Stephen Shore's Modern Instances: The Craft of Photography is an experimental new memoir from one of the world's most prolific artists - an impressionistic scrapbook that documents the rich and surprising touchstones that make up over half a century of ground-breaking work. With essays, photographs, stories, and excerpts that draw on Shore's decades of teaching, this is an essential handbook for anyone interested in learning more about mastering one's craft and the distinct threads that come together to inform a creative voice. As much as offering meditation on the influences of a single artist, Modern Instances proposes a new way of thinking about the world around us, in which even the smallest moment can become a source of boundless inspiration - if only we pay attention.

Robert Evans's The Kid Stays in the Picture is universally recognized as the greatest, most outrageous, most unforgettable show business memoir ever written. The basis of a groundbreaking, award-winning documentary film, it remains the gold standard of Hollywood storytelling. The only actor ever to run a Hollywood studio, Evans emerged from near-obscurity in the mid-1960s to rescue Paramount, one of the great studios of the Golden Age, from near-bankruptcy. A self-confessed "half-assed actor," Evans proved a genius producer and studio chief, drawing on his irresistible combination of instinct, smarts, showmanship, and bravado to take Paramount from the basement to the penthouse with such films as The Odd Couple, Rosemary's Baby, Love Story, The Godfather, and Chinatown. He lived a swashbuckling life, partying with lifetime friends like Jack Nicholson, Warren Beatty, and Dustin Hoffman, consulting with power players like Henry Kissinger, and squiring a host of dazzling women including his wives Ali McGraw, Catherine Oxenberg, and Phyllis George. After a decade of triumph, he lost everything in a spectacular flameout of cocaine and bad business decisions, yet survived it all--and lived to tell the tale. An extraordinary raconteur, Evans spares no one, least of all himself. Filled with starring roles for everyone from Ava Gardner to Marlon Brando to Sharon Stone, The Kid Stays in the Picture is sharp, witty, and self-aggrandizing and self-lacerating in equal measure-- Provided by publisher.

NEW YORK TIMES and INTERNATIONAL BESTSELLER In Face the Music, Paul Stanley—the co-founder and famous “Starchild” frontman of KISS—reveals for the first time the incredible highs and equally incredible lows in his life both inside and outside the band. Face the Music is the shocking, funny, smart, inspirational story of one of rock’s most enduring icons and the group he helped create, define, and immortalize. Stanley mixes compelling personal revelations and gripping, gritty war stories that will surprise even the most steadfast member of the KISS Army. He takes us back to his childhood in the 1950s and ’60s, a traumatic time made more painful thanks to a physical deformity. Born with a condition called microtia, he grew up partially deaf, with only one ear. But this instilled in him an inner drive to succeed in the most unlikely of pursuits: music. With never-before-seen photos and images throughout, Stanley’s memoir is a fully realized and unflinching portrait of a rock star, a chronicle of the stories behind the famous anthems, the many brawls and betrayals, and all the drama and pyrotechnics on and off the stage. Raw and confessional, Stanley offers candid insights into his personal relationships, and the turbulent dynamics with his bandmates over the past four decades. And no one comes out unscathed—including Stanley himself. “People say I was brave to write such a revealing book, but I wrote it because I needed to personally reflect on my own life. I know everyone will see themselves somewhere in this book, and where my story might take them is why I’m sharing it.” —Paul Stanley

