"As the Internet grows more sophisticated, it is creating new threats to democracy. Social media companies such as Facebook can sort us ever more efficiently into groups of the like-minded, creating echo chambers that amplify our views. It's no accident that on some occasions, people of different political views cannot even understand each other. It's also no surprise that terrorist groups have been able to exploit social media to deadly effect. Welcome to the age of #Republic. In this revealing book, Cass Sunstein, the New York Times bestselling author of Nudge and The World According to Star Wars, shows how today's Internet is driving political fragmentation, polarization, and even extremism--and what can be done about it. Thoroughly rethinking the critical relationship between democracy and the Internet, Sunstein describes how the online world creates "cybercascades," exploits "confirmation bias," and assists "polarization entrepreneurs." And he explains why online fragmentation endangers the shared conversations, experiences, and understandings that are the lifeblood of democracy. In response, Sunstein proposes practical and legal changes to make the Internet friendlier to democratic deliberation. These changes would get us out of our information cocoons by increasing the frequency of unchosen, unplanned encounters and exposing us to people, places, things, and ideas that we would never have picked for our Twitter feed. #Republic need not be an ironic term. As Sunstein shows, it can be a rallying cry for the kind of democracy that citizens of diverse societies most need. "--

"The origin story of the Age of Disinformation: the candid inside tale of two online media rivals, Jonah Peretti of HuffPost and Buzzfeed and Nick Denton of Gawker Media, whose delirious pursuit of attention at scale in the first two decades of the 21st century helped release the dark forces that would overtake the internet and American society. If attention is the new oil, Ben Smith's Traffic is the story of the time between the first gusher and the impact of climate change. The curtain opens in Soho in the early 2000's, in that brief moment after the first dotcom crash and before Google, Apple, and Facebook exploded, when it seemed that New York City rather than Silicon Valley might become tech's center of gravity. There, within a few square blocks, Nick Denton's merry band of nihilists at his growing Gawker empire and Jonah Peretti's sunnier crew at HuffPost and Buzzfeed were building the foundations of click-bait media. It was tech's age of innocence: the old establishment might have been discredited by the Iraq War, but digital news would facilitate the spread of truth. Progressive activists were first to the scene, and for a while it seemed they were the scene. After all, didn't they get Barack Obama elected? Ben Smith, who would go on to earn a controversial reputation as Buzzfeed's editor-in-chief, was either there or talked to everyone who was, and in his trademark fashion, he chronicles it all with marvelous lucidity scored with dark wit, sparing no one--and certainly not himself. Denton and Gawker were seen at the time as the black hats, but in Smith's hands the story is much more nuanced: yes, Denton's ideology of radical transparency was problematic, but at least he had an ideology. Jonah Peretti survived long after Denton's Gawker perished because his focus on clicks was relentlessly content-agnostic. But as with the proverbial sorcerer's apprentice, unintended consequences began to gain momentum. At the heart of Traffic is one of the great ironies of our time: the internet, which was going to help the left remake the world in its image, has become the motive force of right populism. As Smith and his colleagues and rivals thought they were inventing digital media, other figures, flickering around the margins of their story, had different designs. People like Steve Bannon and Andrew Breitbart and Gavin McInnes and Chris Poole, the creator of 4chan, all seemed like minor characters in the narrative in which Nick and Jonah and crew were the stars. By 2020, any reasonable observer might wonder if the opposite wasn't the case. To understand how we got here, Traffic is essential and enthralling reading"--

"Tiffany Shlain explores how turning off screens one day a week can work wonders on your brain, body, and soul." -- from book jacket flap.

Millions of people worldwide now interact via computers, often assuming personalities of their own creation, but what are the psychological effects of such game playing? This book examines the wonders and dangers of virtual interaction and the profound impact it has on our lives. The author argues that what is emerging is a new sense of identity, one which is de-centred and multiple.

