"Taking as his point of departure the authors, the audience, and the texts of Victorian writings on sex in general and of Victorian pornography in particular, Steven Marcus offers a startling and revolutionary perspective on the underside of Victorian culture. The way these subjects were regarded--and the way our notions of the Victorians continue to change, as the efforts of contemporary scholarship restore them to their full historical dimensions--are matters today of some surprise and wonder. Marcus first examines the writings of Dr. William Acton, who may be said to represent the "official views" of sexuality held by Victorian society, and Henry Spencer Ashby, the first and most important bibliographer-scholar of pornography. He then turns to the most significant work of its kind from the period, the eleven-volume anonymous autobiography My Secret Life. There follows an analysis of four pornographic Victorian novels--an analysis that throws an oblique but fascinating light on the classics of Victorian literature--and a review of the odd flood of Victorian publications devoted to flagellation. The books concludes with a chapter propounding a general theory of pornography as a sociological phenomenon. Most of the writers and writing being discussed by Marcus belong to Victorian sub-literature rather than to literature proper; in this way the work remains connected to a consideration of the exotic sub-literature. A brilliantly written book in its own right, this work transformed the study of the Victorian period as did no other." -- Provided by publisher

Presents excerpts from the early writings of the author, with reflections on her meetings with influential writers and intellectuals, her literary ambitions, and her criticisms of other writers.

In this book, biblical translator and literary critic Robert Alter traces some of the fascinating ways that American novelists--from Melville, Hemingway, and Faulkner to Bellow, Marilynne Robinson, and Cormac McCarthy--have drawn on the rich stylistic resources of the canonical English Bible to fashion their own strongly resonant styles and distinctive visions of reality. --from publisher description

"As an orphaned survivor and witness to the horrors of Auschwitz, Elie Wiesel (1928-2016) compelled the world to confront the Holocaust with his searing memoir Night. How did this soft-spoken man from a small Carpathian town become such an influential figure on the world stage. Drawing on Wiesel's prodigious literary output and interviews with his family, friends, scholars, and critics, Joseph Berger seeks to answer this question."--

In 1963 Jane Yolen released a book called PIRATES IN PETTICOATS, because the idea of women as pirates fascinated her--but there wasn't much information about these women who made their livelihoods plundering on the high seas. Scholars have dug up a bounty of new information since then, and Jane, still fascinated, revisits the ladies who loot. Discover such great pirates as Artemisia, the Admiral Queen of Persia who sailed the seas from 500 to 480 BC. At one point there was a 10,000 drachma prize for anyone who could capture her. There was Rachel Wall, who ran away from her strict upbringing and became a murderous pirate terrorizing the waters of the Atlantic coastline of America. She was hanged for her deeds. Possibly the most famous woman pirate of all was Grania O'Malley, daughter of an Irish chieftain. She plagued the English and was arrested several times, always gaining her freedom to pirate some more. Meet ten other female pirates on their ships, in battle, and in disguise in this intriguing look at the wayward women of the waves. Christine Joy Pratt's pen-and-ink illustrations are alive with action and excitement. Here be a true and accurate account of the most low-down, scurviest--but the prettiest--black-hearted pirates you'll ever love to read about.

Told in her own words, this is the incredible true story of one young woman's survival of Auschwitz and Belsen because she happened to play the cello. Although my head was shaved and I had a number on my arm, I had not lost my identity totally. I may no longer have had a name, but I was identifiable ... I was 'the cellist'. When eighteen-year-old Anita arrived at Auschwitz, she found herself plucked from the Nazi death machine by a twist of fate: she played the cello, and the camp orchestra needed a cellist. Now the last living survivor of the Auschwitz Women's Orchestra, this is her story told in her own words. Like so many German Jewish schoolgirls, Anita had been busy with her studies and ambitions when her everyday life began to turn by degrees into one of unimaginable horror. School was cancelled, her parents were summoned for deportation, and when she and her sister, Renate, attempted to escape to France, they were arrested and imprisoned. Through her sharp-etched memories, alongside family letters, photos, and other historical documents, Inherit the Truth leads us into one of humanity's darkest chapters, where we are forced to confront the fragility of the line between civilisation and barbarity. Marking the eightieth anniversary of her arrival in the UK after her release from Belsen concentration camp, Anita Lasker-Fallfisch's account of her and her sister's survival of both Auschwitz and Belsen is a testament to their remarkable courage, resilience, ingenuity and luck. This edition includes a new foreword from Philippe Sands.