“Flat out, one of the best Hollywood memoirs ever written . . . an absolute treasure.” — Booklist (starred review) In my ninety-plus years I’ve lived a multitude of lives. In the course of all these lives, I had a front-row seat at the birth of television; wrote, produced, created, or developed more than a hundred shows; had nine on the air at the same time; founded the 300,000-member liberal advocacy group People For the American Way; was labeled the “no. 1 enemy of the American family” by Jerry Falwell; made it onto Richard Nixon’s “Enemies List”; was presented with the National Medal of Arts by President Clinton; purchased an original copy of the Declaration of Independence and toured it for ten years in all fifty states; blew a fortune in a series of bad investments in failing businesses; and reached a point where I was informed we might even have to sell our home. Having heard that we’d fallen into such dire straits, my son-in-law phoned me and asked how I was feeling. My answer was, “Terrible, of course,” but then I added, “But I must be crazy, because despite all that’s happened, I keep hearing this inner voice saying, ‘Even this I get to experience.’” Norman Lear’s work is legendary. The renowned creator of such iconic television programs as All in the Family ; Maude ; Good Times ; The Jeffersons ; and Mary Hartman, Mary Hartman , Lear remade our television culture from the ground up. At their peak, his programs were viewed by 120 million people a week, with stories that dealt with the most serious issues of the day—racism, poverty, abortion—yet still left audiences howling with laughter. In Even This I Get to Experience , Lear opens up with all the candor, humor, and wisdom to be expected from one of America’s greatest living storytellers. But TV and politics are only a fraction of the tale. Lear’s early years were grounded in the harshness of the Great Depression and further complicated by his parents’ vivid personalities. The imprisonment of Lear’s father, a believer in the get-rich-quick scheme, colored his son’s childhood. During this absence, Lear’s mother left her son to live with relatives. Lear’s comic gifts were put to good use during this hard time, as they would be decades later during World War II, when Lear produced and staged a variety show for his fellow airmen in addition to flying fifty bombing missions. After the war, Lear tried his hand at publicity in New York before setting out for Los Angeles in 1949. A lucky break had a powerful agent in the audience the night Danny Thomas performed a nightclub routine written by Lear, and within days his career in television began. Before long, his work with Dean Martin and Jerry Lewis (and later Martha Raye and George Gobel) made him the highest-paid comedy writer in the country, and he was spending his summers with the likes of Carl Reiner and Mel Brooks. Movies followed, and soon he was making films starring Frank Sinatra, Dick Van Dyke, and Jason Robards. Then came the ’70s and Lear’s unprecedented string of TV hits. Married three times and the father of six children ranging in age from nineteen to sixty-eight, Lear’s penetrating look at family life, parenthood, and marriage is a volume in itself. A memoir as touching, funny, and remarkable as any of Lear’s countless artistic creations, Even This I Get to Experience is nothing less than a profound gift, endlessly readable and characteristically unforgettable.

Karl Taro Greenfeld knew from an early age that his little brother, Noah, was not like other children. He couldn't crawl, and he had trouble making eye contact or interacting with his family. As Noah grew older, his differences became even more pronounced—he was unable to communicate verbally, use the toilet, or tie his shoes, and despite his angelic demeanor, he often had violent outbursts. No doctor, social worker, or specialist could pinpoint what was wrong with Noah beyond a general diagnosis: autism. The boys' parents, Josh and Foumi, dedicated their lives to caring for their younger son with myriad approaches—a challenging, often painful experience that the devoted father detailed in a bestselling trilogy of books. Now, for the first time, acclaimed journalist Karl Taro Greenfeld speaks out about growing up in the shadow of his autistic brother, revealing the complex mix of rage, confusion, and love that defined his childhood. Boy Alone is his brutally honest memoir of the hopes, dreams, and realities of life with a mentally disabled sibling. Seamlessly weaving together the social history of autism and autism research—as the Greenfelds lived through it in seeking treatment for Noah—with the deeply affecting story of two very different boys growing up side by side, this book raises crucial philosophical questions: Can relationships exist without language? How should aging parents care for a nonverbal, violent child, and then a grown man who is not self-sufficient? Is there anything that can be done to help an extremely autistic child or adult become a member of mainstream society? Haunting, tragic, and unforgettable, this chronicle of autism is a beautiful, wholly original exploration of what it means to be a family, a brother, and a person.

"A riveting, inspiring memoir of one woman's escape from an extremist religious sect and an extraordinary rise from housewife to shoe designer, to CEO and co-owner of the modeling agency Elite World Group. Ever since she was a child, every aspect of Julia Haart's life-what she wore, what she ate, what she thought-was controlled by the dictates of ultra-Orthodox Judaism. At nineteen, after a lifetime spent caring for her seven younger siblings, she was married off to a man she barely knew. For the next twenty-three years, he would rule her life. Eventually, when Haart's younger daughter, Miriam, started to question why she wasn't allowed to sing, run, or ride a bike, Haart reached a breaking point. She knew that if she didn't find a way to leave, her daughters would be forced into the same unending servitude that had imprisoned her. So Haart created a double life. In the ultra-Orthodox world, clothing has one purpose-to cover the body, head to toe-and giving any thought to one's appearance beyond that is considered sinful, an affront to God. But when no one was looking, Haart would pore over fashion magazines and sketch designs for the clothes she dreamed about wearing in the world beyond her Orthodox suburb. She started clandestinely selling life insurance in order to save her "freedom" money. At the age of forty-two, she finally mustered the courage to flee the fundamentalist life that was strangling her soul. Within a week of her escape, Haart founded a shoe brand, and within nine months, she was at Paris Fashion Week. Just a few years later, she was named creative director of La Perla, where she met the man who would become her husband, Silvio Scaglia. Soon she would become co-owner and CEO of Elite World Group, and one of the most powerful people in the fashion industry. Along the way, her four children-Batsheva, Shlomo, Miriam, and Aron-have not only accepted but embraced her transformation. Propulsive and unforgettable, Haart's story is the journey from a world of no to a world of yes, and an inspiration for women everywhere to find their freedom, their purpose, and their voice"--

