From the New York Times bestselling author of Inheritance and host of the hit podcast Family Secrets —”a cool depiction of a mother and daughter's fraught and fiery relationship” ( USA Today ). Clara Brodeur has spent her entire adult life pulling herself away from her famous mother, the renowned and controversial photographer Ruth Dunne, whose towering reputation rests on the unsettling nude portraits she took of her young daughter. At age eighteen, sick of her notoriety as “the girl in the pictures,” Clara fled New York City, settling and making her own family in small-town Maine. But years later, when Ruth reaches out from her deathbed, Clara suddenly finds herself drawn back to the past she thought she had escaped. From the beloved author of Family History and Slow Motion, a spellbinding novel that asks: How do we forgive those who failed to protect us?

New York Times bestselling author Belva Plain beguiles us once again with a novel that explores the bonds that sustain families—and the lies that can shatter them forever. Sweeping through the pivotal events of twentieth-century America, The Sight of the Stars chronicles four generations of one remarkable family as they journey through years of love, loss, sacrifice, and unimaginable betrayal. Dressed in a brand-new suit, with one hundred and fifty dollars in his pocket, Adam Arnring says good-bye to his family and boards a train for the fabled West. The year is 1907. Adam is nineteen years old, a young man with stars in his eyes who has always dreamed of a future in the great open spaces of America. Now, far from his New Jersey home, he takes the first step toward attaining that dream, landing a job in a small department store in a booming Texas town. Here he meets a woman who excites him beyond all measure. The exquisite, untouchable Emma Rothirsch lives in a world whose doors are firmly closed to him. But Adam is a man willing to take great risks to get what he wants. One is Emma. The other is to build a lasting business enterprise that will live on through his children and grandchildren. But just when Adam’s dreams are within reach, fate intervenes. Tragedy strikes from the trenches of World War I, setting in motion a series of events that echo down through the years. The owner of a prospering department store and the head of a growing family, Adam succumbs to a moment of weakness that culminates in an unforgivable act of betrayal. And now, as another generation prepares to take its rightful place in the family’s legendary empire, the tenuous threads of the Arnrings’ past begin to unravel, revealing a shattering secret that reaches back nearly a century. Across a teeming canvas of history, through world wars and the close of a century, The Sight of the Stars tells a deeply affecting story of family and forgiveness, guilt and redemption. Brimming with the emotional depth and moral complexity we have come to expect from this incomparable storyteller, The Sight of the Stars is about what happens when we dare to dream, and the moments that can change families forever.

This landmark work from a renowned feminist historian is a foundational demonstration of the uses of gender as a conceptual tool for cultural and historical analysis. Joan Wallach Scott offers a trenchant critique of the compartmentalization of women's history, arguing that political and social categories are always fundamentally shaped by gender and that questions of gender are essential to considerations of difference in history. Exploring topics ranging from language and class to the politics of work and family, Gender and the Politics of History is a vital contribution to feminist history and historical methodology that also speaks more broadly to the ongoing redefinition of gender in our political and cultural vocabularies. This anniversary edition of a classic text in feminist theory and history shows the evergreen relevance of Scott's work to the humanities and social sciences. In a new preface, Scott reflects on the book's legacy and implications for contemporary politics as well as what she has reconsidered as a result of her engagement with psychoanalytic theory. The book also includes a previously unpublished essay, "The Conundrum of Equality," which takes up the question of affirmative action.