The author of the classic Keep the River on Your Right here tells the remarkable story of his four years among the Asmat of New Guinea, a jungle-dwelling people rumored to have killed Michael Rockefeller. Instead of ferocious cannibals, Schneebaum found a regal, loving, gentle people who freely accepted him and initiated him into a way of life no outsider had ever seen before. Adopted into an Asmat family in the village whose people were said to have killed Rockefeller, he crossed the boundaries into another culture and another age, learning secrets no other outsider had been allowed to see before. But it wasn't until Schneebaum met Akatpitsjin, a handsome married man with five children, that he entered the erotic world of the Asmat, when the two became "exchange friends' and lovers, a practice basic to the sexual life of the village. Schneebaum's encounter with the Asmat ultimately became something more intimate and liberating for him than the mere discovery of tribal secrets. He confronted himself. His odyssey is as much the record of a journey into himself as it is a unique and sensitively observed account of a vanishing society, written with a shimmering sensuality that has no equal in the literature of anthropology or self-confession.

From Pulitzer-Prize-nominated author Susan Griffin comes an unprecedented, provocative look at the dazzling world of the West’s first independent women, whose lively liaisons brought them unspoken influence, wealth, and freedom. While they charmed some of Europe’s most illustrious men honing their social skills as well as their sexual ones, the great courtesans gained riches, power, education, and sexual freedom in a time when other women were denied all of these. From Imperia of sixteenth-century Rome, who personified the Renaissance ideal of beauty; Mme. de Pompadour, the arbiter of all things fashionable in eighteenth-century Paris and Versailles; Liane de Pougy, known in France during the Belle Epoque as “Our National Courtesan”; to Sarah Bernhardt, who, following in her mother’s footsteps, supported herself in her early career with a second profession, The Book of the Courtesans tells the life stories and intricacies of the lavish lifestyles of these women. Unlike their geisha counterparts, courtesans neither lived in brothels nor bent their wills to suit their suitors. They were strong- willed, autonomous, and plucky. An open secret, their presence can be felt throughout our culture. The muses who enflamed the hearts and imaginations of our most celebrated artists, they were also artists in their own right. They wrote poetry and novels, invented the cancan at the Moulin Rouge, and presented celebrated acts at the Folies Bergères. They helped to influence and shape the sensibility of modern literature, painting, and fashion. When Greek sculptor Praxiteles wanted to depict Venus he used a famous courtesan as a model, as in later centuries Titian, Veronese, Raphael, Giorgione, and Boucher did when they painted goddesses. When Marcel Proust was a young man it was the courtesan Laure Hayman who took him under her wing, introducing him to the right people, and providing inspiration for one of literature’s greatest masterpieces. And they often had considerable political influence too. When King Louis XV needed advice on foreign affairs or appointments of state he turned to Jeanne du Barry as well as Pompadour. In her witty and insightful prose, as Griffin celebrates these alluring and fascinating women, she restores a lost legacy of women’s history. She gives us the stories of these amazing women who, starting from impoverished or unimpressive beginnings, garnered chateaux, fine coaches, fabulous collections of jewelry, and even aristocratic titles along the way. And through a brilliant exploration of their extraordinary abilities, skills, and talents which Griffin playfully categorizes as their virtues "Timing, Beauty, Cheek, Brilliance, Gaiety, Grace, and Charm" her book explains how, while helping themselves, through their often outrageous, always entertaining examples, the great courtesans not only enriched our cultural heritage but helped to liberate women from the social, sexual, and economic strictures that confined them. Intensively researched and beautifully crafted, The Book of the Courtesans delves into scintillating but often hidden worlds, telling stories gleaned from many sources, including courtesans’ memoirs, presented along with stunning rare photographs to create memorable portraits of some of the most pivotal figures in women’s history.

