Jacqueline Gold is the woman behind the success of the Ann Summers chain. This is a story of determination and suffering, of obstacles and inner-battles which will inspire women across the country. It tells about the secrets of her childhood, her struggle to find love, gain career success and respect, and to have children.

"In this book, celebrated singer-songwriter Craig David takes us on a journey of connecting, disconnecting and reconnecting, weaving together stories of his life and music - starting with his early days in Southampton working with The Artful Dodger, to his overnight chart-topping success, through to the present day, and everything in between. This is Craig as we've never seen him before - the always-positive showman, baring his soul for the first time. From physical pain, lost love, public humiliation and depression, Craig takes us past his comfort zone, in a raw, honest and courageous account of his own lived experience. In opening up about how he overcame these obstacles, Craig shares his insight and provides practical advice that will help us to navigate the daily challenges we all face. This is Craig's story of how he learned to tune into his best life"--Publisher's description.

'Enlightening ... Funny, smart, original and provocative ... It is hard to imagine the stalwarts of Mock the Week recognising the Druze militia leader Walid Jumblatt in a London cinema' NEW STATESMAN 'Few standups have come close to capturing a fraction of this creative energy in a book ... Alexei Sayle is an exception' GUARDIAN "What I brought to comedy was an authentic working-class voice plus a threat of genuine violence - nobody in Monty Python looked like a hard case who'd kick your head in." In 1971, comedians on the working men's club circuit imagined that they would be free to continue telling their tired, racist, misogynistic gags forever. But their nemesis, a nineteen-year-old Marxist art student, was slowly coming to meet them... Thatcher Stole My Trousers chronicles a time when comedy and politics united in electrifying ways. Recounting the founding of the Comedy Store, the Comic Strip and the Young Ones, and Alexei's friendships with the comedians who - like him - would soon become household names, this is a unique and beguiling blend of social history and memoir. Fascinating, funny, angry and entertaining, it is a story of class and comedy, politics and love, fast cars and why it's difficult to foul a dwarf in a game of football.

Felicity Kendal began writing these richly entertaining and deeply honest memoirs at her father's bedside as he lay in a coma. As she moves hauntingly between the present and the past, Felicity Kendal recaptures her magical childhood in India, her complex relationship with her father and the rest of the family, her love affairs and the acting career that led to her being recognised as one of the outstanding actresses of her generation. 'A remarkable first book about acting, travelling, exile, loving and losing; a book about families and, above all, a book about fathers and daughters.' Angela Lambert, Good Housekeeping

John Beckett was a rising political star. Elected as Labour's youngest M.P. in 1924, he was constantly in the news and tipped for greatness. But ten years later he was propaganda chief for Mosley's fascists, and one of Britain's three best known anti-Semites. Yet his mother, whom he loved, was a Jew. Her ancestors were Solomons, Isaacs and Jacobsons, originally from Prussia. He successfully hid his Jewish ancestry all his life - he said his mother's family were "fisher folk from the east coast." His son, the author of this book, acclaimed political biographer and journalist Francis Beckett, did not discover the truth until John Beckett had been dead for years. He left Mosley and founded the National Socialist League with William Joyce, later Lord Haw Haw, and spent the war years in prison, considered a danger to the war effort. For the rest of his life, and all of Francis Beckett's childhood, John Beckett and his family were closely watched by the security services. Their devious machinations, traced in records only recently released, damaged chiefly his young family. This is a fascinating and brutally honest account of a troubled man in turbulent times.

English poet and critic Alvarez begins this autobiography with his recollections of his childhood as the sickly son of deeply unhappy parents. Alvarez courted danger as a way of overcoming his infirmities and found in the deadly ballet of the Battle of Britain - Messerschmitts and Spifires dancing and dueling across the London sky - an image of beauty and risk that would never leave him. And, yet, poetry and the literary life were his first loves as an adult, and he describes the excitement of his early successes at Oxford and as poetry critic at the Observer.

Trekkie Ritchie Parsons, a painter and book illustrator, was married to the publisher Ian Parsons. When she met and fell in love with Leonard Woolf, rather than splitting with Ian, convinced both men that life would be best if Leonard moved in next door. Trekkie spent the weekends with Ian and the week with Leonard, living this way for 25 years. When Trekkie and Leonard were not together they talked through quick letters, which she then sealed up, and were opened after her death. Linked by excerpts from her diary, the letters shine with details of daily life and tell the story of two contrasting personalities, their love for one another, and their unusual and creative domestic arrangement.