"Over the last twenty years, art has become more accessible than ever before. A painter can post their latest creation on Instagram and wait as the likes pile up; a budding filmmaker can shoot a clip on their iPhone, then upload it to YouTube for thousands to view. The digital landscape has fundamentally altered what it means to be creative, as well as how consumers interact with artistic production both economically and curatorially. William Deresiewicz, a leading critic of contemporary culture in America, argues that we are in the midst of an epochal transformation within art. Whereas the nineteenth century considered artists to be craftsmen and the twentieth century treated them as professionals, artists today are uniquely dependent upon themselves. The internet, along with decreases in art funding and the growing prevalence of gig economies, has forced artists to become responsible for every aspect of their work, from conception to promotion, from sales to legacy. In The Death of the Artist, Deresiewicz profiles those struggling to make a living through the arts, from the twenty-something college novelist with a multi-hyphenated job title to the midlife painter who must utilize social media to stay relevant. Deresiewicz shows what the birth of the "creative entrepreneur" signifies about our evolving society at large and what might be done to keep artists thriving, because we need them"--

Amer. consume 57% of the world's advertising while representing only 6% of the population, & half of our waking hours are spent immersed in the mass media. Drawing on the history of propaganda as well as on contemporary res. in social psychol., this book shows how the tactics used by political campaigners, sales agents, advertisers, televangelists, demagogues, & others often take advantage of our emotions by appealing to our deepest fears & most irrational hopes, creating a distorted vision of the world we live. This updated ed. includes coverage of the Clinton/Lewinsky scandal, recent election campaigns, talk radio, teen suicide, UFO abductions, the Columbine shootings, & novel propaganda tactics based on hypocrisy & false allegations.

In this book, Amy Webb reveals the pervasive, invisible ways in which the foundations of AI - the people working on the system, their motivations, the technology itself - is broken. Within our lifetimes, AI will, by design, begin to behave unpredictably, thinking and acting in ways which defy human logic. The big nine corporations may be inadvertently building and enabling vast arrays of intelligent systems that don't share our motivations, desires, or hopes for the future of humanity.

Walkley Award-winning journalist, Sharri Markson is the Investigations Editor at The Australian and host of prime-time show Sharri on Sky News Australia. The origins of Covid-19 are shrouded in mystery. Scientists and government officials insisted, for a year and a half, that the virus had a natural origin, ridiculing anyone who dared contradict this view. Tech giants swept the internet, censoring and silencing debate in the most extreme fashion. Yet it is undeniable that a secretive facility in Wuhan was immersed in genetically manipulating bat-coronaviruses in perilous experiments. And as soon as the news of an outbreak in Wuhan leaked, the Chinese military took control and gagged all laboratory insiders. Part-thriller, part-expose, What Really Happened in Wuhan is a ground-breaking investigation from leading journalist Sharri Markson into the origins of Covid-19, the cover-ups, the conspiracies and the classified research. It features never-before-seen primary documents exposing China's concealment of the virus, fresh interviews with whistleblower doctors in Wuhan and crucial eyewitness accounts that dismantle what we thought we knew about when the outbreak hit. With unprecedented access to Washington insiders, Markson takes you inside the White House, with senior Trump lieutenants revealing first-hand accounts of fiery Oval Office clashes and new stories of compromised government advisors and censored scientists. Bravely reported and chillingly laid out, Markson brings to light the stories of the pandemic from the people on the ground: the scientists and national security officials who raised uncomfortable truths and were labelled conspiracy theorists, until government agencies began to suspect they might have been right all along. These brave individuals persisted through bruising battles and played a crucial role in investigating the origins of Covid-19 to finally, in this book, bring us closer to the truth of what really happened in Wuhan.

Detective Superintendent Roy Grace exposes the dark side of internet dating in the intriguing crime novel Dead at First Sight , by award winning author Peter James. A man waits at a London airport for the love of his life to arrive. Across the Atlantic, a retired cop waits in a bar in Florida’s Key West for his first date with the lady who is his soulmate. The two men are about to discover they’ve been scammed out of almost every penny they have in the world – and that neither women exist. In the same week, Roy Grace is called to investigate the suicide of a woman in Brighton, that is clearly not what it seems. As his investigations continue, a handsome motivational speaker comes forward. He’s discovered his identity is being used to scam eleven different women online. The first he knew of it was a phone call from one of them saying, ‘You don’t know me, but I thought I knew you’. That woman is now dead. Roy Grace realizes he is looking at the tip of an iceberg. Can he bring down the murderous global empire built on clever, cruel internet scams? Although the Roy Grace novels can be read in any order, Dead at First Sight is the fifteenth title in the bestselling series. Discover more of the Brighton detective’s investigations with Find Them Dead and Left You Dead . Now a major BRITBOX series, Grace , starring John Simm.