PRAISE FOR NOAM CHOMSKY'S OCCUPY AND ZUCCOTTI PARK PRESS: "Having spent so much time thinking about and engaging with social movements, Chomsky is both optimistic about the energy of Occupy and realistic about the challenges it faces. He appreciates the "just do it" ethos and embraces its radical approach to participatory democracy...What makes Chomsky's perspective so interesting, aside from the wealth of his political experience, is the range of his interests. He draws from examples around the world to demonstrate his points. ...It's a big agenda that Occupy has identified, nothing less than a complete renewal of U.S. society and the U.S. role in the world. Chomsky sees not only the radical agenda but also the radical practice of the Occupiers. "Part of what functioning, free communities like the Occupy communities can be working for and spreading to others is just a different way of living, which is not based on maximizing consumer goods, but on maximizing values that are important for life," he concludes in this valuable set of remarks and interviews." --John Feffer, Foreign Policy in Focus, Pick Review "For decades, Chomsky has been marginalized for his insightful, levelheaded, and accurate observations about how our society functions. In Occupy , Chomsky... sets the record straight. And he's got an answer for everything. "It's necessary," Chomsky warns, "to get out into the country and get people to understand what this is about, and what they can do about it, and what the consequences are of not doing anything about it." Occupy begins with a powerful editor's note from Greg Ruggiero, who comments on 'the heartlessness and inhumanity of the system, ' where 'people's stolen homes are sold off to the highest bidder.' And if it isn't obvious to those who are still asking what the demands of Occupy Wall Street are, Ruggiero puts it plainly: 'Occupy embodies a vision of democracy that is fundamentally antagonistic to the management of society as a corporate-controlled space that funds a political system to serve the wealthy, ignore the poor.' One can only cringe at the thought of what will happen if we continue to ignore the wisdom of Noam Chomsky. He gives a clue in Occupy ...." --The Coffin Factory, The Magazine for People who Love Books Occupy is another vital contribution from Chomsky to the literature of defiance and protest, and a red-hot rallying call to forge a better, more egalitarian future. --Alternet Chomsky advocates intelligent activism by those who see the divorce between public policy and public opinion. He is both optimistic and realistic towards this "first major public response to 30 years of class war." --IRISH TIMES, PICK REVIEW " Occupy , is at once a vivid portrait of the now-global movement and a practical guide to intelligent activism, infused with Chomsky's signature meditations on everything from how the wealthiest 1% came to steer society to what a healthy democracy would look like to how we can separate money from politics. Alongside Chomsky's words are some of the most moving and provocative photographs from the Occupy movement. ... [One of] 10 essential books on protest." --Maria Popova, Brain Pickings In Occupy , Chomsky discusses the cornerstone issues, questions and demands that have been driving ordinary Americans to critique the influence of the 1%. The book begins and ends with Chomsky celebrating the life and work of his longtime friend and colleague, Howard Zinn, author of A People's History of the United States. As a call to action, Chomsky encourages people to continue organizing, to continue struggling, and to continue defending citizenship and community-driven democracy from predation from the relentless encroachments of wealth and corporate power.

Time magazine called Mortimer J. Adler a ''philosopher for everyman.'' In this guide to considering the big questions, Adler addresses the topics all men and women ponder in the course of life, such as ''What is love?'', ''How do we decide the right thing to do?'', and, ''What does it mean to be good?'' Drawing on his extensive knowledge of Western literature, history, and philosophy, the author considers what is meant by democracy, law, emotion, language, truth, and other abstract concepts in light of more than two millennia of Western civilization and discourse. Adler's essays offer a remarkable and contemplative distillation of the Great Ideas of Western Thought.

In this outrageous exposé of Canada's secrets, scandals, and occasional awkward lapses in proper etiquette, you'll discover Canada's bizarre history and shocking present. From whether Canadian cuisine and sexuality exist, to instructions on how to write Canadian literature, you'll discover some real stuff about Canada. Honestly. The authors didn't just copy and paste from Wikipedia. Ok, so there may be a few mistakes. But the idea is that this stuff is real. We think.

Science and Human Values is a thought-provoking book by Jacob Bronowski that explores the relationship between science and human values. The author argues that science is not just a collection of facts and theories, but a way of thinking that shapes our understanding of the world and our place in it. He contends that science and human values are intimately connected, and that science has the power to transform our understanding of ourselves and the world around us.The book is divided into five chapters, each of which explores a different aspect of the relationship between science and human values. The first chapter discusses the nature of scientific inquiry and the role of imagination in scientific discovery. The second chapter examines the relationship between science and art, arguing that both are essential to our understanding of the world. The third chapter explores the ethical implications of scientific research, particularly in the areas of genetics and nuclear physics.The fourth chapter examines the role of science in shaping our understanding of human nature, while the final chapter discusses the implications of scientific progress for our future as a species. Throughout the book, Bronowski emphasizes the importance of human values in shaping scientific research and the need for scientists to be mindful of the ethical implications of their work.Overall, Science and Human Values is a thought-provoking and insightful book that challenges readers to think deeply about the relationship between science and human values. It is a must-read for anyone interested in the role of science in our lives and the ethical implications of scientific research.The Impact Of Science On Ethics And Human Values.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

