"According to tradition, Moses wrote the first five books of the Bible. Depicted there in suprising and contradicting ways, and both for and against his people, bringer of the tablets of law which he then breaks. By way of a series of possible portraits-including one of a female Moses-Jean-Christophe Attias follows the metamorphoses of the Hebrew liberator through ages and cultures. Drawing on rabbinical sources as well as the Bible itself, he examines the words of the texts and especially their silences. He discovers here a fragile prophet, teacher of a Judaism of the spirit, of wandering, and of incompleteness. The Judaism of Moses speaks to believers and others-to Jews, of course, but also far beyond them, inviting its hearers to have done with tribal pride, the violence of weapons, and the tyranny of a special place"--

Jacob Neusner, a noted scholar and prolific author on Jewish literature, history, and religion, believes that Jews and Christians do well to seek in their encounter with the teachings of the living God, the wisdom, imagination, and insight of the ages. "In this book," he writes in the Preface, "I want to contribute some modest measure of my own faith, Judaism, as that faith may add to the faith of our Christian neighbors, for all of us now dwell together in the new catacomb, the darkness of disdain for our common faith in one God, creator of heaven and earth, judge of all humankind. This is a book of religious faith."

During the formative age of Judaism, the first seven centuries CE, the great rabbis thought deeply about beginnings in light of endings. They imposed upon their sequential reading of each passage the accumulated results of their reflection about all passages. Thus, they encompassed Scripture, so as to describe the world as God had intended it to be.This act of intellect resulted in two distinct, ahistorical media of thought and expression, the Halakhah, law, and Aggadah, lore. The author provides three systematic accounts of the Halakhic reading, and two Aggadic accounts. The Halakhic accounts cover [1] Work and Rest, [2] Ownership and Possession, Eden and the Land, and [3] Ownership and Possession in the Household. The Aggadic accounts pertain to [1] the Six Days of Creation, and [2] Adam and Eve.

Harold Fisch explores the biblical influence on the style and the structure of landmark novels by Fielding, Defoe, Gearge Eliot, Kafka, Dostoevsky and others. These turn out, again and again, to be re-readings of biblical stories. This echoing is sometimes explicit as in Joseph Andrews , where Fielding offers us a comic revision of the career of the biblical Joseph. But it can be inexplicit and even unconscious as in Kafka's The Trial , which, without mentioning Job, reads (as Northop Frye has noted) like a midrashic commentary on that book. In a study remarkable for its range and subtlety, the author develops the notion of the novel as midrash but argues that while the great novelists were held in thrall by the biblical patterns and stories, they were also regularly compelled to throw off this thraldom. They could not manage without the Bible but at the same time "it would not do." Fisch discusses the adversial realation to the biblical text with reference to two archetypal narratives: the Job story and the Dinding of Isaac. Of particluar interest are the chapters devoted to the Israeli novelist S.Y. Agnon and A.B. Yehoshua.

Is the Bible actually a love story between a deity and a people? And what does this love story have to do with the modern world? In With All Thine Heart distinguished cultural critic Ilan Stavans speaks to freelance writer Mordecai Drache about love in the Bible. Presented in an engaging, conversational format and touched with striking artwork, the textured dialogue between Stavans and Drache is meant to show how the Bible is a multidimensional text and one that, when considered over the course of history, still has the power to shape our world. The theme of love provides the connective tissue that binds this work. Addressing a wide range of topics, from biblical archaeology and fundamentalism to Hollywood movies, lexicography, and the act of praying, With All Thine Heart suggests that the Hebrew Bible is a novel worth decoding patiently, such as one does with classics like Don Quixote de la Mancha, In Search of Lost Time, and Anna Karenina. Similar to the protagonists in these tales, biblical characters, although not shaped with the artistic nuance of modern literature, allow for astonishing insight. This exploration of love through the pages of the Bible--organized chronologically from Genesis to Exodus and followed by insightful meditations on the Song of Songs and the Book of Job--is a delightful intellectual and spiritual treat . . . Shema Ysrael!