A pioneer in women's studies and long-term activist for women's issues, and a past president of the Organization of American Historians, Gerda Lerner is one of the founders and foremost scholars of Women's History. The Creation of Patriarchy, the first book in her two-volume magnum opus Women and History (1986) received wide review attention and much acclaim, winning the prestigious Joan Kelly Prize of the American Historical Association for the best work on Women's History that year. Ms hailed the book for providing "a grand historical framework that was impossible even to imagine before the enlightenment about women's place in the world provided by her earlier work and that of other feminist scholars." New Directions for Women said it "may well be the most important work in feminist theory to appear in our generation." Patriarchy traced the development of the ideas, symbols, and metaphors by which men institutionalized their domination of women. Now, in The Creation of Feminist Consciousness, the eagerly awaited concluding volume of Women and History, Lerner documents the twelve-hundred-year struggle of women to free their minds from patriarchal thought, to create Women's History, and to achieve a feminist consciousness. In a richly documented narrative filled with inspiring portraits of women, Lerner ranges from the Middle Ages to the late 19th century, tracing several important ways by which women strove for autonomy and equality. One of the most remarkable sections examines over twelve hundred years of feminist Bible criticism. Since objections to women's thinking, teaching, and speaking in public were based on biblical authority--most notably, passages from Genesis and the writings of St. Paul--women returned again and again to these texts, in an attempt to subvert patriarchal dominance and establish their equality with men. This survey of biblical criticism allows Lerner to illustrate her most important insight--the discontinuity of women's history. She describes how women's history was not passed on from generation to generation, forcing women in effect to reinvent the wheel over and over again. In a series of fascinating portraits of individual women who resisted patriarchal indoctrination, Lerner discusses women mystics such as Hildegard of Bingen, Julian of Norwich and later Protestant mystics, and brings to life the many women of great literary talent, from Christine de Pisan to Louise Labe to Emily Dickinson, who simply bypassed patriarchal thought and created alternate worlds for themselves. Documenting the 1,200 year struggle of women to free their minds from patriarchal thought, create a women's history, and achieve a feminist consciousness, this brilliant work charts new ground for feminist theory, the history of ideas, and the development of women's place in our intellectual tradition.

Illustrated with Nelly's original watercolors, this powerful memoir tells the true story of how a little girl's imagination helped her survive World War II. The Nazis come to Poland when Nelly is six. By the time she turns eight, the events of World War II have taken almost everyone she loves. Scared, lonely, and running from the Nazis, Nelly hides in the bedroom of a Gentile couple in Lwow, Poland. For over a year, she lives in fear of discovery, writing in her diary and painting pictures of a fantasy world filled with open skies and happy families. For 13 months during World War II, the author and her mother were hidden from the Nazis. Like Anne Frank, Nelly kept a diary and through that outlet transformed her grim reality into an enchanting fantasy world. "Without emphasizing horror and loss, Toll conveys the effects of human evil and human folly, summoning up the forces of tragedy and courage." -- Publishers Weekly "In Toll's remembrance, art equals hope: her happy family pictures, painted in the secret room where she and her mother hid from the Nazis and the Poles, show extraordinary preteen talent as well as the will to survive." -- Kirkus Reviews

Since her girlhood, Prudence Winship has gazed across the tidal straits from her home in Brooklyn to the city of Manhattan and yearned to bridge the distance. Now, established as the owner of the enormously successful gin distillery she inherited from her father, she can begin to realize her dream. Set in eighteenth-century Brooklyn, this is the story of a determined and intelligent woman who is consumed by a vision of a bridge: a gargantuan construction of timber and masonry she devises to cross the East River in a single, magnificent span. With the help of the local surveyor, Benjamin Horsfield, and her sisters—the high-spirited, obstreperous Tem, who works with her in the distillery, and the silent, uncanny Pearl—she fires the imaginations of the people of Brooklyn and New York by promising them a bridge that will meet their most pressing practical needs while being one of the most ambitious public works ever attempted. Prue’s own life and the life of the bridge become inextricably bound together as the costs of the bridge, both financial and human, rise beyond her direst expectations. Brookland confirms Emily Barton’s reputation as one of the finest writers of her generation, whose work is ”blessedly post-ironic, engaging and heartfelt” (Thomas Pynchon).

