The oboist looks back at her twenty-five year career, offering a glimpse into the world of classical music and providing details of substance abuse and the practice of trading sexual favors for jobs.

"Step into the extraordinary life of Samuel Adler, one of the most celebrated composers and conductors of our time. From a childhood marked by the horrors of Nazi Germany to a career spanning over six decades in music, teaching, and composition, Adler's journey is a testament to resilience, creativity, and the unifying power of music"--

This book undoes 50 years of mythmaking about Stravinsky's life in music. During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music. Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturityÑ Petrushka, The Rite of Spring, and Les Noces . Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"Ñthe professional appropriation of motifs and style characteristics from folk artÑand how Stravinsky realized this ideal in his music. Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed. Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The great comedian celebrates his one hundredth birthday with a selection of his favorite and funniest stories that include reminiscences about his own past and anecdotes about friends, family, and colleagues. 300,000 first printing. $250,000 ad/promo.

F1 Hardcover with dust jacket.1961 191p. 6.75x5.30x1.00 250 FAMOUS AND INFAMOUS LIMERICKS.

The filmmaker noted for Sebastiane and Edward II , among other works, discusses his life and art, detailing his sexual awakening, the libidinous excesses of the sixties, his experiences in gay culture, and more.

"A blistering, brilliant novel from the Booker-shortlisted author, elegantly reflecting his Geoffrey Faber Memorial award-winning story collection The Quantity Theory of Insanity. In The Quantity Theory of Morality, Will Self 's unconventional new novel, his pen remains dipped in vitriol and elegance as ever. In this dark yet hilariously satirical "state-of-an-era novel," Self 's target is a collective morality that is nothing more or less than pure sociability. His middle-class, middle-English characters appear trapped in a timeless go-round of polite chitchat in dinner parties that refract like a hall of mirrors as the novel progresses, until one day someone says something to the effect of, "This way to the gas chamber, please, ladies and gentlemen." The Quantity Theory of Morality finally solves the equation of time and money that dominates our lives, in a way that is simultaneously deranging, destabilizing, and hilarious. With recurring-if defeated-appearances from now-canonical characters like Zack Busner, the repetition of each chapter, or "Proposition," shows Will Self to be both a master of satire and slapstick humor and a sublime and thoughtful critic of the alienation of modern life. With The Quantity Theory of Morality, Self provides the sequel to his award-winning debut of thirty-four years ago: The Quantity Theory of Insanity. That literary psycho-surgery proved there wasn't enough sanity to go around-now he's established what many of us fear to be the absolute truth: there isn't enough good to go around, either"-- Provided by publisher.

Edward L. Bernays was indeed an Austrian-American pioneer in the field of public relations and is often referred to as "the father of public relations." He was born in Vienna, Austria, in 1891 and later emigrated to the United States with his family. Bernays significantly influenced the field of public relations through his innovative approaches and theories. He emphasized the use of psychological insights and understanding of human behavior to shape public opinion and influence attitudes. Bernays believed that public relations could be used as a tool to engineer consent and promote certain ideas or products. Throughout his career, Bernays worked with various clients, including corporations, government agencies, and organizations, to shape public perception and create favorable conditions for their objectives. He applied principles of psychology, sociology, and anthropology to develop effective strategies for influencing public opinion. Some of Bernays' notable works include the book "Propaganda," published in 1928, which explored the use of public relations in shaping public opinion, and his involvement in numerous advertising and public relations campaigns.

