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A reanalysis of Sand's major writing, ranging from her early short stories to her later fiction, which identifies her writing as an example of an aesthetic mode often associated with femininity. The study compares Sand's place in the history of the realist novel to that of her male counterparts.

In Strong on Music Vera Brodsky Lawrence uses the diaries of lawyer and music lover George Templeton Strong as a jumping-off point from which to explore every aspect of New York City's musical life in the mid-nineteenth century. This third and final volume ranges across opera, orchestral and chamber music, blackface minstrels, military bands, church choirs, and even concert saloons. Among the many striking scenes vividly portrayed in Repercussions are the rapturous reception of Verdi's Ballo in maschera in 1861; the impact of the Civil War on New York's music scene, from theaters closing as their musicians enlisted to the performance of "The Star-Spangled Banner" at every possible occasion; and open-air concerts in the developing Central Park. Throughout, Lawrence mines a treasure trove of primary source materials including daily newspapers, memoirs, city directories, and architectural drawings. Indispensable for scholars, Repercussions will also fascinate music fans with its witty writing and detailed descriptions of the cultural life of America's first metropolis. Formerly a concert pianist, Vera Brodsky Lawrence spent the last third of her life as a historian of American music (she died in 1996). She was editor of The Piano Works of Louis Moreau Gottschalk and The Complete Works of Scott Joplin . On Volume 1: "A marvelous book. There is nothing like it in the literature of American music."—Harold C. Schonberg, New York Times Book Review On Volume 2: "A monumental achievement."—Victor Fell Yellin, Opera Quarterly

The African Worker, first published in 1988, was intended as a synthesis considering issues and debates from the work of many writers on labour history and labour studies in Africa. The development of a particular critical literature, spanning a number of disciplines, is critically considered. In some respects, the concerns of past generations have been to align the understanding of labour issues in Africa with those more generally in the modern world. In others, the emphasis remains on the specific and African. Both directions clearly emerge here. The bibliographical essay, as well as the bibliography itself, is meant to point readers further who want a higher order of detail, a regional focus or a more thorough-going theoretical treatment of all or some of the relevant issues.

Using pagan prose fiction produced in Greek and Latin during the early Christian era, Bowersock investigates the complex relationship among perceived and presented 'historical' and 'fictional' truths. Bowersock's superb lecturing style is successfully transferred into writing with force and eloquence, as he weaves accounts from a wide range of sources into his text, illuminating social attitudes of the period and persuasively arguing that fiction of the period was influenced by the emerging Christian Gospel narratives. In the second half of the first century emerges a new kind of fiction including outlandish tales of travel, romance and comic novels. Bowersock concentrates on secular literature, illuminating not only its literary motifs, but also reconstructing the societal context as one engrossed in fabrications and all kinds of revisions or rewriting. Using these less familiar materials as his points of reference, he reads into familiar Christian material, making linkages and casting new light on familiar subjects, as well as providing some provocative interpretations of familiar Christian texts. Bowersock uses close historical and literary analyses of specific passages of works, and pays attention to larger and more general issues and questions around the relationship between fiction and history and how we read them. This book will be of basic intellectual concern to all raised in the environment of Christian belief.

"Subversion and Sympathy : Gender, Law, and the British Novel brings new energy and perspective to the law-and-literature movement. Focusing on the position of women in British novels of the eighteenth and nineteenth centuries - a period during which literature played a creative role in legal reform - the book illustrates the many ways in which the investigation of legal matters sheds new light on major literary works. At the same time, it shows that attention to literary representations of legal issues illuminates developments in the law by bringing to life matters at stake in legal reforms. In fourteen essays, the volume spans a range of gender-related issues, including inheritance, money lending, illegitimacy, marriage, and rape. At the same time, it makes a methodological contribution, displaying (and discussing) a range of perspectives that exemplifies the breadth and range of this interdisciplinary area of scholarship, which links history, gender studies, philosophy, literary studies, and law. The volume seeks to reinvigorate the methodology of the law-and-literature movement by provoking a cross-disciplinary conversation among legal scholars, judges, literary scholars, and feminist philosophers. Participants include those already known for their work on law and literature but also, crucially, legal leading lights who have not previously written about literature. Subversion and Sympathy shows that the conversation between law and literature can enrich our understanding not just of the fields in question but also of the deeper human issues at the heart of a given period - and beyond"--Unedited summary from book jacket.

