Elisa - orphaned as a child, raised by a 'fallen woman', fed by fairy tales - has lived in an outlandish imaginary world for years. When her guardian dies, she feels compelled to confront her family's tortured and dramatic past, weaving the tale of her mother and grandmother through a history of intrigue, treachery, deception and desire. But as her saga of three generations of Sicilian women proceeds, it becomes something else entirely, taking in a whole legacy of oppression and injustice. By turns flamboyant and intense, raging and funny, Lies and Sorcery is a celebration of the female imagination, and the power of storytelling itself. First published in 1948, Elsa Morante's debut novel won the Viareggio Prize and earned her the lasting admiration of generations of writers from Italo Calvino and Natalia Ginzburg to Elena Ferrante. Translated by Jenny McPhee

From a small, bogside cabin in rural New England, 38-year-old Aimee Slater unravels the story of her life, attempting to make sense of the tangled thread that leads from her mother's house-a short, unbridgeable distance away-to the world she now inhabits. It is soon after the Civil War; Aimee lives alone, but is graced with visits from two friends, a crippled man and a troubled eleven-year-old girl. She is perpetually caught between the sensual world she so desires and the divine retribution passed down to her by her mother's scorn. How Aimee ultimately creates a life for herself and bridges that distance makes for a moving story of love and loss. Told in a voice of spare New England lyricism, Unravelling is a remarkably haunting account of the power of redemption.

Edward L. Bernays was indeed an Austrian-American pioneer in the field of public relations and is often referred to as "the father of public relations." He was born in Vienna, Austria, in 1891 and later emigrated to the United States with his family. Bernays significantly influenced the field of public relations through his innovative approaches and theories. He emphasized the use of psychological insights and understanding of human behavior to shape public opinion and influence attitudes. Bernays believed that public relations could be used as a tool to engineer consent and promote certain ideas or products. Throughout his career, Bernays worked with various clients, including corporations, government agencies, and organizations, to shape public perception and create favorable conditions for their objectives. He applied principles of psychology, sociology, and anthropology to develop effective strategies for influencing public opinion. Some of Bernays' notable works include the book "Propaganda," published in 1928, which explored the use of public relations in shaping public opinion, and his involvement in numerous advertising and public relations campaigns.

The haunting story of a woman who desires “something more, as if something more had been promised her that was not yet given.” Vivian Carpentier, confined by her role as an upper class woman in the 1940s, gleans meaning only from erotic love. Troubled by the elusiveness of men, yet convinced that they run the world, she can barely conceal her desperation to entice. Struggling with motherhood and the failure of marriage, she takes jobs to bridge intervals between lovers. She sings in a hotel bar, sells dresses, and nurses her father’s friend through his last illness, hoping to atone for a self-centered life. The constant in Vivian’s life is her son, David. Having seen her worst and best moments, he provides her with consolation and a reason for living.

Take a voyeuristic peep through the curtains of kosher love. From the naïve sexual fantasies of a seminary girl, to a key-hole view of private marital moments, you'll get a taste of it all in these four short tales of Jewish sex, lust and yearning. Set inside the Orthodox Jewish world, these tales are so intimate and real that you'll feel like you've been spying on your neighbors!

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"Since 1997, author and scholar Maxim D. Shrayer has been offering seminars on Vladimir Nabokov, the great Russian American immigrant writer, at Boston College. This volume features essays by undergraduate and graduate students, which originated in the Nabokov seminar, as well as scholarship by Boston College faculty who work on Nabokov. The essays cover a broad thematic and intellectual terrain and showcase cutting-edge Nabokov scholarship and criticism. The topics include but are not limited to: translingualism, sexuality, Cold War politics, food studies, Nabokov and the visual arts, religion and metaphysics, urban studies, immigration studies, and modernist poetics. The collection will be of great interest to students and scholars, as well as to the broad audience of Nabokovians"--

Hillel Halkin is an American-born Jew who has cast his personal and historical lot with Israel. The imaginary American Jewish friend to whom Halkin directs his onrush of argument is an equally committed young Jew who, however, upholds the possibility of a viable Jewish life outside of Israel. He has just returned to the United states after his second visit to Israel and written a letter of his impressions, which triggers the present correspondence. The two friends argue about Zionism, Israel, Jewish history and culture, the nature of Jewishness. As the gauntlet is flung back and forth, Halkin elaborates his case that Jewish history and Israeli history are two lines in the process of converging, so that for all practical purposes the struggle for Jewish survival and the struggle for Israel are the same; and that any Jew who chooses, in the absence of extenuating circumstances, not to live in Israel is removing himself to the peripheries of the struggle for Jewish survival and away from the center of Jewish history.

