Grim, joyless and mostly friendless, Edmund Naughton is a white divorc who buries himself in his work as a computer programmer and lives a solitary life on New York's Upper West Side. He impulsively offers shelter to Careese, a recovering black alcoholic, who is homeless, has little education and is shakily attempting to stand on her own. It's an edgy arrangement.

Mindy Solomon absolutely has to leave Miami. Florida is bad for her head and her hair. She dreams of a dancing career on Broadway and moves to New York, but after a string of failures and mishaps, she realizes that she needs to rethink her grand plan. Finding herself spending way too much time in the comedy club where her future ex-boyfriend works, she nervously goes up onstage one night. People laugh. Not in the places where Mindy thought they'd laugh, but hey, it's a start. Mindy and her friend Ursula Duran, a man-magnet model-slash-actress-slash-deeply troubled woman, soon embark on a wild ride that ricochets from New York's East Side Hotel for Women to the comedy circuit, auditions, photo shoots, film premieres, cable TV specials, Hollywood studios, late-night TV talk shows, and beyond. Surrounded by sleazy agents, sleazier lovers, and Ursula's even sleazier mother, the two find that life writes a few punch lines they weren't expecting...but through it all, they somehow manage to have the last laugh. Rita Rudner has crafted a debut novel that is not just funny, but moving and insightful. With its insider's viewpoint of the world of stand-up comedy, Tickled Pink is also, at its core, a touching tale of love, loss, female friendship, and forgiveness.

A story about love and death in Chicago during the age of prohibition, this novel was originally published in 1928 and out of print for nearly 50 years. Set in a boarding house on the north side of Chicago, the novel follows Marry Javlyn, a newspaperman who has just arrived from Iowa; Jo Ruska, a switchboard operator; and Abe Wise, a gangster on the lam. Marry and Jo fall in love, but when Marry is lured away by a glamorous newspaper culture critic, he descends into a Gomorrah of speakeasies, patronage jobs, and dingy art studios. Despite family secrets revealed, betrayed loyalties, and a violent climax, Marry still has a chance in the end for redemption. With an original, rollicking plot and memorable characters, the story stands as an authentic and invaluable artifact of an era long distorted beyond recognition by sensationalism and stereotype.

From the award-winning author of Minor Characters comes a haunting novel about the persistence of love and the sustaining and destabilizing power of memories In the vibrant downtown Manhattan art world of the 1960s, where men and women collide in "lucky and unlucky convergences," a series of love affairs has left Joanna Gold, a young photographer, feeling numbed. Then, at yet another party, a painter named Tom Murphy walks up to her. "Why do you hang back?" he asks. Rather than another brief collision, their relationship is the profound and ecstatic love each had longed to find. But it's undermined by Tom's harrowing past--his fatherless childhood, his wartime experiences, and most of all, the loss of the two children he left behind in Florida, along with the powerful red, white, and black paintings he will never set eyes on again. Tom, both tender and volatile, draws Joanna into the unwinnable struggle against the forces that drive him toward death. Once again, Joyce Johnson brings to life a mythic bohemian world where art is everything and life is as full of intensity and risk as the bold sweep of a painter's brush across a canvas. A New York Times Notable Book Excerpted in The New Yorker and Harper's Magazine

"Celebrated stage actress Mona Zahid wakes up on Thanksgiving morning to the clamor of guests packed into her Manhattan apartment and to a wave of dread: her in-laws are lurking on the other side of the bedroom door; she's still fighting with her husband; and in just a few weeks she will begin rehearsals as Shakespeare's Cleopatra, the hardest role in theater. In an impulsive burst, Mona bounds out the door with the family dog in tow ("I forgot the parsley!" is her lame excuse) to find her estranged mentor, Milton Katz, who was recently forced out of the legendary theater company he founded amid accusations of sexual misconduct. Mona's escape turns into an overnight adventure that brings her face-to-face with her past, with her creative power and its limitations, and ultimately, with all the people she has ever loved. Beguilingly approachable and intricately constructed, at once funny and sad and wise, Mona Acts Out is a novel about acting and telling the truth, about how we play roles to get through our days, and how the great roles teach us how to live."--Amazon

Patricia Marx is one of the finest comic writers of her time, as readers of The New Yorker and fans of Saturday Night Live already know. Her fiction debut is an endlessly entertaining comic novel about one woman’s romantic fixation on her first boyfriend.

Henry Grunwald makes sixteenth-century France under King Henry IV come vividly alive in A Saint, More or Less, as he explores, through the story of two women, the still timely subject of how politics, power, passions, and religious belief can intersect with explosive results.