The specific course of the Reformation in England in the 16th-17th centuries brought about interest in the Jewish Bible, i.e. the Old Testament, and the emergence of a self-image held by the British that they constitute a people of the Book, beside the Jews. This, in turn, gave rise to philosemitism, which marked British culture from the days of Cromwell to those of Churchill, being tinged in various tones, from millenarianism to philo-Zionism. However, the tradition of philosemitism in England was accompanied by manifestations of antisemitism; the same people who extolled the Jews opposed their admission to Parliament; people who defended Jewish rights in the 18th-19th centuries often shared anti-Jewish stereotypes of their time; and leaders who sympathized with Zionism could believe in a Jewish conspiracy against Christian civilization. Ch. 4 (pp. 83-117), "Fictional Heroes and Heroines", deals with 19th-century literature and shows how some writers (e.g. Walter Scott, Dickens, Trollope) could combine philosemitic and antisemitic motifs in their literary works.

A narrative of the great figures who have created our cultural heritage, from the pyramid builders to Picasso, enriching our world with architecture, painting, sculpture, music, drama, dance, and literature.

"A great American sport and Native American history come together in this true story of how Jim Thorpe and Pop Warner created the legendary Carlisle Indians football team"--

"As World War II comes to a close, the United States and the Soviet Union emerge as the two greatest world powers on extreme opposites of the political spectrum. After the United States showed its hand with the atomic bomb in Hiroshima, the Soviets refuse to be left behind. With communism sweeping the globe, the two nations begin a neck-and-neck competition to build even more destructive bombs and conquer the Space Race. In their battle for dominance, spy planes fly above, armed submarines swim deep below, and undercover agents meet in the dead of night. The Cold War game grows more precarious as weapons are pointed towards each other, with fingers literally on the trigger. The decades-long showdown culminates in the Cuban Missile Crisis, the world's close call with the third-and final-world war"--

In a rambling series of essays -- partly analytical, partly polemical, and partly autobiographical -- Fiedler takes issue with the elitist and prescriptive tendency among the self-appointed guardians of art, and with the modern split between 'high' and 'low' forms of literature. He argues that traditional approaches to and standards of literature have become obsolete, and a criticism which ignores or condescends to Uncle Tom's Cabin, Gone with the Wind, Roots et alia can have little to say about American culture.

Why aren't Jewish women circumcised? This improbable question, first advanced by anti-Jewish Christian polemicists, is the point of departure for this wide-ranging exploration of gender and Jewishness in Jewish thought. With a lively command of a wide range of Jewish sources—from the Bible and the Talmud to the legal and philosophical writings of the Middle Ages to Enlightenment thinkers and modern scholars—Shaye J. D. Cohen considers the varied responses to this provocative question and in the process provides the fullest cultural history of Jewish circumcision available.

In Stagestruck noted novelist and outspoken critic Sarah Schulman offers an account of her growing awareness of the startling similarities between her novel People in Trouble and the smash Broadway hit Rent . Written with a powerful and personal voice, Schulman's book is part gossipy narrative, part behind-the-scenes glimpse into the New York theater culture, and part polemic on how mainstream artists co-opt the work of "marginal" artists to give an air of diversity and authenticity to their own work. Rising above the details of her own case, Schulman boldly uses her suspicions of copyright infringement as an opportunity to initiate a larger conversation on how AIDS and gay experience are being represented in American art and commerce. Closely recounting her discovery of the ways in which Rent took materials from her own novel, Schulman takes us on her riveting and infuriating journey through the power structures of New York theater and media, a journey she pursued to seek legal restitution and make her voice heard. Then, to provide a cultural context for the emergence of Rent-- which Schulman experienced first-hand as a weekly theater critic for the New York Press at the time of Rent 's premiere--she reveals in rich detail the off- and off-off-Broadway theater scene of the time. She argues that these often neglected works and performances provide more nuanced and accurate depictions of the lives of gay men, Latinos, blacks, lesbians and people with AIDS than popular works seen in full houses on Broadway stages. Schulman brings her discussion full circle with an incisive look at how gay and lesbian culture has become rapidly commodified, not only by mainstream theater productions such as Rent but also by its reduction into a mere demographic made palatable for niche marketing. Ultimately, Schulman argues, American art and culture has made acceptable a representation of "the homosexual" that undermines, if not completely erases, the actual experiences of people who continue to suffer from discrimination or disease. Stagestruck 's message is sure to incite discussion and raise the level of debate about cultural politics in America today.