Holocaust sites and memorials in order to impress on them the profound evil of Hitler’s war against the Jews and the importance of combatting genocide. In 2017, renowned author and celebrity rabbi, Shmuley Boteach, decided to take his family on a European holiday. But instead of seeing the sights of London or Paris, he took his reluctant—and at times complaining—children on a harrowing journey though Auschwitz, Treblinka, Warsaw, and many other sites associated with Hitler’s genocidal war against the Jews. His purpose was to impress upon them the full horror of the Holocaust so they would know and remember it deep in their bones. In the process, he and his children learn a great deal about the scope and nature of the European genocide and the continuing effects of global hatred and anti-Semitism. The resulting memoir is an utterly unique blend of travelogue, memoir and history—alternately fascinating, terrifying, frustrating, humorous, and tragic. “It is my honor to contribute a foreword to his important book, in which Rabbi Shmuley Boteach details the excruciating journey he took with his wife and children in the summer of 2017 to the killing fields of Europe, a pilgrimage which every person of conscience should attempt at least once in their lifetime. It is our universal obligation to dedicate ourselves to the memory of the martyred six million, just as it is our obligation to confront and defeat genocide wherever it rises.” —From the foreword by Amb. Georgette Mosbacher

Winner of the 2013 National Book Prize from Grub Street, the Towson Prize for Literature, and the 2013 Prakhin International Literary Foundation Award. Ellen Cassedy's longing to recover the Yiddish she'd lost with her mother's death eventually led her to Lithuania, once the "Jerusalem of the North." As she prepared for her journey, her uncle, sixty years after he'd left Lithuania in a boxcar, made a shocking disclosure about his wartime experience, and an elderly man from her ancestral town made an unsettling request. Gradually, what had begun as a personal journey broadened into a larger exploration of how the people of this country, Jews and non-Jews alike, are confronting their past in order to move forward into the future. How does a nation--how do successor generations, moral beings--overcome a bloody past? How do we judge the bystanders, collaborators, perpetrators, rescuers, and ourselves? These are the questions Cassedy confronts in We Are Here, one woman's exploration of Lithuania's Jewish history combined with a personal exploration of her own family's place in it. Digging through archives with the help of a local whose motives are puzzling to her; interviewing natives, including an old man who wants to "speak to a Jew" before he dies; discovering the complications encountered by a country that endured both Nazi and Soviet occupation--Cassedy finds that it's not just the facts of history that matter, but what we choose to do with them.

Calvin Trillin, the celebrated New Yorker writer, offers a rich and engaging biography of his father, as well as a literate and entertaining fanfare for the common (and decent, and hard-working) man. Abe Trillin had the western Missouri accent of someone who had grown up in St. Joseph and the dreams of America of someone who had been born is Russia. In Kansas City, he was a grocer, at least until he swore off the grocery business. He was given to swearing off things—coffee, tobacco, alcohol, all neckties that were not yellow in color. Presumably he had also sworn off swearing, although he was a collector of curses, such as "May you have an injury that is not covered by workman's compensation." Although he had a strong vision of the sort of person he wanted his son to be, his explicit advice about how to behave didn't go beyond an almost lackadaisical "You might as well be a mensch." Somehow, though, Abe Trillin's messages got through clearly. The author's unerring sense of the American character is everywhere apparent in this quietly powerful memoir, Messages from My Father .

Collects more than thirty previously published essays on a diverse range of topics, including food habits, art, politics, history, and travel.

In this arresting, intimate narrative journey, award-winning Eva Hoffman returns to her Polish homeland and five other countries—Hungary, Romania, Bulgaria, and the two nations of the former Czechoslovakia—historically transformed by the demise of Communism. The result is the penetrating personal odyssey across the “other Europe” and a vivid portrayal of a landscape in the midst of change. Hoffman combines the wise perspective of an outsider and the passionate concern of a native daughter to illuminate the forces informing the region’s complex politics as she captures the texture of everyday life in a world in flux. “Indispensable for anyone who wants to seriously come to grips with the experience of Eastern Europe.”— The Cleveland Plain Dealer “Complex and full of the unexpected . . . Hoffman earns our trust as an observer.”—Tina Rosenberg, New York Newsday “Written with incredible literary talent and intellectual soundness . . . An indispensable clue for anyone who is keen to understand how the new Europe is emerging from the debris of the Cold War period.”—Ryszard Kapuscinski

The scene is Charleston, South Carolina; the time, the 1920s, when old ladies dream of the past and a strange new dance, "the Charleston," is seducing the youth of the city. Years later, whispers emerge of something baffling and tragic that happened back then. As an old man confronts those demanding the truth, we catch brilliant flashes of the confrontation between the dark, doomed Hirsch Hess, son of immigrants, and the fantastically ethereal Ned Grimke, a scion of the city. Told in intoxicatingly beautiful prose, this story of passion, beauty and the deadly effects of sexual repression takes us to a specific time and place, yet simultaneously blossoms as a universal tale of the human heart in conflict with its era. This cult classic, set in the most intriguing period of one of America's most beautiful cities, is now restored to print with an afterword by its author that traces the facts upon which it is based.