Fragile, raw, daring, brilliant...Sandra Bernhard rocks. The actress, philospher, comedian, and cult goddess is definitely back -- and feeling fabulous -- with a labor of love that'll knock her followers off their feet and draw new ones to her like a magnet. Stage, film, music, television -- in every performance, Bernhard has shocked and amused, titillated and broken every rule. With her first two books, Confessions of a Pretty Lady and Love, Love, and Love Bernhard's electrifying talent took to the page and burned it up with flashes of true brillance -- the kind of writing that separates the powerful from the good. And now, in this new book, Sandra returns with a deeply personal collection of spicy tales, fiercely witty riffs, and sweet doses of wisdom. Here is Sandy as we know and love her -- and as we've never quite seen her before: heartrenderingly honest, with the mouth of a diva, the soul of a fighter, and the insight of a girl who has lived life big. Like a whisper in your ear, Sandy opens up her world: from her friendship with her loyal housepainter to her imagined history as as one of Jack Kennedy's lovers; from the sensual streets of Mogador to the comfort of her pristine L.A. bungalow; from her own poetry of romantic yearning and reflective prayer to dead-on truths brought to light in the heartbreaking and hilarious glow of fashion, celebrity, rock and spirituality. There is nothing Sandra Bernhard offers that doesn't deliver a pungent snap of truth and the surprise of unexpected emotion in this, her most revealing and entertaining book yet.

No one better understands the desire to be bad than Elizabeth Wurtzel. Bitch is a brilliant tract on the history of manipulative female behavior. By looking at women who derive their power from their sexuality, Wurtzel offers a trenchant cultural critique of contemporary gender relations. Beginning with Delilah, the first woman to supposedly bring a great man down (latter-day Delilahs include Yoko Ono, Pam Smart, Bess Myerson), Wurtzel finds many biblical counterparts to the men and women in today's headlines. In five brilliant extended essays, she links the lives of women as demanding and disparate as Amy Fisher, Hillary Clinton, Margaux Hemingway, and Nicole Brown Simpson. Wurtzel gives voice to those women whose lives have been misunderstood, who have been dismissed for their beauty, their madness, their youth. She finds in the story of Amy Fisher the tragic plight of all Lolitas, our thirst for their brief and intense flame. She connects Hemingway's tragic suicide to those of Sylvia Plath, Edie Sedgwick, and Marilyn Monroe, women whose beauty was an end, ultimately, in itself. Wurtzel, writing about the wife/mistress dichotomy, explains how some women are anointed as wife material, while others are relegated to the role of mistress. She takes to task the double standard imposed on women, the cultural insistence on goodness and society's complete obsession with badness: what's a girl to do? Let's face it, if women were any real threat to male power, "Gennifer Flowers would be sitting behind the desk of the Oval Office," writes Wurtzel, "and Bill Clinton would be a lounge singer in the Excelsior Hotel in Little Rock." Bitch tells a tale both celebratory and cautionary as Wurtzel catalogs some of the most infamous women in history, defending their outsize desires, describing their exquisite loneliness, championing their take-no-prisoners approach to life and to love. Whether writing about Courtney Love, Sally Hemings, Bathsheba, Kimba Wood, Sharon Stone, Princess Di--or waxing eloquent on the hideous success of The Rules, the evil that is The Bridges of Madison County, the twisted logic of You'll Never Make Love in This Town Again--Wurtzel is back with a bitchography that cuts to the core. In prose both blistering and brilliant, Bitch is a treatise on the nature of desperate sexual manipulation and a triumph of pussy power.

Finalist for the Baileys Women's Prize Annie McDee, thirty-one, lives in a shabby London flat, works as a chef, and is struggling to get by. Reeling from a sudden breakup, she’s taken on an unsuitable new lover and finds herself rummaging through a secondhand shop to buy him a birthday gift. A dusty, anonymous old painting catches her eye. After spending her meager savings on the artwork, Annie prepares an exquisite birthday dinner for two—only to be stood up. The painting becomes hers, and Annie begins to suspect that it may be more valuable than she’d thought. Soon she finds herself pursued by parties who would do anything to possess her picture: an exiled Russian oligarch, an avaricious sheikha, an unscrupulous art dealer. In her search for the painting’s identity, Annie will unwittingly discover some of the darkest secrets of European history—and the possibility of falling in love again.