A few years ago, Christopher Buckley wrote of Bruce Jay Friedman in the New York Times Book Review that he "has been likened to everyone from J. D. Salinger to Woody Allen," but that "he is: Bruce Jay Friedman, sui generis, and no mean thing. No further comparisons are necessary." We are happy to report that he remains the same Bruce Jay Friedman in his unique, unblinking, and slightly tilted essays—collected here for the first time—in Even the Rhinos Were Nymphos . A butler school in Houston, a livestock auction in Little Rock, a home for "frozen guys" in California, JFK's humidor in Manhattan—all are jumping off points for Friedman's baleful and sharply satirical scrutiny of American life and behavior in the second half of the twentieth century. Travel with Friedman from Harlem to Hollywood, from Port-au-Prince to Etta's Eat Shop in Chicago. In these pieces, which were published in literary and mass-circulation magazines from the 1960s to the 1990s, you'll meet such luminaries as Castro and Clinton, Natalie Wood and Clint Eastwood, and even Friedman's friends Irwin Shaw, Nelson Algren, and Mario Puzo. Friedman is a master of the essay, whether the subject is crime reporting ("Lessons of the Street"), Hollywood shenanigans ("My Life among the Stars"), or his outrageous adventures as the editor of pulp magazines (the classic "Even the Rhinos Were Nymphos"). We could sing his praises as a journalist, humorist, and social critic. But, as Buckley tells us, being Bruce Jay Friedman is enough. Bruce Jay Friedman is the author of seven novels (including The Dick , Stern , and A Mother's Kisses ), four collections of short stories, four full-length plays (including Scuba Duba and Steambath ), and the screenplays for the movies Splash and Stir Crazy .

Humor, Comedy, Graphic Novel

"An ex-Soviet professor plays amateur detective in this post Cold War romp by New York Times bestselling spy master Robert Littell. Lemuel Falk, a theoretical "chaoticist," has been denied permission to leave Russia for the last twenty-three years, likely because he knows a few state secrets. Even he is surprised-and wary-when his twenty-fourth request is approved, and he is offered a position as visiting professor at the Institute for Advanced Interdisciplinary Chaos-Related Studies in upstate New York. But as soon as Professor Falk arrives in America, he is plunged into a new kind of chaos-including a high-stakes academic catfight, an affair with a much-younger hairdresser, and cascading offers from domestic spies looking to capitalize on his knowledge-and soon finds himself playing amateur detective at the behest of local police. While he helps hunt for a dangerous serial killer, he grapples with ghosts from his own past in Russia. In this wholly original novel, Littell explores chaos theory, questions of faith, ad the ironies of contemporary America"-- Provided by publisher.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Molly Picon began as a child actor in the Yiddish Theatre at age six. Picon went on to appear in many films, beginning with silent movies. In 1934, Picon had her own musical comedy radio show, Picon went on to appear in many TV shows and her final role was as Roger Moore's mother in cameo appearances in the comedies Cannonball Run and its sequel Cannonball Run II. In "So Laugh a Little" the famous Yiddish actress, has written a funny and poignant book describing her life journey all the while paying homage to the many life lessons learned from her grandmother. Molly's grandmother came to Philadelphia from Russia and helped raise Molly and encourage her in her career in show business. Part autobiography, part common-sense wisdom, this book will engage and entertain you through every chapter. Starting with Molly's early start in Yiddish to her later success in her own stage show and on to many TV and film roles, Molly shares life advice that is just as important to hear today as it was when the book was originally published in 1962.

"Night People conjures the undeniable magic of the city's bygone nightlife-a time when clubs were diverse, glamorous, and a little lawless, and each night brought a heady mix of music, ambition, danger, delight, and possibility. It's about the beauty of what you can create with just two Technics and a mixer, in a golden era before Giuliani, camera phones, and bottle service upended everything. It's also about a teenager finding his way-stalking DJ Stretch Armstrong and biting his mixes, crate-digging in every corner of New York, grinding gig after gig through a decade of incredible music-and finding a community of people who, in their own strange, cracked ways, lived for the night. Organized around the venues that defined his experience of the downtown scene, Ronson evokes the specific rush of that decade and those spaces-where fashion folks and rappers on the rise danced alongside club kids and 9-to-5'ers-and invites us into the tribe of creatives and partiers who came alive when the sun went down. A heartfelt coming-of-age tale, Night People is the definitive account of '90s New York nightlife and the making of a musical mastermind"--

The secret word is Groucho [Jan 01, 1977] Marx, Groucho