"The book provides a deeper understanding of modern art in the Brazilian context, moving the focus away from the self-declared avant-gardes and towards a broad panorama of modernizing tendencies throughout the period, 1890 to 1945. The backdrop of sertão, favelas, carnival and samba - often left out of accounts that restrict readings of modernism to erudite arenas like literature, fine art or architecture - are foregrounded in an attempt to situate artistic discourses within the social and political struggles of the period. Race, class and ideological conflict are given priority as tools for deconstructing complex debates, too often taken at face value or misread as merely reflexive of European phenomena. The anthropophagic movement (Antropofagia) rates special attention in teasing out the meanings of primitivism in the Brazilian context. The book examines a range of visual cultural materials including paintings, periodicals, graphics and photographs, revealing a hidden archive that calls into question the very essence of how modernism is usually perceived in Brazil. The enduring presence of archaism and violence behind an appearance of modernity reveals itself to be not an anomaly, but rather a product of the tensions inherent to the enduring oligarchical structures of Brazilian culture and society"--

Shocking, brilliant, and eccentric, the French author, translator, and artist Pierre Klossowski (1905–2001) exerted a profound effect on French intellectual culture throughout the twentieth century. The older brother of the painter Balthus, secretary to the novelist André Gide, friend to Georges Bataille and Maurice Blanchot, and heralded as one of the most important voices in the French “return to Nietzsche” by Michel Foucault and Gilles Deleuze, Klossowski pursued his singular vision of mortal embodiment through a variety of scholarly manifestations. In Such a Deathly Desire (Un si funeste désir), Klossowski’s original interpretation of Nietzsche’s eternal return is developed around the enigmatic figure of the “demon,” then deepened with provocative readings of Gide’s correspondence; Barbey d’Aurevilly’s novel A Married Priest; and the intertwining of language and death in the work of Bataille, Blanchot, and Brice Parain. The book concludes with the powerful essay “Nietzsche, Polytheism, and Parody,” in which Klossowski articulates the consequences of the eternal return and the meaning of Nietzsche’s genealogy of the fabulation of the world. Intersecting with and confounding a range of disciplines—including psychoanalysis, literary criticism, gender studies, and philosophy—Klossowski’s critical writings on language, literature, and the aesthetics of embodiment remain powerful and original contributions to contemporary concerns in the theoretical humanities. --

The Consecration of the Writer is the definitive study of the first stages of a phenomenon that has profoundly affected world literature: the process by which modern writers ceased to speak as representatives of some religious or political power and instead seized the mantle of spiritual authority in their own right, speaking directly to and in the name of humanity. ø Paul Bänichou identifies three great moments in this process: the advent of the Enlightenment faith in philosophy and the rise of its literary concomitant, the man of letters; the literary creations of the counterrevolution and their surprising involvement in the elevation of the status of poetry; and, finally, the fusion of these tendencies in the early phases of romanticism in France. ø Bänichou deepens our understanding of romanticism by showing that it was a revision of the Enlightenment faith rather than a reaction against it. The extraordinary depth of Bänichou?s research, the originality of his conclusions, and the importance of his methodological reflections make this study an essential reference in the contemporary return to literary history.

