Kenneth Turan brings to life the extraordinary partnership of Louis B. Mayer and Irving Thalberg and their role in creating the film industry as we know it "Sharply observant."--Farran Smith Nehme, Wall Street Journal A New Yorker Best Book of the Year One was a tough junkman's son, the other a cosseted mama's boy, but they dreamed the same mighty dream: that the right movies could make a profit and change both the culture and individual lives. Sharing a religion and an evangelical zeal for film, Louis B. Mayer (1884-1957) and Irving Thalberg (1899-1936) were unlikely partners in one of the most significant collaborations in movie history. Over the course of their decade-long relationship, as key players at Metro-Goldwyn-Mayer and major players in Hollywood, they joined forces in redefining and mastering the template for the film industry. Mayer, older by more than a dozen years, was the business-minded face of the studio, while Thalberg worked closely with the creative corps, especially writers; together they rarely set a foot wrong. And while Mayer initially viewed Thalberg as the son he never had, the two would go from passionate friends to near enemies before Thalberg's shocking death at the age of thirty-seven. In the first joint biography of the two men in fifty years, film critic Kenneth Turan traces their fraught relationship while examining the complicated history of Jewish identity in Hollywood.

This basic, one-volume study of Johann Sebastian Bach combines a sensitive biographical sketch with a detailed analysis of each of his major types of composition, including vocal music, organ music, keyboard music, and instrumental music. In each section, Geiringer thoroughly examines many Bach compositions and evaluates them in relation to the rest of the composer's work, as well as in relation to the music of his contemporaries. More than seventy musical examples enable the reader to understand how Bach worked and to observe his music in various stages of completion. In addition, an interesting aspect of research methods is revealed through an explanation of the techniques used in studying handwriting, paper, and watermarks in the original sources.

Robert Bloch, grand master of horror, recounts his tales in this hilarious autobiography, Once Around the Bloch. Once Around the Bloch takes the reader from Bloch's early years in an up-and-coming Chicago suburb to his first fateful encounter with the cult fiction magazine Weird Tales. Bloch's Hollywood adventures are also chronicled, including his encounters and friendships with such famous superstars as Vincent Price, Boris Karloff, Buster Keaton, and Joan Crawford. Bloch also recounts the inspiration for and the birth of one of the most famous villains of all time, Norman Bates.

The Moment of Cubism is one of John Berger’s most important collections of art criticism. Whether considering Vermeer in his studio, Poussin’s poignant meditation on death, or the complexities of Rodin’s sculpture, Berger draws together the threads that bind individual artists to their social and political context. Here Berger argues that Cubism was a moment rather than a movement, one that came and went without the consent of its key figures – Picasso and Braque above all. He makes a case for Cubism’s revolutionary influence. As always, Berger helps us see the world in new ways

"In repressive Elizabethan England, artists are frightened into dull conventionality; foreigners are suspect; popular entertainment largely consists of coarse spectacles, animal fights, and hangings. Into this crude world of government censorship and religious authoritarianism comes an ambitious cobbler's son from Canterbury with a daring desire to be known--and an uncanny ear for Latin poetry. A torment for most schoolboys, yet for a few, like Christopher Marlowe, a secret portal to beauty, visionary imagination, transgressive desire, and dangerous skepticism. What Marlowe seizes in his rare opportunity for a classical education, and what he does with it, brings about a spectacular explosion of English literature, language, and culture. His astonishing literary success will, in turn, nourish the talent of a collaborator and rival, William Shakespeare. Dark Renaissance illuminates both Marlowe's times and the origins and significance of his work--from his erotic translations of Ovid to his portrayal of unfettered ambition in a triumphant Tamburlaine to Doctor Faustus, his unforgettable masterpiece about making a pact with the devil in exchange for knowledge. Introducing us to Marlowe's transgressive genius in the form of a thrilling page-turner, Stephen Greenblatt brings a penetrating understanding of the literary work to reveal the inner world of the author, bringing to life a homosexual atheist who was tormented by his own compromises, who refused to toe the party line, and who was murdered just when he had found love. Meanwhile, he explores how the people Marlowe knew, and the transformations they wrought, gave birth to the economic, scientific, and cultural power of the modern world including Faustian bargains with which we reckon still." --

"In this innovative biography, Ruth Franklin explores the transformation of Anne Frank (1929-1945) from ordinary teenager to icon, shedding new light on the young woman whose diary of her years in hiding, now translated into more than seventy languages, is the most widely read work of literature to arise from the Holocaust. Comprehensively researched but experimental in spirit, this book chronicles and interprets Anne's life as a Jew in Amsterdam during World War II while also telling the story of the diary--its multiple drafts, its discovery, its reception, and its message for today's world. Writing alongside Anne rather than over her, Franklin explores the day-to-day perils of the Holocaust in the Netherlands as well as Anne's ultimate fate, restoring her humanity and agency in all their messiness, heroism, and complexity. With antisemitism once again in the news, The Many Lives of Anne Frank takes a fresh and timely look at the debates around Anne's life and work, including the controversial adaptations of the diary, Anne's evolution as a fictional character, and the ways her story and image have been politically exploited. Franklin reveals how Anne has been understood and misunderstood, both as a person and as an idea, and opens up new avenues for interpreting her life and writing in today's hyperpolarized world."--

In I Never Got a Dinner Red Buttons gives us the details of his long and fascinating life. From his Jewish-immigrant upbringing in New York City, to his glory days as host of his own prime-time television variety show, to his big-screen triumphs alongside such film giants as Marlon Brando, Ginger Rogers, and Jane Fonda, Buttons tackles his personal and professional life with sometimes hilarious, at other times devastating, sincerity.

