Tom Stoppard has written some of the most challenging and fanciful plays of the 20th century. His work, from the early Jumpers to the film Shakespeare in Love to the current play The Invention of Love, has in effect changed the landscape of drama. Witty, erudite, passionate, abstract, clever (some would say too clever by half), his works are like no one else's. Who is Tom Stoppard -- the Czech-born son of Jews who became the singularly English man of letters? In this vibrant, critical portrait, Ira Nadel weaves life and works into a fascinating chronicle of Stoppard's world on English and American stages. Peopled with such characters as Diana Rigg, John Wood, and Billy Crudup, the book untangles Stoppard's genius against the backdrop of Broadway and London's West End.

This ebullient memoir chronicles the author's lifelong love of books, which began with Sir Arthur Quiller-Couch's "The Art of Writing" and developed with works by Izaak Walton, Cardinal Newman, and Milton

An inspiring memoir about love, race, identity, and contested narratives told with unflinching mettle. Through her childhood spent in 1940s New York being raised by two mothers, her work with the Student Nonviolent Coordinating Committee during the Civil Rights Movement, and raising her own children in the coalfields of West Virginia, Faith S. Holsaert has been defined by the intertwined forces of race, activism, and family. As a young woman on the front line of the Civil Rights Movement, she learned the power of contested narratives and came to understand her whiteness, her queer identity, and her stakes in overturning racism. Later in life, she confronted sexual abuse and mental illness across three generations of women in her family to find that these painful histories have played a significant role in the development of her identity as a woman, activist, and mother. Through a lifetime laid bare in prose and poetry, Holsaert beautifully quilts memoir, social history, and historic events into a gripping and inspirational narrative. This powerful and structurally innovative work lends new categories of meaning to those who would strive to find their place, hope, and sense of belonging in efforts to fight against systemic racism and lead lives characterized by openness and love.

Bibliography: p. 83.

With Eve's Hollywood Eve Babitz lit up the scene in 1974. The books that followed, among them Slow Days, Fast Company and Sex and Rage, have seduced generations of readers with their unfailing wit and impossible glamour. What is less well known is that Babitz was a working journalist for the better part of three decades, writing for the likes of Rolling Stone, Vogue, and Esquire, as well as for off-the-beaten-path periodicals like Wet: The Magazine of Gourmet Bathing and Francis Ford Coppola's short-lived City. Whether profiling Hollywood darlings, getting to the bottom of health crazes like yoga and acupuncture, remembering friends and lovers from her days hobnobbing with rock stars at the Troubadour and art stars at the Ferus Gallery, or writing about her beloved, misunderstood hometown, Los Angeles, Babitz approaches every assignment with an energy and verve that is all her own. I Used to Be Charming gathers nearly fifty pieces written between 1975 and 1997, including the full text of Babitz's wry book-length investigation into the pioneering lifestyle brand Fiorucci. The title essay, published here for the first time, recounts the accident that came close to killing her in 1996; it reveals an uncharacteristically vulnerable yet never less than utterly charming Babitz.

Absolutely one of the most hilarious movies ever made, this classic farce featuring the outrageous genius of the Marx Brothers is a chance to see some of their best bits woven together seamlessly in a story of high society, matchmaking, and chaos. In order to bring two young lovers together, brothers Groucho, Chico, and Harpo must sabotage an opera performance even as they try to pass themselves off as stuffed shirts. Featuring the classic sequence where Groucho piles as many people as possible into a ship's stateroom, A Night at the Opera is a deliciously zany romp worth watching again and again. --Robert Lane

Kidnapping, attempted assassination, espionage âe¦ not the answers youâe(tm)d expect to the question âe~what happens when you become a linguist?âe(tm) But now, reflecting on a long and hugely successful career at the forefront of the field of English Language and Linguistics, David Crystal answers this question and offers us a special look behind the scenes at the adventures, rewards, challenges and pitfalls of his life in language. Both an autobiography and a highly accessible introduction to the field of linguistics, Just a Phrase Iâe(tm)m Going Through illuminates and entertains us with its many insights into the ever-fascinating subject of language. David Crystal is synonymous with language, both as a great populariser and linguistic pioneer, and his contribution to the field is unparalleled. This is a book not just for students and teachers but for all lovers of language. For more about David Crystal at Routledge, visit: www.routledge.com/textbooks/9780415485746.