Death By Deadline is a mystery thriller that takes you deep into the heart of local TV News, with heroes, villains, and a look at how the battle to be first with a story can climax in unbelievable catastrophe. Can local news kill people? That's the essential question as the author takes you through a mosaic of politics. the underworld, government, and the life of a big city as seen through the prism of courageous journalists and their corrupt and devious counterparts. Death by Deadline is a story of murder, mayhem, and hope. accompanied by unforgettable characters, and some of the most unusual newsroom humor that you will ever read. This is not for the fainthearted, but is IS for people who want to walk the fine line between solid reporting and the tragedy of journalistic deceit. The people are not real. Can it happen? Maybe, on some dark day in the future, unless it is too late. "Too late" is a real possibility. But in the meantime, the thread of corruption, sexual tension, heroes and villains fighting an internal struggle, produces a newsroom full of tightrope walkers in a novel with so many surprises, that the reader must be prepared to face the unthinkable.

The White Man in the Tree is a comedy of cultural misunderstandings set in the Caribbean, New York, and Paris, a novella and eight stories about people who, because of their differences, misjudge each other. Whether it is a sophisticated European filmmaker, an ambitious young black Haitian woman, a promising politician obsessed with women's feet, or a fish-out-of-water rabbi in search of a kosher chicken in Curaçao, each of Kurlansky's characters engages us with impulses and interactions that are by turns comic, insightful, and poignant. The White Man in the Tree is an affectionate portrait of a unique society, where Europe, America, Africa, and Asia meet Latin America.

Longing is a psychological novel focusing on a young woman's dependence on her husband and her attempts to forge an independent life for herself by escaping their unhealthy relationship. Rosa, a frail, sensitive American Jew living in Paris, marries an alcoholic expatriate from Chile and finds herself trapped in a sado-masochistic relationship. Amid a series of fast-moving events - the birth of their daughter, moves to her parents' home in New York and then to Sausalito, California, and various sexual encounters - Espinosa explores Antonio's fears and failures and Rosa's implicit trust in him to direct her life. Ultimately, Rosa begins to question her relationship with her husband and her parents.

In 1975, New York City faced a massive budget deficit and feared it could not pay its city workers. Their potential default was national front-page news. Thirty-four years later -- with nationwide bank closings, bankruptcies of major corporations, enormous layoffs and the largest national deficit in history -- might that ugly specter of default be facing New York again? After all, it is currently happening today, in Washington, D.C., where a bankrupt city has lost its public service personnel, garbage litters the streets and rats have made the district buildings their homes.Within the pages of, WALK INTO THE SUN, it is 2009 and the unthinkable has happened to New York City. That city is in default. However, this is not a story of the saving of the city. Rather, it is a tale of the people who make up its body. From the garbage man to the Bowery cop to the sewer-dwelling orphan. From the advertising executive and his dying son to the widow killer and his prey. From the Mayor's aide to the Governor's wife to the last remaining doctor in New York City.The story shows the effects of the default; the walkouts by police, firefighters and sanitation workers. Looters and snipers taking over the streets. Uncollected garbage bringing rats. And rats bringing the worst form of disease. How such varied characters deal with this horror and ultimately come together -- not to save the city, but themselves -- is the basis of WALK INTO THE SUN.

New edition of the controversial 1933 novel by Maxwell Bodenheim, the "King of the Greenwich Village Bohemians." From the 1933 first edition: Here's Maxwell Bodenheim's biggest book about fast, modern life in New York-the novel for which Georgie May, Replenishing Jessica and Ninth Avenue were only a preparation. It's the story of two bright, vivacious New York girls, game and scrappy kids full of youth's zest for life, and willing to go anywhere, try anything to satisfy their fierce craving for excitement. Their quest leads them to New York's toughest spots, the East Side, the Far West of gangland and the waterfront dives, the Spanish Section, Union Square with its fearless and desperate radicals, and the racketeer hells on the Broadway side streets. Their adventures and their men make a story of enthralling power; and their discovery of the only way to get clear of New York Madness brings it to a climax of terrific punch. Bodenheim has never written a more glamorous, sweeping story, reflecting sophisticate New York's own racy lingo.

Maxwell Bodenheim's 1934 novel Slow Vision depicts a young couple, a pair of average Americans swept up in labor struggles and reduced to painful subsistence, portraying the protagonists' gradual understanding of labor unions and the psychological, philosophical, and political trials that led to sympathetic affiliations in Socialism and Communism. Thus initiates their "slow vision," a simmering understanding of the manifestations of Leftist movements and of special relevance to the climate of the first two decades of the 21st century. Bodenheim's books-thirteen novels and nine volumes of verse-are mostly out of print. Some were resurrected in the late-1940s through the mid-1950s as cheap pulp paperbacks after Bodenheim had lost the rights to his own work. Slow Vision was not one of them. Presumably, nobody wanted to be reminded of the Great Depression. Slow Vision would be Bodenheim's last published novel and literary history has forgotten it.