A biography of Edwin Montagu, British Secretary of State for India in 1917-22. Conservative Party opposition to his policies was accompanied by more or less openly expressed antisemitism (see the index). Ch. 23 (pp. 422-449), "Zionism: The Balfour Declaration, " traces the debate among British Jewry over the government's support for a Jewish state in Palestine. Montagu, like most of the Jewish establishment, attempted to prevent adoption of the Declaration, fearing that it would lead to perceptions that Jews were not loyal citizens in the countries of their residence and thus fuel antisemitism.

This book needs no introduction. The hardback edition was the hottest seller of 2004. WH Smith cited it as the record holder for most copies of an autobiography sold in one week. In fact it has turned out to be the surprise darling of the book trade! Now, at last, the paperback edition is available and Katie has brought it right up-to-date with full details of her love for Peter, their new life together, their engagement and their impending wedding. She also reveals the projects she has been working on and what the future holds for her career. No book buyer will want to miss out on the next instalment of Katie's life - so fasten your seatbelts for another rollercoaster ride.

How much did Aunt Addie know? How much did she feel? Aunt Addie better known to the world at large as Adelaide Granby, the fabulously successful author of 49 volumes of gushing, melodramatic Victorian romance. Upon her death in 1912, flowers and cards pour in, including one particularly lavish set "From Stanislaw", whom her independent-minded, suffragette niece Pamela decides was "darling Aunt Addie's Grande Passion." Pamela also inherits a stack of Aunt Addie's secret papers, including youthful diaries and her unintentionally hilarious unpublished first novel, written when she was only 16, entitled The Bastard of Pinsk (a "bastard", 16-year-old Adelaide was sure, being "A very noble Hero of Royal Blood.") As Pamela explores these documents and talks with those who knew her aunt when, seeking the real-life source of her romantic sensibility, the reader is drawn irresistibly into the intrigue. In a novel both sentimental and brutally honest, nostalgic for and horrified by the sentiments of the past, hilarious and poignant, all at once, the brilliant Eleanor Farjeon poses surprisingly powerful questions about what makes a love "real" and how much one really needs to know to experience it... This new edition features a superb introduction by twentieth-century women's historian Elizabeth Crawford. "Naughtiness of a definitely mauve tint." Beatrice Sherman, New York Times

The name of Cyril Ornadel may not be known to many outside the musical theatre. The back of his head, however, was for many years the most famous on television, for Cyril Ornadel was the conductor in the orchestra pit for ITV's immensely popular programme, Sunday Night at the London Palladium. But this efficient and unassuming man was the musical director for numerous West End 'hit' shows: Kismet, Call Me Madam, Pal Joey, Wonderful Town, The King and I and My Fair Lady, to name but a few. He is also a composer in his own right. His song 'Portrait of My Love' is a standard, known and loved by an entire generation, while 'If I Ruled the World' from Pickwick, the musical he wrote with Wolf Mankowitz and Leslie Bricusse, became a world-class hit and turned into what was virtually the late Sir Harry Secombe's theme tune. Now, in this rich and illuminating memoir, Cyril Ornadel shares the fruits of his experience in almost every aspect of the music business - theatre, films, recording, composing, orchestrating, conducting, producing. With wit, wisdom and humility he candidly discusses the triumphs and disasters of his lifelong love affair with Show Business.

Nell's father was absent for the first 13 years of her life and, when he did appear, he only offered a conditional relationship. So, at 17, Nell is still looking for a father figure. She meets him in the form of Bill Marnie and falls head over heels in love with him, but their joy does not last.

`England', Benjamin Disraeli famously said, `does not love coalitions'. But 2010 saw the first peace-time coalition in Britain since the 1930s. The coalition, moreover, may well not be an aberration. For there are signs that, with the rise in strength of third parties, hung parliaments are more likely to recur than in the past. Perhaps, therefore, the era of single-party majority government, to which we have become accustomed since 1945, is coming to an end. But is the British constitution equipped to deal with coalition? Are alterations in the procedures of parliament or government needed to cope with it? The inter-party agreement between the coalition partners proposes a wide ranging series of constitutional reforms, the most important of which are fixed-term parliaments and a referendum on the alternative vote electoral system, to be held in May 2011. The coalition is also proposing measures to reduce the size of the House of Commons, to directly elect the House of Lords and to strengthen localism. These reforms, if implemented, could permanently alter the way we are governed. This book analyses the significance of coalition government for Britain and of the momentous constitutional reforms which the coalition is proposing. In doing so it seeks to penetrate the cloud of polemic and partisanship to provide an objective analysis for the informed citizen.