Dreamers of the Ghetto (1892) is a collection of stories by Israel Zangwill. Raised in London by parents from Latvia and Poland, Zangwill understood the plight of the city's Jewish community firsthand. Having risen through poverty to become an educator and author, he dedicated his career to the voiceless, the oppressed, and the needy, advocating for their rights and bearing witness to their suffering in some of the most powerful novels and stories of the Victorian era. "This is a Chronicle of Dreamers, who have arisen in the Ghetto from its establishment in the sixteenth century to its slow breaking-up in our own day. Some have become historic in Jewry, others have penetrated to the ken of the greater world and afforded models to illustrious artists in letters..." As a Jewish immigrant who grew up in poverty in London, Israel Zangwill knows that the condition of life in the ghetto changes not just lives, but mentalities. In the third installment of his Ghetto series, Zangwill imagines the lives of such historical Jewish figures as Dutch philosopher Baruch Spinoza, German poet Heinrich Heine, and Prussian lawyer and political activist Ferdinand Lasalle. The tales of Jewish life in Dreamers of the Ghetto earned Zangwill comparisons to Dickens upon publication, and helped to establish him as an author with a gift for intensive character study and a passion for political themes. This edition of Israel Zangwill's Dreamers of the Ghetto is a classic of British literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Revenge: A Tale of Old Jamaica (1919) is a novel by H. G. de Lisser. Born and raised in Jamaica, H. G. de Lisser was one of the leading Caribbean writers of the early twentieth century. Concerned with issues of race, urban life, and modernization, de Lisser dedicated his career to representing the lives and concerns of poor and middle-class Jamaicans. In Revenge: A Tale of Old Jamaica , de Lisser portrays the deadly Morant Bay Rebellion of 1865, a protest by poor black laborers unsatisfied with the economic and political establishment and the widespread lack of opportunity for freedmen in Jamaica. In response to a period of scarcity brought on by drought and disease, as well as to acts of police brutality against peaceful protestors, a group of several hundred Jamaicans led by Paul Bogle took to the streets in an effort to fight for their rights. In de Lisser's fictionalized version of events, he explores the experiences of white and black Jamaicans in the days leading up to the violence. As signs of unrest grow impossible to ignore, those in power prove more than willing to reject the pleas of the oppressed, writing their anger off as nothing more than a passing phase. Seated on their veranda overlooking the mountains of the Jamaican countryside, the Carlton family observes a series of fires growing in the nearby hills. While the women see them as a sign of violence to come, the men seem entirely unphased by the threat of an uprising. In response to his mother's fears, Dick Carlton attempts to calm her: "'Our people are just now passing through one of their periodical fits of depression, and you will probably hear them expressing fears of negro uprisings and all that sort of thing [...] and you may be frightened. Don't allow yourself to be. The danger is purely imaginary.'" As night falls with no end to the fires, however, and as the songs and cries of the oppressed grow closer, his sense of security will prove a foolish thing indeed. This edition of H. G. de Lisser's Revenge: A Tale of Old Jamaica is a classic of Jamaican literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Two love stories, one past, one present, mirror each other in this highly acclaimed story of ambition, sex, memory and marriage. Set in small-town Ontario -- vintage Matt Cohen territory -- Elizabeth and After is rich in insights about human foibles and aspirations, and an unforgettable portrait of a place and the people who live there.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"Power" is a masterful historical novel set in the eighteenth-century Duchy of WÃ1/4rttemberg. It tells the story of Josef SÃ1/4ß Oppenheimer, a brilliant and ambitious financier who rises to become the most influential advisor to the Duke. As SÃ1/4ß maneuvers through the treacherous landscape of courtly intrigue and political rivalry, he must navigate the precarious balance between his immense worldly power and his identity as a Jewish man in a hostile society. Lion Feuchtwanger's narrative explores themes of ambition, loyalty, and the corrupting nature of absolute authority. The novel provides a vivid portrait of an era defined by decadence and rigid social hierarchies while examining the internal conflict of a man caught between the pursuit of influence and the preservation of his heritage. With its rich historical detail and profound psychological insight, "Power" remains a compelling study of the moral costs of political success and the enduring struggle for dignity in the face of systemic prejudice. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"The bestselling and award-winning German author Jenny Erpenbeck has gained international praise for her novels including Visitation, Kairos, and Go, Went, Gone. Things That Disappear is an exciting collection of interlinked miniature prose pieces that grapple with the phenomenon of disappearance on scales both large and small. The things that disappear in these pages range from everyday objects such as socks and cheese to close friends and the social norms of common courtesy, to sites and objects resonant with East German history, such as the Palace of the Republic or the lines of sight now blocked by new construction in Berlin. Erpenbeck asks: "Is there a perpetrator who makes things that I know and cherish disappear?" These things disap- pear, and yet do they really? Do they remain in our memories more fully than if they continued to exist? Translated beautifully by Kurt Beals, Things That Disappear follows on the heels of Erpenbeck's Booker Prize-winning novel Kairos and offers a window into a renowned writer's sense of the past, and of her own self as a writer"-- Provided by publisher.

