"Red Diaper Baby is James Laxer's compelling and extraordinary memoir of growing up in a communist family during the height of the Cold War. When Jim was born in a Montreal hospital, his father was living in hiding under an assumed name. And when it came time to begin school in Ottawa, Jim was enrolled under a false birth date. Throughout his childhood he was repeatedly instructed not to tell anyone what his father did for work. Laxer's parents were dedicated members of the Communist Party, true believers in an ideology that was generally reviled and had been outlawed during much of World War II. From an early age, Laxer was collecting signatures on ban-the-bomb petitions, delivering Party flyers door to door, attending eccentric left-wing Camp Naivelt, and campaigning for the charismatic J. B. Salsberg, a Communist MPP in the Ontario legislature. Dramatic, humorous, and full of period detail, Red Diaper Baby offers a rare look at the McCarthy years through the eyes of a child. It also explains a great deal about Laxer's eventual and crucial role in the founding of the Waffle faction of the NDP, his continued engagement with the left, and his evolution into one of Canada's preeminent intellectuals."--

"Evelyn Fox Keller trained as a theoretical physicist at a time when women didn't "do physics." Unable to find a supportive advisor, she moved into the new field of molecular biology just getting off the ground. After receiving her doctorate, she returned to physics but then took another swerve, joining a small interdisciplinary effort to develop mathematical models of biological systems. This work led to her appointment to a special position as Professor of Mathematics and Humanities at Northeastern University. When second-wave feminism arrived in the 1960s, it changed the lives of everyone in its path. It certainly changed Keller's, leading her beyond the borders of science altogether. Eventually she began to think of herself as a dual citizen of the proverbial two cultures―science and humanities. The trajectory was hardly straightforward, nor was it conducive to building a conventional career, or even getting a job. Now in hindsight, after an illustrious career and having published fourteen books, Keller reflects on her life, influences, successes and struggles along her trailblazing path as a scientist and feminist." -- From publisher's website

On the surface, David Baddiel's childhood was fairly standard: a lower-middle-class Jewish family living in an ordinary house in Dollis Hill, north-west London. But David came to realise that his mother was in fact not ordinary at all. Having escaped extermination by fleeing Nazi Germany as a child, she was desperate to make her life count, which took the form of a passionate, decades-long affair with a golfing memorabilia salesman. Meanwhile, as Baddiel investigates his family's past, his father's memories are fading; dementia is making him moodier and more disinhibited, with an even greater penchant for obscenity. As with his mother's affair, there is both comedy and poignancy to be found: laughter is a constant presence, capable of transforming the darkest of experiences into something redemptive.

"Charity Tillemann-Dick was a vivacious young American soprano studying at the celebrated Franz Liszt Academy of Music in Budapest when she received devastating news: her lungs were failing, her heart was three and a half sizes too big, and she would die within five years. Inexplicably, despite her fatal pulmonary condition, she could still sing. Medical experts advised Charity to abandon her musical dreams, but if her time was running out, she wanted to spend it doing what she loved. In just three years, she endured two double lung transplants. Teetering between life and death, she slowly learned to breathe, walk, talk, eat, and sing again. With new lungs and fierce determination, she eventually fell in love, rebuilt her career, and reclaimed her life. Over a decade after her diagnosis, she has a chart-topping album, performs around the globe, and is a leading voice for organ donation. Weaving Charity's extraordinary tale of triumph with those of opera's greatest heroines, The Encore illuminates the indomitable human spirit. It's the story of confronting devastating challenges with love: the intimate love of a mother for her daughter, a man for a woman, a doctor for her craft, and a singer for her music. Ultimately, grace from God and strangers enabled the work of love to save one young woman's breath and allowed her to reclaim her life"--Inside dust jacket.