Gisella Perl's memoir is the extraordinarily candid account of women's extreme efforts to survive Auschwitz. With writing as powerful as that of Charlotte Delbo and Ruth Kluger, her story individualizes and therefore humanizes a victim of mass dehumanization. Perl accomplished this by representing her life before imprisonment, in Auschwitz and other camps, and in the struggle to remake her life. It is also the first memoir by a woman Holocaust survivor and establishes the model for understanding the gendered Nazi policies and practices targeting Jewish women as racially poisonous. Perl's memoir is also significant for its inclusion of the Nazis' Roma victims as well as in-depth representations of Nazi women guards and other personnel. Unlike many important Holocaust memoirs, Perl's writing is both graphic in its horrific detail and eloquent in its emotional responses. One of the memoir's major historical contributions is Perl's account of being forced to work alongside Dr. Josef Mengele in his infamous so-called clinic and using her position to save the lives of other women prisoners. These efforts including infanticide and abortion, topics that would remain silenced for decades and, unfortunately, continue to be marginalized from all too many Holocaust accounts. After decades out of print, this new edition will ensure the crucial place of Perl's testimony on Holocaust memory and education.

"Award-winning playwright, screenwriter, and director David Mamet shares scandalous and laugh-out-loud tales from his four decades in Hollywood where he worked with some of the biggest names in movies. David Mamet went to Hollywood on top-a super successful playwright summoned west in 1980 to write a vehicle for Jack Nicholson. He arrived just in time to meet the luminaries of old Hollywood and revel in the friendship of giants like Paul Newman, Mike Nichols, Bob Evans, and Sue Mengers. Over the next forty years, Mamet wrote dozens of scripts, was fired off dozens of movies, and directed eleven himself. In Everywhere an Oink Oink, he revels of the taut and gag-filled professionalism of the film set. He depicts the ever-fickle studios and producers who piece by piece eat the artist alive. And he ponders the art of filmmaking and the genius of those who made our finest movies. With the bravado and flair of Mamet's best theatrical work, this memoir describes a world gone by, some of our most beloved film stars with their hair down, and how it all got washed away by digital media and the woke brigade. The book is illustrated throughout with three-dozen of Mamet's pungent cartoons and caricatures"--

"For many years, television comedy was an exclusive all boys' club--until a brilliant comedian named Carol Leifer came along, blazing a trail for funny women everywhere. From Late Night with David Letterman and Saturday Night Live to Seinfeld, The Ellen Show, and Modern Family, Carol has written for and/or performed on some of the best TV comedies of all time. This hilarious collection of essays charts her extraordinary three-decade journey through show business, illuminating her many triumphs and some missteps along the way--and offering valuable lessons for women and men in any profession. Part memoir, part guide to life, and all incredibly funny,How to Succeed in Business without Really Crying offers tips and tricks for getting ahead, finding your way, and opening locked doors--even if you have to use a sledgehammer" --

"A revelatory memoir of the author's efforts to develop the strength and resilience to survive in the demanding landscapes of Norway and Alaska describes her physically exhausting survival endeavors on a ruthless arctic tundra marked by violent natural and human threats."--NoveList.

Bette Midler, also known as Divine Miss M—the indomitable and incomparable singer, actor, and musical theater extraordinaire, with a career spanning almost half a century—revisits her classic memoir, now with a new introduction. This book was a kind of last hurrah. When I read it, I hear a disarmingly younger, sweeter voice…I am not sure that this little confection captures a whole time, but I think it’s an accurate picture of the spirit and tone of what I was doing in those days...I hope it holds up, and that you find your best younger self in it as I do... With her brassy voice and bold performances making the world finally pay attention, this ambitious Jewish girl from Hawaii, needs no introduction. Grammy award–winning singer, Academy Award–nominee, Broadway star of her critically acclaimed one-woman show, and beloved actress in The Rose, Beaches, and Down and Out in Beverly Hills—Bette Midler is a household name whose career and fans span generations. In A View from A Broad, Bette relives her career through memories of endless rehearsals, her fear of flying, crazy schedules, and wisdom she learned from Thai Gondoliers with her trademark razor-blade wit that her fans have grown to know, love, and expect. Filled with photographs, a new introduction, and heartwarming stories that highlight only a portion of a brilliant career, A View from a Broad is the perfect gift for anyone who loves music, theater, or just plain fun—and will be cherished by the fans of Divine Miss M for years to come.