A remarkable insight into Jewish history in Britain, 'My Mother's House' is a poignant story of belonging, nationhood and identity set in Wales, England and Palestine. The first novel from the acclaimed author of Eunice Fleet - a poignant story of belonging, nationhood and identity set in Wales, England and Palestine. First novel from the acclaimed author of EUNICE FLEET a poignant story of belonging, nationhood and identity set in Wales, England and Palestine Simon is a troubled young manborn in Wales, of Jewish heritage, and in love with Englishness and an English heiress. He determines to reject his Jewish and Welsh identity and the industrial valleys he grew up in and seeks to fulfil his ambition to rise in the Civil Service. His experiences in love and his professional life see him reject Edith on discovering that she is not what he believed her to be, and taking up arms in the fight against Englands enemies in the Great War. Ultimately, he must embrace his family and his heritage before he can experience a sense of wholeness. Simons experience raises questions of belonging, language, nationhood and identity that are as relevant now as they were in 1931 when the novel was first published. Lily Tobiass sensitive individual and communal portraits illuminate some of the most topical personal, social and political issues of the twenty-first century.

The story of two sisters who landed on Planet Pop and how they survived thanks to each other. Since they first hit the charts in 1997 with the All Saints, the Appletons have lived, loved and squabbled in the full glare of the tabloids. Now they discuss the tremendous highs and lows they have experienced - and talk openly about the men in their lives. Brave and honest, they make no attempt to hide their mistakes.

Jonquil Mathews had lived a sheltered life with her parents in their luxurious home, until the day her fianc? Simon, an RAF pilot, was killed at Dunkirk. Prompted by Simon's best friend, Adrian Hepworth, Jonquil was determined to do her bit for the war effort, and joined the WAAF. Adrian had fallen in love with Jonquil, and as she went through her training, made new friends and learned her trade, he kept a watchful eye on her, always hoping that despite the dangers of wartime, they would eventually be together...

When frontline BBC news reporter David Shukman switched beat from world affairs to environment in 2003, he feared he might be in for a dull life. He couldn't have been more wrong. His new job has taken him to every corner of the earth: journeying up the fabled North West Passage in the Arctic, chasing after loggers in the Amazon and battling through plastic waste in the Pacific Ocean, getting trapped in Siberian blizzards along the way. Reporting Live from the End of the World charts Shukman's extraordinary adventures, in the process providing a fascinating eye-witness account of the state of the planet. Wonderfully written and often very funny, the book will be loved by travel, science or environment readers alike.

Selected writings from one of the most important commentators of our generation covering the wreckage of Labour's 10 year love affair with the Right BY THE SUMMER of 2007, Britain was close to crashing. A few onlookers realised the danger, but Britain's political leaders were not among them. Politicians and civil servants boasted that the City's economy was booming because of their 'light-touch regulation' of workers in financial services whose number included potential frauds. Curiously, they never argued that the inner-city economy might boom if there was 'light touch regulation' of workers in the ghettos whose number included potential drug dealers. And artists produced works to match the times. On the same day that Lehman Brothers went bankrupt, the genial Damien Hirst auctioned at Sotheby's pieces he admitted had been mass produced in his studios and buyers still gave him £100 million. Even the critics did not pretend to be interested in what message, if any, Hirst had for his audience, but reported the sale like business reporters covering a soaring stock. For 10 years New Labour stood cross-eyed in admiration as London was turned into the centre of the financial universe. From the sand bags Nick Cohen has watched as they turned their back on the working class, once the object of Utopian hopes on the Left and unreasonable fears on the Right, and lovingly embraced the upper class, once the object of surly contempt on the Left. In Waiting for the Etonians are gathered his selected writings that cover the span of Labour's love affair with the Right and the moral hazard that it has culminated in. It is a romance which has not only broken its traditional bond with the working classes and undermined the very values on which the party was founded, but has now left it with little more to do than warm the seat for the next Conservative Prime Minister.