This autobiography of William G. Dever is unabashedly his story that offers not only candid reflections on his life, but also on the remarkable generation of giants in archaeology in Israel and the evolving history of the fields of biblical and Israeli archaeology. Chapters cover the ups and downs in both his life and career with brutally honesty. His memoir concludes with a postscript on the likely future of biblical archaeology, and an annotated bibliography provides a guide for serious readers who wish to explore some of the scholarly literature to flesh out Dever's narrative--

"Samantha's mother tongue is dying out. An urgent need to find out more becomes an expansive investigation into how to keep hold of her culture -- and when to let it go. The daughter of Iraqi-Jewish refugees, Samantha grew up surrounded by the noisy, vivid, hot sounds of Judeo-Iraqi Arabic. A language that's now on the verge of extinction. The realisation that she won't be able to tell her son he's 'living in the days of the aubergines' or 'chopping onions on my heart' opens the floodgates. The questions keep coming. How can she pass on the stories of displacement without passing on the trauma? Will her son ever love mango pickle? In her search for answers Samantha encounters demon bowls, the perils of kohl and the unexpected joys of fusion food. Her journey transports us from the clamour of Noah's Ark to the calm of the British Museum, from the Oxford School of Rare Jewish Languages to the banks of the River Tigris. As Samantha considers what we lose and keep, she also asks what we might need to let go of to preserve our culture and ourselves. This is a life-affirming memoir about resilience and repair, and the healing power of dancing to our ancestors' music, cooking up their recipes and sharing their stories"--Publisher's description.

In this wry, candid, and sometimes poignant memoir, Peter Owen recalls his lonely Jewish boyhood in Nazi Germany and migration to England where he survived the London Blitz, a teenage dalliance with aspiring actress Fenella Fielding, and working with a motley variety of book publishers. He founded his eponymous publishing firm in 1951, becoming one of the youngest publishers in Britain. A pioneer of books on social themes, gay and lesbian writing, and literature in translation, Owen's authors included ten Nobel laureates and brought Hermann Hesse, Ezra Pound, and Anaïs Nin to a wider audience. Enjoying their success, he and his wife Wendy were memorably stylish and eccentric figures at the literary parties of the 1960s and 1970s. Owen describes his often hilarious encounters with many of those he published, including John Lennon, Yoko Ono, and Salvador Dalí, his adventures in Japan with Yukio Mishima and Shūsaku Endō, and in Morocco with Tennessee Williams and Paul and Jane Bowles. As one of the last of the great émigré publishers, his death in 2016 aged 89 signalled the end of a literary era.

"With the same candor that has characterized his life, Otto Preminger--actor, director, producer, and now writer--exposes himself (in writing) as well as an impressive line-up of show business folk in this engrossing memoir. As one of Hol1ywood's pre-eminent directors with 36 films and 32 stage productions to his credit, Preminger reveals the funny, outrageous, and often exasperating moments of his career, and his association with the eccentric, the gracious, the wealthy, the egomaniacal--'the stars.' Beginning his career as an apprentice of Max Reinhardt, Preminger became an instant success as an actor and then as a director. Hollywood called and he went there in 1935. His outspoken manner clashed with the autocratic studio moguls. He was forced to return to New York and find work directing plays on Broadway. He rebounded in 1944 to begin his stormy and remarkably creative period in Hollywood with Laura, his first all-out hit, starring Gene Tierney, Clifton Webb, and Dana Andrews. Preminger gives an inside glimpse at shooting such films as Daisy Kenyon with Joan Crawford (whom he considers a remarkable, independent, and generous woman); River of No Return, starring Marilyn Monroe; the all-black productions of Carmen Jones and Porgy and Bess, both accused of being racist; The Man With the Golden Arm, with Frank Sinatra and Kim Novak; plus such legendary films as Anatomy of a Murder (James Stewart, Lee Remick, and George C. Scott), Exodus (Paul Newman, Eva Marie Saint), Advise and Consent (Henry Fonda and Charles Laughton), The Cardinal (Tom Tryon, Romy Schneider), Hurry Sundown (Jane Fonda, Michael Caine, Diahann Carroll and Faye Dunaway), and In Harm's Way (John Wayne). Making no bones about naming enemies or exalting his friends, Preminger elaborates on the blacklisting during the fifties and includes his own critique of the critics. Preminger gives us a little more insight into his friend Tallulah Bankhead and her affinity for shocking behavior (with a few choice examples), as well as his opinion of Howard Hughes (a fascinating man, but not all that eccentric). He sets the record straight on a number of his love affairs and marriages, and divulges the story of his relationship with Gypsy Rose Lee and their child, who after Gypsy's death emerged as Erik Preminger. Leaving few stones unturned, this unique "Otto-biography" zooms in on Hollywood through the eyes of one of its most active and highly creative personalities--Preminger!"--Jacket.

