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Paraphernalia' is a fine, capacious handbag/hold-all of a word. Practical as well as attractive, it can stretch to accommodate all kinds of contents, many of which Joanne Limburg pulls out and considers in "Paraphernalia": telephones and tin-openers, vacuum cleaners and breast pumps, needles and drips, alarms and scanners. There are objects that help us and encumber us, that we lean and hide behind, that we love and treasure, or punish and blame. Joanne Limburg's poems look at the ways in which our bodies and minds, too, can themselves be broken down into odds and ends, can be useful or useless clutter. She examines our different parts, our skin and hair, our faces, our brains and blood cells, our thoughts and our words.

By studying the diction of Romeo and Juliet , Robert O. Evans examines this, the most rhetorical of Shakespeare's plays, in terms of an Aristotelian critical category, which has been neglected in modern times. Inherent in his methodology is the assumption that Romeo and Juliet is best regarded as drama, not as pure poetry, though essentially it is the rhetorical brilliance of the poetry that is considered. Evans begins with an analysis of the important speeches of Romeo and Juliet and defines the controlling devices Shakespeare wove into them, especially oxymoron. He then follows with a discussion of the role of Friar Laurence, whom the author finds is a catalyst between the warring houses and between the lovers and the outer world of Verona. Evans concludes with an examination of Mercutio's famous Queen Mab speech, which, he points out, has an integral relationship to the structure of the tragedy as a whole. An analysis of the rhetorical devices of the play, Evans believes, demonstrates the thesis that the tragic effect of Romeo and Juliet is one of fulfillment, with the tragedy arising from the character of the protagonists rather than from circumstance.

Nineteenth Century Collections Online: European Literature, 1790-1840: The Corvey Collection includes the full-text of more than 9,500 English, French and German titles. The collection is sourced from the remarkable library of Victor Amadeus, whose Castle Corvey collection was one of the most spectacular discoveries of the late 1970s. The Corvey Collection comprises one of the most important collections of Romantic era writing in existence anywhere -- including fiction, short prose, dramatic works, poetry, and more -- with a focus on especially difficult-to-find works by lesser-known, historically neglected writers. The Corvey library was built during the last half of the 19th century by Victor and his wife Elise, both bibliophiles with varied interests. The collection thus contains everything from novels and short stories to belles lettres and more populist works, and includes many exceedingly rare works not available in any other collection from the period. These invaluable, sometimes previously unknown works are of particular interest to scholars and researchers. European Literature, 1790-1840: The Corvey Collection includes: * Novels and Gothic Novels * Short Stories * Belles-Lettres * Short Prose Forms * Dramatic Works * Poetry * Anthologies * And more Selected with the guidance of an international team of expert advisors, these primary sources are invaluable for a wide range of academic disciplines and areas of study, providing never before possible research opportunities for one of the most studied historical periods. Additional Metadata Primary Id: B0961903 PSM Id: NCCOF0063-C00000-B0961903 DVI Collection Id: NCCOC0062 Bibliographic Id: NCCO021038 Reel: 8177 MCODE: 4UVC Original Publisher: Printed for T. Cadell and W. Davies Original Publication Year: 1807 Original Publication Place: London Original Imprint Manufacturer: G. Sidney, printer; W. Flint, printer Subjects English fiction -- 19th century

"These poems draw you in, gently but firmly, with telling detail and great emotional power. You share what Yvonne Green observes -- very beautifully -- about day-to-day experience; appreciate what she has personally learnt about suffering; and reflect with her on the contribution poetry can make to understanding (perhaps even resolving) the world's problems. Honoured, as well as being the title of a harrowing individual poem about female martyrdom, is well-chosen as the title of the book honouring the reader with its intelligence and compassion -- and with the occasional agreeable surprise." Alan Brownjohn "These are vital, fiercely moving poems, alive with the danger, fear, violence and loss of a diaspora. Yvonne Green invites us to "....know about coming from a country that doesn't exist" and takes us beyond borders and language in her expansive, profoundly relevant exploration of identity and the meaning of 'home'." Josephine Corcoran

"I like the way good food and diction go together so clearly... The poems are different to what one normally gets in English, the issues far bigger, as in 'Dhimmi Under Sharia Law' (A Lawyer's Poem) and in many others that one may benefit from." - Alan Sillitoe"These enthralling and lovely poems begin with rich recollections of another country ( so we ate, so we loved ), but darken into the shock of domestic violence. Her poems are absolutely straightforward to read, but quite unforgettable." - Alison Brackenbury"Yvonne Green takes us into the unfamilar world of Boukhara and Judeo Tajik culture with complete assurance. For all the lucidity of her poetry, her work has an unusual density. This is a fine new voice, which deserves to be widely heard." - Elaine Feinstein"Yvonne Green's poems are strange, evoking unfamiliar worlds and seeing them with their own kind of language. She effaces their merely subjective self and her poems get into their subjects. What matters is the voices out there, and she hears them. There is so much world, so many stories, included here. It is wonderful to encounter this vivid annex to experience and understanding." - Michael Schmidt

"In this new collection of poetry, Myra Cohn Livingston again demonstrates her special gift for entering into a very young child's world and catching its pleasures and wonders, moods and excitements."--Book jacket.