Dina Z, a Jewish-American filmmaker is seeking to document the lives of people who dwell on ancient holy ground and to discover how that history affects them. She falls in love with a Palestinian activist and sees him and his people in ways that were not available to her before the ancient story of Dinah and Shechem was revived through their meeting. This novel is a republication of Deena Metzger's 1989 novel, originally published by Viking.. This novel is a republication of Deena Metzger's 1989 novel. The original motivation for the novel was to investigate the Biblical story from Genesis, the story of Jacob and Leah's daughter who is loved and ravished by a "heathen," and whose brothers avenge her honor by slaying him on his wedding night. This story, which is somehow still unacknowledged, is of the ancient core of the intergenerational conflict remaining very much in our collective DNA, the story which has not been mourned, for which amends have not been made. Metzger is hoping to see if the retelling of it in a new way, the reliving of it, even if only in the creative imagination, could offer healing to the terrible history which was (which is) once again exploding in violence.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The world knows well the tale of Tevye, the beloved Jewish dairyman from the shtetl Anatevka of Tsarist Russia. In stories originally written by Sholem Aleichem and then made world-famous in the celebrated musical Fiddler on the Roof, Tevye, his wife Golde, and their five daughters dealt with the outside influences that were encroaching upon their humble lives. But what happened to those remarkable characters after the curtain fell? In After Anatevka, Alexandra Silber picks up where Fiddler left off. Second-eldest daughter Hodel takes center stage as she attempts to join her Socialist-leaning fiancé Perchik to the outer reaches of a Siberian work camp. But before Hodel and Perchik can finally be together, they both face extraordinary hurdles and adversaries-both personal and political-attempting to keep them apart at all costs. After Anatevka is a stunning conclusion to a tale that has gripped audiences around the globe for decades.

The Great American Novel (1923) is an experimental novel by William Carlos Williams. Although he is predominately known as a poet, Williams frequently pushed the limits of prose style throughout his career. In the defining decade of Modernism, Williams sought to try his hand at the so-called "Great American Novel," a concept fueling impassioned debate in academic and artistic circles nationwide. Far from conventional, Williams' novel is a metafictional foray into matters more postmodern than modern, a commentary masquerading as narrative and a satire of the all-American overreliance on cliché in form and content. "If there is progress then there is a novel. Without progress there is nothing. Everything exists from the beginning. I existed in the beginning. I was a slobbering infant. Today I saw nameless grasses--I tapped the earth with my knuckle. It sounded hollow. It was dry as rubber. Eons of drought. No rain for fifteen days. No rain. It has never rained. It will never rain." Williams' novel begins with the word and a birth. Language describes the experience of awakening to experience, of coming into consciousness as a living being in a living world. Using words from everyday speech, he builds a novel out of observations, a book that remains conscious of itself throughout. Like the child whose first experience with the written word often comes from names and slogans stretched over trucks and billboards, the reader eventually comes to accept their new reality, a world where people love and succeed and fail, where history and art intercede to make meaning where they can. The Great American Novel showcases Williams' experimental form, stretching the meaning of "novel" to its outermost limit. This edition of William Carlos Williams' The Great American Novel is a classic of American literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.