The memoir of Gwendolyn Midlo Hall offers today's activists and readers an accessible and intimate examination of a crucial era in American radical history. Born in 1929 New Orleans to left-wing Jewish parents, Gwendolyn Midlo Hall's life has spanned nearly a century of engagement in anti-racist, internationalist political activism. In this moving and instructive chronicle of her remarkable life, Midlo Hall recounts her experiences as an anti-racist activist, a Communist Party militant, and a scholar of slavery in the Americas, as well as the wife and collaborator of the renowned African-American author and Communist leader Harry Haywood. Telling the story of her life against the backdrop of the important political and social developments of the 20th century, Midlo Hall offers new insights about a critical period in the history of labor and civil rights movements in the United States. Detailing everything from Midlo Hall's co-founding of the only inter-racial youth organization in the South when she was 16-years-old, to her pioneering work establishing digital slave databases, to her own struggles against cruel and pervasive sexism, Haunted by Slavery is a gripping account of a life defined by profound dedication to a cause.

"This book is a frank, confronting yet surprisingly funny memoir based on the life experiences and recollections of a Jewish childhood over a time span from 1928 to the mid-forties. In some telling, names of people, places and dates have been changed. Mercifully, those named who are or were of a repellent nature have long since gone to God. The stories present incidents from the life of one person, the first-person narrator. The memoir is purposely unsentimental. The writer has worked hard to circumvent cheap emotion. Some readers might find it confronting. The linked stories encompass a childs unsparingly honest observations as he is buffeted by events which range from indifference and naked cruelty to sparkling life-affirming exuberance."--Provided by publisher.

Memoirs of Lantos, born to the Leipniker family in 1939 in Makó, Hungary. In 1944, after his older brother was taken away, the rest of the family was sent to the ghetto of Szeged, but the Jews there were soon deported. He and his parents were first sent to Strasshof in Austria for a short time, then to Wiener Neustadt and to Bergen-Belsen, where his father died. He and his mother were then sent on a death transport, during which they were liberated by American soldiers. They returned to Hungary and found that his brother had perished. Lantos later studied medicine in England, and in 1969 decided to remain there.

The author shares the story of his family, their immigration, and the challenges of navigating two cultures.

An informative memoir of kibbutz life that reveal a piece of Israel's early story that should not be forgotten.

'The most life-affirming book ever written about death.' Sandi Toksvig 'One of the most powerful and helpful books about grief that you will ever read.' Anita Anand 'Grief is more than the price of love. It is love. We must learn not just to live with it, but to make it welcome.' Mother and daughter Anne Mayer Bird and Catherine Mayer were widowed within 41 days of each other on the eve of the pandemic, then locked down alone. Their profound isolation was broken just once a week, when Catherine visited Anne to care for her, at distance and in a mask. Together they found ways to navigate their loss and the startling questions and challenges that confronted them. In this memoir, Catherine also investigates the possibility that her husband, renowned musician Andy Gill, contracted Covid-19 when his band, Gang of Four, toured China in late 2019. Her main focus, however, is not on death, but on life and love. This is a captivating account of lives well lived, moving and spiked with black humour. It is interwoven with letters Anne wrote to her husband John to tell him of the astonishing and heartrending events since his death and her small triumphs in living independently. In sharing their insights and experiences, Catherine and Anne aim to help those who have lost or will lose people or who wish to know how best to support others in such circumstances. They also celebrate love--for John and Andy and each other. 'We are extraordinarily lucky, my mother and I. We have each other and we have this room. 'In this living room, we are learning to embrace the things we can't touch, each other and the lovely dead.'