This 1996 edition of Yitzhak Rabin's memoirs, compiled after his death, has been expanded to include important addresses he delivered, additional photographs, and an analysis of the events that led up to his assassination

One of Rolling Stone ’s 20 Best Music Books of 2013 When memoirist and head writer for The A.V. Club Nathan Rabin first set out to write about obsessed music fans, he had no idea the journey would take him to the deepest recesses of both the pop culture universe and his own mind. For two very curious years, Rabin, who Mindy Kaling called “smart and funny” in The New Yorker , hit the road with two of music’s most well-established fanbases: Phish’s hippie fans and Insane Clown Posse’s notorious “Juggalos.” Musically or style-wise, these two groups could not be more different from each other, and Rabin, admittedly, was a cynic about both bands. But once he gets deep below the surface, past the caricatures and into the essence of their collective cultures, he discovers that both groups have tapped into the human need for community. Rabin also grapples with his own mental well-being—he discovers that he is bipolar—and his journey is both a prism for cultural analysis and a deeply personal exploration, equal parts humor and heart.

In this first volume of his memoirs, Dr Kissinger covers his first four years (1969-1973) as Assistant to the President for National Security Affairs, and President Nixon's closest adviser on foreign policy. It is undoubtedly the most significant book to come out of the Nixon Administration. Among the countless great and critical moments Dr Kissinger recalls are his first meeting with Nixon, his secret trip to China, the first SALT negotiation, the Jordan crisis of 1970, the India-Pakistan war of 1971, and the historic summit meetings in Peking and Moscow. He covers the major controversies over Indochina policy during that period, including events in Laos, the overthrow of Cambodia's Prince Sihanouk, his secret talks with the North Vietnamese in Paris, his 'Peace is at hand' press conference, and the breakdown of the talks that led to the 'Christmas bombing' of 1972. He offers his insight s into the Middle East conflicts, Sadat's break with the Soviets, the election of Salvador Allende in Chile, issues of defence strategy, and relations with Europe and Japan. Other highlights are his relationship with Nixon, brilliant portraits of major foreign leaders, and his views as to the handling of crises and the art of diplomacy. Few men have wielded as much influence in the arena of American foreign policy as Henry Kissinger. This record makes an invaluable and lasting contribution to the history of this crucial time.

A hilarious and ultimately moving memoir of one couple's reliance on complaining, co-dependence, and a healthy supply of Pinot Noir to keep their marriage and sanity intact.

A memoir of the author's attempt to escape the biblical story he'd been raised on and his struggle to construct a new story for himself and his family

A powerful memoir from Natalie Goldberg—the woman who changed the way writing is taught in this country—sharing her experience with cancer grounded in her practice of writing and Zen Let the Whole Thundering World Come Home begins at the grave of Katagiri Roshi, Natalie’s Zen teacher, in Japan. Twenty years after Katagiri’s death and Natalie’s return to New Mexico, she is permanently settled in Santa Fe with her partner, Yukwan. Except that, as Buddhism teaches us, nothing is permanent. Natalie learns that she has CLL, a potentially fatal form of blood cancer. For two years, Natalie dances with her cancer—visiting doctor after doctor, attempting treatment after treatment. Nothing helps; in fact, one of the treatments only feeds the cancer and encourages its growth. Then Natalie’s partner, Yukwan discovers that she, too, has cancer—breast cancer—as well as an off-the-charts oncotype score that requires her to have surgery immediately. The cancer twins, as Natalie calls herself and Yukwan, now must each navigate her own illness, carve out her own cancer territory. Each can provide only limited emotional and physical energy for the other. And, somehow, they both need to find a way to stay together, to stay in love—and to heal. As the title expresses, Let the Whole Thundering World Come Home is so much more than a cancer memoir. Through a direct and grounded narrative, Natalie illuminates a path through illness: that we need to be in love with the lives we have, to embrace the dark and the light in our lives. For Natalie, writing and painting represent the light, and her cancer takes her deeper into her art practices. Balanced with a Zen practice that helps to her face death, this book is a moving meditation on living life in full bloom.