Overview: A lively, richly informed argument for the natural superiority of women from the acclaimed author of The Tangled Wing. There is a human genetic fluke that is surprisingly common, due to a change in a key pair of chromosomes. In the normal condition the two look the same, but in this disorder one is malformed and shrunken beyond recognition. The result is a shortened life span, higher mortality at all ages, an inability to reproduce, premature hair loss, and brain defects variously resulting in attention deficit, hyperactivity, conduct disorder, hypersexuality, and an enormous excess of both outward and self-directed aggression. It is called maleness. In Women After All, Melvin Konner traces the arc of evolution to explain the relationships between women and men. With patience and wit he explores the knotty question of whether men are necessary in the biological destiny of the human race. He draws on multiple, colorful examples from the natural world-such as the mating habits of the octopus, black widow, angler fish, and jacana-and argues that maleness in humans is hardly necessary to the survival of the species. In characteristically humorous and engaging prose, Konner sheds light on our biologically different identities, while noting the poignant exceptions that challenge the male/female divide. We meet hunter-gatherers such as those in Botswana, whose culture gave women a prominent place, invented the working mother, and respected women's voices around the fire. Recent human history has upset this balance, as a dense world of war fostered extreme male dominance. But our species has been recovering over the past two centuries, and an unstoppable move toward equality is afoot. It will not be the end of men, but it will be the end of male supremacy and a better, wiser world for women and men alike. Provocative and richly informed, Women After All is bound to be controversial across the sexes

"First published in 1970, Patriarchal Attitudes has since become famous and is considered a classic feminist text. Writing with wit as well as scholarship, Eva Figes examines the factors which have helped place women in subservient roles in most societies, including the influence of Christianity, the rise of capitalism, Freudian psychoanalysis, and sexual taboos. She draws on a wide range of material to illuminate one of the central issues of our time."--Back cover.

Lila Abu-Lughod lived with a community of Bedouins in the Western Desert of Egypt for nearly two years, studying gender relations and the oral lyric poetry through which women and young men express personal feelings. The poems are haunting, the evocation of emotional life vivid. But her analysis also reveals how deeply implicated poetry and sentiment are in the play of power and the maintenance of a system of social hierarchy. What begins as a puzzle about a single poetic genre becomes a reflection on the politics of sentiment and the relationship between ideology and human experience.

Product Description In this thoroughly updated second edition, Judith Walzer Leavitt, a leading authority on the history of women's health issues, has collected thirty-five articles representing important scholarship in this once-neglected field. Timely and fascinating, this volume is organized chronologically and then by topic, covering studies of women and health in the colonial and revolutionary periods and the nineteenth century through the Civil War. The remainder of the book concentrates on the late nineteenth and twentieth centuries and addresses such controversial issues as body image and physical fitness, sexuality, fertility, abortion and birth control, childbirth and motherhood, mental illness, women's health care providers (midwives, nurses, physicians), and health reform and public health. Review "Superb."— Isis "Highly recommended for everyone interested in women's health."— Journal of the American Medical Women's Association "Should be on everyone's reference shelf."— Women's Studies in Indiana "Leavitt is to be commended for selecting pieces which highlight the major debates."— Women's Review of Books "It's a pleasure, as well as useful, to have such a range of excellent work in one book."— Journal of the History of Medicine "[Leavitt's] approach ensures that women's history will meet high standards and, in fact, raises the standards of historical scholarship."— Bulletin of the History of Dentistry "This anthology may be just the prescription to cure a current deficiency disease, to supply in one place the information that has been sadly lacking in historical treatments of women as patients and practitioners."— Mobius About the Author Judith Walzer Leavitt is Ruth Bleier Professor of History of Medicine, History of Science, and Women’s Studies and the associate dean of faculty at the medical school, University of Wisconsin–Madison. Her many books include The Healthiest City and Sickness and Health in America, both also available from the University of Wisconsin Press, as well as Typhoid Mary and Brought to Bed: Childbearing in America 1750–1950.