"For the last decade, as she's spent countless hours in doctor's waiting rooms searching for diagnoses, treatments, and relief, being the owner and operator of Lena Dunham's body has felt, as she puts it, 'like towing a wrecked car across town at midnight.' It's not easy dragging a wrecked car anywhere, much less to the Met Gala while sewn into a gold lamé corset. Or to the set of the hit show that you--as a twenty-five-year-old--are writing, directing, producing, and starring in. Or to the White House, the Golden Globes, or your publicist's office to discuss the latest Internet disaster. But Dunham does it--even if it means interminable hospital stays, vomiting in the bathroom when she's meant to be meeting Oprah, or terrifying those closest to her--because she can no longer tell the difference between fighting to do what she loves and being a servant to her own ambition. All the while, she is holding out for a love that can withstand her personal and public challenges and, more than anything, yearning to feel like herself again--if only she could remember who that self was. As Dunham takes us through her journey, tracking her rise to fame--from selling the pilot of Girls to the present--in three acts, it becomes clear that the spotlight casts long shadows, distorting the relationships she once held dear and isolating everyone in its glare. When an endless supply of drugs can't protect you from pain--and begins to control your every move--being famous doesn't stand a chance against the darker corners of the human experience. In Famesick, Dunham asks herself what the cost of fulfilling her dreams has really been, and whether it was worth it. What she finds is deeper than physical relief, and more lasting, as she learns to live with what she can't change and turn her regrets into wisdom that can carry her forward, as she reconnects to what, and who, she loves."--

Two award-winning historians explore the origins of a divided America. If you were asked when America became polarized, your answer would likely depend on your age: you might say during Barack Obama’s presidency, or with the post-9/11 war on terror, or the culture wars of the 1980s and 1990s, or the “Reagan Revolution” and the the rise of the New Right. For leading historians Kevin M. Kruse and Julian E. Zelizer, it all starts in 1974. In that one year, the nation was rocked by one major event after another: The Watergate crisis and the departure of President Richard Nixon, the first and only U.S. President to resign; the winding down of the Vietnam War and rising doubts about America’s military might; the fallout from the OPEC oil embargo that paralyzed America with the greatest energy crisis in its history; and the desegregation busing riots in South Boston that showed a horrified nation that our efforts to end institutional racism were failing. In the years that followed, the story of our own lifetimes would be written. Longstanding historical fault lines over income inequality, racial division, and a revolution in gender roles and sexual norms would deepen and fuel a polarized political landscape. In Fault Lines , Kruse and Zelizer reveal how the divisions of the present day began almost five decades ago, and how they were widened thanks to profound changes in our political system as well as a fracturing media landscape that was repeatedly transformed with the rise of cable TV, the internet, and social media. How did the United States become so divided? Fault Lines offers a richly told, wide-angle history view toward an answer.

With a new section on the Internet and the violence debate this new edition offers an integrated approach to media studies and explores the impact of the various media on gender, race and class in modern societies.

Many of us are being misled. Claiming to know the “pals” of presidential aspirants, dark secrets about public officials, and hidden causes of the current economic crisis, those who spread rumors know precisely what they are doing. They are sometimes able to derail political candidates, injure companies and reputations, even damage democratic governance. And in the era of the Internet, they know more about manipulating the mechanics of false rumors—social cascades, group polarization, and biased assimilation—than you do. They also know that the presumed correctives—publishing balanced information, issuing corrections, and trusting to the marketplace of ideas—do not always work. A pioneer in the effort “to design regulation around the ways people behave” ( The Wall Street Journal ), Cass R. Sunstein uses examples from the real world and from behavioral studies to explain why certain rumors spread like wildfire and what we can do to avoid being misled.

In a story that offers twenty different endings, the reader contracts a computer virus and can receive help from such characters as a bizarre teenage computer hacker or a doctor who prescribes computer chips and dip. Original.