"A clever, eager, perceptive series of sketches underlining the various manners of youthful American love ...."--P. [4] of cover.

Looks at such major aspects of the author's life as family, Judaism, love and sex, writing, illness, and despair, and argues that, when reinserted in Kafka's letters and diaries, deleted segments lift the mask of "sainthood" frequently attached to him.

Imbued with melancholy, and regret, this work explores the troubled relationship between a young girl, her distant, self-absorbed mother and her mother's lover, Max. We follow the family through the Great War and the Russian Revolution, as the young Helene grows from a dreamy, unhappy child into an angry young woman."

"From James Bond to the Beatles, from Saturday Night Fever to Grease, from Daniel Day-Lewis to Dustin Hoffman, from Steve Martin to Cheech and Chong. As president of United Artists, Paramount, and Columbia, producer of The Jerk, Lenny, and The Crucible, [David Picker's] seen it all, loved it all (well, most of it), and now he's sharing it all. When the show is over you will have learned about the deals, the hits, the flops, the good guys, the bad guys, and all the rest"--Amazon.com.

Love, Poverty and War: Journeys and Essays showcases the Hitchens' rejection of consensus and cliché, whether he's reporting from abroad in Indonesia, Kurdistan, Iraq, North Korea, or Cuba, or when his pen is targeted mercilessly at the likes of William Clinton, Mother Theresa ("a fanatic, a fundamentalist and a fraud"), the Dalai Lama, Noam Chomsky, Mel Gibson and Michael Bloomberg. Hitchens began the nineties as a "darling of the left" but has become more of an "unaffiliated radical" whose targets include those on the "left," who he accuses of "fudging" the issue of military intervention in the Balkans, Afghanistan and Iraq. Yet, as Hitchens shows in his reportage, cultural and literary criticism, and opinion essays from the last decade, he has not jumped ship and joined the right but is faithful to the internationalist, contrarian and democratic ideals that have always informed his work.

A rich and witty classic novel of love, community and home from the award-winning and best-loved Eva Ibbotson. Now reissued with a brand-new cover. Susanna Weber's dress shop stands in the picturesque Madensky Square, a quiet little world of its own, nestled in the heart of glittering pre-war Vienna.As the winter of 1910 unfurls into spring, Susanna starts a journal about life in the Square, about the buildings and their colourful inhabitants. There's Frau Schumacher, with six daughters and a baby on the way, Professor Starsky and his menagerie of sickly reptiles, an aging bookseller, a teenaged Anarchist, and little Sigi - an orphaned child prodigy forced to play the piano all day, every day.And then there's her dear friend Alice, the only person who has noticed the heartbreak that hides beneath Susanna's brisk kindness and brilliant talent.A whip-smart observation of the passions and tragedies behind daily life, Eva Ibbotson's Madensky Square is a classic snapshot of Viennese life before WWI.

Here, for the first time, is an all-embracing account of the loves of that royal womaniser, Edward VII, as Prince of Wales and King. It is also a study of the three women with whom the King was most deeply in love - his `official' mistresses, Lillie Langtry, Daisy Warwick and Alice Keppel. In their different ways, all three were exceptional personalities; Lillie Langtry, the socially ambitious girl from the vicarage, became a famous actress; Daisy Warwick, an immensely wealthy heiress and social butterfly, was converted to socialism; Alice Keppel, probably the King's greatest love, developed into an astute and fascinating figure in her own right. Spanning three decades and packed with incident, scandal and high romance, the story is set in the extravagant and hypocritical world of late Victorian and Edwardian society. It is full of colourful characters: Edward's beautiful and betrayed wife Alexandra; the three cuckolded husbands - Edward Langtry, the Earl of Warwick and the Hon. George Keppel; the flamboyant Oscar Wilde; the sensuous Sarah Bernhardt; the dissipated Prince Albert Victor; and the sexually complex W.E. Gladstone. The King in Love challenges long-established myths and reveals much that was hitherto unknown: not least the extraordinary scene that took place at the deathbed of King Edward VII. The result is a brilliant evocation of a world, and a way of life that has gone forever.