Book annotation not available for this title.Title: GuillevicAuthor: Levertov, Denice (EDT)Publisher: W W Norton & Co IncPublication Date: 1969/10/01Number of Pages: Binding Type: HARDCOVERLibrary of Congress: 74088726"

Amy Levy (1861-1889) was a British poet and novelist. Levy was born in Clapham, London into a Jewish family that was mildly observant, but as an adult she no longer practised Judaism although she continued to identify with the Jews as a people. Levy wrote stories, essays and poems for periodicals, some popular and others literary. The stories Cohen of Trinity and Wise in Their Generation, both published in Oscar Wilde's magazine Women's World, are among her best. Her final book of poems, A London Plane-Tree and Other Verse (1889), contains lyrics that are among the first to show the influence of French symbolism. Her other works include Xantippe and Other Verse (1881), The Romance of a Shop (1888), Reuben Sachs (1888) and Miss Meredith (1889).

A beautifully written prose work, Tsing is a multi-layered narrative that combines a wholly fictional novel-within-a-novel with an episodic chronicle of the narrator's present as a traveler to and visiting writer in the United States. Much more than an "ordinary" postmodern text, Tsing is a quiet and moving paean to the narrator's deceased father. Beginning with a series of imagined vignettes involving a father and a daughter, Albahari weaves both real and imagined narrative fragments together with considerable skill. As Albahari's fragments - simple stories about persons approaching each other, spending some time together, and eventually going their separate ways - accumulate, his deft combination of paradox and poetry provides a kaleidoscopic view of memory, love, and loneliness.

Amy Levy (1861-1889) was a British poet and novelist. Levy was born in Clapham, London into a Jewish family that was mildly observant, but as an adult she no longer practised Judaism although she continued to identify with the Jews as a people. Levy wrote stories, essays and poems for periodicals, some popular and others literary. The stories Cohen of Trinity and Wise in Their Generation, both published in Oscar Wilde's magazine Women's World, are among her best. Her final book of poems, A London Plane-Tree and Other Verse (1889), contains lyrics that are among the first to show the influence of French symbolism. Her other works include Xantippe and Other Verse (1881), The Romance of a Shop (1888), Reuben Sachs (1888) and Miss Meredith (1889).

This Is A New Release Of The Original 1911 Edition.

Pour Lire Au Bai (1884) est un recueil de po�����mes �����crit par l'auteur fran�����ais Catulle Mendes. Les po�����mes sont caract�����ris�����s par leur style lyrique et leur th�����me romantique. Le titre du livre est un jeu de mots sur ""pour lire au lit"", sugg�����rant que les po�����mes sont destin�����s ������ ������tre lus dans un endroit confortable et intime. Les po�����mes se concentrent sur des th�����mes tels que l'amour, la beaut�����, la nature et la mort. Les po�����mes sont �����crits en vers libres et en prose po�����tique. Le livre a �����t����� bien accueilli par la critique de l'�����poque et est consid�����r����� comme l'un des meilleurs travaux de Mendes.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Legender Och Visor: Dikter (1891) is a collection of poems by Swedish author Oscar Levertin. The book features a mix of lyrical ballads and legends, drawing inspiration from Nordic mythology and folklore. The poems are written in a traditional style, with a focus on meter and rhyme. Levertin's writing is known for its romanticism and love of nature, and this collection is no exception. The book is a celebration of Swedish culture and tradition, and has been praised for its vivid imagery and powerful emotions. Overall, Legender Och Visor: Dikter is a beautiful and timeless work of poetry that captures the spirit of a bygone era.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

A musical phrase, a dream image, the absence of a lover, fragments of conversation with friends, an atrocity, the fragility and infinite mutability of words . . . each of the 71 poems in this collection proliferates around its transient nucleus. Like cells in a body, they are dynamic repositories of the past, sites for the breakdown and synthesis of experience, receptors and translators of self-generated and external messages. The immediate setting of the poems is Europe, a continent of many languages, whose borders can be porous or impenetrable depending on who wants to cross them. A truly heterogeneous space, whose land- and mindscapes remain deeply scarred - but also nourished - by the events and concepts of not only the twentieth century. Although the poems in this book written over a period of four years are distinguished by annually changing forms, they have been arranged not chronologically but calendrically.