Featured as a Guardian Long Read in December 2018 EVERYTHING WE HAVE BEEN TOLD ABOUT THE DEMOCRATIC NATURE OF THE INTERNET IS A MARKETING PLOY. As the Cambridge Analytica scandal has shown, private corporations consider it their right to use our data (and by extension, us) which ever way they see fit. Tempted by their appealing organisational and diagnostic tools, we have allowed private internet corporations access to the most intimate corners of our lives. But the internet was developed, from the outset, as a weapon. Looking at the hidden origins of many internet corporations and platforms, Levine shows that this is a function, not a bug of the online experience. Conceived as a surveillance tool by ARPA to control insurgents in the Vietnam War, the internet is now essential to our lives. This book investigates the troubling and unavoidable truth of its history and the unfathomable power of the corporations who now more or less own it. Without this book, your picture of contemporary society will be missing an essential piece of the puzzle.[Bokinfo]

Imagine a world where all the news you see is defined by your salary, where you live, and who your friends are. Imagine a world where you never discover new ideas. And where you can't have secrets. Welcome to 2011. Google and Facebook are already feeding you what they think you want to see. Advertisers are following your every click. Your computer monitor is becoming a one-way mirror, reflecting your interests and reinforcing your prejudices. The internet is no longer a free, independent space. It is commercially controlled and ever more personalised. "The Filter Bubble" reveals how this hidden web is starting to control our lives - and shows what we can do about it.

Brooks takes on the new 'Intellectual Dark Web.' As the host of The Michael Brooks Show and co-host of the Majority Report, Brooks was a progressive fighter whose work brought people together from around the world. In this, his first book, he lets his understanding of the digital media environment direct his analysis of the "conservative rebels" who had taken YouTube by storm in 2018. Brooks provides a critique of the most prominent "renegades" including Sam Harris, Jordan Peterson, and Brett Weinstein while also examining the social, political and media environment that such rebels thrive in. --From publisher description.

From the former news policy lead at Google, an urgent and groundbreaking account of the high-stakes global cyberwar brewing between Western democracies and the autocracies of China and Russia that could potentially crush democracy. From 2016 to 2020, Jacob Helberg led Google's global internal product policy efforts to combat disinformation and foreign interference. During this time, he found himself in the midst of what can only be described as a quickly escalating two-front technology cold war between democracy and autocracy. On the front-end, we're fighting to control the software--applications, news information, social media platforms, and more--of what we see on the screens of our computers, tablets, and phones, a clash which started out primarily with Russia but now increasingly includes China and Iran. Even more ominously, we're also engaged in a hidden back-end battle--largely with China--to control the Internet's hardware, which includes devices like cellular phones, satellites, fiber-optic cables, and 5G networks. This tech-fueled war will shape the world's balance of power for the coming century as autocracies exploit twenty-first-century methods to re-divide the world into twentieth century-style spheres of influence. Helberg cautions that the spoils of this fight are power over every meaningful aspect of our lives, including our economy, our infrastructure, our national security, and ultimately, our national sovereignty. Without a firm partnership with the government, Silicon Valley is unable to protect democracy from the autocrats looking to sabotage it from Beijing to Moscow and Tehran. The stakes of the ongoing cyberwar are no less than our nation's capacity to chart its own future, the freedom of our democratic allies, and even the ability of each of us to control our own fates, Helberg says. And time is quickly running out.

The bestselling author of Lovers & Players returns with Drop Dead Beautiful her 25th fabulous novel and her most beloved character, Lucky Santangelo. Get ready for the scandalously scintillating read only Jackie Collins can deliver! Like mother, like daughter . No truer words for Lucky Santangelo's sixteen-year-old Max, who goes looking for trouble when she hooks up with some guy she met on the Internet. Soon the beautiful, willful Max finds herself in deeper waters than she can imagine as she becomes a pawn in a greater scheme that leads back to Lucky and Billy Melina, the studly movie-star boyfriend of Lucky's best friend, superstar Venus. If Max's troubles weren't enough, Lucky has her multi-billion-dollar Las Vegas hotel complex to contend with . . . along with Anthony Bonar, the illegitimate grandson of her one-time Godfather and lethal enemy, Enzio Bonnati. So begins a non-stop thrill ride as Lucky builds her dream resort-and gambles with all she holds dear. Max, too, is following her dreams, and as her high-flying triumphs prove, she's more than just a little Lucky.