The conflict between Haskalah and hasidism was one of the most important forces in shaping the world of Polish Jewry for almost two centuries, but our understanding of it has long been dominated by theories based on stereotypes rather than detailed analysis of the available sources. In this award-winning study, Marcin Wodziński challenges the long-established theories about the conflict by contextualizing it, principally in the Kingdom of Poland but also with regard to other parts of eastern Europe. Covering the period from the earliest anti-hasidic polemics in the late eighteenth century through to the post-Haskalah movements of the twentieth century, it follows the development of this important conflict in its central arena. Using source materials (including many hitherto unknown documents) in Polish and five other languages, Wodziński has succeeded in reconstructing the way the conflict expressed itself. Identifying the motives, the methods, and the consequences of the conflict as it was played out in five Polish towns (Lódz, Opoczno, Piotrków, Warsaw, and Warta), he shows that it was primarily informed by non-ideological clashes at the level of local communities rather than by high-level ideological debates. Much attention is also devoted to the general characteristics of hasidism and the Haskalah, as well as to the post-Haskalah movements. Here too Wodziński challenges the ideologically charged assumptions of a generation of historians who refused to see the advocates of Jewish modernity in nineteenth-century Poland as an integral part of the Haskalah movement. Extensive consideration is given to the professional, social, institutional, and ideological characteristics of the Polish Haskalah as well as to its geographic extent, and to the changes the movement underwent in the course of the nineteenth century. Similar attention is given to the influence of the specific characteristics of Polish hasidism on the shape of the conflict, especially as regard the size of the movement and the evolution of hasidic communal involvement. In consequence the book presents a synthesis that offers both breadth and depth, contextualizing its subject matter within the broader domains of the European Enlightenment and Polish culture, hasidism and rabbinic culture, tsarist policy and Polish history, not to mention the ins and outs of the Haskalah itself across Europe. An extensive appendix presents translations of nineteen important and hitherto unknown sources of relevance to a nuanced understanding of many aspects of nineteenth-century Jewish history in Poland and eastern Europe more generally.

This is a reissue of Professor Stern's distinguished study of German prose from the death of Goethe to the heyday of the Wilhelminian Empire. Professor Stern argues that nineteenth-century German prose is characterized by a particular combination of the prophetic and the archaic, of the existential and the parochial, and is only partially and sometimes not at all related to the social and political realities of the age. In this sense, German literature of the period stands apart from the main stream of European realism and has, for that reason, received little attention from the common reader outside its own country. The book contains studies of Goethe, Grillparzer, Büchner, Schopenhauer, Heine, Stifter and Fontane, all of whom re-interpreted the world from points of view other than that of the common and commonly explored social certainties of their age. Consequently, Professor Stern suggests alternative criteria to the common notion of realism with which to asses their work.

In November 1979, Selma James spoke at the Cheltenham Literary Festival. Her subject was 'Ms Jane Austen', and she was enthusiastically received. Here is what she had to say, much expanded and enriched.

Text: English (translation) Original Language: French

Analysing the political relations between the Kingdom of Poland and the hasidic movement, this book examines plans formulated by the government and by groups close to government circles regarding hasidim, and describes how a hasidic body politic developed in response. Marcin Wodzinski demonstrates that the rise of hasidism was an important factor in shaping the Jewish policy of both central and provincial authorities and shows how the creation of socio-political conditions that were advantageous to the hasidic movement accelerated its growth. While concentrating on the dynamic that developed in the Kingdom of Poland, the discussion is informed by a consideration of the relationship between the state and the hasidic movement from its inception in the Polish - Lithuanian Commonwealth. The novelty of this study lies in the fact that, whereas most analyses of political culture concentrate on states and societies with well-established electoral systems of representation, Wodzinski focuses on the under-researched area of political relations between a non-democratic state and a low-status community lacking authorized representation. Applying concepts more often associated with cultural history, his analysis draws a distinction between the terms of reference of high-level political debate and the actual implementation of policy middle- and low-level officials. Similarly, in analysing hasidic responses he differentiates between high-level hasidic representations in the state and the grassroots politics of the community. This combination enables a broad contextualization of the whole subject, integrating the social and cultural history of Polish Jewry with that of Polish society in general.

126p hardback, purple dustjacket, index, nice fresh copy, this copy published in the year 1969

Originally published in 1971, this book outlines the period of Germany's belated industrial revolution and suggests why German literature does not, before the 1880s, contribute to the tradition of European realism. It considers the alternatives to realism offered in three genres of drama, poetry and prose fiction.