This book is the first volume in Jacob Neusner's ground-breaking trilogy, "The Foundations of Judaism: Method, Teleology, Doctrine." This Part One - "Method" - offers the first systematic explanation of why the midrash collections - that is, books of rabbinical exegeses of Scripture - were written. Neusner investigates the circumstances in which the earliest midrash collections were organized around the Pentateuch, and explains both the purpose of the work and its historical context.

The book describes in detail the ritual purity system of the Hebrew Bible, and its development into the system of the rabbis. Certain human conditions require purification before contact is made with holy foods or areas. Recent scholarly theories (Milgrom, Neusner, Douglas) are discussed, and new theories are proposed for the origin of the Red Cow and Scapegoat rites. It is argued that the impurities concerned all derive from the human cycle of generation, birth and death, from which the Sanctuary is to be guarded; not because it needs protection from demonic powers (as in other ancient purity systems), but because of the reverence due to the divine presence. While the priestly code of holiness displays traces of earlier conceptions, its ritual has lost urgent salvific force, and has become a protocol for the Temple and a dedicatory code for a priestly people; the sources distinguish it from universal morality.

Genesis 1–11 is a text that may well have received more attention than any other in the history of literature. Nevertheless, what do we know about the personal names that occur in these chapters and whose influence has permeated all of Western literature? Hess provides a thorough investigation of the ancient Near Eastern background of these names and discusses how each played a key role in adding significance to the stories and genealogies in which they are found. By studying both the linguistic contexts in the surrounding cultures and the wordplay in the biblical texts, the author provides the first comprehensive study of the importance of these names and traces the implications of his results for the antiquity and power of the familiar stories in which they appear.

Do Old Testament poetry and narrative, wisdom-writing and prophecy work on us in the same way as do nonbiblical literary texts? Competent readers over the centuries have arrived at conflicting answers to this question. Some (from Longinus on) have maintained that biblical books offer examples of supreme literary art; others have passionately rejected this approach, insisting that beauty and pleasure are not the Bible's business. Poetry with a Purpose argues that, paradoxically, both views are right. Biblical poetics is marked by an unusual tension between aesthetic and nonaesthetic (even anti-aesthetic) modes of discourse. To understand this dialectic is to understand something quite fundamental about biblical texts and, more particularly, about the nature of the contract that governs their reading. The text summons the reader to respond to a familiar form but at the same instant undermines that response, deconstructs that form. The book of Ester, for example, displays the conventions of the Persian epic tradition, but its style is subtly challenged by the text itself. Similarly, the book of Job might seem to conform to the classical concept of tragedy but ultimately presents a uniquely biblical version of the form. While the prophets use the language of myth, they will often explode or "demythologize" their own language, affirming purposed at variance with the world of myth. Harold Fisch applies his remarkably fruitful thesis to a number of biblical texts and modes, among them biblical pastoral, the Song of Songs, Psalms, Hosea, and Ecclesiastes. Equally at home in biblical studies and in general literature and theory, the author has produced a highly original work of unusual range and scholarship.

{ 15.34 x 23.59 cms} Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2016 with the help of original edition published long back [1923]. This book is printed in black & white, sewing binding for longer life, printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. - English, Pages 617. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.} Complete The Old Testament and after 1923 C. G. Montefiore

This collection of essays, arising from the meetings of the SBL's Prophetic Texts and Their Ancient Contexts Group, examines how prophecy has been constructed in biblical literature such as the Former Prophets, the Latter Prophets, Chronicles, and Daniel, and even in the Qur'an. Recognizing that these texts do not simply describe the prophetic phenomena but rather depict prophets according to various conventional categories or their own individual points of view, the essays analyze the way prophecy or prophets are portrayed in these writings to better understand how they were structured by their respective authors. -- Publisher

While many studies explore the literary role of the oath in general literature, none have contended with the role of the oath in the biblical narratives. This study seeks to fill that vacuum. The first section of this study examines the literary significance of the various oath formulae that appear in biblical narratives, focusing on anomalous formulations of the respective oath formulae. The second section of this study explores the narratives surrounding two characters, Saul and David, both of whom frequently engage in oath-making. The oaths taken by, to and about these characters mirror the narrative itself, and function as a prism through which the charactera (TM)s career is refracted. This study demonstrates that by perceiving the oath as a literary device for plot and character development, additional or more precise meanings may be revealed in the biblical stories.