A generation after the publication of Joan W. Scott's influential essay, "Gender: A Useful Category of Historical Analysis," this volume explores the current uses of the term—and the ongoing influence of Scott's agenda-setting work in history and other disciplines. How has the study of gender, independently or in conjunction with other axes of difference—such as race, class, and sexuality—inflected existing fields of study and created new ones? To what extent has this concept modified or been modified by related paradigms such as women's and queer studies? With what discursive politics does the term engage, and with what effects? In what settings, and through what kinds of operations and transformations, can gender remain a useful category in the 21st century? Leading scholars from history, philosophy, literature, art history, and other fields examine how gender has translated into their own disciplinary perspectives.

An unprecedented and definitive collection of rabble-rousing writings on women’s health, Voices of the Women’s Health Movement explores a range of provocative topics from reproductive rights to sexuality to motherhood. Trail-blazing advocate Barbara Seaman and health activist Laura Eldridge bring the revolutionary ideas of several generations together in this powerful new book celebrating women’s bodies, and women’s voices. The more than two hundred contributors include Jennifer Baumgardner, Susan Brownmiller, Phyllis Chesler, Angela Y. Davis, Barbara Ehrenreich, Germaine Greer, Shulamith Firestone, Charlotte Perkins Gilman, Erica Jong, Molly Haskell, Shere Hite, Susie Orbach, Judith Rossner, Alix Kates Shulman, Gloria Steinem, Sojourner Truth, Rebecca Walker, Naomi Wolf, and many others. With Voices of the Women’s Health Movement , for the first time, every woman and girl can experience in one place the powerful history of stirring words and strong female perspectives that have inspired countless women to take control of their health and their lives. Volume Two highlights include influential writings on sex, rape and violence against women, body image, informed consent, self-help gynecology, patient advocacy, and the mind-body connection.

What does is it mean to be a citizen of the United States? Susan Griffin’s provocative investigation of that question takes us from the Declaration of Independence to the Iraq War, with many stops in between. Her conclusion: democracy is nothing less than a revolution of consciousness, and the revolution has just begun.

Triumph of Hope From Theresienstadt and Auschwitz to Israel Now available in English, here is the award-winning and internationally acclaimed testament of a Jewish woman who was taken to Auschwitz while several months pregnant, where she was forced to confront perhaps the most agonizing choice ever imposed upon any woman, upon any human being . so that both she and her newborn infant should not die in a Nazi ""medical"" experiment personally conducted by the infamous Dr. Josef Mengele. And just as vividly, Ruth Elias recounts the aftermath of her imprisonment, and the difficult path to a new life in a new land: Israel, where new challenges, new obstacles awaited. ""One of the most powerful memoirs provided to us by a survivor."" --Indiana Jewish Post and Opinion ""Well-written . not only provides a remarkably honest picture of the unspeakable reality of living in ghettos and slave-labor and death camps, but also what it meant to be Jewish in Europe. in the 1920s and 1930s.. This is one of the best Holocaust memoirs I have read."" --Washington Jewish Week ""The understated tone of this memoir adds to the author's powerful re-creation of her life as a young Czechoslovak Jewish woman during the Holocaust."" --Publishers Weekly

The National Book Award-winner Patti Smith updates her treasure box of a childhood memoir about "clear unspeakable joy" and "just the wish to know" with a radiant new afterword, written during the pandemic and reflecting on current times. This expanded paperback edition also includes new photographs by the author. A great book about becoming an artist, Woolgathering tells of a child finding herself as she learns the noble vocation of woolgathering, "a worthy calling that seemed a good job for me." She discovers--often at night, often in nature--the pleasures of rescuing "a fleeting thought." Woolgathering calls up our own memories, as the child "glimpses and gleans, piecing together a crazy quilt of truths." Smith shares the fierce, vital pleasures of stargazing and wandering. Her new Afterword, penned during the quarantine, opens new horizons in "the scarcely charted landscape of memory governed by clouds." Woolgathering celebrates the sacred nature of creation in Smith's singular language, acclaimed as "glorious" (NPR), "spellbinding" (Booklist), "rare and ferocious" (Salon), and "shockingly beautiful" (New York Magazine).

Portraits of five Black women and the kind of music they sang during a period of social change. Includes Ma Rainey, Bessie Smith, Mahalia Jackson, Billie Holiday, and Aretha Franklin.