Why did so many distinguished Western Intellectuals--from G.B. Shaw to J.P. Sartre, and. closer to home, from Edmund Wilson to Susan Sontag-- admire various communist systems, often in their most repressive historical phases? How could Stalin's Soviet Union, Mao's China, or Castro's Cuba appear at one time as both successful modernizing societies and the fulfillments of the boldest dreams of social justice? Why, at the same time, had these intellectuals so mercilessly judged and rejected their own Western, liberal cultures? What Impulses and beliefs prompted them to seek the realization of their ideals in distant, poorly known lands? How do their journeys fit into long-standing Western traditions of looking for new meaning In the non-Western world? These are some of the questions Paul Hollander sought to answer In his massive study that covers much of our century. His success is attested by the fact that the phrase "political pilgrim" has become a part of intellectual discourse. Even in the post-communist era the questions raised by this book remain relevant as many Western, and especially American intellectuals seek to come to terms with a world which offers few models of secular fulfillment and has tarnished the reputation of political Utopias. His new and lengthy introduction updates the pilgrimages and examines current attempts to find substitutes for the emotional and political energy that used to be invested in them.

Venice for Lovers is a memorable collaboration by two fine stylists who have fashioned their own personal homages to Venice, one with a novella, the other with a personal essay. Every year for all the thirty they have been married, Begley and Muhlstein have escaped to Venice to write. In her contribution to the book, Muhlstein charmingly describes how she and her husband dine at the same restaurant every night for years on end, and how becoming friends with restaurateurs has been an unsurpassed means of getting to know the city and its inhabitants, far from the tourists in San Marco Square. In his short novella, Begley writes a story of falling in love with--and in--Venice. His twenty-year-old protagonist, enamored with an older, far worldlier woman of twenty-seven, is lured by her to the City of Water, only to be unceremoniously dumped and left to fend for himself after a brief rendezvous. But he discovers a lasting love for Venice itself--not an uncommon romance, as Begley's brilliant literary essay on the city's place within world literature demonstrates: Henry James, Marcel Proust, and Thomas Mann were all illustrious predecessors.

"In 2012, Jonathan Littell went to the heart of the Syrian conflict, embedding himself with the Free Syria-Army in the historic city of Homs. He watched from the front line as the city was ruthlessly pummeled by Assad's forces before it finally surrendered. His urgent notebooks of what he saw on the ground speak directly of the horrors of the civil war that continues today. Out of the chaos, Littell bears witness to the lives and the hopes of freedom fighters. Syrian Notebooks is the most close-up account of the war, and will be seen as a classic account of war reportage"--

"Americans have long regarded the freedom of travel a central tenet of citizenship. Yet, in the United States, freedom of movement has historically been a right reserved for whites. In this book, Elizabeth Stordeur Pryor shows that African Americans fought obstructions to their mobility over 100 years before Rosa Parks refused to give up her seat on a Montgomery bus. These were "colored travelers," activists who relied on steamships, stagecoaches, and railroads to expand their networks and to fight slavery and racism. This book tells the story of how the basic act of traveling emerged as a front line in the battle for African American equal rights before the Civil War"--

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Andrei Codrescu takes us cross-country through the withered, yet alluring American urban landscape, visiting New York, Baltimore, New Orleans, Little Rock, San Antonio, Albuquerque, Las Vegas, and Portland, Oregon. He discovers that cities are at the very center of the forces determining our future, in this major work by one of America's most gifted social critics.

These interviews with Henry Rollins conducted by RE/Search (and Search & Destroy) founder V. Vale focus on Henry's travels -- often to countries considered dangerous and off-limits. There are references to Punk Rock history, the Occupy movement, and numerous personal adventures and experiences over the past 30-plus years of combing the planet giving musical and Spoken Word performances, and generally being as creative and humorous as possible no matter what the situation may be . Whatever Henry wants to do, he does it while giving his full attention, like a kind of Zen master. RE/Search tries to reveal the full scope of his creativity, achievements and darkly sardonic perceptiveness and contempt for cliche. This book is full of both humor and inspiration.

An extraordinary journey deep into the history and landscape of the Hebrides, exploring their turbulent history, the spread of their influence, and how these islands shaped the nations of Britain.

"Cochinchine" is a vivid and penetrating account of the author's travels through French Indochina in the early 20th century. Written by the acclaimed journalist and critic Léon Werth, this work stands as a landmark of anti-colonial literature, offering a stark contrast to the romanticized depictions of the East common during the era. Werth's observations are both sharp and empathetic, providing a detailed look at the social, political, and economic realities of Southern Vietnam under colonial rule. The narrative delves into the complexities of the relationship between the French administration and the local population, highlighting the tensions and inequalities inherent in the colonial system. Through a series of sketches and reflections, Werth captures the essence of the landscape, the bustle of the cities, and the quiet dignity of the people he encounters. "Cochinchine" is not merely a travelogue but a profound social commentary that questions the ethics of imperialism and the impact of cultural displacement. This book remains a vital resource for readers interested in the history of Southeast Asia, French colonial studies, and the development of political consciousness in modern literature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"This fascinating book is a union of physics and Egyptology. It is constructed like a mystery story, and it would be unfair to give away too much of the plot. ..." The New Yorker.