These essays represent a multidisciplinary approach to the study of religion and, especially, Judaism. Setting aside common scholarly concerns with source criticism and history of interpretation, Shimon Levy argues that in Numbers 11 the redactor has forged diverse elements into a unity. Observing that much of what is said about Second Commonwealth Judaic culture is speculative, Jack Lightstone calls for radical revision of accepted portrayals of the period. Ira Robinson's study of al-Kirkisani's effort to differentiate magic and miracle while demonstrating the rationality of belief in miracle locates his thoughts in the context of Rabbinic and Muslim treatments of the subject. While historians of modern Judaism have acknowledged in the influence of Kant and Hegel, Rousseau, contends Michel Despland, is often overlooked; he opened the way for changes in social and religious life. In Walter Benjamin's philosophy of history Charles Davis finds a significant combining of elements from Kabbalistic and Marxist thought. Michael Oppenheim finds a common core of concerns addressed by modern Jewish philosophers: a struggle with modernity, identification with Jewish thought and values, and commitment to their Jewish communities. Gershon Hundert's "Reflections on the 'Whig' Interpretation of Jewish History" argues--vis-à-vis the Jerusalem school of Zionist historians--that the responsibility of national historians to their community can be fulfilled only by repudiating ideologies that may stand in the way of the search for truth. Howard Joseph's survey of teh extensive literature on the Holocaust indicates the options the authors find most worthy of continued focus. Jerome Eckstein critically examines one of the few published pieces by Joseph Soloveitchik, who combines the Talmudic genius of the Lithuanian Yeshiva world with mastery of the Western intellectual tradition. B. Barry Levy's study of the Artscroll series of translations of and commentaries on biblical literature examines the assumptions and methodology of the series and the hidden agenda that emerges. Frederick Bird's comparison of charity ethics in Judaism and Christianity draws attention to the imprint on these ethics of the formative period of each religion. The volume will be of interest to student of the Bible, Judaism, and Christianity.

Burton L. Visotzky surveys the scholarly literature on Midrash Leviticus Rabbah, a 5th century rabbinic anthology. He presents the findings of his own research that Leviticus Rabbah is a quasi-encyclopedic miscellany of rabbinic thought and commentaries on Torah and its study. He outlines the content of Leviticus Rabbah, its novel elements of style, structure, and redaction. The results of this analysis place the text at a turning point in rabbinic literature. The author undertakes to survey and synthesize the broad areas necessary to understand Leviticus Rabbah, while at the same time offering detailed studies of both structure and content.Its attitudes - and so, rabbinic attitudes - on topics like theology, angelology, anthropology, women, the poor, and the Other are also commented on.

This is a study of the ancient Jewish and Christian apocalypses involving ascent into heaven, which have received little scholarly attention in comparison to apocalypses concerned primarily with the end of the world. Recent developments like the publication of the Aramaic Enoch fragments from Qumran and interest in questions of genre in the study of the apocalypses make this a particularly appropriate time to undertake this study. Martha Himmelfarb places the apocalypses in relation to both their biblical antecedents and their context in the Greco-Roman world. Her analysis emphasizes the emergence of the understanding of heaven as temple in the Book of the Watchers, the earliest of these apocalypses, and the way in which this understanding affects the depiction of the culmination of ascent, the hero's achievement of a place among the angels, in the ascent apocalypses generally. It also considers the place of secrets of nature and primeval history in these works. Finally, it offers an interpretation of the pseudepigraphy of the apocalypses and their function.

About the Author Jacob Neusner is Research Professor of Religion and Theology Bard College Annandale-on-Hudson, NY. Product description