Divided into three parts, this book addresses all aspects of Puccinni's life and work. Part I, The Man, gives the facts of the composer's somewhat stormy life, quoting extensively from his own letters. Part II, The Artist, calls on the resources of modern psychology in assessing his personality and its curious limitations, and the unconscious springs of his creative processes. Part III, The Work, is a detailed guide to each opera, both music and libretto, with a synopsis of opera plots.

"In this darkly humorous memoir-in-essays, singer-songwriter Lola Kirke untangles an extraordinary upbringing in a family of eccentric, messy artists and how a girl from the big city went a little bit country." --

The new book from Jimmy Barnes, the award-winning author of the number-one bestsellers Working Class Boy, Working Class Man and Killing Time From larger-than-life adventures to vivid and poignant tales of the imagination, Highways and Byways is a collection of stories taking readers on an enthralling tour (complete with the odd detour) through the raucous, well-lived life of one of this country's most successful and beloved artists. Told with Jimmy's signature verve and flair, and richly coloured by his distinctive voice and wit, Highways and Byways sees him sharing a 1970s Texas stage with a dream line-up of US musicians; flirting with disaster in a Hawaiian high-rise; discovering a life-changing cassette tape; unearthing shattering family secrets in Glasgow; encountering charismatic and not-so-endearing superstars, ghosts of the recent and distant past, superfan traffic cops and shady salesmen; and confronting his own mortality - while pondering the more amusing effects of hospital medication. Charming, personal and poignant, Highways and Byways is a collection that celebrates Jimmy's Scottish heritage, family, friends, music and the adventure of a grand life.

Widely recognized as the definitive work in its field ever since its original publication in 1962, Serial Composition and Atonality remains an unsurpassed introduction to the technical features of what is probably the most revolutionary body of work since the beginnings of polyphony. In the analysis of specific compositions there is first and last of all a concern with the musical surface—an attempt to trace connections and distinctions there before offering any deeper-level constructions, and to offer none where their effects are not obvious on more immediate levels of musical experience. In this sixth edition of the book, George Perle employs the new and more consistent terminology for the identification of transpositional levels of twelve-tone sets that he first proposed in Twelve-Tone Tonality (1977).

This updated and expanded autobiography of Beverly Sills contains new photographs and chapters discussing subjects including her role as director of the New York City Opera at Lincoln Center

Many people think they know who Ben Elton is – but does he? For the first – and only – time, Ben tackles this question head on in his frank, forthright and entertaining autobiography. Taking a deep dive into his life and times, both private and public, to reveal the true stories behind iconic hits such as The Young Ones , Blackadder and We Will Rock You , his pioneering routines hosting Saturday Live , which birthed a revolution in stand-up comedy, and so much more. Ben recounts his life and uniquely varied career from his Catford childhood and being the BBC’s youngest ever sit com writer at 21 right up to the present day, with yet another hit sit com, Upstart Crow; a surprise late-life BAFTA; and his most critically acclaimed stand-up comedy show to date. Alongside unique insights into his ground-breaking work, Ben talks honestly and hilariously about his personal and professional relationships with two generations of brilliant friends, inspiring contemporaries, occasional foes, and the times in which they all lived. And Ben’s life has been just as challenging, rewarding and funny off screen as it has been on. He unpacks it all with wit, insight and complete honesty. And of course, there’s a ‘little bit of politics’. After living sixty five years on the planet, forty-five of them in public, tickling many funny bones and getting on a respectable number of wicks, Ben has a lot of stories to tell, and he tells them unvarnished and uncensored – because that’s who he is.

"Growing up in Beverly Hills, Diller was neglected by his parents, abused by his brother, and overwhelmed by insecurity. Diller began his career in the mailroom of the William Morris Agency and had one of the most extraordinary ascents in show business history, inventing the TV Movie of the Week for ABC at age twenty-seven, becoming CEO of Paramount Pictures at age thirty-two, and launching the Fox TV network at age forty-four. . . . Diller shares his provocative and at times counterintuitive insights about advancing in a company; becoming a manager and a leader; and the value of confrontation. He describes his relentless quest for good ideas along with what he learned from the bad ones. For the first time, Diller also tells the story of his unconventional and very private personal life, describing relationships with men and the woman he calls his 'unique and complete love,' designer Diane von Furstenberg. Diller writes, 'I would have secrets, but I would tell no lies'"--

Forty years ago, amidst the decadence and destruction of a nation at war, civil unrest, and political dissention, the most sensational and romanticized event known to mankind was orchestrated by Artie Kornfeld and his partners in Woodstock Ventures. This is the life of a New York archetypal bad boy -- a believer who saw music as the universal solvent for global rapport and acceptance and used his ability to unite the masses. From the streets of New York City, to hit songwriter, to collaborations with legendary musicians, this is the life of an extraordinary man. All these years later, Artie still sees the Spirit of Woodstock as critical for universal peace -- just as he did as a twenty-five-year-old icon in the world of rock royalty. This is a nonfictional diary of an American rock 'n' roller, a proponent of '60s euphoria and the causes that ignited the youth movement. An odyssey, a time machine, and a must-read for the millions of Baby Boomers and younger generations.

To movie audiences, the work of Andrew Marton (born in Hungary in 1904) is memorable: the famous chariot race in Ben-Hur and the meticulously accurate Normandy invasion in The Longest Day are two of his important achievements. But because his credits were very often "Second Unit Director" or "Co-Director," Marton is often not immediately associated with his work. For the first time this oral history reveals just what were Andrew Marton's contributions to the cinema. This extensive interview, filled with great detail on how he did his movie magic, covers Marton's 55-year career. Technically clever, he always retained his humanity, humor, and humaneness.

Drama