"In a world where everyone is inventing a self, curating a feed and performing a fantasy of life, what does it mean to be a person? In his grandly entertaining debut memoir, playwright David Adjmi explores how human beings create themselves, and how artists make their lives into art.."--Publisher's description.

"When Ralph Benmergui discovered he was literally hours away from a deadly heart attack he realized his life had changed. He was entering the autumn of his life, as he saw it, and he was being dragged into it by his heels. What follows this awakening is a funny, profound and generous look at where he has come from - from his childhood as the youngest son of Moroccan immigrants, to his experiences during the early years of YukYuks, to his long and storied career at CBC, along with much more - to where he is now, with stents in his arteries, having survived two bouts of cancer, hosting a much-loved podcast and a with practice in Hashpa'ah, Jewish Spiritual Direction. Along the way Benmergui looks critically at what it means to grow old in our society and challenges the reader to push against the stereotypes, to find a new purpose, and to claim the title and role of elder in a society that demands we strive to stay 'forever young.'"--

It begins with a child's hunger for love and acceptance and continues through years of withering criticism, perverse expectations, and unfounded competition from a narcissistic father who couldn't tolerate his son's happiness and libertine spirit. In the end, the author unravels a relationship that could never be fixed -- but perhaps didn't need to be.

A conversation with a group of today's military age men and women about America's involvement in Vietnam inspired Jeff Danziger to write about his own wartime experiences: "War is interesting," he reveals, "if you can avoid getting killed, and don't mind loud noises." Fans of his cartooning will recognize his mordant humor applied to his own wartime training and combat experiences: "I learned, and I think most veterans learn, that making people or nations do something by bombing or sending in armed troops usually fails." Near the end of his telling, Danziger invites his audience--in particular the young friends who inspired him to write this informative and rollicking memoir--to ponder: "What would you do? . . . Could you summon the bravery--or the internal resistance--to simply refuse to be part of the whole idiotic theater of the war? . . . Or would you be like me?""--Amazon.com.

"How do we reckon with our losses? 'Animal Bodies' offers an unflinching examination of grief and personal loss-such as the death of parents, friends, and beloved pets, as well as broken marriages, lost friendships, and the loss of innocence and youth-and our collective grief caused by Covid-19, mass shootings, societal and gender inequities and violence, and environmental degradation"--

"An exceptional document of an extraordinary life, The Soul of Things is the memoir of Holocaust survivor Éva Fahidi. Since the memoir was first published in Hungarian in 2004 under the title Anima Rerum, Fahidi has become a household name in Hungary and in Germany. Featured in countless interviews and several prize-winning documentary films, at the age of ninety-five she is a frequent speaker at Holocaust commemorations in Hungary, Germany, and elsewhere. The Soul of Things combines a rare depiction of upper-middle-class Jewish life in pre-war Hungary with the chronicle of a woman's deportation and survival in the camps. Fahidi is a gifted writer with a unique voice, full of wisdom, humanity, and flashes of dark humour. With an unsentimental, philosophical perspective, she recounts her journey from the Great Hungarian Plain to the extermination camp of Auschwitz-Birkenau, the force labour camp of Münchmühle, and back. The English edition includes a new introduction by historians Éva Kovács and Judith Szapor, the original prefaces to the Hungarian and German editions, an essay on the Münchmühle Camp by Fritz Brinkman-Frisch, and extensive notes providing historical and cultural context for Fahidi's narrative."--