In this stunning debut novella, Rebecca Walker turns her attention to the power of love and the limitations of the human heart. When Farida, a sophisticated college student, falls in love with Adé, a young Swahili man living on an idyllic island off the coast of Kenya, the two plan to marry and envision a simple life together--free of worldly possessions and concerns. But when Farida contracts malaria and finds herself caught in the middle of a civil war, reality crashes in around them. The lovers' solitude is interrupted by a world in the throes of massive upheaval that threatens to tear them apart, along with all they cherish. Haunting, exquisite, and certain to become a classic, Adé will stay with you long after you put it down. This is a timeless love story set perfectly, heartbreakingly, in our time.

A daring novel that shocked the Jazz Age-and still burns with truth today. In Bad Girl, Viña Delmar rips the glittering mask off 1920s romance and exposes the real heartbeat of a generation caught between desire, convention, and survival. In roaring-era New York City, a young woman refuses to play by society's rules. She wants love-but she also wants freedom, respect, and a life that belongs to her alone. When Dorothy, a working-class shop girl with a wild streak, falls for Eddie, a man as stubborn and passionate as she is, their story explodes into a storm of love, pride, independence, and consequence. Beneath the flapper sparkle and jazz-club heat lies a deeply modern struggle: how far can a woman go to live life on her own terms before the world calls her a bad girl? First published in 1928, Bad Girl became an instant bestseller and scandal, earning Delmar both fame and controversy. Banned in some cities and celebrated in others, it was later adapted into an Oscar-winning Hollywood film-one of the first movies to portray love and marriage with raw honesty and emotional depth. Rediscovered today, this lost feminist classic captures the power and vulnerability of women carving out identity in a rapidly changing world. Bad Girl speaks directly to fans of F. Scott Fitzgerald, Dorothy Parker, Anita Loos, and Edna Ferber-readers who crave authentic emotion, smart social commentary, and unforgettable storytelling.

"Encompassing autobiography, institutional history, and lively, behind-the-scenes anecdotes, Between Memory and Invention: My Journey in Architecture surveys the world of architecture from the 1960s to the present and Robert A. M. Stern's critical role in it. The book chronicles Stern's formative years, architectural education, and half-century of architectural practice, touching on all the influences that shaped him. He details his Brooklyn upbringing, family excursions to look at key twentieth-century buildings, and relationships with prominent teachers--Paul Rudolph and the legendary Vincent Scully among them. Stern also recounts the origins of RAMSA and major projects in its history, including the new town of Celebration, Florida, the restoration of Times Square and 42nd Street, 15 Central Park West, Benjamin Franklin and Pauli Murray Colleges at Yale, and the George W. Bush Presidential Center, as well as references the many clients, fellow architects, and professional partners who have peopled his extraordinary career. By turns thoughtful, critical, and irreverent, this accessible, informative account of a life in architecture is replete with personal insights and humor. Stern's voice comes through clearly in the text--he details his youthful efforts to redraw house plans in real estate ads, his relationship to Philip Johnson, which began at Yale and was sustained through countless lunches at the Four Seasons, his love of Cole Porter and movies from the 1930s and 1940s, his struggle to launch an architecture practice in the 1970s in the midst of a recession, and his complex association with Disney and Michael Eisner. Unsurprisingly, New York City plays a big role in Between Memory and Invention. Stern has a deep commitment to the city and recording its past--he is the lead author of the monumental New York book series, the definitive history of architecture and urbanism from the late nineteenth century to the present--and shaping its future. Though now a global practice, RAMSA residential towers rise throughout Manhattan to enrich the skyline in the tradition of the luxurious apartment buildings of the 1920s and 1930s"--